Thesis (MA)--Stellenbosch University, 2014. / ENGLISH ABSTRACT: The aim of this research is to develop a specific period in the history of the historically important Karoo town of Graaff-Reinet. The importance of the period under discussion lies in the fact that during the period in question, Graaff- Reinetters engaged in a series of socially divisive conflicts that divided the society on a racial basis based on an individual’s use of either Afrikaans or English. In the aftermath of the Anglo-Boer War, an Afrikaner nationalistic trend established a foothold on the Afrikaans speaking population of Graaff-Reinet and forced them to counter the dominance of an Imperialist and British viewpoint that had been dominant in society up to that point. This was done by fighting for the importance of Afrikaans as a language as opposed to English. These two groups of language speakers engaged in a series of literal and metaphorical frictions within different sections of society, including on a political level well as in the education of students. Apart from the conflicts between the Afrikaans and English speaking population, this research will also examine the occurrence of conflicts within the Afrikaans community of Graaff- Reinet regarding the loaded decision about what language to use from the pulpit. In short this research examines the origin and development of Afrikaner nationalism in Graaff-Reinet during the period after Unification, but more than that and on a much deeper level it also looks at the social tendencies that manifested itself within this relatively small and rural Karoo society. / AFRIKAANSE OPSOMMING: Die mikpunt van hierdie navorsing is om ’n spesifieke periode in die geskiedenis van die histories belangrike Karoodorp, Graaff-Reinet te belig. Die belangrikheid van die periode onder bespreking lê opgesluit in die feit dat Graaff-Reinetters in daardie tydperk in ’n reeks sosiaal verdelende konflikte gewikkel was wat die samelewing op ’n rassegrondslag verdeel het; die konflik was gebaseer op ’n individu se taalgebruik van hetsy Afrikaans of Engels. In die periode ná die Anglo-Boereoorlog het ’n Afrikanernasionalistiese tendens ’n houvas gekry op Afrikaanssprekendes op Graaff- Reinet en dit het hulle genoop om in alle erns die oorheersing van ’n Imperialistiese Britse sienswyse in die samelewing teen te werk. Dit het behels dat die belangrikheid van Afrikaans vir Afrikaanssprekendes belig is teenoor die Imperialistiese Ryksgesindes wat weer Engels as die summa summarum van tale aangevoer het. Hierdie twee groepe taalgebruikers het op etlike terreine vir mekaar die letterlike en metaforiese stryd aangesê: ondermeer in die politieke speelterrein op die dorp sowel as in die opvoeding van leerders en met die samestelling van skool- en afdelingsrade. Buiten die konflikte tussen die Afrikaans- en Engelssprekendes wat op hierdie verskillende terreine belig gaan word, kyk hierdie navorsing ook na die voorkoms van taalkonflikte binne Afrikanerkringe self en hoe dit tot uiting gekom in die keuse van ’n taal by godsdiensbeoefening op die dorp. In kort fokus hierdie tesis dus op die voorkoms en opbou van Afrikanernasionalisme op Graaff-Reinet in veral die tydperk ná Uniewording, maar dit kyk ook op ’n wyer vlak na die onderliggende sosiale tendense wat deur die dekades heen op hierdie relatief klein Karoodorp gemanifesteer het.

The first instance of the poor white problem being dramatically brought to the attention of white South Africa was in 1893 when Rev. Andrew Murray issued an open letter on the subject which resulted in the convening of the first of many Dutch Reformed Church conferences on the problem (Introduction, p. 1).

