During the seven years when Clarice Lispector published her chronicles in the newspaper Jornal do Brasil (1967 1973), she republished several novels from books which had been put into print prior to her work in the newspaper, as well as first versions of texts that would be later re-edited in other communication vehicles. This aim of this paper is to outline those publications and analyze the effects from this constant self-plagiarism on Lispectors work in the newspapers and books. We establish that these repetitions are due, on one hand, to the authors negligence regarding her activities in the newspaper, once we assume that there is no effort from Clarice to produce original chronicles. On the other hand, she seemed to be more interested on publishing some texts than others, what would point some kind of explicit literary choice and a need for reaffirming and re-reading her own texts by republishing them. The analysis of the changes performed between the publications reveals what reformulations were made and, in the case of the texts which had suffered almost no changes, how does this fact establish an interest on reaffirming their importance, by exposing them to different audiences. We believe that the \"self-plagiarism\", by revealing the author\'s quest for the comprehension of her own work, points out to the major problematics of Clarician\'s creative processes. / During the seven years when Clarice Lispector published her chronicles in the newspaper Jornal do Brasil (1967 1973), she republished several novels from books which had been put into print prior to her work in the newspaper, as well as first versions of texts that would be later re-edited in other communication vehicles. This aim of this paper is to outline those publications and analyze the effects from this constant self-plagiarism on Lispectors work in the newspapers and books. We establish that these repetitions are due, on one hand, to the authors negligence regarding her activities in the newspaper, once we assume that there is no effort from Clarice to produce original chronicles. On the other hand, she seemed to be more interested on publishing some texts than others, what would point some kind of explicit literary choice and a need for reaffirming and re-reading her own texts by republishing them. The analysis of the changes performed between the publications reveals what reformulations were made and, in the case of the texts which had suffered almost no changes, how does this fact establish an interest on reaffirming their importance, by exposing them to different audiences. We believe that the \"self-plagiarism\", by revealing the author\'s quest for the comprehension of her own work, points out to the major problematics of Clarician\'s creative processes.

This thesis seeks to further research into Prosper’s chronicle and to counter Theodor Mommsen’s conclusions that Prosper made no editorial changes between the 445 and 455 editions of his chronicle. The ultimate result will be to prove that there were significant and deliberate alterations made by Prosper and to create a critical edition and translation of the chronicle of 445. The methodology includes establishing Prosper’s place in the Latin chronicle tradition, his alleged role as secretary to Pope Leo, his supposed residence in Rome and his theological views. Mommsen’s edition will then be used to compare the manuscripts of the 445 and 455 editions and to determine what differences exist. This comparison will show that Prosper not only continued his own chronicle but also edited it between 445 and 455. We will then fill the void left by Mommsen when he created only one edition by providing a critical edition and translation of the 445 chronicle for the first time.

