Orientador: Shiguenoli Miyamoto / Dissertação (mestrado) - Universidade Estadual de Campinas, Institutto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-14T22:31:24Z (GMT). No. of bitstreams: 1 Dalio_DaniloJose_M.pdf: 2052522 bytes, checksum: d044549918d8c794d75609dbfc3ecde8 (MD5) Previous issue date: 2009 / Resumo: As relações com os Estados Unidos se constituíram como um dos fatores fundamentais nos planos industrializantes do segundo governo Vargas. Embora inserido em uma conjuntura "quente" da Guerra Fria, de indefinições e incertezas no conflito bipolar, as condições essenciais a uma "política de barganha" não pareciam esgotadas para o governo Vargas. Tanto o alinhamento político-militar como a cooperação econômica eram termos negociáveis na primeira metade dos anos 50. Trata-se, portanto, de entender como o governo Vargas articulou esses termos nas negociações com os Estados Unidos em prol do desenvolvimento econômico nacional. As contradições no governo varguista, provenientes de conflitos e interesses internos e internacionais, são objeto de divergências na historiografia brasileira, sobretudo no tocante à definição do caráter da política externa do governo Vargas, do sentido de seu nacionalismo e do seu projeto de desenvolvimento. A noção de barganha nacionalista-pragmática não pretende refutar essas contradições, mas servir como um fundamento sob o qual elas puderam objetivamente conviver / Abstract: Relations with the United States were established as one of the key factors at industrialization plans of the second Vargas government. Although embedded in a climate "hot" of the Cold War, the unknowns and uncertainties in the bipolar conflict, the conditions essential to a "political bargaining" did not seem exhausted for the Vargas government. Both the political-military alignment and economic cooperation were negotiable terms in the first half of the 50s. This is, therefore, to understand how the Vargas government articulated these terms in negotiations with the United States in support of national economic development. The government varguista contradictions, from conflicts and interests domestic and international, are subject to differences in the Brazilian historiography, with regard to defining the character of the foreign policy of the Vargas government, their sense of nationalism and its development projects. The concept of bargain-pragmatic nationalism is not intended to refute these contradictions, but serve as a basis under which they could live objectively / Mestrado / Relações Internacionais / Mestre em Ciência Política

Submitted by Margareth Jacobi Ribeiro (margareth.jacobi@fgv.br) on 2013-01-21T17:25:18Z No. of bitstreams: 1 Dissertação Margareth Jacobi (FGV) 20 jan - versão final.pdf: 1280528 bytes, checksum: dcee1e05491d7e4a780da07dcd6dcf5d (MD5) / Rejected by Janete de Oliveira Feitosa (janete.feitosa@fgv.br), reason: Sra.Margareth, boa tarde. A submissão digital foi rejeitada pois estrva marcada com "embargo até 2015". Favor refazer a submissão do sua dissertação sem essa marcação. A Secretaria fica aguardando seu comunicado. Cordialmente, Janete on 2013-01-22T19:26:56Z (GMT) / Submitted by Margareth Jacobi Ribeiro (margareth.jacobi@fgv.br) on 2013-01-22T19:56:38Z No. of bitstreams: 1 Dissertação Margareth Jacobi (FGV) 20 jan - versão final.pdf: 1280528 bytes, checksum: dcee1e05491d7e4a780da07dcd6dcf5d (MD5) / Approved for entry into archive by Janete de Oliveira Feitosa (janete.feitosa@fgv.br) on 2013-01-23T11:24:30Z (GMT) No. of bitstreams: 1 Dissertação Margareth Jacobi (FGV) 20 jan - versão final.pdf: 1280528 bytes, checksum: dcee1e05491d7e4a780da07dcd6dcf5d (MD5) / Approved for entry into archive by Marcia Bacha (marcia.bacha@fgv.br) on 2013-01-29T12:12:51Z (GMT) No. of bitstreams: 1 Dissertação Margareth Jacobi (FGV) 20 jan - versão final.pdf: 1280528 bytes, checksum: dcee1e05491d7e4a780da07dcd6dcf5d (MD5) / Made available in DSpace on 2013-01-29T12:13:37Z (GMT). No. of bitstreams: 1 Dissertação Margareth Jacobi (FGV) 20 jan - versão final.pdf: 1280528 bytes, checksum: dcee1e05491d7e4a780da07dcd6dcf5d (MD5) Previous issue date: 2012-12-19 / This dissertation proposes to examine the central issues related to the elaboration and implementation of an academic (stricto sensu) master program. The opening of an academic master program in Law by FGV DIREITO RIO, focus on Regulatory Law, represents a trademark in innovation and pioneering, since it will be the first program as such to be offered in Brazil. Moreover, it will assist in meeting demand for training of researchers in the State of Rio de Janeiro, which currently has only nine academic (stricto sensu) master programs accredited by the Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (Capes). The team responsible for drafting the proposal conducted a research on the nine academic master program available, as well as a detailed examination on the basic premises and required features necessary to submit a formal proposal for the opening of a new academic master program respecting the norms and procedures established by the Capes. The preparation of FGV DIREITO RIO`s academic master program proposal was only possible by adjusting it to the policies of its research centers which confirms the preparation of high-level researchers able to associate solid scientific basis to collaborate in the solution of national and global issues. Thus, to achieve these goals, it was also essential to gather efforts from all research centers to provide FGV DIREITO RIO with their expertise and knowledge resulted from their scientific projects under development. / A presente dissertação tem como objetivo oferecer um estudo sobre as questões centrais para a elaboração e implementação de um curso de pós-graduação stricto sensu nível mestrado. A proposta de abertura de um mestrado acadêmico em Direito, com área de concentração em Direito da Regulação pela FGV DIREITO RIO é marca de inovação e pioneirismo, pois será o primeiro a ser oferecido no Brasil. Além disso, auxiliará no atendimento de demanda de formação de pesquisadores no Estado do Rio de Janeiro, que atualmente possui apenas nove programas stricto sensu credenciados pela Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (Capes). A equipe responsável pela elaboração da proposta realizou uma pesquisa sobre os nove cursos de mestrado oferecidos, bem como um detalhado estudo sobre as premissas básicas e as características necessárias para submissão de uma proposta de abertura de mestrado com base nas normas e procedimentos estabelecidos pela Capes. A elaboração da proposta só foi possível por ajustar-se às políticas dos Centros de Pesquisa da FGV DIREITO RIO que corrobora os objetivos de formação de pesquisadores de alto nível, aptos a associar sólida base científica para colaborar na solução das demandas nacionais e globais. Assim, para consecução destes objetivos, foi fundamental a união de esforços dos quatro centros de pesquisa responsáveis por alimentar a Escola com os diversos projetos em desenvolvimento.

