Esta tese de doutorado analisa dois romances do escritor Norte-Americano Robert Coover como exemplos de escrita hipertextual e de hiperficção no suporte do livro de papel. A complexidade dos romances John's Wife e The Adventures of Lucky Pierre integra os elementos culturais característicos da atual fase do capitalismo e as práticas tecnologizadas que vêm forjando uma subjetividade diferente na escrita e leitura hipertextual, a subjetividade pós-humana. Os modelos da complexidade dos romances derivam do conceito de atratores estranhos da Teoria do Caos e de rizoma da Nomadologia. As transformações no grau de corporeidade dos personagens estabelecem o plano em que se discute a turbulência e a pós-humanidade. As noções de padrões dinâmicos e atratores estranhos e os conceitos do Corpo sem Órgãos e do Rizoma são interpretados para se revisar a narratologia e chegar a categorias apropriadas ao estudo dos romances. A leitura exercitada nesta tese põe em prática a proposta de leitura corpórea de Daniel Punday. As mudanças no grau de materialidade dos personagens são associadas aos estágios de ordem, turbulência e caos na estória, agindo sobre a constituição da subjetividade ao longo do processo de leitura. A inscrição dos planos de consistência que Coover realiza para se contrapor à linearidade e acomodar as feições hipertextuais nas narrativas em papel descreve a trajetória rizomática dos personagens. O presente estudo leva a concluir que a narrativa hoje se constitui antes como um regime numa relação rizomática com outros regimes na prática cultural do que como forma e gênero predominantemente literários. Também se conclui que a subjetividade pós-humana emerge alinhada a uma identidade de classe que tem nos romances hipertextuais a sua forma literária predileta. / This doctoral dissertation analyzes two novels by the American novelist Robert Coover as examples of hypertextual writing on the book bound page, as tokens of hyperfiction. The complexity displayed in the novels, John's Wife and The Adventures of Lucky Pierre, integrates the cultural elements that characterize the contemporary condition of capitalism and technologized practices that have fostered a different subjectivity evidenced in hypertextual writing and reading, the posthuman subjectivity. The models that account for the complexity of each novel are drawn from the concept of strange attractors in Chaos Theory and from the concept of rhizome in Nomadology. The transformations the characters undergo in the degree of their corporeality sets the plane on which to discuss turbulence and posthumanity. The notions of dynamic patterns and strange attractors, along with the concept of the Body without Organs and Rhizome are interpreted, leading to the revision of narratology and to analytical categories appropriate to the study of the novels. The reading exercised throughout this dissertation enacts Daniel Punday's corporeal reading. The changes in the characters' degree of materiality are associated with the stages of order, turbulence and chaos in the story, bearing on the constitution of subjectivity within and along the reading process. Coover's inscription of planes of consistency to counter linearity and accommodate hypertextual features to the paper supported narratives describes the characters' trajectory as rhizomatic. The study led to the conclusion that narrative today stands more as a regime in a rhizomatic relation with other regimes in cultural practice than as an exclusively literary form and genre. Besides this, posthuman subjectivity emerges as class identity, holding hypertextual novels as their literary form of choice.

Cette recherche a pour but d’interroger la femme et ses multiples voix dans l’oeuvre d’Annie Ernaux, écrivain célèbre pour avoir nourri ses romans de sa propre vie. Grande figue de l’autobiographie, Annie Ernaux n’a de cesse de mettre en mots, dans un style singulier, son histoire, ses racines, le contexte socioculturel dans lequel elle a grandit, et surtout, d’interroger la figure féminine. Ses oeuvres sont à la fois récits littéraires et documents sociologiques d’une vie ancrée dans son siècle et ses repères, comme pour rappeler le rôle essentiel de la femme dans la famille ainsi que dans la Cité. Elle interroge la maternité, la sexualité, la parentalité, le rapport homme I femme d’une écriture simple, claire, filtrée des émotions et dénué de tout effet qui l’écarterait de sa quête, interrogeant ainsi en filigrane la fonction du roman / Searching for identity and collective memory in the works of Annie ُErnaux. This research aims to study Annie´s work on women and their multiple voices, Annie Ernaux is a famous writer who has enriched her novels through her own life experiences. A big figure in autobiography writing, Annie Ernaux has a unique style of writing. She addressed her history, her roots, and the social cultural context in which she grew up. She especially interrogates the feminine figure. Her works are both literary accounts and sociological documents of a life rooted in another centuries values and standards. She recalls the essential role of women in the family and in the city, questioning motherhood, sexuality, parenting, and the relationship between man and woman. She crafts her work in a simple and clear manner with pure emotion devoid of any effect that would divert from her true goal . Thus implicitly questioning the function of the novel

