In anthropological studies place is often taken for granted, “just” the locale where other interesting, more significant things happen (De Jongh 2006:79). I argue that rather than a mere backdrop to activities, the landscape of Orania is significant and that physical place is essential for the construction of an Orania identity. I ethnographically examine whether the physical setting of Orania can be seen as a prime signifying system through which a particular other interesting, more significant things happen (De Jongh 2006:79). I argue that rather than a mere backdrop to activities, the landscape of Orania is significant and that physical place is essential for the construction of an Orania identity. I ethnographically examine whether the physical setting of Orania can be seen as a prime signifying system through which a particular Afrikaner ethnic identity, as well as a set of socio-cultural values is communicated. Occupying the physical land is a form of collective identity that helps create ethnic identities (Tilley 2006:11-13). Orania is an authentic place-bound expression of this quest for identity and Oranians define their identity through their model of space and of their land. The physical boundaries are expanded when support groups outside of the settlement become an integral part of the activities in the community, and socio-political boundaries are tested by an inand outflux of community members and the constant presence of South African and international press, and visitors. iv Landscape does not merely comprise the land, but also includes the lived experiences and attitudes of the inhabitants. Landscape as text, “a medium to be read for the ideas, practices and contexts constituting the culture which created it” (Ley 1985:419) proves to be a legitimate and constructive way to make sense of the landscape. As with texts, the landscape as text is subject to multiple readings. The focus on textual landscape offers an expanded perspective on space and place, and in this case texts also amplify the Oranian space exponentially. Different types of landscapes - culturescapes, landscape as text and textual landscapes - are building blocks in the construction of an Orania identity. Finally, I would emphasise that Orania, and by extension this study, is not just an academic concept, but a product of the lived experiences and opinions of people who are closely connected to land of their own.. / Anthropology & Archaeology / M.A. (Anthropology)