Pin-up images have played an important role in American culture, in both their illustrated and photographic configurations. The pin-up is viewed as a significant representational cultural artifact of idealistic and aspirational femininity and of consumerism and material wealth, especially reflective of the mid-twentieth century period in America spanning the 1930s to the 1960s. These images not only reflect great shifts in social mores and women’s social status, but also affected changes in both areas in turn. Furthermore, pin-up images internationally circulated in magazines, advertising and promotional material, contributed to the manner in which America was idealized in Europe and beyond. Crucially, they influenced how an eroticized and glamorous, yet unrealistic, example of femininity came to be generalized as a desirous model of femininity. In recent years there has been vital, though limited, scholarly research into the cultural and social impact of pin-up imagery, to which this thesis adds to. This thesis takes a genealogical approach, charting the development of popular female-centric “pin-up” imagery in America since the 1860s and up to the 1960s, and its resurgence since the 1980s onwards. In doing so this thesis aims to provide a social, political and cultural context to the emergence of a specific archetypal sexualized femininity, with the aim of challenging the tendency to dismiss sexualized imagery as “anti-feminist” or as trivial. Toward that end, I examine the complexity of intentions behind the production of “pin-up” images. In taking this revisionist approach I am better able to conclusively analyze the reasons for the resurgence and reappropriation of pin-up imagery in late-twentieth- and early-twenty-first-century popular culture, and consider what the gendered cultural implications may be.

This dissertation asserts that the tortuous relationship Spanish American literature had with cosmopolitanism since the Wars of Independence reached a turning point towards the end of the second half of the twentieth century. While the literary production of the nineteenth and most of the twentieth century was centred on the Spanish American nation and the continent, contemporary literature has become increasingly deterritorialized, and has begun to present narrative worlds and discuss issues that transcend this circumscribed universe. The discerning of this articulation of global issues in contemporary literature – which I contend is predicated on the concept of cosmopolitanism – is the primary objective of this investigation. The five novels examined here are Elena Poniatowska’s La “Flor de Lis” (1988), Mario Vargas Llosa’s El Paraíso en la otra esquina (2003) and El sueño del celta (2010), and Jorge Volpi’s El fin de la locura (2003) and No será la Tierra (2006). This study aims to describe and assess an evolving perspective on the treatment of cosmopolitanism in Spanish America. I trace the shift from the previous generations’ main preoccupation with aesthetic cosmopolitanism, which sought to engage Latin American literary discourse with the Western canon, to what I identify as the current political implication of the concept. To this end, I show that whereas mid-twentieth century authors displaced cosmopolitanism in favour of more politically expedient concepts, authors now plot it in their novels as a means of discussing issues of identity and citizenship in an increasingly globalized world.

OF THE THESIS: The novel Captain Pantoja and the Special Service introduces the second period of Mario Vargas Llosa's literary production, which is caracterized by the simplification of the narration and the discovery of humour. The thesis focuses on the formal and thematic analysis of the novel with the objective to prove that despite the novel is in general humorous and parodic, there could be found some constant topics, known to the readers from Llosa's previous novels, which he had always treated very critically, and he also did so in this erotic and humorous work. Therefore, apart from the analysis of humour the thesis also examines the critical approach to the social problems present in the novel. The analysis also shows that the narration is slightly simplified in comparison to the author's formers works, but it still perfectly demonstrates the unconventional narrative techniques, which Vargas Llosa has used since the 1960's, since the period of the new hispano-american novel. KEY WORDS: Mario Vargas Llosa, Captain Pantoja and the Special Service, The Time of the Hero, The Green House, Latin American boom, Hispano-American new novel, total novel, experimental narrative techniques, types of humour and irony, humorous prose, parody, erotic novel, libertine prose, rainforest, criticism of the...