Extra Ordinär är en digitaltryckt tapetkollektion inspirerad av den gråa och rutinbundna vardagen. I denna kollektion har vardagliga attribut som rostig metall, vattenskadat laminat- golv och sliten plast förvandlats till mönster. I vår vardag finns många saker som vi ser varje dag men ändå aldrig riktigt lägger märke till. Genom att inspireras av vardagen som en sammanhängande helhet av olika arkitektoniska material och färger i min omgivning har jag för att hylla det alldagliga tagit fram ett antal mönster för hemmiljö. I stället för att dölja skarvar, fogar, ledningar och slitage som finns överallt i min vardag, blir dessa i denna kollektion till dekoration i form av bårder och tapet.

Dagdrömmar är en tapetkollektion bestående av tre fondtapeter som kombinerar det moderna, massproducerade digitaltrycket med traditionell, unik broderiteknik. Genom att tillföra handbroderi och dess struktur och textila känsla till ett digitaltryckt tapetmaterial skapas en kollektion som befinner sig i gränslandet mellan design och konst, lyx och budget samt dröm och verklighet.Daydreams is a wallpaper collection consisting of three images that combines the modern, mass-produced digital printing techniques with traditional, unique needlework. By applying embroidery – with its structure and fabric texture – to a digitally printed wallpaper material, a collection is created that lingers on the borders between art and design, luxury and modesty as well as dream and reality. / Program: Textildesignutbildningen

This study is aimed at the development of long-term sustainable and more dense cities. Where different theories and strategies are discussed, which can be further developed in future projects. Density is a way to plan and design with the intention of reducing the strain on our infrastructure. Through density, proximity is created, this contributes to shorter transport distances and safer roads. Density can be described in different ways, whereas the measurement instruments often used to measure density, reflect a picture far from reality. This makes the path to density often misleading and deprioritises important qualities such as greenery and social spaces. Our project “How Density Can Be Correct” is based on creating dense and long-term sustainable cities, with a focus on our well-being. To achieve this, we need greenery, light, and social interactions which are important building blocks for promoting good health. By implementing and enabling these qualities to take place, healthier lifestyles and greener cities can be created. Through the project, two courtyards in the city of Malmö have been continuously visited and analyzed, to understand practically which solutions do and do not work. The project then began with a background theory that, among other things, increasing the practice of dense building and its benefits. The same chapter also describes the importance of greenery and social spaces. This is followed by different chapters that explain how the complex is built. Within these chapters, the shape of the blocks, courtyards, apartments, businesses, passages, and green spaces are discussed. In the conclusion, everything we have taken from our studies is presented in a design proposal that aims to show a general model of how different strategies for greenery and social interactions can be implemented. Yet, the proposal also recognises other qualities that are desirable to create an attractive city.

During the twenty first century the enthusiasm among the general public the turn of the century 1900’s kitchen has increased in Sweden. Since around 2010 media is overflowing of imagery that cater to and perhaps even with an intention to further stimulate interest in the century 1900’s kitchens. The wallcovering plays a huge part in achieving that estetic. With the increase of serious interest in properly reconstructing and rebuilding these kinds of spaces the scientifically based conservation is vital. But how accurate is the public picture of the turn of the century 1900’s kitchen? How accurate is even the more academically recognized image of the kitchen in Sweden between 1890 to 1920? With this thesis, my intention is to expand the view and knowledge regarding wall coverings in the private kitchens in Sweden between 1890 - 1920. Also to increase underlying information to proper conservation for buildings. The knowledge in both private and state funded conservation in this aspect is, according to findings during the course of writing this thesis, is lacking due to the spars scholar level interest in this subject. This bachelor thesis purpose is to contribute to the advancement of scientifically based knowledge of the private kitchen wallcovering between 1890-1920 in Sweden and compare the popularized image of the kitchen wallcovering, with the result from my study. With different types of archive material, both figurative and written, this bachelor thesis aim at broadening the popularized image of the wallcovering in Sweden's home kitchens between the years 1890-1920. Iconology/iconography, conservation, pop culture and feminist theories have been considered when making this thesis. One among several findings, as presented in this thesis, is that the popularized image of wall covers in home kitchens in Sweden between the years of 1890-1920 differs significantly from their usual appearance.