M.Tech. (Fine Art) / In this research, I map emergent female Afrikaner identities in relation to Willem Boshoff‟s artwork Bread and Pebble Roadmap, which acts as the central focus to this study and informs my own body of practical work. In order to constitute a key to unlock questions regarding emergent female Afrikaner identities in a South African context from colonial to post-apartheid, the relationship between image and text in Bread and Pebble Roadmap is investigated. The investigation of this relationship is interwoven with a discourse of an early form of the literary tradition that has come to be known as Arabic-Afrikaans script, a term used to describe the "literary work which is written in Afrikaans with Arabic letters" (Van Selms 1951). This study adopts a qualitative methodological approach. The research incorporates textual analysis and visual analysis. The study presents a visual semiotic analysis of Bread and Pebble Roadmap, in order to map possible links between this artwork and a literature review of an early form of Arabic-Afrikaans script, as a contextual framework in which to situate the study. Arabic- Afrikaans, in turn, acts as a link which forges a relationship between two kinds of identities: an Islamic influence on South African culture, and an Islamic influence on my life experience as an Afrikaans-speaking woman who lived in Egypt for four years. These two identities, represented by artist Lalla Essaydi in relation to an Islamic identity and artist Lizelle Kruger in relation to an Afrikaner identity, are investigated through a comparative visual analysis. The study intends to show how Essaydi and Kruger form a link with Boshoff, where each of these three artists subverts, questions, and breaks down prevailing cultural and linguistic stereotypes, and in so doing operationalises the notion of an emergent identity. Identity construction, in the context of this study, is characterised by Stuart Hall‟s (in Rutherford 1990:222) concept of identity being in a continual state of flux, identity as “a production, which is never complete; always in process and always constructed within, not outside representation”. I therefore map my Afrikaner identity, previously seen as fixed, unproblematic and in line with the national discourse under apartheid (Van Heerden 2006), but now seen as „becoming‟ and „transitioning‟, situated „betwixt and between‟ (Turner 1969). This notion informs my own practical work, which becomes visual metaphors of maps, in order to navigate a sense of self. My practical work therefore attempts to embody a temporary space of an emergent identity. I understand this in-between space (Bhabha 2004) as a liminal space, as a continuum of spaces in which my emergent female Afrikaner identity resides. An important conclusion that I make from my research is that Boshoff‟s conflation of image and text, which is consistent with Derrida‟s (1981) deconstructive strategy, unhinges the conditions of the stereotype, which conventionally privileges a dichotomy in which different polar relations reside. Drawing a connection between Bread and Pebble Roadmap and Arabic-Afrikaans, and applying the conditions found in Bread and Pebble Roadmap to Arabic-Afrikaans, I view Arabic- Afrikaans as able to unhinge its own seeming dichotomies: between Arabic and Afrikaans, and thus between Islam and Christianity. In this way, I am able to argue that Arabic-Afrikaans is able to reverse stereotyping and point a way forward towards the construction of emergent non-racial stereotyping.

Unmasking the heroes: sources of power in Afrikaner mythologising is a personal, visual and theoretical exploration of the underlying sources of power which governed the development of Afrikaner nationalism, particularly the years spanning the late 1980s and the early 1990s. The practical work, a series of drawings and relief cut-outs, sets out to unmask the beliefs, customs, traditions and attitudes particular to Afrikaner culture. It does so through the processes of deconstruction and reconstruction of selected mass mediated images whereby different symbolic paradigms are juxtaposed through the devices of collage and allegory to uncover layers of meaning. This art-making approach was informed by theoretical and visual research into the tradition of Western mythology, including related topics such as linguistics, psychology and sociology, Afrikaner history and historiography, and the mechanisms of contemporary cultural reproduction, particularly the South African mass media and fine arts. / History of Art and Fine Arts / M.A. (History of Art and Fine Arts)

Unmasking the heroes: sources of power in Afrikaner mythologising is a personal, visual and theoretical exploration of the underlying sources of power which governed the development of Afrikaner nationalism, particularly the years spanning the late 1980s and the early 1990s. The practical work, a series of drawings and relief cut-outs, sets out to unmask the beliefs, customs, traditions and attitudes particular to Afrikaner culture. It does so through the processes of deconstruction and reconstruction of selected mass mediated images whereby different symbolic paradigms are juxtaposed through the devices of collage and allegory to uncover layers of meaning. This art-making approach was informed by theoretical and visual research into the tradition of Western mythology, including related topics such as linguistics, psychology and sociology, Afrikaner history and historiography, and the mechanisms of contemporary cultural reproduction, particularly the South African mass media and fine arts. / History of Art and Fine Arts / M.A. (History of Art and Fine Arts)

Die verhandeling ondersoek die wyse waarop Deon Opperman die versetmotief in sy Afrikanerdramas uitbeeld en vernuwe om die veranderende sosiale omgewing te weerspieël. Hoofstuk 1 verskaf ‘n oorsig oor verset as leefwyse en motief in die Afrikaanse drama. Hoofstuk 2 bied ‘n teoretiese ondersoek van The theatre of revolt (Brustein 1991), ’n bespreking van begrippe soos herskrywing, multikulturalisme, moderne diaspora en globalisasie sowel as ‘n kontekstuele studie van Deon Opperman se Afrikaanse oeuvre. Hoofstuk 3 (Donkerland) fokus op verset binne ‘n postkoloniale herskrywing van die Afrikanergeskiedenis. Hoofstuk 4 (Kruispad en Ons vir jou) sentreer rondom sosiale verset binne ‘n multikulturele omgewing, terwyl hoofstuk 5 Kaburu as weerkaatsende teks en die aktuele kwessie van die moderne diaspora as versetreaksie aanspreek. Die verhandeling kom tot die slotsom dat Opperman versetteater gebruik om kommentaar op aktuele probleme te lewer en om terselfdertyd‘n boodskap van transformasie oor te dra. / The dissertation examines how Deon Opperman portrays and regenerates the revolt motif in his Afrikaner dramas, in order to reflect the changing social environment. Chapter 1 provides an overview of revolt as lifestyle and as motif in Afrikaans drama. Chapter 2 offers a theoretical examination of The theatre of revolt (Brustein 1991), a discussion of concepts such as rewriting, multiculturalism, modern diaspora and globalization, as well as a contextual study of Deon Opperman’s Afrikaans oeuvre. Chapter 3 (Donkerland) focuses on revolt within the postcolonial rewriting of Afrikaner history. Chapter 4 (Kruispad and Ons vir jou) deals with social revolt within a multicultural milieu, whereas chapter 5 discusses Kaburu as a reflecting text and addresses the issue of the modern diaspora as a reaction to political transition. The dissertation reaches the conclusion that Opperman is using South African theatre as a platform for revolt as well as for transformation. / Afrikaans & theory of Literature / MA (Afrikaans en Algemene Literatuurwetenskap)

