Submitted by admin tede (tede@pucgoias.edu.br) on 2017-09-13T17:18:04Z No. of bitstreams: 1 TARCÍSIO JOSÉ FERREIRA.pdf: 1471861 bytes, checksum: 19f813a198bdc5cf899789c5c44bb3d1 (MD5) / Made available in DSpace on 2017-09-13T17:18:04Z (GMT). No. of bitstreams: 1 TARCÍSIO JOSÉ FERREIRA.pdf: 1471861 bytes, checksum: 19f813a198bdc5cf899789c5c44bb3d1 (MD5) Previous issue date: 2016-03-27 / The interest in studying capoeira from the perspective of gender, particularly the role of women in capoeira groups, born observances in wheels and capoeira groups in Brasilia. In which, as a participant observer realized that women had often double shift in capoeira, when they brought their children still small, and had to play capoeira. This dynamic fascinated me the way these women articulated to meet the goal of the wheel and cherish the minor children at the same time. Thus, as a matter of research, we intend to investigate: What is the role of women in capoeira groups? Therefore, it was defined as a general objective: to analyze the role of women in capoeira groups from the perspective of gender. In this perspective we were determined as specific objectives: to present a brief history of women in capoeira groups; analyze the female body in capoeira; draw a profile of the capoeirist woman and research the role of women in capoeira groups. As methodology, we used the bibliographic method, exploratory, field research, qualitative, redescriptive with historical analysis; The interview was used as a data collection technique, through a questionnaire structured with 15 open questions. The capoeirists women are stronger than you think, are more agile than you think, so these capoeirists demonstrate skills not only with his feet, but his cunning, seeking affirmation mechanisms in spaces outside, within and beyond the roost in order to (re) define their bodies through this art/fighting and ownership of this space as a well belonging to the female space. / O interesse em estudar a capoeira sob a ótica de gênero, em especial o papel das mulheres nos grupos de capoeira, nasceu de observâncias em rodas e grupos de capoeira em Brasília. No qual, enquanto observador participante percebia que as mulheres quase sempre tinham dupla jornada na capoeira, quando traziam seus filhos ainda pequenos, e tinham que jogar a capoeira. Essa dinâmica me fascinava pelo modo como estas mulheres articulavam-se para atender o objetivo da roda e acalentar os filhos menores ao mesmo tempo. Assim, como questão de pesquisa, pretende-se investigar: Qual o papel das mulheres nos grupos de capoeira? Sendo assim, foi delimitado como objetivo geral: identificar e analisar o papel das mulheres nos grupos de capoeira sob a ótica de gênero. Nesta perspectiva foram determinados como objetivos específicos: apresentar um breve histórico da mulher nos grupos de capoeira; analisar o corpo feminino na capoeira; traçar um perfil da mulher capoeirista e pesquisar o papel das mulheres nos grupos de capoeira. Como procedimentos metodológicos foram utilizados para a construção dessa dissertação, método bibliográfico, exploratório, redescritivo, análise qualitativa com a técnica de mensuração o questionário. Como metodologia, foi utilizado o método bibliográfico, exploratório, pesquisa de campo, qualitativa, redescritivo com análise histórica; foi utilizado a entrevista como técnica de coleta de dados, por meio de um questionário estruturado com 15 perguntas abertas. As mulheres capoeiristas são mais fortes do que se imaginam, são mais ágeis do que se pensam, assim, estas capoeiristas demonstram habilidades não só com os pés, mas com sua astúcia, buscando mecanismos de afirmação nos espaços fora, dentro e para além da capoeira, de maneira a (re)significar seus corpos por meio desta arte/luta e apropriar deste espaço como um espaço também pertencente ao feminino.

Made available in DSpace on 2014-07-29T16:17:43Z (GMT). No. of bitstreams: 1 Lidiane Alves de SOUZA Dissertacao.pdf: 891385 bytes, checksum: a5805e5f782235f79e0c3e3b0f7465c1 (MD5) Previous issue date: 2012-08-24 / The proposition of this academic research is to investigate the representations of female body produced by medical discourse in the 13th century, starting from the analysis of three genres of medical literature in Late Middle Ages: the medical comments to Isagoge of Johannitius from Pedro Hispano, intellectual and physical portuguese, the theoretical treatise assigned to Alberto Magno called De secretis mulierum, and the set of recipes, Thesaurus pauperum, also authored by Peter of Spain. In this context, the medical knowledge rested basically in Aristotle's natural philosophy and in galenism (that had incorporated the medical knowledge and philosophy of the Ancient World), taken up and reinterpreted by the Arabs. For women and female issues, the medicine, under the reasoning of these bases, represented a resumption of a long medical tradition that had distinguished, hierarchized and inferiorized the female body in relation to the male body, likewise the woman's body was intended only for reproduction. Identified mainly regarding to the works of Aristotle and Galen, this understanding has been assimilated and resignified in the writings of the Latin medical tradition (Etimologias, of Isidore of Seville) and in the medieval arabic tradition (De Genecia, from Haly Abbas and Canon of Medicine, from Avicena). As medical scholastics major auctoritates, the images and representations in these differents traditions accounted the main references to think the women and their body in 13th century medicine. It's about these images and representations that we examine for analysis throughout this work. / O presente trabalho tem como proposta a investigação das representações corporais femininas produzidas pelo discurso médico no século XIII a partir da análise de três gêneros da literatura médica produzidos no baixo medievo: o comentário médico ao Isagoge de Johannitius do intelectual e físico português Pedro Hispano, o tratado teórico atribuído a Alberto Magno intitulado De secretis mulierum, e o receituário Thesaurus pauperum também de autoria petrinícia. Nesse contexto, o conhecimento médico assentava-se basicamente na filosofia natural de Aristóteles e no galenismo (que havia incorporado o conhecimento médico-filosófico do mundo antigo), absorvido e reinterpretado pelos árabes. Para as mulheres e os problemas femininos a fundamentação da medicina sob essas bases representou a retomada de uma longa tradição médica que havia diferenciado, inferiorizado e hierarquizado o corpo das mulheres em relação ao masculino, e o associado exclusivamente à reprodução. Identificada principalmente às obras de Aristóteles e Galeno, essa forma de compreensão fora assimilada e ressignificada nos escritos da tradição médica latina (Etimologias, de Isidoro de Sevilha) e árabe medieval (De genecia, de Haly Abbas, e Cânon de Medicina, de Avicena). Sendo as principais auctoritates da escolástica médica, as imagens e representações presentes nessas diferentes tradições representaram as principais referências para se pensar as mulheres e seu corpo na medicina do século XIII. É sobre essas imagens e representações que nos debruçamos para análise ao longo desse trabalho.

