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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

”’It’s a Missage,’ he said to himself, ‘that’s what it is.” : Morals in A.A.Milne’s Winnie-the-Pooh and the House at Pooh Corner

Larsson, Jessica January 2008 (has links)
<p>This essay focuses on morals and different moral stages of the characters in A.A.Milne’s Winnie-the-Pooh and the House at Pooh Corner. The books about Winnie-the-Pooh are children’s books and like most books written for children, they contain valuable lessons that are meant to teach children something, usually something about morals. Both Winnie-the-Pooh and The House at Pooh Corner demonstrate, as I will discuss, different kinds of morals, which vary between different characters. The method I use is a close reading of Milne’s books about Winnie-the-Pooh, applying to them theories from Jean Piaget and other authorities on cognitive development and moral behavior. The result of my research points to different moral stages of the characters and the different lessons there are to learn from them. Utilizing Piaget’s theories on cognitive development, my conclusion is that some of the characters represent the adult world and mature adult behavior and some of the characters are more immature and behave as children. For the young reader, there are thus lessons to learn both from the representatives of the adult world and from the experience of children.</p>
2

”’It’s a Missage,’ he said to himself, ‘that’s what it is.” : Morals in A.A.Milne’s Winnie-the-Pooh and the House at Pooh Corner

Larsson, Jessica January 2008 (has links)
This essay focuses on morals and different moral stages of the characters in A.A.Milne’s Winnie-the-Pooh and the House at Pooh Corner. The books about Winnie-the-Pooh are children’s books and like most books written for children, they contain valuable lessons that are meant to teach children something, usually something about morals. Both Winnie-the-Pooh and The House at Pooh Corner demonstrate, as I will discuss, different kinds of morals, which vary between different characters. The method I use is a close reading of Milne’s books about Winnie-the-Pooh, applying to them theories from Jean Piaget and other authorities on cognitive development and moral behavior. The result of my research points to different moral stages of the characters and the different lessons there are to learn from them. Utilizing Piaget’s theories on cognitive development, my conclusion is that some of the characters represent the adult world and mature adult behavior and some of the characters are more immature and behave as children. For the young reader, there are thus lessons to learn both from the representatives of the adult world and from the experience of children.
3

The Expanding Constant, Ramanujan Graphs, and Winnie Li Graphs

Kelly, Erin Webster 28 June 2006 (has links)
The expanding constant is a measure of graph connectivity that is important for certain applications. This paper discusses the mathematical foundations for the construction of Winnie Li's graphs and for the proof that Winnie Li's graphs are Ramanujan. The paper also establishes the implications of the Ramanujan property for the expanding constant. / Master of Science
4

Winnie Verloc and Heroism in The Secret Agent

Henderson, Cynthia Joy 05 1900 (has links)
Winnie Verloc's role in "The Secret Agent" has received little initial critical attention. However, this character emerges as Conrad's hero in this novel because she is an exception to what afflicts the other characters: institutionalism. In the first chapter, I discuss the effect of institutions on the characters in the novel as well as on London, and how both the characters and the city lack hope and humanity. Chapter II is an analysis of Winnie's character, concentrating on her philosophy that "life doesn't stand much looking into," and how this view, coupled with her disturbing experience of having looked into the "abyss," makes Winnie heroic in her affirmative existentialism. Chapters III and IV broaden the focus, comparing Winnie to Conrad's other protagonists and to his other female characters.
5

Leadership training to equip and develop leaders for service in the Winnie, Texas, Church of Christ

Hendrickson, Marion Albert. January 1900 (has links)
Thesis (D. Min.)--Abilene Christian University, 1999. / Includes abstract. Includes bibliographical references (leaves [84]-88, 156).
6

An analysis of the representation of Winnie Madikizela-Mandela in Antjie Krog's Country of my skull and Njabulo Ndebele's The cry of Winnie Mandela

Van Rooyen, Janine January 2007 (has links)
Winnie Madikizela-Mandela is arguably one of the most widely represented female figures in South Africa. The images presented of her are not static. Indeed, they are shot through with contradictions which include Mama Africa, Warrior, and Abhorrent Mother. The figure of Madikizela-Mandela is a nexus for different opinions and interpretations; she is a focal point for and of the divisions in South African consciousnesses. Therefore the depictions of this persona provide the reader with a means to analyse the discourses through which she is represented. Such an exploration might also provide South Africans with insight into some of the biases and beliefs generally held more than a decade after the advent of democracy. The South African texts Country of My Skull by Antjie Krog, and The Cry of Winnie Mandela by Njabulo Ndebele, extensively represent Madikizela-Mandela and (re-)mythologise her, and as such each provides interesting comparative material for a discussion of the ideological implications imbricated in each. These texts are also particularly appropriate to use in such a study because the writers, a white woman, and black man respectively, could not be further apart on the continuum of South African cultural identification. The politics of the representations of Madikizela-Mandela can thus be interpreted from opposing social extremes. The Mandela name is a powerful signifier, and often constitutes much of Madikizela-Mandela’s public identity. The power of naming is thus the focus of Chapter One of this dissertation. The romantic ideal of Nelson Mandela and Madikizela-Mandela’s relationship constitutes a major focal point in Ndebele’s work. On the other hand, Krog’s text denigrates Madikizela-Mandela’s refusal to toe the peaceful democratic line. As such, the needs of the public in relation to Madikizela-Mandela are illuminated through the impositions of the authors and characters in these texts.
7

The political significance of Winnie-Madikazela Mandela's position in the African National Congress