Esta pesquisa enfoca como fenômeno subjetivo, expresso na realidade atual do ser humano, a experiência de ser ex- esposa, relevante mas ainda carente de estudos compreensivos pertinentes quanto à sua significação no mundo contemporâneo. A escolha em realizar uma pesquisa em Psicologia Clínica, recorrendo à metodologia fenomenológica existencial via a narrativa, aconteceu, por entender que esse modo de pesquisar pode apresentar-se como um caminho de grande fertilidade teórica e mordência analítica para a compreensão do sentido vivido pela mulher contemporânea na experiência de ser ex-esposa. A oficina sociopsicodramática foi a modalidade de intervenção/investigação clínica escolhida para a-colher a narrativa. As sujeitos/narradoras foram seis mulheres que, após uma relação conjugal interrompida, apresentavam variadas situações e expressões da experiência de ser ex-esposa. A própria metodologia revelou-se capaz de promover as condições de elaboração dessa experiência, à medida que possibilitou a presença do cuidar do escutar/dizer da experiência de ser ex-esposa na contemporaneidade, bem como a articulação considerativa com o desvelar do próprio ser-no-mundo do humano. Nesse sentido, destaca-se o caráter interventivo e interpretativo desta pesquisa clínica psicológica. A compreensão das formas falada e dramática de narrativa colhida apontou para um possível significado sentido para a experiência de ser ex-esposa: encarnar o seu projeto de existir como cuidado de ser-si-mesma-com-os-outros / The present research deals with the experience of being ex wife as a relevant subjective phenomenon, expressed in the actual reality of human being, although, yet, careless by appropriate comprehensive studies about its meaning in the contemporaneous world. The existential phenomenological methodology by the way of the narrative was chosen to conduct a Clinical Psychology research, taking into account that such mode of research may present a fertile theoretical and analytical path to guide toward the comprehensive sense of the experience of being ex wife for the contemporaneous women. A sociopsychodramatical workshop was taken as the clinical interventive modality to facilitate the narrative as expression. The subjects/narrators were six women that, after lived an interrupted conjugal relationship, presented various situations and expressions of the experience of being ex wife. The methodology reveals itself capable of promoting the conditions of the elaboration of experience, possibilited by the expressed care of listening/saying toward the experience of being ex wife, such as the considerative articulation of the opening it as the proper being-in-the world of the human being. In this way, this psychological clinical research emphasizes its interventive and interpretative character. The comprehension of the spoken and dramatical forms of the obtained narrative pointed to a possible felt meaning for the experience of being ex wife: to embody her own project for existing as a care of being-herself-with-others