Thesis (MA (Sociology and Social Anthropology))--University of Stellenbosch, 2010. / ENGLISH ABSTRACT: This study seeks to present a picture of the racial discourses circulating among white Afrikaans-speaking youth in South Africa, with closer focus to students at the Stellenbosch University (SU). Fifteen years into democracy, Afrikaans-speaking whites find themselves in a position where their ‘Afrikaner’ identity does not enjoy the same government-supported security as under apartheid. The responsibility is thus shifted onto white Afrikaans-speakers themselves to negotiate and secure this identity in the light of new challenges brought on by the post-apartheid context. In this regard, the white Afrikaans-speaking youth, in particular, are faced with the ambivalence of being both exposed to a habitual scheme of normalised racial divisions, as well as to a context where ‘old’ frameworks need to be transcended in the name of survival in multi-racial South Africa. SU, a historically white, predominantly Afrikaans-medium university, is currently faced with the challenges of government-induced transformation and the attended ‘language debate’, the aims of which are to make the university more accessible to non-white sectors of society who, under apartheid, was excluded from this institution. Making use of interviews and participant observation among students on the SU campus, an attempt was made to shed light onto the types of discourses employed by white Afrikaans-speaking Stellenbosch students to negotiate their position in this setting, as well as to determine to what extent such discourses are racially based. With the help of a social anthropological approach to discourse analysis, the discourses encountered during fieldwork were considered within the context of macro-historical processes, and were conceptualised as complex sets of meanings produced within the context of interaction, appropriated and employed by individuals, strategically and artistically, in response to moment to moment situations. It is argued that these discursive processes are immensely complex, as it is influenced and shaped by a plethora of factors. These youth are, firstly, faced with a received framework in which dualistic and racial distinctions are subconsciously reproduced. Secondly, they take part in a rhetoric in which group boundaries manage to reproduce itself and, lastly, they are exposed to a popular discourse, reinforced by the media, that strongly relies on race-based sense-making. However, politically induced transformation ideals do call for a readjustment of priorities within white ‘Afrikaner’ discourse and students have been observed to respond to this in creative ways. Finally, it is argued that the heavy emotional baggage accompanying the race topic, exacerbated by media emphasis and the ‘racist taboo’, can lead to denial and indifference among white Afrikaans-speakers so that no space is created for constructive engagement with the topic. / AFRIKAANSE OPSOMMING: Die doel van hierdie studie is om ‘n voorstelling van ‘ras-diskoers’ daar te stel soos wat dit onder die wit Afrikaanssprekende jeug in Suid-Afrika voorkom, met spesifieke verwysing na studente van die Universiteit van Stellenbosch (US). Tydens die skryf van hierdie tesis is dit reeds vyftien jaar in die ‘nuwe Suid-Afrika’. Waar Afrikaanssprekende blankes se ‘Afrikaner’ identiteit destyds deur die apartheidsregering beskerm en bevorder is, berus die verantwoordelikheid tans op hierdie groep self om hul identieitsbelange te beskerm en te onderhandel in die lig van nuwe uitdagings. In hierdie opsig is die fokus veral op die jeug aangesien die raamwerke wat dikwels tuis aan hul oorgedra is, nou moet plek maak vir ‘n nuwe manier van dink wat aanpas by blootstelling aan veelrassigheid op alle gebiede in Suid-Afrika, in hierdie geval op die universiteitskampus. Die US, ‘n histories wit, hoofsaaklik Afrikaans-medium universiteit, word tans in die gesig gestaar deur kwessies rondom ‘transformasie’ en die ‘taaldebat’, deurdat aan die regering se vereistes voldoen moet word om die instelling meer toeganklik te maak vir ‘n sektor van die samelewing wat onder apartheid toegang tot sulke universiteite geweier is. Met behulp van onderhoude en deelnemende waarneming by die US is gepoog om vas te stel hoe wit Afrikaanssprekende studente in hierdie konteks hul eie posisie verstaan en onderhandel, en tot watter mate die diskoers waarmee hul sin maak van hul omgewing, ras-gebaseerd is. Die studie maak gebruik van ‘n sosiaal-antropologiese benadering tot diskoers analise. In hierdie opsig word diskoers beskou binne die konteks van makro-historiese prosesse, en word dit verstaan as betekenis wat op komplekse wyse gegenereer word tydens interaksie, betekenisse wat op hul beurt strategies en op kreatiewe wyses toegeëien en aangewend word in reaksie op situasies. Daar word aangedui hoedat die diskursiewe praktyke wat hierdie diskoers ondelê, uiters kompleks is deurdat dit beïnvloed en gevorm word deur ‘n verkeidenheid van faktore. Eerstens is daar ‘n oorgeërfde raamwerk waarin dualistiese raamwerke wat ras-onderskeid reproduseer, onbewustelik seëvier. Tweedens is daar ‘n landwye kulturele retoriek wat die idee van grense tusen groepe as onoorbrugbaar voorstel, en laastens word ‘n populêre diskoers, wat sterk staatmaak op ‘n ras-gebaseerde verstaan van die Suid-Afrikaanse samelewing, dikwels deur die media versterk. Ten spyte van bogenoemde, is daar egter ook waargeneem hoedat studente grootliks bewus is van die polities-gemotiveerde transformasiedoelwitte wat vereis dat die prioriteite vervat in wit Afrikaanssprekende diskoers, daarby aanpas. Laastens word egter ook geredeneer dat die swaar emosionele bagasie wat met die ras-onderwerp gepaard gaan, onder andere die groot taboe rondom ‘rassisme’, op die ou end onder wit Afrikaasnsprekende student lei tot apatie en ignorering van die onderwerp, wat konstruktiewe bespreking daaroor kan belemmer.

