Homebirth as Actor-Network: Multiple realities The topic of this medical anthropology thesis is a description of homebirth seen through the eyes of Actor-Network Theory. The focus of this work is thus not on the professional concept of homebirth as a biological process or soon-to-be-mothers experience and take on homebirth. Focus is on homebirth in itself, how it is enacted via interactions of actors in network. After the presentation of two points of view on medicine (disease and illness), an introduction into the basic principles and innovations of ANT (including anthropology of symmetry), into the works of people, who build their ideas on it (Mol - multiplicity, De Laet - fluidity, Law) and the presentation of the current birthing situation in the Czech Republic, the thesis shifts its focus to the description of the whole actor-network, which enacts homebirth via interaction between the actors in practice. These practices are abstracted from the interviews with mothers, a dula and a paediatrician. The description includes people and objects, because according to ANT, they have the same amount of social agency. Homebirth is then enacted by the objects needed for homebirth - tools to make birth easier and to support its process, by people who partake, venues it takes place in and the birthing positions it...

This essay analyzes Mette Edvardsens performative work oslo, which usually falls under the label of dance and choreography. The performance is in many ways making use of and staging language though, so the aim here is to examine how the linguistic and textual material of the performance is enacted in relation to its mediating devices and vice versa. The essay is making use of the media theory by David J. Bolter and Richard A. Grusin to show that no medium stands by itself but always exists and works in a web-like relation to other medias. Language will therefore not be seen as isolated but always interacting with other mediating instances. Their theory will also stand as a base in trying to track different medias ideological origin. With inspiration from actor-network theory, this essay tries to map the performance as a network made up by components. The components will be understood, through material- semiotic theorists as Donna Haraway and Karen Barad, to exhibit agency. That is, they are seen to be doing something, they affect the network in a way which is beyond the control and possible intention by an author. The essay shows that Edvardsens performance is being enacted by its network, wherein the author or choreographer is one but not the only actor. The essay also examines how we come to understand a body or and object for what they are, how we define their borders, and will argue that borders are not static but are open for negotiation.

English Abstract This Master Degree (Mgr.) thesis, takes up the topic of so called Military Revolution theory debate, focusing on historical and social developmental process, unfolding in the Early modern Europe. Military revolution is conceptualised as a source of far reaching societal change, having a civilisational dimension, contributing to overall weberian rationalisation process, happening in the Occident. In this text, military revolution is theoretically approached as a non-substantional developmental process and its structure and dynamics are analyzed using customized version of actor-network-theory of Bruno Latour. In this attempt, usual assumptions of natural ontological continuity, totality and developmental character of social realm are critically suppressed. Theoretical outcome of this thesis, based upon historical evidences, confirms, that even using this profoundly critical approach, military revolution possesses a distinctive quality of a developmental process and it can serve as a strong cognitive instrument of social sciences for researching Early modernity in Europe. Powered by TCPDF (www.tcpdf.org)

Václav Drozd Object oriented political theory? A contribution of object oriented philosophy for political theory Abstract (in English): This diploma thesis is concerned with the turn to materiality and object in contemporary philosophy and explores its impact on political theory. It focuses on conceptions trying to reformulate the relation between subject and object, culture and nature or human and inhuman entities - symetrical ontology of Bruno Latour, speculative realism and object-oriented ontology. The aim of the study is to identify the benefits of these aproaches for political theory. The first frame topic important for investigated theories is the relation of human and state towards complex technologies. The second general topic is the existence under conditions of anthropocene and climate change. Keywords: anthropocene, speculative realism, object, corelationism, actor, vibrant matter, technologies, symmetry, actor-network-theory, Latour

Homebirth as Actor-Network: Multiple realities The topic of this medical anthropology thesis is a description of homebirth seen through the eyes of Actor-Network Theory. The focus of this work is thus not on the professional concept of homebirth as a biological process or soon-to-be-mothers experience and take on homebirth. Focus is on homebirth in itself, how it is enacted in practice. After the presentation of two points of view on medicine (disease and illness), an introduction into the basic principles and innovations of ANT (including anthropology of symmetry) and works of people, who build their ideas on it (Mol - multiplicity, De Laet - fluidity, Law), the thesis shifts its focus to the description of the whole actor- network, which enacts homebirth via interaction between the actors in practice. These practices are abstracted from the interviews with mothers, a dula and a paediatrician. The description includes people and objects, because according to ANT, they have the same amount of social agency. Homebirth is then enacted by the objects needed for homebirth - tools to make birth easier and to support its process, by people who partake, venues it takes place and the birthing positions it brings. Another part of the actor-network can be found before the homebirth happens - the hunt for information...

