In World War II, many Americans felt fortunate and proud to live in a democratic society based on the constitutionally guaranteed rights of all individuals. At the same time, the U.S. government was completely disregarding the civil rights of 110,000 American residents, including 70,000 U.S. citizens. They were forced to evacuate their homes and were placed in internment camps surrounded by armed guards and barbed wire. The only criterion for the actions against them was their Japanese ancestry and the military necessity was the reason given for the actions, but marital law was never declared.

The evolution of United States military doctrine was heavily influenced by the Wehrmacht and their early Blitzkrieg campaigns during World War II. This thesis traces the origins of this development and shows how the context of the Cold War led to a heavy influence by the Wehrmacht on American military doctrine. By analyzing studies conducted by the United States Army Historical Division from 1946-1961, I will show how these studies left a profound impact on American Military doctrine, particularly in the context of the Cold War. I will show the development of the Active Defense Doctrine and AirLand Battle during the 1970s and 1980s were largely influenced by lessons learned from the Wehrmacht. By comparing these doctrines with the Wehrmacht's Truppenführung, the influence is undeniable. Finally, I will show how the American military put these lessons into practice during Operation Desert Storm in 1991.

anglicky The PhD thesis Das "deutsche Prag" 1939-1945. Ein Beitrag zur Erforschung der besetzten Hauptstädte Europas deals with the German occupation of Prague before and during World War II in the context of current research on the National-socialist occupation of Europe. The so-called Protectorate of Bohemia and Moravia has been somewhat on the sidelines of current trends in international historiography as has the history of Prague in the Twentieth century. The thesis therefore first sketches out the broader research context as well as the roots for German occupation policy in the former Czechoslovak capital city, referring to the once prominent position of the German minority in Prague. One main focus of the thesis is then to try and analyse the (changing) structure and the population movement of the Germans in Prague during the years of occupation. In a next step, examples are given on how the German occupation regime tried to consolidate and expand the Germans' position in the city, aiming for an eventual re-modeling of the urban structure in terms of a "Germanisation" of the Bohemian capital. A chapter on the final collapse and dissolution of "German Prague" concludes the study.

The United States offered an idal situation for prisoner of war camps during World War II. The remoteness of the states of Utah and Idaho offered also an ideal situation to intern prisoners. The United States established 141 base camps and 313 branch camps. Out of this number, Utah and Idaho represented a total number of nine base and twenty-one branch camps. Utah and Idaho had under their supervision approximately 11,660 or 3.6% of the prisoners in the base camps. The Utah and Idaho camps were under supervision of the United states War Department. Their basic source for the administration came from the written provisions within the International Red Cross Geneva Convention of 1929.

While most scholars focus on analyzing the content of photographs taken under Nazi rule, this dissertation examines photographic practices as social acts aimed at building the Nazi racial community (Volksgemeinschaft). Nazi officials envisioned photography as both an action and a shared experience which would transform Germans into National Socialists and unite them. Beginning in 1933, the dictatorship promoted photography for those who belonged to that community and set about excluding Jews from it. The dispossession of Jews in the photographic industry reinforced the connection between photography and national belonging even further. Because of the regime’s active intervention in the marketplace, many Germans had come to view photography by 1939 as a pastime that strengthened the bonds between members of this exclusive community, an association which acquired new significance during the Second World War. German soldiers and their families were actively encouraged by Nazi authorities to exchange photographs in order to fortify morale during military conflict. Based on a review of hundreds of albums, it is clear that soldiers and their loved ones understood sharing photographs and compiling photo albums as both a medium of intimate communication and a form of patriotic duty. On the war front, the act of photographing daily routines and the intervals between combat situations provided a way for Wehrmacht soldiers fighting on the Eastern Front and SS-men guarding concentration camps to reaffirm the values of comradeship and family that the Nazis viewed as fundamental to the racial community. Focused as they were on enacting these values, soldiers largely omitted atrocities in the photographs they sent home for their albums. Ultimately, it would fall to concentration camp prisoners to use photography to expose the violence and cruelty on which the Nazi project also depended, but which popular photography under National Socialism had treated as a secondary subject all along.

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To broaden the knowledge of narrator/character Death in Markus Zusak's novel The Book Thief, this research explores how Death uses his narrative space to alleviate the story's tragedy. This paper examines narration in the context of focalization, time, and unusual narration. In addition, the space of Death is analysed in the framework of how death—both as a concept and as a powerful being—is portrayed in literature. To conduct the research, the essay uses different theorists' perspectives of narration and Death. For instance, Rimmon-Kenan, Cohn, Phelan, Saghafi, and Brennan. This paper uses discourse analysis to study academic journals written about narrative theories and the space of Death in literature. As a result, it provides broader perspectives and helps analyse Death's role in The Book Thief.