Denna uppsats handlar om människor som tror på existensen av utomjordiskt liv och påstår att det har skett möten och kontakter mellan människor och livsformer från andra planeter. Mitt syfte har varit att undersöka närmare vad tron på utomjordiskt liv kan innebära och om det finns religiösa inslag i detta och om detta gestaltar sig som en religion eller livsåskådning. Jag har studerat materialet utifrån ett religionsvetenskapligt perspektiv och sökt efter att åskådliggöra om den sortens övertygelse bildar grunden för en livsåskådning eller religion och vad det kan innebära. Vad har dessa människor, vars idéer och tro jag studerat i denna uppsats, för åsikter? I min uppsats har jag arbetat utifrån Ulf Sjödins tolkning av Jeffners definition av begreppet livsåskådning och Helmer Ringgrens religionsdefinition. Den frågeställning jag utgått ifrån är om tron på utomjordiska existenser är en livsåskådning eller religion och i sådana fall på vilket sätt och i vilken utsträckning den yttrar sig. Det är vad min uppsats kommer att försöka belysa och besvara utifrån den möjlighet och tid jag haft tillgodo för arbetet.

This thesis is an examination of contemporary artist Mariko Mori's use of fashion in her work from 1993 to 2001. Contained within her sartorial phrasing is an involved relationship with the body, female and Japanese, as it exists within technological modernity. Tumult characterizes Mori's body as she images it early on in her career. This highly alienating space in which she positions herself gradually transitions to a space of respite for the performative body of another actor by 2001's Wave UFO. Wave UFO creates a mediated space for healing the modern body plagued with isolation through transcendence provided by technological means. Minimalist fashion, as a kind of plastic mechanization of corporeal experience, helps to accomplish this healing. Mori's Wave UFO attendant costumes present minimalist fashion as a location for reconciling spiritual identity in a postmodern age. The flat-panel costumes have the effect of disfiguring the bodies of the attendants into amorphous plasticized shells (much like the backdrop of the Wave UFO) and mechanizing the movements of the wearer. The sleek technological sensibility of the costumes, in conjunction with the stark sterility of the immersive Wave UFO interior, are the culminating expression of the ambivalent liminality Mori's body takes from 1993-1999. This is a body that floats between absence and presence, self and other. This thesis begins with a survey of Mori's 1990s work, including her 1994 self-portrait series that launched the artist into international recognition. The 1993-94 self-portraits present a playful mimicry and a self-aware exploration of regional dress as it is found on the streets of Tokyo. By the end of the decade the play shifts to minimalist self-denial that achieves a transcendence of the imaged body once grounded in the urban self-portraits. After exploring necessary and appropriate contexts of Japanese fashion and other cultural contexts, the thesis culminates in an extended analysis of Mori's 2001 Wave UFO installation. Mori's suggestion that technology can achieve transcendence of the body furthers the theorization that minimalist fashion overcomes the physical and ideological boundaries of human existence in a modern world.

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Uppsatsen Den performativa uppväxten syftar till att studera den heterosexuella matrisens verkan i tre svenska skolskildringar. Som teoretisk grund för undersökningen används såväl Yvonne Hirdmans teori om hur genussystemet bärs upp av de logiska fundamenten isärhållning och könshierarki, som Judith Butlers queerfeministiskt filosofiska dekonstruktion av kön som kategori. De skönlitterära verk som analyseras är Agnes von Krusenstjernas Tony växer upp och Tonys läroår, Jan Guillous Ondskan och Jonas Gardells trilogi En komikers uppväxt, Ett ufo gör entré och Jenny. Genom ett textanalytiskt tillvägagångssätt med komparativa inslag undersöks hur genusstereotyper reproduceras och stabiliserar heterosexualiteten som obligatorisk norm, vidare hur dessa processer gestaltar ungdomars identitetstillblivelse i den skönlitterära skolmiljön. De tre skolskildringarna statuerar exempel som belyser hur grupptryck och okritisk medvetenhet resulterar i kollektiv könsseparerad performativitet. Den komparativa analysen av de olika skönlitterära verken framhäver genussystemets samtidigt stabila och föränderliga karaktär. De olikartade verken stärker tesen om könsnormer som kulturella, samhälleliga och tidsanpassade konstruktioner, där dock samtida manliga och kvinnliga ideal definieras utifrån varandra likt binära motsatser. Dessa, utifrån varandra definierade genus, stabiliserar en biologistisk heteronormativ beroendeställning mellan en dominant manlighet och en underordnad kvinnlighet. Genom applicerandet av Butlers teori om genussymmetri som en naturaliserad diskurs snarare än en biologisk sanning analyseras hur de olika utanförskap som gestaltas i skolskildringarna samtidigt avslöjar och stärker genussystemet.