In this diploma thesis I focus on the formation of urban cycling including heterogeneous participating actors - people, discourses, technologies, infrastructures and other materialities. I examine cyclists' relationships with their environment and describe asymmetries connected with the dominant status of automobilism in urban environment, and strategies for contesting this situation. I also focus on cyclo-activist discourse which plays an important role in the empowerment of cyclists in urban traffic. Mobilizing arguments of critical theory and the "right for the city" concept cyclo-advoacy strives to include as many citizens as possible in debate about public space and in this way support pro-cycling developments. From the perspective of actor-network theory (ANT) this strategy has limits due to its operation with stabilized social science categories and I argue that ANT could contribute a more nuanced arguments to cyclo-advocacy with detailed description of connections between cyclists and urban environment, focus on embodiment and emotions and highlighting the role of materialities. It could thereby provide a stronger argument for furthering the pro-cycling development. Key words: urban cycling, automobilism, actor-network theory (ANT), cycloadvocacy, critical theory, materiality

This study is a symmetrical ethnography of the Czech development project Kola pro Afriku (Czech Bikes for Gambian Schools), which involves the collection, repairs, modification and shipment of old Czech bicycles to The Gambia. Once there, they are distributed to partner schools and offered to communing pupils. In my research, I mainly focus on the pivotal technology of the project, bicycles, and their performances. Drawing on classic ethnographies of development and (most importantly) on studies based on the actor-network theory (ANT), I gradually explore the bike collection process, their modifications and repairs, their shipment to The Gambia and their local operations. When doing so, I focus on the social topology of the bicycles and its transformations in the timespace. In this regard, the bicycles gradually appear as junk (i.e. a dysfunctional relict of stabilized networks), as a fluid collectivity and as individually fluid. Thereby, this study shows that technology transfers may lead not only to changes in the set of relations, of which the given object consists, but in the very modes, in which those relations arise. It is precisely these topological transformations that significantly contribute to the functioning of the project Kola pro Afriku. Key words: development cooperation,...

In the beginning of 2020, the world was struck by the Covid-19 pandemic that inhibited many economies. Sweden was chosen because of its unique case when responding to the Covid-19 spread by applying an open policy in contrast to the implementation of total lockdowns.   The aim of this study is to explore the governmental budgetary responses to the Covid-19 pandemic in Sweden. To fulfil this aim, the study focuses on the multi-level governance relationships between different national and local actors in Sweden. In order to explore Sweden’s unique case, an inductive approach was carried out through netnography, mass-media analysis and document analysis in the period between January 31 and May 15. The theoretical frame of reference is based on multi-level governance and actor network theory.   The study concludes that technology as a non-human actor has played a vital role when enhancing collaborations between different actors such as government, regions, municipalities, companies and universities, in order to minimize the infection spread and economic consequences of Covid-19. The study is a basis for continued research on the unexplored topic of crisis management of Covid-19 in Sweden.

In the beginning of 2020, the world was struck by the Covid-19 pandemic that inhibited many economies. Sweden was chosen because of its unique case when responding to the Covid-19 spread by applying an open policy in contrast to the implementation of total lockdowns.   The aim of this study is to explore the governmental budgetary responses to the Covid-19 pandemic in Sweden. To fulfil this aim, the study focuses on the multi-level governance relationships between different national and local actors in Sweden. In order to explore Sweden’s unique case, an inductive approach was carried out through netnography, mass-media analysis and document analysis in the period between January 31 and May 15. The theoretical frame of reference is based on multi-level governance and actor network theory.   The study concludes that technology as a non-human actor has played a vital role when enhancing collaborations between different actors such as government, regions, municipalities, companies and universities, in order to minimize the infection spread and economic consequences of Covid-19. The study is a basis for continued research on the unexplored topic of crisis management of Covid-19 in Sweden.

Studien undersöker förskolans systematiska kvalitetsarbete genom att utgå från Actor-Network Theory. Syftet är att utforska nätverket av relationer och samhandlingar mellan mänskliga såväl som materiella aktörer i det pedagogiska analys- och utvärderingsarbetet. Utifrån deltagande observationer och insamlade dokument avser analysen att spåra hur mänskliga såväl som materiella aktörer samhandlar under förskolans analys- och utvärderingsarbete, samt hur praktiken förhandlas fram, formeras och omformeras av aktörernas samhandlingar. Resultatet visar att samhandlingarna mellan aktörerna kan ha en svartlådande effekt på analysarbetet och att bedömning som fenomen kan ses som omformerande krafter. Vidare visar resultatet att förhandlingar mellan aktörerna präglas av såväl motstånd som anpassning, samt att teknologin, inte enbart förstådd som teknologiska apparater utan även som teknologiska format för dokumentation, kan en förrädisk agens på förskolans analys-och utvärderingsarbete. Utifrån resultaten blir det synligt att det inte alltid är människan som spelar huvudrollen, utan att materiella aktörer är ofrånkomliga förhandlingspartners, som människor både agerar på och blir agerade på. Det blir också tydligt hur komplexiteter och pedagogiska utmaningar blir en del av den verbala utvärderingen, men som dock inte lyckas ta sig hela vägen till en skriven utvärderingstext. Avslutningsvis argumenteras det för på vilket sätt ett socio-materiellt perspektivtagande skulle kunna bidra med en större öppenhet och analytisk vakenhet i relation till hur förskolans systematiska kvalitetsarbete förhandlas fram och blir till.