Die verhandeling ondersoek die wyse waarop Deon Opperman die versetmotief in sy Afrikanerdramas uitbeeld en vernuwe om die veranderende sosiale omgewing te weerspieël. Hoofstuk 1 verskaf ‘n oorsig oor verset as leefwyse en motief in die Afrikaanse drama. Hoofstuk 2 bied ‘n teoretiese ondersoek van The theatre of revolt (Brustein 1991), ’n bespreking van begrippe soos herskrywing, multikulturalisme, moderne diaspora en globalisasie sowel as ‘n kontekstuele studie van Deon Opperman se Afrikaanse oeuvre. Hoofstuk 3 (Donkerland) fokus op verset binne ‘n postkoloniale herskrywing van die Afrikanergeskiedenis. Hoofstuk 4 (Kruispad en Ons vir jou) sentreer rondom sosiale verset binne ‘n multikulturele omgewing, terwyl hoofstuk 5 Kaburu as weerkaatsende teks en die aktuele kwessie van die moderne diaspora as versetreaksie aanspreek. Die verhandeling kom tot die slotsom dat Opperman versetteater gebruik om kommentaar op aktuele probleme te lewer en om terselfdertyd‘n boodskap van transformasie oor te dra. / The dissertation examines how Deon Opperman portrays and regenerates the revolt motif in his Afrikaner dramas, in order to reflect the changing social environment. Chapter 1 provides an overview of revolt as lifestyle and as motif in Afrikaans drama. Chapter 2 offers a theoretical examination of The theatre of revolt (Brustein 1991), a discussion of concepts such as rewriting, multiculturalism, modern diaspora and globalization, as well as a contextual study of Deon Opperman’s Afrikaans oeuvre. Chapter 3 (Donkerland) focuses on revolt within the postcolonial rewriting of Afrikaner history. Chapter 4 (Kruispad and Ons vir jou) deals with social revolt within a multicultural milieu, whereas chapter 5 discusses Kaburu as a reflecting text and addresses the issue of the modern diaspora as a reaction to political transition. The dissertation reaches the conclusion that Opperman is using South African theatre as a platform for revolt as well as for transformation. / Afrikaans and theory of Literature / M. A. (Afrikaans en Algemene Literatuurwetenskap)

