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1	It's Just Intonation! : Att praktiskt arbeta med renstämd vokalmusik Elinder, Viktor January 2024 (has links) I det här arbetet har jag analyserat två verk för kör i ren stämning (just intonation) av tonsättaren Ben Johnston. Min analys är fokuserad på praktiskt intonationsarbete och strategier för att kunna instuderaverken med kör. Jag har även repeterat ett av verken med kör, och reflekterat över de erfarenheter dessa repetitionstillfällen gav mig. / In this text I've analyzed two works for choir in just intonation by the composer Ben Johnston. My analysis has been focused on practical ways of working with the intonation and strategies for rehearsing them with a choir. I’ve also rehearsed one of the pieces with a choir, and reflected upon theresults of these rehearsals. / <p>Ljudfilen är från min examenskonsert tillsammans med dirigent Rasmus Krigström och KMH Vokalensemble. Medverkade gjorde även dirigenterna Anton Alexis Hallgren, Benedikt Kantert och Danny Xie, samt manskören Voces8.</p><p>Här nedan kommer en kort sammanfattning av programmet, med de stycken jag dirigerar i fet stil:</p><p>Genesis ur Die Schöpfung - Joseph Haydn (arr Gottwald)</p><p><strong>I'm Going Away - Ben Johnston</strong></p><p>Kyrie Eleison (Åses död) - Edvard Grieg (arr Krigström)</p><p><strong>L'aura che'l verde lauro et l'aureo crine - Nicola Vicentino</strong></p><p>(Zero8 sjunger Gesualdo & kort bulgarisk trad)</p><p>Agnus Dei (Adagio for strings) - Samuel Barber (arr tonsättaren)</p><p><strong>Half-timers - Viktor Elinder (Uruppförande)</strong></p><p>Ich bin der Welt - Gustav Mahler (arr Gottwald/Morgan)</p><p>Lux Aeterna (Nimrod) - Edward Elgar (arr Cameron)</p><p>(Zero8 sjunger en dubbelkör)</p><p>Going Home (Symfoni 9, sats 2)- Antonín Dvořák (arr Wright/Krigström)</p> just intonation kör körmusik kördirigering körmetodik intonation ren stämning Ben Johnston Music Musik
2	Adaptiv stämning : En bedömning av acceptabilitet och tonkvalitetsuppfattning Leidenius, Dennis January 2011 (has links) This thesis presents an adaptive tuning system that can be described as a dynamic Just Intonation tuning system, being compatible with equally tempered instruments. The tuning system is called Hermode Tuning (HMT) and the tuning used as comparison for evaluation is the standardized western tuning, the equal tempered tuning. This study investigates preferences for these two musical tuning systems, depending on whether the tunings are presented on a piano or with woodwind instruments. A listening test was done with students at the Falun Conservatory of Music, including both a vertical listening (intervalls) and a horizontal listening (cadenses and musical compositions) of Hermode tuned musical material. Overall the results showed no significant preferences for either tuning system irrespectively of what instrument it was presented with. The clearest results was that of a misjudged just intonated perfect third on the piano and a preference for an adaptively tuned piano presented in a simple harmonic structure, with a parameter setting of HMT 70%. Materials for comparison was partly taken from Hermode´s own website, but overall the attitude towards these sequenses (using a likert scale of one to five) showed a low expected value. This shows the complexity of the topic and no general conclusions regarding the choice of intonation or tuning system could be done for the presented material. adaptiv stämning hermode tuning stämningssystem liksvävande temperatur dissonans konsonans ren stämning just intonation vertikal lyssning horisontell lyssning dissonanskurva tonkvalitet acceptabilitet
3	Composing in Just Intonation Spoormaker, Gustav January 2024 (has links) This thesis deals with the development of methods for composition in Just Intonation (JI). The author (Gustav Spoormaker) has composed a three movement String Trio in Just Intonation largely based on the theoretical ideas of Harry Partch, Marc Sabat and Kristofer Svensson which incorporates influences from contemporary microtonal music, early western classical music, jazz, and various types of world and folk music. Established core concepts of Just Intonation are explained for the author to then present their own theoretical and aesthetic ideas based on their artistic work. These ideas mostly center around practical aspects of JI composition, through presenting tangible approaches to modality, harmony, and counterpoint with the goal of ensuring an artistic result that enables both performability (tuneability) and stylistic flexibility. Concrete examples from the author’s artistic work are brought up to illustrate these ideas. The artistic results of these methods are discussed as well as their practical implications for performance. Composition Just Intonation Microtonality Tuning Harmonic Series Subharmonic Series Harmony Counterpoint Modality Experimental Music String Trio Music Theory Harry Partch Ben Johnston Komposition Ren stämning Mikrotonalitet Stämning Övertonsserien Undertonsserien Harmoni Kontrapunkt Modalitet Experimentell musik Stråktrio Musikteori Harry Partch Ben Johnston Music Musik

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