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This thesis examines the place of information communications technology (ICT) as a form of power in International Relations (IR) theory. Through an examination of the dominant approaches to ICTs in IR I outline the need to introduce a concept of technological power which can account for agency and culture in the process of technological design and development. Turning towards the critical theory of technology of Andrew Feenberg, the thesis argues that conceptualizing technology as biased but ambivalent provides the space within which agency may be considered alongside the structuring characteristics of technology to provide a more theoretically balanced and analytically productive account of the politics of technology. Building upon this foundation, the thesis outlines ICTs as a form of institutional power in international politics, acting upon agents at a distance in both space and time. This form of power is enmeshed in, and supported by, structural power relations and the interrelated discursive and ideological forms of power which maintain these structures. I examine the utility of these concepts through an extending empirical illustration of the role of the Internet in American Foreign Policy. This analysis argues that the Internet, as a product of American technological development, expresses a bias towards liberal capitalist values which forces other states to either alter their social practices or enact costly filtering regimes. The open networks of the Internet thereby facilitate the pursuit of an Open Door foreign policy by the United States government. Accounting for the technologically embedded cultural norms of the Internet casts a different light upon the nature of power in international relations, and requires that we take the constitution of an global material culture into account in our theories of international relations.

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Each volume includes author's previously published papers. / Bibliography: leaves 147-151 (v. 1). / 3 v. : / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / Thesis (D.Sc.)--University of Adelaide, School of Mathematical Sciences, 2005

H.C. Brodie's Thesis--Columbia University. / Without thesis statement. "First published in 1935 under the title Granice nauki. The present edition has been revised and supplemented by the author." "Bibliography of Chwistek's articles and books": p. [xvii]-xix. Includes bibliographical references.

published_or_final_version / Computer Science / Master / Master of Philosophy

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This paper explores the weight of color, with the focus lying on the symbolic significance ofcolor. Exploring whether color in itself conveys symbolic significance and is the symbolicsignificance of color permanent, or is it an after construction? It will be looking at differentareas such as what makes us humans able to perceive colors in the first place, beginning withan insight at some of the foundations in the area of color theory. Mentioning experiments ondecomposed white light, that contains the visible color spectrum and its contribution to theevolution of the color wheel. The color wheels contribution to the art world, the constructionof color harmonies and their significance. It will also be looking at some of the more commonsymbolical meanings of colors and its symbolic significance as color language. It will becovering previous research such as what the symbolic significance of color was under theElizabethan era, consequences when combining color and taste and finally an insight on thetheory of the emotion wheel and its conceptual design in combining emotions with color.There will also be a discussion part looking at the area of color therapy and thoughtsrevolving the subject. The second last part will revolve around my own observations andanalysis. Keeping in mind what I have explored in the earlier parts of this paper and using thatknowledge in my observations and analysis on three different methods utilising the symbolicsignificance of color, focused in the area of films. The last part of my paper will be the resultsof my exploration on the subject of symbolic significance of color and also a discussion part,with my own thoughts on the subject.

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