Cultural intelligence (referred to as CQ) has gained increasing attention from research. This is because of the modern-day relevance to globalisation, international management and work diversification. Demographical shifts towards a more diverse South African population contribute to various challenges for successful cross-cultural interactions for young Afrikaans-speaking South Africans. Selective perception, social categorisation, stereotyping, attribution and diversity among South Africa‟s different cultures (race, gender, language, vocabulary, content, accent and appearances) are barriers that must be overcome. The study was a quantitative study. A cross-sectional survey was used to collect the data and to achieve the research objectives. Convenience and quota sampling methods were used to include a sample of young South Africans from a higher education institution (N=252). The participants were young South African students, white, Afrikaans speaking and between the ages of 18 and 22. Questionnaires were distributed, and the participants completed the questionnaire during class and were given 2 hours to complete the questionnaires. The statistical analysis was carried out with the IBM SPSS statistics and the Mplus 7.11 programme. Product-moment correlation coefficients were used to specify the relationships between the variables and multiple regressions to determine which dimensions of personality and identity predicted CQ. The general objective of this research is to determine the relationship between Identity, Personality and Cultural Intelligence among young South Africans. The Erickson Psychosocial Stage Inventory (EPSI) and the Multi-Ethnic Identity Measure (MEIM) was used to measure personal, ethnic and religious identity. The SAPI-questionnaire was used to measure the constructs, conscientiousness, extraversion, openness, soft-heartedness, relationship-harmony, intellect, integrity and facilitating. Furthermore, the Four Factor Model of Cultural Intelligence Scale was applied to measure the dimensions of CQ, namely, meta-cognitive CQ, cognitive CQ, motivational CQ and behavioural CQ. This study indicated a positive relationship between cognitive CQ and the other three components of CQ. Conscientiousness, emotional stability, extroversion, facilitating, intellect and openness related positively to meta-cognitive CQ. Facilitating, intellect and openness were found to be positively related with motivational CQ. Furthermore, conscientiousness, emotional stability, extroversion, intellect, relationship harmony and soft-heartedness related positively with behavioural CQ. Religious identity has a negative effect on cognitive CQ. Furthermore, intellect, facilitating and ethnic identity predicted meta-cognitive CQ. Soft-heartedness, facilitating, extroversion and religious identity had a positive effect on motivational CQ, influencing young Afrikaans speaking South Africans interest and drive in adapting to cultural differences. Furthermore, soft-heartedness and conscientiousness had a positive effect on behavioural CQ. Recommendations were made for future research and for practise. / MCom (Industrial Psychology), North-West University, Potchefstroom Campus, 2014

Cultural intelligence (referred to as CQ) has gained increasing attention from research. This is because of the modern-day relevance to globalisation, international management and work diversification. Demographical shifts towards a more diverse South African population contribute to various challenges for successful cross-cultural interactions for young Afrikaans-speaking South Africans. Selective perception, social categorisation, stereotyping, attribution and diversity among South Africa‟s different cultures (race, gender, language, vocabulary, content, accent and appearances) are barriers that must be overcome. The study was a quantitative study. A cross-sectional survey was used to collect the data and to achieve the research objectives. Convenience and quota sampling methods were used to include a sample of young South Africans from a higher education institution (N=252). The participants were young South African students, white, Afrikaans speaking and between the ages of 18 and 22. Questionnaires were distributed, and the participants completed the questionnaire during class and were given 2 hours to complete the questionnaires. The statistical analysis was carried out with the IBM SPSS statistics and the Mplus 7.11 programme. Product-moment correlation coefficients were used to specify the relationships between the variables and multiple regressions to determine which dimensions of personality and identity predicted CQ. The general objective of this research is to determine the relationship between Identity, Personality and Cultural Intelligence among young South Africans. The Erickson Psychosocial Stage Inventory (EPSI) and the Multi-Ethnic Identity Measure (MEIM) was used to measure personal, ethnic and religious identity. The SAPI-questionnaire was used to measure the constructs, conscientiousness, extraversion, openness, soft-heartedness, relationship-harmony, intellect, integrity and facilitating. Furthermore, the Four Factor Model of Cultural Intelligence Scale was applied to measure the dimensions of CQ, namely, meta-cognitive CQ, cognitive CQ, motivational CQ and behavioural CQ. This study indicated a positive relationship between cognitive CQ and the other three components of CQ. Conscientiousness, emotional stability, extroversion, facilitating, intellect and openness related positively to meta-cognitive CQ. Facilitating, intellect and openness were found to be positively related with motivational CQ. Furthermore, conscientiousness, emotional stability, extroversion, intellect, relationship harmony and soft-heartedness related positively with behavioural CQ. Religious identity has a negative effect on cognitive CQ. Furthermore, intellect, facilitating and ethnic identity predicted meta-cognitive CQ. Soft-heartedness, facilitating, extroversion and religious identity had a positive effect on motivational CQ, influencing young Afrikaans speaking South Africans interest and drive in adapting to cultural differences. Furthermore, soft-heartedness and conscientiousness had a positive effect on behavioural CQ. Recommendations were made for future research and for practise. / MCom (Industrial Psychology), North-West University, Potchefstroom Campus, 2014

This thesis investigates discourses surrounding upper and middle class Afrikaner women living in Johannesburg during the years 1948, 1949 and 1958. It uses magazines aimed at upper and middle class women as primary sources and also makes use of interviews with upper and middle class women who lived in Johannesburg during 1948, 1949 and 1958. The thesis uses women's magazines, educational magazines and church magazines, as well as the Vrou en Maeder magazine, mouthpiece of the Suid Afrikaanse Vrouefederasie. Conclusions are drawn about the status and role of Afrikaner middle class women in society, as well as the value systems operating at the time. Differences in discourse and changes over time are accounted for. The thesis also draws attention to the importance of using gender as an historical category, and attempts to broaden the method of history by utilising discourse analysis. / History / M.A. (History)