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Made available in DSpace on 2016-04-28T19:33:24Z (GMT). No. of bitstreams: 1 Milton Gabriel Junior.pdf: 38668438 bytes, checksum: 2b650f3e1036c352ff5c94ccd731f499 (MD5) Previous issue date: 2010-10-18 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This thesis is situated on Textual Linguistics and Critical Discourse Analysis with socio cognitive aspect, and it aims is to contribute to general studies of chronicle published in Brazilian newspapers. Specific objectives are: 1. Analyzing daily chronicle from the textual schema raised and organized by Gisele Scafuro in order to check which textual changes provide the text chronicles news 2) Describing the news textual chronicle scheme by its categories and their textual ordering rules, 3) Searching the textual construction s chronicler s opinion, 4) Analyzing the journalistic opinion on the news construction and its relations with the chronicler opinion, in order to privilege intertextual figures. The research is focus on national chronicle. Their structures are totally different from others and there is an originality that set them apart from other chronicle published in other countries. In Brazil, chronicle appears in the folhetim-variedade a kind a part of the newspaper that present varieties and entertainment, consolidating itself as a place where there are the heterogeneous tests, the novel, the prose poem. This mixture of genres that gives the Brazilian chronicle characteristic, turning into a specific genre. Progressively chronicles, as the newspaper, will specialize in specific section, gradually, the daily chronicle is modified in chronicles news, allowing the chronicler express his opinion about a fact reported in the newspaper. The analysis material was collected in the newspaper O Estado de S. Paulo, Folha de S. Paulo in their different sections. The methodological procedure is the theoretical analytical and its point of departure is the canonical categories of argumentative structure: premise, hypothesis, explanation and conclusion, thus they are the ones who organize an opinionated text. The results provided conclude that: 1. the chronicler s opinion presents similarity to the newspaper ideology company , but it presents dissimilarity to the journalistic news, 2. the opinion of the chronicler is constructed based on the Social Cognition, is routine or because reported 3. The textual categories establish a relationship between the unexpected news, the popular news already published and Social Cognitions / Esta Dissertação está situada na Linguística Textual e na Análise Crítica do Discurso com vertente sociocognitiva, e tem por objetivo geral contribuir com os estudos das crônicas brasileiras publicadas em jornal. São objetivos específicos: 1. Analisar crônicas do cotidiano a partir do esquema textual levantado e organizado por Gisele Scafuro, a fim de verificar quais as modificações textuais que propiciam o texto crônica de notícias; 2. Descrever o esquema textual da crônica de notícia por categorias textuais e suas regras de ordenação; 3. Buscar a construção textual da opinião do cronista; 4. Analisar a opinião jornalística na construção da notícia e suas relações com a opinião do cronista, de forma a privilegiar figuras intertextuais. A pesquisa está delimitada às crônicas nacionais, já que elas apresentam uma originalidade que as diferenciam de outras crônicas publicadas em outros países. No Brasil, a crônica aparece no folhetimvariedade, consolidando-se como espaço heterogêneo onde convivem o ensaio, o conto, o poema em prosa. Esta aglutinação de gêneros que dá as características da crônica brasileira, tornando-a um gênero específico. Progressivamente a crônica, como o jornal, vai se especializando em cadernos específicos; aos poucos, a crônica do cotidiano é modificada em crônica de notícia, possibilitando que o cronista manifeste a sua opinião a respeito de um fato noticiado no jornal. O material de análise foi coletado nos jornais O Estado de S. Paulo e Folha de S. Paulo, em seus diferentes cadernos. O procedimento metodológico é o teórico-analítico tendo por ponto de partida as categorias canônicas da estrutura argumentativas: premissa, hipótese, justificativa e conclusão, pois são elas que organizam um texto opinativo. Os resultados obtidos propiciam dizer que: 1. A opinião do cronista apresenta similitude com a ideologia da empresa jornal, mas apresenta dissimilitude com a notícia jornalística; 2. A opinião do cronista se constrói através da Cognição Social seja pelo cotidiano ou pelo fato noticiado; 3. As categorias textuais estabelecem uma relação entre o inusitado da notícia, o conhecido da notícia já publicada e o Marco das Cognições Sociais

This thesis deals with the study of historiographical narrative sources of České Budějovice from the early modern period. Research is set in a European context. Especially in the German-speaking countries, a number of challenging studies have already emerged from which it is possible to draw suggestions and comparisons. Methodologically, the work is focused on the research of historical-anthropological issues, which could reveal the thought-world of burghers in the early modern period. However, the basis of the dissertation is a codicological analysis of the external and internal features of the manuscripts and their comparison. First, the thesis introduces individual sources, including biographies of scribes overlapping into the 19th century, then the research interest of historians in these sources is presented up to the present day. It is essential to identify the types of sources in which chronicle or memorial records can be found, and to determine the forms of their preservation. Emphasis is also placed on the authors and motivations that led them to create the chronicles. The aim of the analysis of thematic areas of records and their mutual comparison is to find out whether urban historiographical narrative sources could create urban identity and could form the image of the city. The main contribution of this work is to deepen the understanding of historiographical narrative sources of cities and to research of the thinking and action of early modern urban inhabitants. The work also deals with the comparison with other important writing centres in the 16th to 18th century and examines the impact of historical events and artistic and cultural directions on the form of these sources. Part of this work is a list of narrative sources for the history of České Budějovice from the early modern period, which can be used for better understanding the issue and could support further research on the city's history.

