In this thesis I employ insights from Conversation Analysis and Embodied Cognition Theory to examine the discursive practices of a group of interactants who operate in what I describe as a group cognitive system. While studies on embodied cognition have been done on both individuals and groups involved in various concrete physical tasks and situated cognition studies have been done on many types of socially situated conversations, my aim is to combine these two theoretical frameworks to observe people’s embodied interactions in informal everyday conversation as they engage in ongoing learning processes. My research question revolves around understanding how the group’s shared cognition unfolds and how new paradigms of thought and purpose are generated in the process of their interactional practices. I employ Conversation Analysis methodology in the collection and analysis of data with attention on how learners interact with each other and their environment via verbal communication. In addition, I focus on non-verbal embodied actions as they function to form a cognitive system where new realities are mentally simulated and brought to materiality via information feedback loops.

This study explores relationships between second language acquisition (SLA), poetic language, and embodied cognition and its connection to second language speakers’ linguistic self-formation, or their distinct ways of speaking and thinking. In particular, this study examines processes by which second language (L2) learners’ subjective realities are constructed and demonstrates that these processes are inherently poetic, emerging from a combination of the constraining structures of the language system and second language speakers’ phenomenological experiences. The context of the study is a poetry-making activity the researcher designed and took place in the English Department Writing Center at California State University, San Bernardino. Data was collected from a total of four participants through video and audio recordings of the poetry-making activities. Data analysis incorporated multimodal methods associated with conversation analysis and intertextuality. Findings demonstrate that poetic features the L2 participants deploy are crucial to their sense-making and linguistic self-formation. The author encourages readers to consider the importance of creativity and self-expression in second language learning as it occurs in social activity.

This paper looks at the relationship between emotion and vowel length in spontaneous speech, specifically during narratives. It is hypothesized that during emotionally-laden speech, vowel length will be longer in duration than when in non-emotional speech. Data is drawn from the Univerisity of California, Santa Barbara linguistic corpus, with conversations focused on individuals in and around Southern California. The paper builds on work by Dabbs et al., Banse & Scherer, Estes & Adelman, and others regarding the nature of cognitive monitoring, as well as stance as discussed by Ochs & Schieffelin, Ochs, Kärkkainen, Local & Walker, and how emotion is displayed in speech. Tokens chosen for analysis are /ɑ/, /ɑɪ/, and /ə/. Three of each token in first syllable position is collected for analysis from both emotional and non-emotional speech. Analysis of tokens then takes place by (mean) averaging each token's length for each speaker in each stance, then the total vowel average time is calculated again for each speaker in each stance. Beyond intra-vowel, intra-speaker averages, inter-speaker average is calculated to assess consistency of the vowel length changes between stances. The paper finds that the length of tokens shows an average increase during intraspeaker emotional speech.

This thesis examines writing conference interactions between multilingual students and first-year composition instructors in order to understand the co-construction of instructor authority and student agency in discussions of academic writing. Multilingual approaches to first-year writing assert that inviting students’ home languages or dialects into the classroom allows multilingual students to use languages other than English connect with the curriculum, develop rhetorical complexity as writers, and to be validated as language users; however, scholarship could benefit from examining social interactions. Because identities, ideologies, and stances are co-constructed between people and emerge in social interactions,a discourse analysis of interactions between first-year composition instructors and multilingual students could identify ways that multilingual students and instructors position themselves, and how this positioning affects the validation of multilingualism, and hybrid identities. Data consists of 18 audio recordings of writing conferences between instructors and multilingual students, five interviews with first-year writing instructors, and audio-recorded post-conference interviews, where instructors and students were separately asked open-ended questions about the content of the writing conference. Employing a Communities of Practice lens in a discourse analysis of the data revealed that that expert-novice identities were co-constructed in interaction, and the emergence of this power differential that inhibited the validation of multilingualism, and hybridity. Implications for mitigating instructor authority and promoting student agency in interactions with multilingual students are discussed.

This thesis explores the ways in which teenage girls use narrative performance to negotiate participation, social and gender identity, and individual authority in order to establish ratified and equal statuses of power within their social peer group. Although previous work on narrative discourse has shown that narratives can act as the catalyst for the complex co/construction of identity especially in social situations of talk, little work has been done to focus on the way teenagers, particularly girls, use this discourse to their benefit as they fulfill social and gender goals in social and conversational settings. Furthermore, while multimodal, narrative performance has been discussed as a cognitive and participation centered function of narrative discourse, this work has been largely quantitative. Consequently, the field of sociolinguistics, predominantly in the realm of narrative discourse, could use more work on the social function of narrative performance. This project, then, combines an analysis of teenage girls’ narrative co/construction in social contexts with a qualitative analysis of their use of narrative performance to show the ways in which this combination allows the girls to do complicated social and linguistic work to manage membership statuses, via complex participation frameworks. Data for this project consists of 5, one hour long, audio and video recorded instances in which four teenage girls, who make up an established peer group, hang out during regular social meetings. An analysis carried out via a lens of Narrative Discourse influenced by Conversation Analysis (CA), revealed that teenage girls are doing a great deal of power negotiation during their social interactions and that moments of narrative, particularly those in which narrative performances are utilized, function to make these negotiations both visible and therefore more influential on overall group dynamics. Suggestions for how this research could be continued in the future are discussed.