Thesis (PhD)--Stellenbosch University, 2000. / ENGLISH ABSTRACT: This thesis contains the results of an investigation into constructions of cultural identity in recent works of short fiction written in Afrikaans. The investigation was conducted within the framework of postcolonial literary theory, with specific reference to the work ofHomi Bhabha, Stuart Hall, Gayatri Spivak, Vijay Mishra and Bob Hodge. The conceptual apparatus concerning postcolonial reconstruction of cultural identities in reaction to the discourse of colonialism were applied to certain Afrikaans short stories to establish to what extent these texts could be considered a '<writing back" to the colonial discourse of Afrikaner nationalism and apartheid. The research focused on texts that had been published after 1994, being the date of the first democratic elections in South Africa, but also investigated their relation to certain literary traditions that preceded this date. From the Afrikaans short stories that were read within a postcolonial framework, it could be concluded that Afrikaans literature after 1994 could still be read in terms of what Mishra and Hodge (1994) called a fused postcolonial, a typification that according to Viljoen (1996) was applicable to the Afrikaans literature of before 1994. The cultural identity that was constructed in these texts showed similarities with the two moments of cultural reconstruction that Hall (1992) mentioned, namely either a strategic essentialism of the colonized subject or a hybridized cultural identity as the result of an ongoing, dynamic process of negotiation in a Third Space as Bhabha (1994) pointed out. A discourse of resistance against new forms of cultural imperialism, arising from a broader disillusion with the perceived dystopia of post-colonial South Africa, could also be inferred from certain Afrikaans short stories that have appeared since 1994. As far as a renewed undermining of imperialising tendencies is concerned, these texts can therefore be considered a continuation of the dissidence that has been characteristic of Afrikaans literature for several decades. / AFRIKAANSE OPSOMMING: Hierdie proefskrif bevat die resultate van 'n ondersoek na konstruksies van kulturele identiteit in onlangse kortverhale in Afrikaans. Die ondersoek is gedoen binne die raamwerk van die postkoloniale literêre teorie, met spesifieke verwysing na die werk van Homi Bhabha, Stuart Hall, Gayatri Spivak, Vijay Mishra en Bob Hodge. Konseptuele apparatuur rakende postkoloniale herkonstruksie van kulturele identiteit in reaksie op diskoerse van kolonialisme, is toegepas op bepaalde Afrikaanse kortverhale om vas te stel in watter mate hierdie tekste beskou kon word as 'n terugskrywing teen die koloniale diskoers van Afrikanernasionalisme en apartheid. Die navorsing het gefokus op tekste wat gepubliseer is na 1994, die datum van die eerste demokratiese verkiesings in Suid- Afrika, maar het ook hul verhouding ondersoek tot sekere literêre tradisies wat hierdie datum voorafgegaan het. Uit die Afrikaanse kortverhale wat gelees is binne 'n postkoloniale raamwerk, is daar tot die gevolgtrekking gekom dat die Afrikaanse letterkunde na 1994 steeds gelees kan word in terme van wat Mishra en Hodge (1994) 'n "saamgestelde postkolonialisme" genoem het, 'n tipering wat volgens Viljoen (1996) toepasbaar was op die Afrikaanse letterkunde van voor 1994. Die kulturele identiteit wat gekonstrueer is in hierdie tekste toon ooreenkomste met die twee momente van kulturele herkonstruksie waarna Hall (1992) verwys, naamlik enersyds 'n strategiese essensialisme van die gekoloniseerde subjek en andersyds 'n gehibridiseerde kulturele identiteit as die gevolg van 'n voortgaande, dinamiese proses van onderhandeling in wat Bhabha (1994) 'n Derde Ruimte genoem het. 'n Diskoers van weerstand teen wat ervaar word as nuwe vorme van kulturele imperialisme, voortspruitend uit 'n breër ontnugtering met wat beskou word as 'n distopiese post-koloniale Suid-Afrika, kon ook afgelei word uit sekere Afrikaanse kortverhale wat sedert 1994 verskyn het. Wat betref 'n hernieude ondermyning van imperialiserende tendense kan hierdie tekste daarom gesien word as 'n voortsetting van die tradisie van weerstand wat die Afrikaanse literatuur dekades lank reeds kenmerk.

Thesis (M.A.(Afrikaans))--University of Pretoria, 2009. / Includes bibliographical references.

In anthropological studies place is often taken for granted, “just” the locale where other interesting, more significant things happen (De Jongh 2006:79). I argue that rather than a mere backdrop to activities, the landscape of Orania is significant and that physical place is essential for the construction of an Orania identity. I ethnographically examine whether the physical setting of Orania can be seen as a prime signifying system through which a particular other interesting, more significant things happen (De Jongh 2006:79). I argue that rather than a mere backdrop to activities, the landscape of Orania is significant and that physical place is essential for the construction of an Orania identity. I ethnographically examine whether the physical setting of Orania can be seen as a prime signifying system through which a particular Afrikaner ethnic identity, as well as a set of socio-cultural values is communicated. Occupying the physical land is a form of collective identity that helps create ethnic identities (Tilley 2006:11-13). Orania is an authentic place-bound expression of this quest for identity and Oranians define their identity through their model of space and of their land. The physical boundaries are expanded when support groups outside of the settlement become an integral part of the activities in the community, and socio-political boundaries are tested by an inand outflux of community members and the constant presence of South African and international press, and visitors. iv Landscape does not merely comprise the land, but also includes the lived experiences and attitudes of the inhabitants. Landscape as text, “a medium to be read for the ideas, practices and contexts constituting the culture which created it” (Ley 1985:419) proves to be a legitimate and constructive way to make sense of the landscape. As with texts, the landscape as text is subject to multiple readings. The focus on textual landscape offers an expanded perspective on space and place, and in this case texts also amplify the Oranian space exponentially. Different types of landscapes - culturescapes, landscape as text and textual landscapes - are building blocks in the construction of an Orania identity. Finally, I would emphasise that Orania, and by extension this study, is not just an academic concept, but a product of the lived experiences and opinions of people who are closely connected to land of their own.. / Anthropology and Archaeology / M.A. (Anthropology)

