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Rebelling against Discourses of Denial and Destruction: Mainstream Representations of Aboriginal Women and Violence; Resistance through the Art of Rebecca Belmore and Shelley NiroDeutsch, Rachel 30 July 2008 (has links)
Violence against Native women in Canada is widespread and has deeply systemic and colonial roots. This paper will attempt to show the role that dominant representations of culture, race, and gender have in allowing this violence to continue by eclipsing many different narratives and ways of expressing cultural and individual identities. Violence in the mainstream media will be explored and analyzed drawing on concepts from critical theories, Aboriginal epistemological frameworks, and anti-racist, disability, and Afro-centric feminisms to build a framework on which to analyze the meanings of the representations. After exploring violent and colonial discourse, the discussion will turn to art. Self and cultural representation and expression by Native women can act as important forms of resistance to the tools of colonial oppression. The artwork of Rebecca Belmore and Shelley Niro are powerful examples of addressing and exploring issues of identity, culture, resistance, and survival for Aboriginal women.
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Living the divine spiritually and politically : art ritual and performative/pedagogy in women's multi-faith leadershipBickel, Barbara Ann 11 1900 (has links)
In a world of increasing religious/political tensions and conflicts this study asks, what is the transformative significance of an arts and ritual-based approach to developing and encouraging women’s spiritual and multi-faith leadership? To counter destructive worldviews and practices that have divided people historically, politically, personally and sacredly, the study reinforces the political and spiritual value of women spiritual and multi-faith leaders creating and holding sacred space for truth making and world making. An a/r/tographic and mindful inquiry was engaged to assist self and group reflection within a group of women committed to multi-faith education and leadership in their communities. The objectives of the study were: 1) to explore through collaboration, ritual and art making processes the women’s experience of knowing and not knowing, 2) to articulate a curriculum for multi-faith consciousness raising, and 3) to develop a pedagogy and methodology that can serve as a catalyst for individual and societal change and transformation. The co-participants/co-inquirers (including the lead researcher as a member of the group) are fourteen women, who practice within eleven different religions and/or spiritual backgrounds, and who are part of a volunteer planning team that organizes an annual women’s multi-faith conference (Women’s Spirituality Celebration) in Vancouver, British Columbia, Canada. The aesthetic/ritual structure of the labyrinth served as a cross-cultural multi-faith symbol in guiding the dissertation, which includes three art installations and four documentary DVDs of the process and art. New understandings found in the study include: 1) the ethical sanctuary that a/r/tography as ritual enables for personal and collective change to take place within, 2) the addition of synecdoche to the renderings of a/r/tography, assisting a multi-dimensional spiral movement towards a whole a/r/tographic practice, 3) a lived and radically relational curriculum of philetics within loving community that drew forth the women’s erotic life force energy and enhanced the women’s ability to remember the power of the feminine aspect of the Divine, and 4) the decolonization of the Divine, art and education, which took place as a pedagogy of wholeness unfolded, requiring a dialectic relationship between restorative and transformative learning.
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Yelesalehe hiwayona dikanohogida naiwodusv God taught me this song, it is beautiful : Cherokee performance rhetorics as decolonization, healing, and continuance /Driskill, Qwo-Li. January 2008 (has links)
Thesis (Ph. D.)--Michigan State University. Dept. of Rhetoric and Writing, 2008. / Title page also has title printed in Cherokee syllabics. Title from PDF t.p. (viewed on July 10, 2009) Includes bibliographical references (p. 281-290). Also issued in print.
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The shadows of imperfection : a study of self-reflexivity in R.K. Narayan's The guide, Taslima Nasrin's Lajja, and Salman Rushdie's Midnight's Children /Zambare, Aparna V. January 1900 (has links) (PDF)
Thesis (M.A.)--Acadia University, 1999. / Includes bibliographical references (leaves 102-111). Also available on the Internet via the World Wide Web.
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Diáspora e regresso: os imigrantes luso-angolanos no Brasil / Diaspora and return: immigrants luso-angolans in BrazilClaudia Raquel Espinha Cardoso 12 March 2009 (has links)
O complexo fenômeno de descolonização em Angola gerou o deslocamento de parte de ex-colonos portugueses e seus descendentes, os luso-angolanos, para o Brasil, caracterizando, assim, uma diáspora. Através das histórias de vida colhidas por meio de depoimentos são retratados os conflitos existenciais próprios da condição migratória e, particularmente, os conflitos deste grupo no contexto do desligamento da sociedade angolana, num momento crítico e de profunda transformação provocada pelo rompimento com o regime colonial. As memórias dos depoentes abarcam o período de vivência em Angola e seu enraizamento no Brasil, num trabalho de reconstrução que possibilite uma leitura fenomenológica. / Due to the complex decolonization phenomenon in Angola there is a diaspora configured by the emigration of part of Portuguese ex-settlers and their descendents, called luso-angolanos, to Brazil. The existential conflicts inherent to migration condition are presented throughout testimonies, particularly herein of those that experienced the rupture with Angolan society in profound transformation caused by the circumstances of disruption to colonial system. The deponents memories includes both periods of residence in Angola and their adaptation in Brazil, a reconstruction work in order to turn possible a phenomenological lecture.