Orientador: Sílvia Maria Azevedo / Banca: Orna Messer Levin / Banca: Álvaro Santos Simões Junior / Resumo: Neste trabalho estão transcritas integralmente, com ortografia atualizada, as crônicas publicadas por Artur Azevedo, sob o pseudônimo de Eloi, o herói, no periódico Diário de Notícias, do Rio de Janeiro, entre junho de 1885 e junho de 1886. Trata-se de uma seção intitulada "De palanque", para a qual o cronista apresentou um programa bastante genérico, abrangendo os assuntos comuns que agitavam a vida dos habitantes da capital do império, mas também os relacionados à vida artística. Teatro, literatura, música, pintura e escultura são temas bastante recorrentes nesses artigos. A Dissertação está estruturada em três capítulos: no primeiro, fazem-se algumas considerações sobre a produção intelectual de Artur Azevedo, enfatizando-se, porém, sua atuação enquanto crítico de jornais; apresenta-se também o perfil do Diário de Notícias e faz-se uma caracterização geral das crônicas, destacando-se os temas abordados, o processo de elaboração formal, bem como os recursos de comicidade e riso utilizados pelo autor. Devido à grande quantidade de textos nos quais o jornalista comentou sobre o teatro, o segundo capítulo é inteiramente dedicado a essa manifestação artística. Nele, apresenta-se um breve esboço de parte da história das companhias dramáticas, nacionais e estrangeiras, que ocupavam as oito principais casas de espetáculo da Corte; fazem-se algumas observações sobre a relação do cronista maranhense com o teatro amador, e ainda destacam-se os elementos utilizados em sua crítica teatral. No terceiro capítulo, estão contempladas a literatura, a música, a pintura e a escultura, de modo que nele se pode perceber a dinâmica de vários intelectuais, dentre eles o próprio Artur Azevedo, envolvidos na propagação dessas... (Resumo completo, clicar acesso eletrônico abaixo) / Abstract: In this work there are the chronicles with an updated orthography published by Artur Azevedo under Eloi pseudonym, a hero, at Diario de Noticias periodical, Rio de Janeiro, between June 1885 and June 1886. It is about a section entitled "De palanque", to what the columnist showed a very generic program including ordinary issues that agited the life of the empire‟s capital inhabitants, and also the issues related to artistic life. Theatre, literature, music, painting and sculpture are themes very important in these articles. The dissertation is structured in three chapters: in the first there are important considerations about Artur Azevedo intellectual production emphasizing his performance as a newspaper critic. We also show the Diario de Notícias profile and make a general chronicles characterization, pointing out the mentioned themes, the process of formal elaboration, and the author comics recourses as well. Due to a big quantity of texts in which the author talked about the theatre, the second chapter is totally dedicated to this artistic manifestation. In this chapter there is a sketch of national and foreign dramatic companies history, that were in the eight main dramatic Court houses; some observations are done about the relation of the maranhense columnist with the amateur theatre and we still emphasize the elements used in his theatrical criticism. The third chapter is about literature, music, painting and sculpture, in a way that is possible to see the dynamics of several intellectuals involved in spreading these artistic manifestations. In the appendix there‟s a square where is showed the daily life of Sant‟Anna, Pedro II, São Pedro de Alcântara, Príncipe... (Complete abstract click electronic access below) / Mestre

Orientador: Ana Raquel Marques da Cunha Martins Portugal / Banca: Eliane Cristina Deckmann Fleck / Banca: Lélio Luiz de Oliveira / Resumo: Nessa pesquisa, nos propomos a analisar os relatos escritos pelos primeiros conquistadores do antigo Peru, relatos estes, constituídos por Cartas e Relações e que compartilham da característica comum de terem sido escritos pelos próprios participantes da conquista. Não pretendemos reconstituir a história da conquista do Peru, tema já tão visitado pela historiografia. Nossa intenção consiste em verificar quais são as sensações provocadas por este Novo Mundo, as expectativas, os medos e as frustrações que acompanharam esses homens durante as viagens que culminaram na tomada de Cajamarca e na captura e morte do Inca Atahualpa. Com