This thesis investigates discourses surrounding upper and middle class Afrikaner women living in Johannesburg during the years 1948, 1949 and 1958. It uses magazines aimed at upper and middle class women as primary sources and also makes use of interviews with upper and middle class women who lived in Johannesburg during 1948, 1949 and 1958. The thesis uses women's magazines, educational magazines and church magazines, as well as the Vrou en Maeder magazine, mouthpiece of the Suid Afrikaanse Vrouefederasie. Conclusions are drawn about the status and role of Afrikaner middle class women in society, as well as the value systems operating at the time. Differences in discourse and changes over time are accounted for. The thesis also draws attention to the importance of using gender as an historical category, and attempts to broaden the method of history by utilising discourse analysis. / History / M.A. (History)

Despite the increased focus on men in reproductive research, little is known about male involvement in the initial decision/s regarding parenthood (i.e., to become a parent or not) and the subsequent decision-making that may ensue (e.g., choices about timing or spacing of births). In particular, the parenthood decision-making of “White”, heterosexual men from the middle class has been understudied, as indicated in the existing literature. In South Africa, this oversight has been exacerbated by the tendency for researchers to concentrate on “problematic” men, to the exclusion of the “boring, normal case”. I argue that this silence in the literature is a result of the taken for granted nature of parenthood in the “normal” heterosexual life course. In this study, I have turned the spotlight onto the norm of “Whiteness” and heterosexuality by studying those who have previously been overlooked by researchers. I focus on “White” Afrikaans men’s involvement in parenthood decision-making. My aim was to explore how constructions of gender inform male involvement in decision-making, especially within the South African context where social transformation has challenged traditional conceptions of male selfhood giving rise to new and contested masculine identities and new discourses of manhood and fatherhood. In an effort to ensure that women’s voices are not marginalised in the research, as is often the case in studies of men and masculinity, I conducted in-depth, semi-structured interviews about male involvement in decision-making with both “White” Afrikaans women and men. There were 23 participants in total, who all identified as heterosexual and middle-class. The participants were divided into two age cohorts (21 – 30 years and >40 years), which were then differentiated according to gender, reproductive status, and relationship status. Treating the interviews as jointly produced narratives, I analysed them by means of a performativity/performance lens. This dual analytic lens focuses on how particular narrative performances are simultaneously shaped by the interview setting and the broader discursive context. The lens was fashioned by synthesising Butler’s theory of performativity with Taylor’s narrative-discursive method. This synthesis (1) allows for Butler’s notion of “performativity” to be supplemented with that of “performance”; (2) provides a concrete analytical strategy in the form of positioning analysis; and (3) draws attention to both the micro politics of the interview conversation and the operation of power on the macro level, including the possibility of making “gender trouble”. The findings of the study suggest that the participants experienced difficulty narrating about male involvement in parenthood decision-making, owing to the taken for granted nature of parenthood for heterosexual adults. This was evident in participants’ sidelining of issues of “deciding” and “planning” and their alternate construal of childbearing as a non-choice, which, significantly served to bolster hetero-patriarchal norms. A central rhetorical tool for accomplishing these purposes was found in the construction of the “sacralised” child. In discursively manoeuvring around the central problematic, the participants ultimately produced a “silence” in the data that repeats the one in the research literature.

Issues of group identity and prejudice have played a large role in the history of South Africa. To examine differences between White English- and Afrikaans-speaking adolescents within the context of the "new" South Africa, data was collected from 553 high school students using a questionnaire which assessed aspects of these groups' perceptions of themselves (their identities), attitudes toward other racial groups (their prejudices), and beliefs about their rapidly changing socio-political environment. A discriminant function analysis conducted with these variables correctly identified group membership at a rate much higher than chance (p < .00001). Post hoc univariate analyses indicated that compared with Afrikaans-speakers, English-speakers demonstrated significantly less identification with their own culture, less racial prejudice but also less willingness to make retribution to those who were oppressed by Apartheid, and less concern/confusion over the recent changes which have taken place in the country. Descriptive and correlational analyses also provided additional, valuable information regarding the variables assessed in the study. Overall, the results seemed to indicate that the adolescent subjects of this study find themselves in a state of transition.