What is the relationship of music and language? Analogies and comparisons of music and language are plentiful in various types of literature. For researchers in the cognitive sciences, the importance of organization, patterning, and structuring of sounds is a common theme in analyzing both language and music. With the success of generative grammars for languages, a number of researchers have used similar kinds of grammars to describe or model particular aspects of music. In addition, researchers are interested in possible universals in musical grammars. However, while grammars of non-Western musics have been written, most of the work has been based on Western tonal systems. The purpose of this research is to analyze, in an information processing, linguistic framework, a non-Western musical system for which there is currently no formal grammar in the literature, and to describe an aspect of it in the form of a grammar. Kotekan, the system of interlocking parts in Balinese game/an music, is examined in this study. This study is based on library research, scores, tapes, and communication with experts in Balinese music. A number of previously written grammars for musical systems are examined, as well as literature concerning various types of formal grammars. Balinese kotekan data is collected, in the form of literature, scores, and tapes. Portions of the data are described in the form of a grammar. The rules are then tested on new data, that is, portions of other Balinese pieces. The natures of and the relationship between music and language can be examined more closely through the use of an information processing, linguistic framework. Grammars are a precise and formal way of describing structure and regularities in linguistic and musical systems, and of describing aspects of competence. Linguistic and musical grammars share some features and differ in others. The grammar for Balinese kotekan presented in this study exhibits features that are similar to other musical grammars. The system can be described as a hierarchy of constraints from global tendencies to specific rules for various types of kotekan. In addition, there are deep and surface structures, variation related to structure, ranked or preference rules, spatio-motor considerations, and the need for context-sensitive rules. The structure of po/os and sangsih (the interlocking parts of kotekan) as individual lines is described by context-free phrase structure rules. The relationship between pol os and sangsih is described by transformations. The grammar presented is a starting point for a complete grammar of Balinese kotekan.

Lexical bundles (fixed sequences of three to four words) have been described as building blocks of discourse, both written and spoken (Biber & Barbieri, 2007), and as a useful mechanical device for creating writing that is suited for its academic field (Hyland, 2008). Having noticed that the academic theses of my students at Longdong University in Qingyang, China seemed very different from professional writing in their fields, I created a thesis project that addressed the question of how professionals in their fields were using bundles and how the learners' use of these bundles in terms of frequency, structure, and function varied from the professionals' use. In order to answer this question, I compiled four corpora of writing in literature and applied linguistics, representing professional and learner writing in each field. I used concordancing software in order to identify four-word lexical bundles that occurred at least 20 times per 100,000 words and over a range of four texts. I then did a three-part analysis which looked at frequency, structure, and function of these bundles. The results of the study reveal that professionals in applied linguistics and literature use bundles with different frequency, display different choices of lexical items to fill structural bundles, and use functional bundles differently. These differences seem to reflect the rhetorical needs of each discipline. Further, the learners in each field displayed differences in their use of bundles as compared to the professionals' use. Learners in applied linguistics used more types and tokens of bundles overall, while learners in literature used fewer. Both groups of learners relied more on repetitive use of certain bundles than did the professionals. Implications of this study are discussed for teaching and curriculum development. The findings can be applied to teaching through creating awareness-raising and guided practice opportunities for the students to see how bundles are used in professional writing and to help them apply this understanding to their own writing.

Research in Second Language Acquisition indicates that using English outside of the classroom is an important part of the language learning process. However, studies done on university level ESL and EFL students indicate that students use English minimally when outside of the classroom. This thesis furthers the research on English use outside of the classroom in order to more fully understand all types of language learners and the link between language proficiency and out-of-class English use.

In this two-part study, English spelling errors of Arabic speaking students are investigated. Specifically, an empirical study is done to document and investigate exactly what kinds of English spelling errors Arabic-speaking students actually make. Then these data are analyzed. and spelling error patterns are discovered. Next. a study is done to determine if the presence of spelling errors in written work has a significant negative effect on readers' evaluations of this writing.

The technique of asking questions in the classroom has prevailed in first language classes for many years. This teaching technique has also been widely used in ESL reading classes. Though there has been extensive research about teachers' questions and students' responses in first language classrooms, there is a paucity of studies in second language classrooms. This is a descriptive study of six experienced college level English as a Second Language (ESL) teachers and their discussions of the same reading selection with ninety-eight non-native speakers in each of their classes. Teacher-led discussions were audiotaped and twenty minutes of each class were transcribed and analyzed. Teachers' questions were coded according to Long and Sato's (1983) seven-category taxonomy of functions of teachers' questions. Students' responses were analyzed according to their mean length, syntactic complexity, and the use of connectives.