isso, almejamos demonstrar como os conquistadores se viram nesse mundo desconhecido, qual a imagem que cunharam de si mesmos e quais os motivos que para eles justificavam a conquista. Mais especificamente, examinaremos quais foram as ideias e imagens construídas por esses conquistadores acerca dos povos e terras que encontraram e acerca de si próprios. Para isso, levaremos em consideração em que medida as ideias com as quais esses homens tiveram contato anteriormente estabeleceram parâmetros para suas conclusões / Abstract: In this research, we consider to analyze the reports written from the first conquerors of old Peru, constituted of Letters and Relations and that share the common characteristic of have been written for the own participants of the conquest. We do not intend to reconstitute the history of the conquest of Peru, subject already so visited by the historiography. Our intention consists in verify which is the sensations provoked for this New World, the expectations, the fears and the frustrations that had came along with these men during the trips that had culminated in the taking of Cajamarca and the capture and death of the Atahualpa Inca. With this, we intend to demonstrate how the conquerors saw themselves in this unknown world, which image they designed of themselves and which reasons could be valid to justify the conquest. More specifically, we will examine which were the ideas and images constructed from these conquerors concerning the peoples and lands they had found and also concerning themselves. For this, we will lead in consideration how the ideas with these men had had contact previously established parameters for its conclusions / Mestre

Este trabalho acadêmico pretende demonstrar que a produção cronística de Raul Pompéia está centrada em uma relação da linguagem jornalística com a literária, com imbricações entre essas duas vertentes. A metáfora é de um serpentear que desliza entre as mesmas. O subjetivismo de Pompéia campeia tanto em uma ética jornalística compromissada com a transformação e aprimoramento da sociedade. O corpus selecionado para demonstrar o objetivo acima são as crônicas jornalísticas desse autor, publicadas no jornal O Estado de São Paulo, no período de 1890 a 1893 e compiladas por Afrânio Coutinho no vol VIII, Crônicas 3, das páginas 39 a 317. Desse corpus foram selecionadas 06 delas. A esse recorte, em alguns momentos, foram acrescidos excertos de outras crônicas, a medida do necessário para fazer a demonstração do que se pretendia. Alguns teóricos básicos foram selecionados para sedimentar cientificamente essas idéias: Teun A. van Dijk, Gonzalo Martin Vivaldi, Vitor Manuel de Aguiar e Silva, Emil Staiger, entre outros. Percebeu-se que Pompéia adiantava alguns conceitos do newsmaking (gatekeeper e agenda setting). Além disso, as marcas de enunciação dessas crônicas evidenciaram uma preocupação do autor com o público leitor em busca de um feedback. |Assim sendo, percebeu-se a importância desse estudo para o jornalismo, a crônica jornalística, a literatura do séc. XIX, entre outros. / This project work intends to show that the production of chronicles of Raul Pompéia is centered between on a relationship of the journalism language with literary , with ovelaps between both. The metaphor is a snake that glides between them. The subjectivism of Pompéia is a rife in both a journalistic ethics commited to the transformation and improvement of society. The corpus selected to demonstrate the objectives above are the journalistic chonicles of this author, publicated in the daily O Estado de São Paulo , in the period 1890 to 1893 and compiled by Afrânio Coutinho, in vol VIII, Crônicas 3, pages 39 to 317. This corpus has been selected 06 of them. In this clip, at times, were added excerpts of other chronicles , to the extent necessaru to make a demonstration of what was intended. Some of basic theoretical sediment were selected for these scientific ideas.: Teun A. van Dijk, Gonzalo Martin Vivaldi, Vitor Manuel de Aguiar e Silva, Emil Staiger, among others. It was noticed that Pompéia preents some concepts of newsmaking (gatekeeper and agenda setting). Moreover, the marks of enunciation of these chronicles showed a concern of the author with his readers in search of feedback. Therefore, realized the improtance of this study for journalism, journalistic chronicle, the literature of century XIX, among others.

