Global ETD Search

261	Slovotvorba v německo-českém slovníku / Word Formation in German-Czech Dictionary Šemelík, Martin January 2014 (has links) The present thesis is based on my experience as one of the contributors to The Large Academic Dictionary German-Czech. It attempts to discuss the role of word formation in German-Czech dictionaries in that it focuses on presentation of word formation in outer texts, macrostructural ordering procedures, treatment of word forming elements, special word formation parts of dictionary entries and possibilities of typography as a means word formation description in a bilingual dictionary. The approach taken is both contemplative and transformative. The thesis rests on the study of existing German-Czech dictionaries published mostly after 1945, partly between 1802 and 1945 as well. Concrete function-based proposals centred on the supposed target users of the LADGC are discussed here. A considerable part of the thesis deals with German derived nouns in Ge-...(-e) seen from a corpus linguistic view.
262	World of Desire Crippa, Benedetta January 2017 (has links) This project report offers an in-depth, detailed account of my creative process and work during my two-year Master in visual communication at Konstfack, Stockholm. My degree project is a celebration of plurality and visual democracy. Starting with identifying different norms pervading the graphic design discipline in the Western world today, both in terms of aesthetic values and systems of thinking, I have worked to propose and visualize alternative possible futures. Drawing has been my main carrier through an intense journey of un-learning and re-learning resulting in an artist’s book in unique copy. With this book, I want to problematize the dominant discourses around objectivity as a utopian ideal with a suppressive agenda, while visualizing a world I can recognize myself in. I have used decoration as a method, emotion and femininity as explorative standpoints, giving space to the metaphorical, the ambiguous and the spiritual to challenge current visual norms. This book emerges as an affirmation of my own quest for visual belonging as a graphic designer and a woman; a testimony of the practice of drawing as actualized power. materialized hope hope visual culture visual democracy visual silence plurality feminism graphic design visual communication drawing book artist's book visual belonging decoration ornament un-learning re-learning neutrality femininity imagination desire emotion spirituality complexity communication painting folk art circularity writing visual research animation narrative book making liberation feminist practice feminist future practice of liberation typography material culture craft Humanities and the Arts Humaniora och konst Arts Konst Design Design Visual Arts Bildkonst
263	Tvorba písma OpenType volně dostupnými softwarovými prostředky / Making OpenType fonts with free software Bednár, Peter January 2011 (has links) In thesis themes of typography and computer font of OpenType format is described in details. At the beginning attention is paid to historical development of typeface, where stress is laid mainly on development of Roman and white letter with their characteristics. Having presented basis of typography work is concentrated on topic of digital font with emphasis on possibilities of OpenType format. Further its characteristics and advantages were listed compared to another formats and it was evaluated as format appropriate also for creating font in education process. Letterspacing and kerning were mentioned between basic graphical modifications in creating fonts. In theoretical part of the thesis they were examined in available programs designed for creating font in OpenType format. Except free available means into summary were included also commercial types due to absence of more advanced instruments and functions with free available applications. In evaluation was found that the most convenient for education is Fontlab Fontographer commercial program, free Type lite and Fontforge indicated for Open-source platform. Practical part of the thesis is focused on two chosen programs for creating main font characteristics. The goal was to detect if it is possible to reach identical results when using both programs. Fontographer program enabled to use wide tool palette dedicated to vector graphic processing by means of Adobe Illustrator similar instrument. In the case of Type lite program there were rather less instruments, what is sufficient for elementary work and familiarization with creating of digital typeface. Freeware shortage is basic absence of kerning, spacing or hinting functions. Comparing program possibilities, it falls that freeware programs based on OS Windows with their functionality are sufficient only for entry level users. The best option within free available programs is Fontforge for OS Linux which supports mentioned typographic functions. Fontographer was recommended for teaching of basic characteristics of OpenType font format. Another goal of the thesis was creating of recommended work procedure for creating basic characteristics of OpenType font for students, that is enclosed at the end of the thesis.
264	Präsenz des Gedichts um 1900 / Typografische und wahrnehmungsphysiologische Poetiken bei Hugo von Hofmannsthal und Stefan George Märtin, Björn Ludger 10 January 2023 (has links) Die Dissertationsschrift setzt sich mit der Karriere der Materialität in der Lyrik der Moderne auseinander. Im Übergang zur Moderne bildet die Lyrik Konzeptionen aus, die den Lyrikbegriff des 19. Jahrhunderts überwinden, indem sie materielle Eigenschaften von Literatur in die Produktion lyrischer Werke einbeziehen und im ästhetischen Erleben des Gedichts wirksam werden lassen. Die Untersuchung erforscht in ihrem Fortgang die produktive Wirksamkeit materieller Substrate der Lyrik in ihren technischen und poetologischen Ausprägungen. Im Zuge dessen werden Möglichkeitsbedingungen für die Rezeption lyrischer Werke herausgestellt, die durch einen veränderten Mediengebrauch entstehen. Dabei wird aufgezeigt, dass der Umgang mit den Substraten der Lyrik einer historischen Genese unterliegt, die zumindest in den bisher von der literaturwissenschaftlichen Forschung herausgestellten Gesichtspunkten zum Themenkomplex kaum beachtet wurde, die jedoch zu einem dezidierten Verständnis moderner Lyrik führt. In einer durch die Fragestellung gesteuerten Auswahl sind Gegenstände der Untersuchung sowohl Gedichte als auch Essays und Manifeste. / The dissertation is about the career of materiality in poems of the early modern period. In the shift from the 19th century to the beginning of the 20th century, lyricism develops conceptions comprising the material qualities of literature into the production of lyric works and make them operant in the aesthetical experience of poems. In this project I do research on the productive efficacy of material substrates of poems and describe them in their technical and poetical characteristics. In the course of this the basic preconditions for the reception of lyrical works as they effect from the changed use of media are elucidated. Based on this I assume, that the use of the substrates of lyrical production is subject to a historical genesis, that was neglected by studies in literature until now, although it would help to develop a deicide understanding of lyrical works of the modern period. Due to a problem based selection of texts the subjects of the research are poems as well as essays and manifestos. Lyrik George Hofmannsthal Medientheorie Systemtheorie Typografie Buchgestaltung Wahrnehmung Präsenz Affekt Interface Experimantalpsychologie Poetry George Hofmannsthal Media Theory Systems Theory Typography Book Design Perception Presence Affection Interface Experimental Psychology 002 Das Buch 831 Deutsche Versdichtung GM 3775 GM 3204 ddc:830 ddc:002 ddc:831 ddc:152 ddc:028 ddc:800

Page generated in 0.0523 seconds