La recherche sur les soucoupes volantes commence à la fin des années 1940 en France. Elle est principalement le fait de ceux qui se nomment « soucoupistes ». En parallèle de cette activité exercée essentiellement à titre individuel, l’armée mène également ses propres enquêtes. Son intérêt pour la question ne se dément pas depuis les années 1940, même si les informations concernant son implication et son action se révèlent peu accessibles. De leur côté les soucoupistes s’agrègent et les premiers groupements privés d’envergure apparaissent dans les années 1950 et se généralisent à la fin des années 1960. La décennie 1970 correspond, quant à elle, à l’âge d’or de l’ufologie en France : les organisations se comptent par centaines et les ufologues par milliers. Un véritable réseau de recherche scientifique sur les ovnis apparait donc. Ce réseau s’articule autour des groupements de personnes et des individus -qui publient dans des revues spécialisées- et tente de se connecter à une ufologie scientifique publique en plein essor. Cette dernière, placée sous l’égide du CNES, prend le nom de GEPAN. Ce service, plusieurs fois rebaptisé, existe toujours aujourd’hui. Il s’appuie sur l’armée –principalement la gendarmerie- et certaines administrations qui le pourvoient en informations OVNI. L’ufologie française –en déclin depuis les années 1980- se caractérise donc par la coexistence d’un réseau de recherche privé et d’un réseau public qui, hormis en de rares occasions, collaborèrent très peu, cette situation contribuant à la maigreur des résultats obtenus par les ufologues. / The research about unidentified flying objects has started in the late 1940s in France. All this is the doing of those who are commonly known in French as the soucoupistes (the researchers in this field). Currently with this mainly individual initiative, the army also has made their own enquiries. Their interest for the question has proved consistent since the 1940s although the details about their implication and their action have been uneasy to know. As for them, the soucoupistes (or French ufologists) have joined together and the first major private groups have come out in the 1950s to become widespread in the late 1960s. Nonetheless, the decade of the 1970s was the golden age of ufology research in France : there were hundreds of organizations and thousands of ufologists. A real reasearch network came out. This network has revolved both around groups of people and individuals, who publish in specialized reviews, and they try to connect to a booming public scientific ufology. The latter, which is under the aegis of the CNES, is known as GEPAN. The department has been often renamed but still exists today. It is based on the army, mainly on the police force, but also on some administrations which provide them with information about UFO. French ufology, which has been in decline since the 1980s, is characterized by the coexistence of a private research network and a public one. Except for a few occasions, both of them have hardly collaborated and this situation explains why ufologists haven’t found many results.

The thesis deals with possibilities of using Unified Foundational Ontology in modeling the onto-logical model of the public administration client, which was created as a result of the Optimiza-tion of life situations in relation to the Register of Rights and Obligations project. The main aim of this thesis is to extend and propose a modification of the current methodology of modeling the ontological model of the public administration client corresponding to the UFO-A ontology. By analyzing the current methodology and ontological model, it proposes the incorporation of OntoUML, which is based on UFO-A ontology. Its key benefit is the methodology of modeling the ontological model of the public administration client corresponding to the UFO-A ontology. The proposed methodology is presented in a case study.

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The existing world is becoming more disrupted and is falling apart. For its resurrection and restoration, a new way of thinking is necessary. This new type of thinking is needed to be able to open up its mind and to think about the process of thinking itself; it must understand what is happening in other systems, where processes seem to be taking place by themselves without any other visible interference. First Chaos is the title for an intermedia installation which contains 90 black and white photographs, both digital and analogue, all of which were taken between the years 2008 and 2012. Together, the photographs create one coherent piece – a kind of sculpture. They can evoke a "still film" with a non-linear, cyclical storyline, whilst the images can simultaneously function individually, without any connection to other photographs.

Le but essentiel de la thèse est de développer une ontologie juridique bien fondée pour l'utiliser dans le raisonnement à base des règles. Pour cela, une approche middle-out, collaborative et modulaire est proposée ou des ontologies fondationnelles et core ont été réutilisées pour simplifier le développement de l'ontologie. L’ontologie résultante est adoptée dans une approche homogène a base des ontologies pour formaliser la liste des règles juridiques du code pénal en utilisant le langage logique SWRL. / This thesis analyses the problem of building well-founded domain ontologies for reasoning and decision support purposes. Specifically, it discusses the building of legal ontologies for rule-based reasoning. In fact, building well-founded legal domain ontologies is considered as a difficult and complex process due to the complexity of the legal domain and the lack of methodologies. For this purpose, a novel middle-out approach called MIROCL is proposed. MIROCL tends to enhance the building process of well-founded domain ontologies by incorporating several support processes such as reuse, modularization, integration and learning. MIROCL is a novel modular middle-out approach for building well-founded domain ontologies. By applying the modularization process, a multi-layered modular architecture of the ontology is outlined. Thus, the intended ontology will be composed of four modules located at different abstraction levels. These modules are, from the most abstract to the most specific, UOM(Upper Ontology Module), COM(Core Ontology Module), DOM(Domain Ontology Module) and DSOM(Domain-Specific Ontology Module). The middle-out strategy is composed of two complementary strategies: top-down and bottom-up. The top-down tends to apply ODCM (Ontology-Driven Conceptual Modeling) and ontology reuse starting from the most abstract categories for building UOM and COM. Meanwhile, the bottom-up starts from textual resources, by applying ontology learning process, in order to extract the most specific categories for building DOM and DSOM. After building the different modules, an integration process is performed for composing the whole ontology. The MIROCL approach is applied in the criminal domain for modeling legal norms. A well-founded legal domain ontology called CriMOnto (Criminal Modular Ontology) is obtained. Therefore, CriMOnto has been used for modeling the procedural aspect of the legal norms by the integration with a logic rule language (SWRL). Finally, an hybrid approach is applied for building a rule-based system called CORBS. This system is grounded on CriMOnto and the set of formalized rules.