Neste trabalho analiso o semanário antigetulista Comício, fundado por Rubem Braga, Joel Silveira e Rafael Corrêa de Oliveira e que circulou entre maio e outubro de 1952. Debruço-me sobre o periódico tendo como arcabouço teórico-metodológico o triângulo autor-obra-público formulado por Antonio Candido. Assim, discorro sobre os colaboradores (autor), sobre a estrutura, o estilo e o conteúdo (obra) e sobre os anúncios publicitários e a seção O leitor escreve, indicadores que permitem recompor a sua recepção (público). No quadro de colaboradores, além dos próprios fundadores, estavam nomes de dois campos, o literário e o jornalístico: Fernando Sabino, Otto Lara Resende, Paulo Mendes Campos, Carlos Castello Branco, Clarice Lispector, Sérgio Porto, Millôr Fernandes, Antônio Maria, Lúcio Rangel, Eneida entre outros. Localizo essa experiência literário-jornalística no interior das transformações pelas quais a imprensa passava na década de 1950, enfatizando a sua posição no interior da imprensa nacionalista. O conteúdo do semanário é analisado a partir de três eixos: os editoriais, as reportagens sobre o povo e os textos de Rubem Braga. Partindo dos editoriais, apreendo de que forma o cenário, os atores e os acontecimentos políticos eram retratados e interpretados. Dentre as questões candentes no período e que foram por eles debatidas, destaco o temor sobre a possibilidade de instauração de mais um regime ditatorial por parte de Getúlio Vargas e a questão da liberdade de imprensa no Brasil. A economia do país também é discutida, tendo como foco a questão da exploração do petróleo nacional. Outro assunto muito presente em Comício é o que diz respeito à classe trabalhadora e ao que é definido como povo. São muitas as reportagens que apresentam o universo do trabalhador ao leitor do semanário. Por meio delas é possível ter acesso a uma percepção específica sobre a cidade do Rio de Janeiro no período. Por fim, debruço-me sobre a seção Os dias do Presidido e sobre as crônicas de Rubem Braga, com o intuito de apreender a forma como o autor se posicionava em relação aos assuntos cruciais da época. Nas páginas de Comício, encontramos um testemunho crítico e reflexivo a respeito de um período conturbado da história nacional, que foi o segundo governo Vargas. / This dissertation analyses the weekly Getúlio Vargas opposition newspaper called Comício (Rally), released by Rubem Braga, Joel Silveira and Rafael Corrêa de Oliveira and published from March to October, 1952. My approach to the newspaper is informed by the theoretical and methodological framework proposed by Antonio Candido, based on the author - literary work - audience triangle. Thus, in what refers to the authorship I deal with the writers whose articles were published on Comícios pages; regarding the literary work, I discuss the structure, style and contents of Comício; simultaneously, I analyze the reception by way of indicators such as advertisement and readers letters. Besides the founders of the newspaper, others writers from the literary and journalist fields contributed with articles and writings, for instance Fernando Sabino, Otto Lara Resende, Paulo Mendes Campos, Carlos Castello Branco, Clarice Lispector, Sérgio Porto, Millôr Fernandes, Antônio Maria, Lúcio Rangel, and Eneida. For this reason, I consider this journalistic and literary experience as part of the transformations faced by the Brazilian press in the 1950s, by emphasizing its position within the nationalist press. My interpretation of Comicios contents follows three analytical axes: the editorials, the issues focused on the people; and the texts wrote by Rubem Braga. The editorials shed light into the ways in which the political scene, actors and events were portrayed and interpreted. Among the main concerns from the period, which became a topic in their debates, I highlight the fear of a new dictatorship by Getúlio Vargas and the struggle to preserve the freedom of press in Brazil. Brazilian economy was also a topic of discussion, especially the exploration of national petroleum. A lot of reports focused the working class, its reality and what was defined as the people. By way of that news it is possible to access a specific view of the city of Rio de Janeiro at that time. Finally, I focus on the section named The days of the Presided (Os dias do Presidido) and other Rubem Bragas chronicles, seeking to understand how the author positioned himself regarding crucial issues of his time. Through the pages of Comício, we find a critical and reflexive testimonial about a turbulent period of the Brazilian History, represented by Getúlio Vargas second mandate.