Esta tese de doutorado analisa dois romances do escritor Norte-Americano Robert Coover como exemplos de escrita hipertextual e de hiperficção no suporte do livro de papel. A complexidade dos romances John's Wife e The Adventures of Lucky Pierre integra os elementos culturais característicos da atual fase do capitalismo e as práticas tecnologizadas que vêm forjando uma subjetividade diferente na escrita e leitura hipertextual, a subjetividade pós-humana. Os modelos da complexidade dos romances derivam do conceito de atratores estranhos da Teoria do Caos e de rizoma da Nomadologia. As transformações no grau de corporeidade dos personagens estabelecem o plano em que se discute a turbulência e a pós-humanidade. As noções de padrões dinâmicos e atratores estranhos e os conceitos do Corpo sem Órgãos e do Rizoma são interpretados para se revisar a narratologia e chegar a categorias apropriadas ao estudo dos romances. A leitura exercitada nesta tese põe em prática a proposta de leitura corpórea de Daniel Punday. As mudanças no grau de materialidade dos personagens são associadas aos estágios de ordem, turbulência e caos na estória, agindo sobre a constituição da subjetividade ao longo do processo de leitura. A inscrição dos planos de consistência que Coover realiza para se contrapor à linearidade e acomodar as feições hipertextuais nas narrativas em papel descreve a trajetória rizomática dos personagens. O presente estudo leva a concluir que a narrativa hoje se constitui antes como um regime numa relação rizomática com outros regimes na prática cultural do que como forma e gênero predominantemente literários. Também se conclui que a subjetividade pós-humana emerge alinhada a uma identidade de classe que tem nos romances hipertextuais a sua forma literária predileta. / This doctoral dissertation analyzes two novels by the American novelist Robert Coover as examples of hypertextual writing on the book bound page, as tokens of hyperfiction. The complexity displayed in the novels, John's Wife and The Adventures of Lucky Pierre, integrates the cultural elements that characterize the contemporary condition of capitalism and technologized practices that have fostered a different subjectivity evidenced in hypertextual writing and reading, the posthuman subjectivity. The models that account for the complexity of each novel are drawn from the concept of strange attractors in Chaos Theory and from the concept of rhizome in Nomadology. The transformations the characters undergo in the degree of their corporeality sets the plane on which to discuss turbulence and posthumanity. The notions of dynamic patterns and strange attractors, along with the concept of the Body without Organs and Rhizome are interpreted, leading to the revision of narratology and to analytical categories appropriate to the study of the novels. The reading exercised throughout this dissertation enacts Daniel Punday's corporeal reading. The changes in the characters' degree of materiality are associated with the stages of order, turbulence and chaos in the story, bearing on the constitution of subjectivity within and along the reading process. Coover's inscription of planes of consistency to counter linearity and accommodate hypertextual features to the paper supported narratives describes the characters' trajectory as rhizomatic. The study led to the conclusion that narrative today stands more as a regime in a rhizomatic relation with other regimes in cultural practice than as an exclusively literary form and genre. Besides this, posthuman subjectivity emerges as class identity, holding hypertextual novels as their literary form of choice.

Esta tese de doutorado analisa dois romances do escritor Norte-Americano Robert Coover como exemplos de escrita hipertextual e de hiperficção no suporte do livro de papel. A complexidade dos romances John's Wife e The Adventures of Lucky Pierre integra os elementos culturais característicos da atual fase do capitalismo e as práticas tecnologizadas que vêm forjando uma subjetividade diferente na escrita e leitura hipertextual, a subjetividade pós-humana. Os modelos da complexidade dos romances derivam do conceito de atratores estranhos da Teoria do Caos e de rizoma da Nomadologia. As transformações no grau de corporeidade dos personagens estabelecem o plano em que se discute a turbulência e a pós-humanidade. As noções de padrões dinâmicos e atratores estranhos e os conceitos do Corpo sem Órgãos e do Rizoma são interpretados para se revisar a narratologia e chegar a categorias apropriadas ao estudo dos romances. A leitura exercitada nesta tese põe em prática a proposta de leitura corpórea de Daniel Punday. As mudanças no grau de materialidade dos personagens são associadas aos estágios de ordem, turbulência e caos na estória, agindo sobre a constituição da subjetividade ao longo do processo de leitura. A inscrição dos planos de consistência que Coover realiza para se contrapor à linearidade e acomodar as feições hipertextuais nas narrativas em papel descreve a trajetória rizomática dos personagens. O presente estudo leva a concluir que a narrativa hoje se constitui antes como um regime numa relação rizomática com outros regimes na prática cultural do que como forma e gênero predominantemente literários. Também se conclui que a subjetividade pós-humana emerge alinhada a uma identidade de classe que tem nos romances hipertextuais a sua forma literária predileta. / This doctoral dissertation analyzes two novels by the American novelist Robert Coover as examples of hypertextual writing on the book bound page, as tokens of hyperfiction. The complexity displayed in the novels, John's Wife and The Adventures of Lucky Pierre, integrates the cultural elements that characterize the contemporary condition of capitalism and technologized practices that have fostered a different subjectivity evidenced in hypertextual writing and reading, the posthuman subjectivity. The models that account for the complexity of each novel are drawn from the concept of strange attractors in Chaos Theory and from the concept of rhizome in Nomadology. The transformations the characters undergo in the degree of their corporeality sets the plane on which to discuss turbulence and posthumanity. The notions of dynamic patterns and strange attractors, along with the concept of the Body without Organs and Rhizome are interpreted, leading to the revision of narratology and to analytical categories appropriate to the study of the novels. The reading exercised throughout this dissertation enacts Daniel Punday's corporeal reading. The changes in the characters' degree of materiality are associated with the stages of order, turbulence and chaos in the story, bearing on the constitution of subjectivity within and along the reading process. Coover's inscription of planes of consistency to counter linearity and accommodate hypertextual features to the paper supported narratives describes the characters' trajectory as rhizomatic. The study led to the conclusion that narrative today stands more as a regime in a rhizomatic relation with other regimes in cultural practice than as an exclusively literary form and genre. Besides this, posthuman subjectivity emerges as class identity, holding hypertextual novels as their literary form of choice.