This thesis, consisting of four chapters, explores female alienation and subjectivity as described by post-war French women writers. The first chapter will focus on critical and theoretical approaches to female alienation. Through feminist and Marxist criticism, I explore the condition of women as a dominated class. The second chapter examines literary strategies such as irony, humor, parody and satire used by the authors of my corpus to undermine and question gender stereotypes which they inherited from the tradition of the French novel. The third chapter is devoted to the issue of women novelists' uses of the figure of the naive female narrator. Through their reworking of this stereotype, they perform a political act of providing agency to a figure who was traditionally deprived of all agency. The fourth chapter analyzes the question of the female body. By playing with the concept of the grotesque female body and its representation, the novelists whom I study, attempt to liberate their female narrators from the status of an object and the influence of the beauty myth. What interests me most is the potential of feminist literature to create alternative representations of women in French literature. In the novels studied here, narrators move from a position of naivety and alienation to an unexpected sense of agency and subjectivity. / Thesis / Doctor of Philosophy (PhD) / This thesis examines the evolution of the representation of female alienation and female identity in the postwar French novel, as well as the textual strategies of resistance used by three postwar French women novelists to subvert and rework the trope of the naive female narrator. My research project highlights the emergence of female agency in the French novel in recent decades through the examples of novels by Christiane Rochefort, Marie Redonnet and Marie Darrieussecq. The novels studied in this dissertation feature the point of view of female narrators who move beyond their initial naivety and passivity to discover unexpected forms of agency.

Made available in DSpace on 2016-04-27T19:32:46Z (GMT). No. of bitstreams: 1 Aline da Silva Medeiros.pdf: 3024212 bytes, checksum: 458b0d298ee48a39a5353c38a8e7cde1 (MD5) Previous issue date: 2010-05-03 / Conselho Nacional de Desenvolvimento Científico e Tecnológico / The present work intends to discuss the medical investments which had as target the woman s body, in the capital of Ceará, since the foundation, on March 1915, of the first city s maternity, the Maternity Dr. João Moreira. Divided between the hospital care service and the activities that made up the training of the midwives, the Maternity Dr. João Moreira constituted the productor and propagator center of new ways to understand and deal with the female body in childbirth, which in turn was significantly different from the previous methods of body reading carried by the traditional midwives, who then dominated the scene of the birth in Fortaleza city. The reviewed documentation, consisting of clinical cases, reports and statistical studies, also allowed the analysis of the gradual employment of technical procedures which surrounded the childbirth inside and outside of the Maternity Dr. João Moreira, with particular emphasis on the reorganization of the distances between nature and artifice, and its implications on the gestures professionals dedicated to the female body / Este trabalho pretende discutir os investimentos médicos que tiveram por alvo o corpo da mulher, na capital do Ceará, a partir da fundação, em março de 1915, da primeira maternidade da cidade, a Maternidade Dr. João Moreira. Dividida entre os atendimentos hospitalares e as atividades que compunham um curso de formação de parteiras, a Maternidade Dr. João Moreira constituiu núcleo produtor e propagador de novos modos de entender e lidar com o corpo feminino na hora do parto, modos estes, por sua vez, significativamente distintos das matrizes de leitura corporal carregadas pelas parteiras tradicionais, que então dominavam a cena do nascimento em Fortaleza. A documentação consultada, composta de casos clínicos, resenhas e estudos estatísticos, permitiu ainda a análise do emprego de procedimentos técnicos que cercaram algumas parturições dentro e fora da Maternidade Dr. João Moreira, com especial ênfase sobre as reorganizações das distâncias entre natureza e artifício, e suas implicações sobre o gestual médico dedicado ao corpo feminino por ocasião do parto

The dissertation aims at the analysis of the traditional linguistic worldview of the woman in Czech. Theoretically and methodologically, the dissertation follows from the modern Polish ethnolinguistics, i.e. a discipline focusing on the studies of language in relation to culture, which uses the term of "linguistic worldview", referring specifically to the ways in which the values and experience of the particular society have been written into its language. The aim of the dissertation is to reconstruct the image (the stereotype) of the woman in Czech, i.e. to reveal the structure of stereotypical characteristics related to the woman in the language and the culture. The attention was paid primarily to the traditional image, built in the centuries before the dramatic changes of the society and the women's role in modern times. The analysis of the Czech vocabulary (including phraseology) and of the traditional songs lyrics, minor folklore genres as well as classical Czech literature has led to the reveal and subsequent characterization of four specific modes of the linguistic worldview of the woman, divided according to the three aspects (profiles) - the age, the appearance and the social role - as the young girl (maiden), the wife, the mother and the old woman. Each of them involves the general as...