Motseta, Sello January 2000 (has links)
Winnie Mandela has endured so many scandals over the last ten years that she has acquired a reputation for being untouchable. It is therefore ironic that there are those who feel that "the ANC want to act against Winnie not because of her human rights record, but for her outspoken criticism of the government's inability to deliver houses, thwart crime and testing our feelings on the death penalty." This assessment is instructive because in the "... turbulent years of the 1980s, she was a hero, a living martyr to the black liberation cause and despite the discomforts inflicted on her by her perpetrators, she revelled in the role" (Sparks, 1994:15). But Winnie Madikazela-Mandela, who was a Deputy Minister before being dismissed and who has had to appear before the TRC because of allegations that she was responsible for the death of teenage activist Stompie Seipei, has nevertheless been able to make a political comeback. The thesis therefore sets out to examine the rationale behind the State President's (he did not hold this title then) decision to take a considerable risk in standing by Winnie Madikazela-Mandela (they were at the time married) during her trial on charges of kidnapping in 1991. Even after her conviction, Mandela wrote that "as far as I was concerned, verdict or no verdict, her innocence was not in doubt." This unstinting loyalty was replicated elsewhere. Commenting on her acquittal on the assault charges, ANC Youth League President, Peter Mokaba, said: "What was taken away from her as a result of these false allegations must now be given back". He described the Appellate Division decision as "a political sentence" saying: "It has nothing to do with whether she was guilty or not."3 The ANC has established a practice of accommodating dissidents within its structures and has survived complex challenges during its years in exile by doing so. But political commentators are now asking whether the political cost will prove to be too great.
8

Filosofin i barn- och ungdomslitteraturen : en studie kring filosofiska tankegångar i Nalle Puh, Liftarens guide till galaxen, Hungerspelen och Flugornas herre / Philosophy in children's literature : a study of philosophical thoughts in Winnie the Pooh, The Hitchhiker's Guide to the Galaxy, The Hunger Games and Lord of the Flies

Zárate, Christian January 2015 (has links)
Uppsatsen syftar till att undersöka om barn och ungdomslitteraturen tillägnat sig filosofiska tankegångar och hur detta har utryckts i fyra skönlitterära verk. Barnlitteraturen används i skolan framförallt för att öka läsförståelse och ordkunskap. I denna studie har jag pekat på att litteraturen även kan föra fram filosofiska idéer. Uppsatsen kan fungera som en vägvisare till hur filosofiska idéer kan hämtas från skönlitteraturen och på så sätt exemplifiera dessa med hjälp av litteraturen, men också hur vi på samma sätt kan göra litteraturen mer begriplig med hjälp av filosofiska exempel. Uppsatsen har visat att barnlitteraturen innehåller djupa och intressanta filosofiska tankegångar. Både äldre och nyare barnlitteratur kan därför med fördel användas i skolan för att introducera filosofiska begrepp på ett stimulerande sätt.
9

Re-imagining the World Through Popular Poetry Set in Motion by the Ultimate Signalling Officer Alan Alexander Milne

Skogberg Lundin, Anja January 2023 (has links)
Alan Alexander Milne’s authorship was never limited to being the author of the very beloved teddy-bear, far from it. In addition to being a successful playwrite and editing Punch, Milne also wrote several poetry collections which all have been out of print since the 1940s in the entire English-speaking world. His war poetry and social engagement reached far beyond the Bloomsbury group of influential authors and thinkers in the early 20th Century. Milne was a liberal, in terms of what the term denoted in the early 20th century, notably, that is, not in the way we perceive the term today, in the 21st Century. As a perhaps eery echo of the occurrences from a Century ago Milne’s political poetry will be set in motion again; his poetry reflects times of distress and global political unrest. And, in Milne’s own phrasing, 'it’s a silly thing to say', Milne’s poetry pinpoints the ever-present core issues of the inner and external struggles of humanity and individuals. Milne believed in Freedom and liberalism as he knew it in his days, but he also saw what happened when these values were under threat of being sacrificed and lost. Despite all darkness and despair in the early 20th Century, Milne’s focus as a poet was to bring joy and laughter to people, and he chose to do so with poetry, in popular verse, -a bold move in a world where not even courageous people always had someone to voice their situation and their daily struggles. Milne’s poetry is in many aspects the story of the every-day hero, and the ordinary person, yet his depictions of the human struggles is unique and heartfelt. The main focus of this essay is the ways in which Milne’s idea of liberalism effect his poems in portraying serious political topics through the medium of popular verse with its direct relationship to defining and exploring multitude within every word. For the multi-talented Milne his idea of liberalism revolves around Four Freedoms; freedom from want, freedom from fear, freedom of religion, and freedom of expression. Without further delay it is time to bring back into the sphere of well-known (war-)poets from the early 20th Century, the liberal humourist and pacifist war-poet Milne.
10

A bear of very little brain : positive psychology themes in the stories of Winnie the Pooh

Dohmen, Lizette 02 1900 (has links)
The aim of this study is to discover to what extent and in what way Peterson and Seligman’s (2004) twenty-four character strengths are present in Winnie the Pooh storybooks, and how they are depicted. Character strengths are a well-known theory in positive psychology and the analysis of children’s literature is a respected genre. A qualitative examination of the text was conducted using content and thematic analyses to extract examples of the strengths. The exemplars were coded and recoded before being subjected to a peer and supervisor review. The excerpts indicated that all strengths are depicted in the text, but Pooh is the only character to exhibit them all. A discussion of the findings revealed that no single strength could be deemed more prominent as they are intrinsically interconnected. It is recommended that the findings be reworked into a training manual for guardians to foster character strengths in young children. / Psychology / M.A. (Psychology)

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