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Composing in Just Intonation

This thesis deals with the development of methods for composition in Just Intonation (JI). The author (Gustav Spoormaker) has composed a three movement String Trio in Just Intonation largely based on the theoretical ideas of Harry Partch, Marc Sabat and Kristofer Svensson which incorporates influences from contemporary microtonal music, early western classical music, jazz, and various types of world and folk music. Established core concepts of Just Intonation are explained for the author to then present their own theoretical and aesthetic ideas based on their artistic work. These ideas mostly center around practical aspects of JI composition, through presenting tangible approaches to modality, harmony, and counterpoint with the goal of ensuring an artistic result that enables both performability (tuneability) and stylistic flexibility. Concrete examples from the author’s artistic work are brought up to illustrate these ideas. The artistic results of these methods are discussed as well as their practical implications for performance.

Identiferoai:union.ndltd.org:UPSALLA1/oai:DiVA.org:ltu-107389
Date January 2024
CreatorsSpoormaker, Gustav
PublisherLuleå tekniska universitet, Institutionen för ekonomi, teknik, konst och samhälle
Source SetsDiVA Archive at Upsalla University
LanguageEnglish
Detected LanguageEnglish
TypeStudent thesis, info:eu-repo/semantics/bachelorThesis, text
Formatapplication/pdf
Rightsinfo:eu-repo/semantics/openAccess

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