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Tactical unions : Andrew Sullivan's battle for same-sex marriage in time and spaceClark, Kevin Amos 07 March 2011 (has links)
Not available / text
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The Prairie School banks of Frank Lloyd Wright, Louis H. Sullivan, and Purcell and ElmslieZabel, Craig Robert, January 1984 (has links)
Thesis (Ph. D.)--University of Illinois at Urbana-Champaign, 1984. / Vita. Includes bibliographical references (leaves 626-650). Also issued in print.
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The Prairie School banks of Frank Lloyd Wright, Louis H. Sullivan, and Purcell and ElmslieZabel, Craig Robert, January 1984 (has links)
Thesis (Ph. D.)--University of Illinois at Urbana-Champaign, 1984. / Vita. Includes bibliographical references (leaves 626-650).
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Images of Japonisme the portrayal of Japan in select musical works /Steadman, Amanda. January 2009 (has links)
Thesis (M.M.)--Bowling Green State University, 2009. / Document formatted into pages; contains v, 70 p. : col. ill. Includes bibliographical references.
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Social Discourse in the Savoy Theatre's Productions of The Nautch Girl (1891) and Utopia Limited (1893): Exoticism and Victorian Self-ReflectionHicks, William L. 08 1900 (has links)
As a consequence to Gilbert and Sullivan's famed Carpet Quarrel, two operettas with decidedly "exotic" themes, The Nautch Girl; or, The Rajah of Chutneypore, and Utopia Limited; or, The Flowers of Progress were presented to London audiences. Neither has been accepted as part of the larger Savoy canon. This thesis considers the conspicuous business atmosphere of their originally performed contexts to understand why this situation arose. Critical social theory makes it possible to read the two documents as overt reflections on British imperialism. Examined more closely, however, the operettas reveal a great deal more about the highly introverted nature of exotic representation and the ambiguous dialogue between race and class hierarchies in late nineteenth-century British society.
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Pathways of love through song: the composer’s intentionRider Gard, Anna Elizabeth January 1900 (has links)
Master of Music / Department of Music, Theatre, and Dance / Amy Underwood / The following report is extended program notes that focus on the expression of love in various ways. These songs were presented on a graduate recital March 31, 2015 in All Faiths Chapel at Kansas State University. It is in partial fulfillment of the requirements for the Master of Music degree in vocal performance. The works included are by Bellini, Bernstein, Hahn, Koechlin, Obradors, Saint-Saëns, Schumann, and Sullivan. Below is a detailed description explaining the focus of the report.
Many musicians discuss the musical elements including key signatures, time signatures, harmony, rhythm, and melody. They may also discuss the understanding of the music through the viewpoint of the vocal text. The musical elements and how the subject matter connects the two together is important to understand when giving a recital. It makes the music come alive for the audience and it is a true interpretation of how it should be performed.
Love is a topic which many composers explore because of the natural emotion people feel about its perception. Different feelings and emotions conjured in the hearts and minds of humankind. Love is a personal feeling, and after studying the poetry and music, I assigned an adjective or verb to each song that describes a more specific facet of love’s emotional spectrum. These adjectives and their portrayal by various composers will comprise the focus of this paper.
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The Career Intern Program: An Alternative High School in 1970's PhiladelphiaRains, Brandon 01 May 2010 (has links)
In 1971, Leon Sullivan, founder and chairman of the Board for the Opportunities Industrialization Centers of America, created the Career Intern Program. The purpose of the Program was to identify and help dropouts and potential dropouts from high school graduate and select and start a career. In order to accomplish these ambitious goals, Program leaders introduced a variety of educational innovations designed to help interns succeed where traditional educational methods had not. During the Career Intern Program's operational life, CIP leaders turned to the federal government for funding, and the National Institute of Education became CIP's primary funder from 1972 to 1976. This collaboration caused several programmatic changes that simultaneously challenged and improved the Program and its ability to fulfill its purposes. When the NIE period ended, the Department of Labor funded the CIP until 1981, after which the Program failed to find further funding and ceased operation.
This thesis looks at the civil rights, urban, and economic roots of the Career Intern Program. By looking at these origins, this thesis seeks to derive the Program's original goals, and also by extension how the Program changed during its operational life, especially during the NIE period in Philadelphia. By looking at the Program, education will be identified as a part of the urban and civil rights historiographies, a topic which has largely been underdeveloped by historians of these topics. Also, the CIP-NIE period serves to shed light on private organization-federal agency collaboration during the post-War on Poverty era. Overall, this thesis hopes to contribute to an expanding historiography and help create a more comprehensive narrative of the post-World War II urban north.
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Dynamique conforme dans les espaces métriquesHaïssinsky, Peter 06 March 2009 (has links) (PDF)
Ce mémoire est consacré à mes travaux sur la dynamique conforme dans les espaces métriques. Il est constitué de deux parties, la première concernant les groupes hyperboliques, et la seconde l'itération de revêtements ramifiés dans des espaces topologiques. Ces deux parties sont reliées par le dictionnaire de D. Sullivan. On a choisi d'orienter l'exposition en prenant la conjecture de J.W. Cannon comme fil d'Ariane.
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Organic architecture : its origin, development and impact on mid 20th century Melbourne architectureNjoo, Alex Haw Gie, alexnjoo@bigpond.net.au January 2009 (has links)
Australia in the early 50s followed a decade or so of frenzy activities in the visual arts. This resurgence of Australian art which led to its recognition in the UK and the United States also brought about a renewed recognition in the quality of domestic architecture. New boundaries in the design of the Australian home were being redefined, both in theory as well as in practice. Although the decades between the two Great Wars saw the importation of such influences as the Californian Bungalow and Art Deco styles (shades of Dudok, Mendelsohn etc.), it was during the post-war years that the term organic architecture that was much discussed by a wide range of practitioners of the time. This research aims to trace the journey of organic architecture from its origin to Australia and provide some insight into the workings of those who claimed to have practiced it.
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General Highway Map - Sullivan County, Tennessee - 1963Tennessee Department of Transportation 01 January 1985 (has links)
General highway map of Sullivan County, Tennessee prepared by the Tennessee Department of Transportation, Bureau of Planning and Development-Planning Division in cooperation with the U.S. Department of Transportation, Federal Highway Administration. Field data obtained in 1978. Field Examination made in 1985. The road names shown on this map were approved by the Sullivan County Commission in 1985.
Legend denotes multiple categories including dwellings and businesses as well as county infrastructure. An inset of Friendship Road can be found on the lower portion. Lines of longitude and latitude are listed along the outside border.
Physical copy resides in the Government Information, Law and Maps Department of East Tennessee State University’s Sherrod Library.
Scale for general map - 1/2" = 1 mile / https://dc.etsu.edu/rare-maps/1037/thumbnail.jpg
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