Submitted by Fabio Sobreira Campos da Costa (fabio.sobreira@ufpe.br) on 2016-05-11T12:37:34Z No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) DISSERTAÇÃO DEFINITIVA..pdf: 1060899 bytes, checksum: f4e37d8ac8c033db6ea98cbb2e3cd92b (MD5) / Made available in DSpace on 2016-05-11T12:37:34Z (GMT). No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) DISSERTAÇÃO DEFINITIVA..pdf: 1060899 bytes, checksum: f4e37d8ac8c033db6ea98cbb2e3cd92b (MD5) Previous issue date: 2015-09-15 / CAPEs / Este trabalho objetivou compreender de que forma ocorre o processo de conversão entre as mulheres ao neopentecostalismo em Lajedo, cidade localizada no agreste meridional pernambucano a 192 km da capital Recife, tendo como principal mediador nesse processo de conversão os seus próprios maridos. Como forma de compreender a lógica sociocultural de tais conversões e ao próprio sentimento de pertencimento a comunidade religiosa ao qual se filiam, a conversão dessas mulheres, tendo seus esposos enquanto mediador, mostra-se fecundo para estabelecer uma nova análise da lógica da conversão ao cristianismo: o homem mediando a conversão da mulher. Analisarei a conversão desses homens a essas igrejas, e posteriormente mostrarei como eles se tornam mediadores na conversão de suas mulheres, se apresentando para elas como homens renovados após suas conversões. Farei também uma análise dos ritos batismais observados nessas igrejas, ritos direcionados para confirmação da conversão dos novos fiéis. Para realização deste estudo etnográfico utilizou-se metodologicamente a pesquisa qualitativa na medida em que se busca compreender o contexto social e cultural desses casais inseridos na comunidade religiosa. Como recorte etnográfico foi realizado pesquisa de campo na Igreja Universal do Reino de Deus (IURD) e na Igreja Mundial do Poder de Deus (IMPD), além da observação de ritos batismais na Igreja Apostólica Fonte da Vida, igrejas as quais os casais que participaram da pesquisa são filiados. / This study aimed to understand how the conversion process occurs among women in the neo-Pentecostalism Lajedo, a town in the southern wild Pernambuco 192 km away from the capital Recife, the main mediator in this conversion process are their own husbands. In order to understand the socio-cultural logic of such conversions and their own sense of belonging to a religious community which they are affiliated, the conversion of these women, with their husbands as a mediator, it is shown fruitful to establish a new analysis of the conversion logic to Christianity: man mediating the conversion their women. I analyze the conversion of these men to those churches, and then I will show how they become mediators in converting their wives, introducing themselves as men renewed after their conversions. I will do an analysis of the baptismal rites observed in those churches, directed rites to confirm the conversion of new believers. Carrying out this ethnographic study was used methodologically qualitative research on that seeking to understand the social and cultural context of those couples entered the religious community. As ethnographic highlight was carried out a field researching on the Universal Church of the Kingdom of God (UCKG) and the World Church of God's Power (IMPD), and the observation baptismal rites in the Apostolic Fountain of Life Church, churches which couples who participated on the researching are affiliated.

