This paper analyzes the concept of immortality as expressed in Stephenie Meyer’s vampire romance novel Midnight Sun (2021). By way of a comparison with the authors Mormon faith, I intend to highlight how the main characters portray key parts of LDS soteriology. Using Synne Myreböe’s notion of actualization (aktualisering) the paper considers Mormonism as a lens rather than as an institutionalized religion.  Although Midnight Sun makes use of numerous religious themes, it is in my opinion not to be regarded as a theological text. After all, Meyer is a novelist. Her religiosity motivates the questions posed by the study, but the connection between her writing and explicit Mormon theology is established by me. By making the Mormon concept of immortality a lens through which I view the material, I intend to highlight aspects of the narrative which otherwise would be less apparent.  Midnight Sun is a paraphrase of Meyer’s earlier work Twilight (2006). The latter tells the story of Bella, a student who falls in love with an ancient vampire called Edward. In Midnight Sun the story is inverted, making Edward the main narrator. Due to Midnight Sun’s disposition, my work relies on a resource not available to prior studies on Twilight, namely Edward’s voice. In this paper, I examine how the character relates to his father figure, thus paraphrasing the Mormon concept of priesthood.

This dissertation is a text analysis of the short novel Carmilla (1872) by the Irish ghost story-author Joseph Sheridan Le Fanu. It is a close reading analysis where I apply a queer theoretical perspective using Mia Franck’s model to analyze different silence practices in Carmilla. I focus on the female vampire Carmilla and her companion Laura and how they are portrayed in this short novel. I will ask the questions: do the characters Carmilla and Laura show a non-heterosexual relationship, passion and desire? How do they depart from the gender norm and can they be seen as characters who deviate from what society considers ‘normal’ behaviour? And can Carmilla and Laura’s relationship be seen as an example of silenced homosexuality and in what way is it expressed? Carmilla and Laura’s behaviour can certainly be described as queer and it is effective to examine the novella using silence practices through a queer perspective. Many of the practices are written silences. Mostly, its things that the reader realizes before the storyteller Laura does herself. They reveal numerous oddities in the story, taking the form of narrative, camouflaged, performative, ritualized and existential silences. Prominent examples are the way Carmilla hides both her vampiric and lesbian sides which Laura is repelled at in addition to her own lustful and passionate emotions. As a future teacher, one of my most important jobs will be to educate my pupils about democratic values and that all kinds of discrimination should be discouraged. An essay of this sort is one way to educate them in how gender and sexuality can be seen from historical, political and cultural perspectives.