Global ETD Search

1	QWERTY : WOMAN :: ABCDEF : MAN or clear syntax is offline in foxholes or how i learned to live my life as a conjunction Maddux, Kathryn Marie 29 November 2012 (has links) I position my work at the intersections of identity and form. More specifically, I’m interested in how and why an individual’s physical appearance and demeanor become communicative and are then interpreted. Socially, it seems that we still often operate in ways that honor categorical distinctions between people, meaning for instance, that a man is something and a woman is something different from a man. Well, what if a woman can become a man or be read as a man simply by a change of clothes or through the addition of simple hormone injections? If this is possible, what does it mean for the terms that were previously understood to be fairly stable? Why does my body mean something or have to mean something, and if it doesn’t have meaning, what is it that it conveys? I live in a body that has shifted from something that was labeled female at birth to something that is now read as male. This adjustment has radically undermined my relationship to the blunt categorical expectations that partition the social face of our psychic lives. I’m unconvinced that the interpretation of my self is generally concurrent with the interpretation of my form. Too often, I believe the latter restricts the potential of the former. This is particularly evident in my unique position as a practically unreadable gender. My physical cues point to a familiar position within the gender binary that I don’t identify with. This limits my ability to engage with even members of my own queer community without resorting to the act of disclosure. I’m also curious about the flip side of this problem when, upon disclosure, the binary’s seam opens to be revealed as faceted, possessing multiple, unnamable spaces that reflect uncertainty back into the ideas of man and woman and render gender into a flexible field of characteristics that individuals use for many things, as opposed to simply inhabit. My work addresses this potential break between font and legibility, gesture and etiquette, the familiar and the possible. My portrait of the body and gender is incidental not substantive. / text Transgender theory Transgender installation Painting Feminism Feminist photography Gender theory Gender theory in art Sculpture Photography
2	Bortom binären -En litteratur studie om Transgender teori och vad den möjligen kan bidra till i socialt arbete Toseva, Gergana, Selin, Karin January 2012 (has links) Beyond the binary borders of sex-A LITTERATURE STUDY ABOUT TRANSGENDER THEORY AND ITS POSSIBLE CONTRIBUTION TO A SOCIAL WORK CONTEXT.GERGANA TOSEVAKARIN SELINA thesis in Social work studies (15 credits) at Malmö University, Hälsa och Samhälle 2012.The discussion about sex and gender is always prominent in a social work context. Our purpose and questions are hence based on the discussion on transgender theory and the way of thinking about the non-binary, and how it relates to the nearby theories. The method of the essay consists of a semi systematic literature overview with the focus on discussing transgender theory in relation to other theories and perspectives, such as modernism, post modernism, feminism and queer theory. We answer the following questions:1.Is it possible to go beyond or exceed the binary of sex and if so, how do we see it in the material we examined?2.In what way are the existing theories of sex / gender in the binary?3.Can one featuring a female embodied subject be of assistance to transgender people's search for an embodied subject?We consider it possible to move beyond the binary by using “fuzzy logic”(Nagoshi & Brzuzy 2010, Tauchert 2002) which is a way of staying in the binary but expanding the term and work in the grey areas instead. Furthermore do we believe a female embodied subject can be of great importance to the transgender people because that is the other half of the issue of equality. binary borders creating the individual embodiment the thinking of male and female transgender theory oppression/ marginalization subject Social Sciences Samhällsvetenskap
3	On Sublimity and the Excessive Object in Trans Women's Contemporary Writing Nyberg Forshage, Andria January 2015 (has links) This thesis examines trans women's contemporary writing in relation to a theory of the excessive object, sublimity, transmisogyny and minor literature. In doing so, this text is influenced by Susan Stryker's work on monstrosity, abjection and transgender rage in the article “My Words to Victor Frankenstein Above the Village of Chamounix: Performing Transgender Rage” (1994). The excessive object refers to a concept coined in this thesis to describe sublimity from another perspective than that of the tradition following from Immanuel Kant's A Critique of Judgment, building on feminist scholarship on the aesthetic of the sublime. Of particular relevance are critiques of the patriarchal dynamics of sublimity and the idea of the feminine sublime as it is explored with reference to literature by Barbara Freeman in The Feminine Sublime: Gender and Excess in Women's Fiction (1995). Following from the feminist critique of sublimity, trans women's writing is explored as minor literature through a re-reading of Gilles Deleuze and Félix Guattari's work on Franz Kafka in Kafka. Toward a Minor Literature (1986), with attention to the importance that conditions of impossibility, marginality and unintelligibility holds for the political possibilities of minor literature. These readings form the basis for an analysis of four literary texts by two contemporary authors, Elena Rose, also known as little light, and Sybil Lamb, in addition to a deeper re-engagement with Stryker's work. In so doing, this thesis also touches on topics of power, erasure, trauma, self-sacrifice, appropriation and unrepresentability. aesthetics becoming erasure excessive object feminine sublime feminist aesthetics literary theory monstrosity sublimity transgender theory trans women's writing transmisogyny unrepresentability
4	Rhizomes, parasites, folds and trees : systems of thought in medieval French and Catalan literary texts Gutt, Blake Ajax January 2018 (has links) This thesis investigates conceptual networks —systems of organising, understanding and explaining thought and knowledge— and the ways in which they underlie both text and its mise en page across a range of thirteenth- and fourteenth-century French and Catalan literary texts and their manuscript witnesses. Each of the three chapters explores a separate corpus of texts, using two of four interrelated network theories: Michel Serres’ notion of parasites and hosts as the basic interconnecting units that combine to constitute all relational networks; the ubiquitous organizational tree; Gilles Deleuze’s concept of the fold as the primary factor in producing differentiation and identity; and Gilles Deleuze and Félix Guattari’s unruly, anti-hierarchical and anti-arborescent rhizomatic systems. The first chapter engages primarily with parasites and trees; the second with trees and folds; and the third with folds and rhizomes. However, resonances with the other network theories are discussed as they occur, in order to demonstrate the fundamentally interconnected and often interchangeable nature of these systems. Each chapter includes close analysis of manuscript witnesses of the texts under discussion. The first chapter, ‘Saints Denis and Fanuel: Parasitism and Arborescence on the Manuscript Page’, examines parasitic and arboreal networks in two hagiographic texts: late thirteenth- and early fourteenth-century prose redactions of the Vie de Saint Denis, and the thirteenth‐century hagiographic romance Li Romanz de Saint Fanuel. The second chapter, ‘Ramon Llull’s Folding Forests: The World, the Tree and the Book’, addresses arborescent and folding structures in Llull’s encyclopaedic Arbre de ciència [Tree of Science], composed between 1295 and 1296. The third chapter, ‘Transgender Genealogy: Turning, Folding and Crossing Gender’, considers three characters in medieval French texts who can be read as transgender: Saint Fanuel; the King of Torelore in Aucassin et Nicolette; and Blanchandin/e in Tristan de Nanteuil. The chapter explores the ways in which these characters’ queer trajectories can be understood through conceptions of directionality which relate to the fold and the rhizome.
5	Inclusive Shakespeare: An Intersectional Analysis of Contemporary Production Brinkman, Eric M. January 2020 (has links) No description available. Theater Literature African American Studies Black Studies British and Irish Literature Comparative Literature Film Studies Fine Arts Gender Studies History Pedagogy Performing Arts Theater History Theater Studies Womens Studies Shakespeare affect sexuality gender performance Theatre drama queer theory critical race theory blackness transgender theory intersectional pedagogy Shakespeare plays Hamlet Titus Andronicus Othello Twelfth Night Romeo and Juliet

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