Esta tese apresenta uma reflexão acerca dos conhecimentos sobre a fauna e a flora do Novo Mundo produzidos pelas instituições vinculadas à Coroa espanhola entre os anos de 1570 e 1620. Para tanto, optou-se pela análise das crônicas oficiais e dos documentos expedidos pelo Consejo de Indias que demandavam informações sobre o mundo natural americano. As configurações e as funções que assumiam os saberes sobre os animais e as plantas nas estruturas burocráticas e no espaço discursivo das crônicas oficiais são elementos analisados ao longo dos quatro capítulos que compõem a tese. No primeiro apartado, além de discussões teóricas e historiográficas sobre as relações entre império, conhecimento e ciência, foram examinadas algumas das cédulas e instruções enviadas pelo Consejo de Indias a diferentes partes do continente no período anterior a 1570. O segundo capítulo foi dedicado à análise da reforma empreendida por Juan de Ovando no Consejo de Indias, sobretudo, em relação às leis e demandas relativas à coleta de dados e construção de conhecimentos sobre o continente americano, também foram discutidos aspectos relacionados à criação do cargo de cosmógrafo o cronista maior das Índias. O terceiro capítulo está dedicado ao exame das obras do primeiro cosmógrafo e cronista maior das Índias, Juan López de Velasco. O último capítulo está centrado no estudo dos dois cronistas oficiais das Índias que atuaram durante o reinado de Felipe III: Antonio de Herrera y Tordesillas e Pedro de Valencia. Com a análise desse conjunto documental, pretendemos evidenciar a configuração de uma cultura epistêmica no seio das instituições oficiais, a qual estava em diálogo com tradições letradas e científicas do período, bem como com os anseios de constituição de uma ideia de império para a Monarquia Hispânica. / This thesis presents a reflection about the knowledge of the New Worlds fauna and flora, generated by the institutions linked to the Spanish Crown between the years of 1570 and 1620. For this, it was opted for the analysis of the official chronicles and documents issued by Consejo de Indias that demanded information about the American natural world. The configurations and the functions that took on the knowledge about animals and plants in the bureaucratic structures and in the discursive space of the official chronicles are analyzed elements during the four chapters that compound the thesis. In the first part, beyond the theoretical and historiographical discussions about the relationships among the empire, knowledge and science, were examined some of the documents and instructions sent by Consejo de Indias to different parts of the continent in the period before 1570. The second chapter was dedicated to the analysis of the reform made by Juan de Ovando in Consejo de Indias, mainly with regard to laws and demands linked to data gathering and knowledge building about the American continent and also were discussed aspects related to the creation of the cosmographer-chronicler major of Indies position. The third chapter is dedicated to the examination of the first cosmographer-chronicler major of Indies Juan Lopez de Velascos work. The last chapter is focused on the analysis of two Indies official chroniclers that acted during Felipe IIIs reign: Antonio de Herrera y Tordesillas and Pedro de Valencia. With the analysis of this documentation, it is intended to emphasize the configuration of an epistemic culture within the official institutions, culture related to literate and scientific traditions of that period as well as to the desire to establish an idea of empire for the Hispanic monarchy.