The problem statement mainly deals with the curtailment of the high function status of Afrikaans in South Africa since 1994 as this has a negative impact on the six million mother tongue speakers of Afrikaans as well as on non-mother tongue speakers for whom the language has an instrumental value. The question is raised as to whether myth making around Afrikaans can be held partly responsible for this loss in status. The term “myth” and the impact of myths are looked into. “Myth” is not used in this thesis as a “story without ground” (as in the dictionary definition), but, according to the work of Jung, Campbell, Leroux, Malan and others, as a story/narrative that gives voice to man’s search for meaning and significance. The main points of departure are: · The viewpoint of the well-known twentieth-century mythologist, Joseph Campbell, who states: “Myths are stories of our search through the ages for truth, for meaning, for significance (Campbell in Flowers 1988:5); and · The statement of Malan (1978:39) namely that myth has always been the way in which man has tried to explain the sense, significance and purpose of the cosmos by means of a simple narrative. Myth making within groups (Anderson 1991: “imagined communities”) is viewed and the role of of political myth making explicitly stated. In this regard the statement of Leonard Thompson is relevant. Thompson (1985:3) points to two kinds of myths, namely: 1) “conservative myths” (for example about the origins of a group); and 2) “radical myths” (that aim to discredit the regime of “the other”). In the discourse about myths around Afrikaans the point of departure is that the specific myth is regarded as positive or negative in terms of its impact on the status and position of Afrikaans in South Africa. The two “main” myths around Afrikaans are discussed by exemplification and by means of anecdotes and the impact of the said myths on Afrikaans is evaluated. The two myths are: · Afrikaans as mythical binding force in Afrikaner nationalism in (mainly) the first fifty years of the twentieth century; and · Afrikaans as metaphorical language of the oppressor, especially in the period of institutionalized apartheid. The impact of the above myths within various Afrikaans systems (among others the historiography and literature of Afrikaans and the school syllabi) is furthermore exemplified with the purpose of indicating how great this impact has been. Finally the question is asked: ”And now, Afrikaans?” (with acknowledgement to the title of a publication by Hans du Plessis, 1992: “En nou, Afrikaans?”). The conclusion is that the status of Afrikaans in the so-called high language functions is daily under more pressure as a result of the hegemony of English in the country. There should be rational and firm negotiations about this unconstitutional curtailment of the rights of Afrikaans. The speakers of Afrikaans can, however, help to preserve the language by: 1. Living with the myths around Afrikaans in the sense that they develop and demonstrate understanding and empathy for the myths of other groups; 2. Using Afrikaans daily for all functions, especially seeing that Afrikaans is indeed suitably developed to meet any need; and 3. Working towards new myth making around Afrikaans, by – among other things – pointing to the fact that Afrikaans, as a language of Africa, has a greater claim to national language status in South Africa than the international language, English. / Thesis (DLitt (Afrikaans))--University of Pretoria, 2005. / Afrikaans / unrestricted

Text in Afrikaans / Die doel van hierdie studie is om op die liedtekste van die kunstenaars, Bok van Blerk, Fokofpolisiekar, The Buckfever Underground (en Toast Coetzer) en Karen Zoid te fokus en om te bepaal wat hulle funksie in die eietydse Afrikaanse kultuurlandskap is, en wat hulle rol in die definiëring van kulturele identiteit is. In hierdie studie sal daar ook klem gelê word op die sosiopolitieke faktore wat tot die opbloei van die Afrikaanse musiekbedryf gelei het. Deur die analise van dié kunstenaars se lirieke, sal ek vasstel of hulle wel betekenisvolle werk van literêre gehalte lewer. Ek het spesifiek hierdie musikante gekies omdat hulle jong eietydse musikante is. / The purpose of this study is to focus on the song texts of artists, Karen Zoid, Fokofpolisiekar, The Buckfever Underground (and Toast Coetzer) and Bok van Blerk and to determine their function in today’s cultural reality, and whether these musicians and their music have an influence on today’s youth and their search for a Cultural Identity. This study will also focus on the socio-political factors that led to the rise of the Afrikaans Music Industry. By analyzing these artists’ lyrics, I want to determine whether they are significant works of literary quality. These musicians were chosen because they are regarded as young contemporary musicians. / Afrikaans & Theory of Literature / M.A. (Afrikaans)