Cotherapy has been advocated as an effective treatment mode, especially with groups, couples, and families. The relationship between the cotherapists has been identified as an important determinant in the success of this method. This relationship has been compared to the marital relationship between spouses, and the marriages of therapists have been viewed as offering advantages for cotherapy. Since not all therapists who are married to each other work as cotherapists, the purpose of this study was to investigate whether or not spouse cotherapists differ from other therapists who are also married to each other but who do not work together on a regular basis as cotherapists. The five dimensions measured for all subject couples include frequency of differing theoretical orientation, similarity of self-reported behavior in therapy, compatibility of needs for inclusion, compatibility of needs for control, and compatibility of needs for affection. Subjects for this study were 6 5 married couples in which both spouses were psychotherapists. The couples were divided into two groups according to whether or not they worked together as cotherapists on a regular basis. The group of spouse cotherapists included 29 couples who reported regular cotherapy together. The group of therapist couples included 37 couples who reported no regular cotherapy with their spouses. All subject couples were provided a packet of materials which included a letter explaining the general purpose of the study, two copies of the Therapist Personal Data Form, two copies of the Self-Description of Therapist's Behavior, two copies of the Fundamental Interpersonal Relations Orientation-Behavior, and a stamped envelope addressed to the experimenter for the return of the materials.

L’étude d’environ 200 mémoires judiciaires, ou factums, principalement publiés entre 1770 et 1789, permet de fournir un éclairage sur la place des femmes dans la société française. Bien que soumises à la tutelle et à l’autorité masculine, les femmes sont montrées défendant leurs intérêts devant la justice. Si la norme de soumission à leur mari est rappelée, les épouses sont fréquemment mises en scène dans des situations où elles affirment leur indépendance. Les veuves peuvent défendre leurs intérêts seules, voire assumer des rôles de protectrices ou tenter de peser dans la répartition des biens dans la famille. La place des filles est très réduite, même si les récits des factums peuvent leur donner des rôles de premier plan. Quant à l'autorité maternelle, elle est reconnue. La fonction maternelle peut aussi être représentée par des mères de substitution (nourrices, marraines, grands-mères et tantes, soeurs). Les soeurs ne sont pas placées systématiquement sous le contrôle de leurs frères. Les mémoires judiciaires permettent ainsi de réfléchir sur la représentation de la nature féminine à la veille de la Révolution. À la différence des discours produits par les médecins et les philosophes, ils ne répandent pas l’idée d’une nature féminine spécifique. / This survey (PhD) sheds light on women’s status in the French society between 1770 and 1789, through the study of approximately 200 printed judicial briefs or factums. Although they were under men’s control, women could go to court. Wives had to obey their husbands. Nevertheless, they often showed their independence in judicial briefs. Widows could act by themselves, protect their families and influence the wealth distribution between the family members. “Girls” or “never-married women” are rare in judicial briefs, even though they could play important parts. The mother’s authority was recognized in judicial briefs. Other women also played the mother’s part instead of the real mother, e.g. godmothers, grand-mothers, aunts, sisters and wet-nurses. Sisters were not always under their brothers’ control. Judicial briefs interrogate the idea of women’s nature as it was portrayed before the French Revolution. Unlike physicians’ and philosophers’ discourses, they do not support the idea that there should be a specific nature of women.

No description available.

This project examined existing data that measured whether men who completed court-mandated group treatment for domestic violence have lower measures of non-physical violence and dependent/insecure personality traits than their still enrolled counterparts. The data review used two anonymous self-report instruments: The Non-Physical Abuse of Partner Scale (NPAPS) and The Dependency and Insecurity in Romantic Love Scale (DIRLS).