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Disrupting colonialism: weaving indigeneity into the gallery in schools project of the Art Gallery of Greater VictoriaMurphy, Tracey 15 January 2019 (has links)
In 2015, the Truth and Reconciliation Commission made their final recommendations for Canadian society to address cultural genocide: by affirming stories of survivors, taking personal and professional inventory of their practices and making concrete steps to meet the Calls to Action. In particular, the TRC recognized damage done by museums and art galleries to perpetuate colonialism and yet, believed that these institutions could be sites of justice, particularly in relation to arts and artists
The Art Gallery of Greater Victoria, an institution steeped in colonialism and under pressure to create accountable relationships with Indigenous communities, began to act by revamping their education program for school age children entitled the Gallery in the Schools art program. My study asked Indigenous artists and educators to contribute their ideas for a new art program. I used a blended research of community based and decolonizing research models, contextualized within decolonizing and critical theoretical frameworks. Overall, research findings suggest that process is as important as the end product in the context of reconciliation and decolonization. Significantly, relationships were esteemed over the concept of reconciliation. These finding further imply that a successful art program would ground pedagogical content within a critical historical framework, be informed by a fluid understanding of identity and search out possibilities of hope. The theoretical implications of this study support increased contributions by Indigenous artists as key policy makers, who will challenge the deeply embedded power structures of institutions and offer alternative ways to share power and support Indigenous envisioned futures. / Graduate
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Militancy, moderation, & Mau MauOstendorff, Daniel A. January 2017 (has links)
This thesis examines the lives of Senior Chief Koinange wa Mbiyu and his eldest son, Peter Mbiyu Koinange. It joins with the growing rise of biographical work within African Studies. It challenges the historical understanding of late colonial rule in Kenya and the role of official myth in pre- and post-independence historical narratives. Koinange wa Mbiyu was the patriarch of one of the most respected, wealthy, and politically influential Kikuyu families of Kenya's colonial and post-colonial period. His eldest son, Peter Mbiyu, received a prestigious education abroad and returned to Kenya where he became a prominent leader for African independent education African political action. Koinange and Peter bear frequent mention in academic discussions of collaboration, discontent, nationalism, and militancy in Kenya's colonial era. This thesis challenges the widely held narrative that Koinange and Peter embraced militant politics opposing colonial rule during the 1940s. While fitting larger understandings of decolonisation, it is not an honest depiction of the Koinange's political actions. As a result, this thesis is intentionally a work of revisionist history that looks to the profound changes in the culture and nature of colinal rule during the 1940s, rather than a political shift in the Koinanges. In addition to challenging the prevalent understanding of Koinange and Peter's political action, this thesis raises a number of areas - gender, wealth, elite and family dynamics, to name a few - where the Koinange family history would further illuminate the historical understanding of the colonial era. This thesis is a dual biography, crafted as a work of narrative history. It challenges a breadth of current scholarship, utilizing the largest collection of pre-Mau Mau archival records to date. This thesis engages with a number of historiographical challenges related to biography, the individual, the family, and the challenges of oral history shaped in the crucible of cultural crisis.
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La descolonización del territorio: Luchas y resistencias campesinas, indígenas en Bolivia. Reforma Agraria y Asamblea ConstituyenteAranibar, Claudia Pilar Lizárraga [UNESP] 20 June 2011 (has links) (PDF)
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Entre Dragões e Palancas Negras: o apoio chinês na independência de Angola / Entre Dragones y el Antílope Sable gigante: el apoyo de china en la independencia de AngolaMartins, Maxwell [UNESP] 29 April 2016 (has links)
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Previous issue date: 2016-04-29 / Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP) / Ciente do desafio que constitui a compreensão do complexo e multifacetado envolvimento dos chineses em África, a partir de uma visão das Ciências Sociais no Brasil, nossa proposta é de investigar, registrar e compreender parte de um dos encontros civilizatórios mais antigos e menos conhecidos do mundo: as relações afro-orientais, mais especificamente a participação e o envolvimento dos chineses nos processos de descolonização e reconquista da independência de Angola. Busca-se, portanto, evidenciar os canais decisórios efetivos, e não somente formais, da contribuição chinesa entre os anos de 1960 a 1975, como forma de promover e/ou acelerar a descolonização e reconquista da independência do povo angolano. / Aware of the challenge of understanding the complex and multifaceted Chinese involvement in Africa, from a vision of Social Sciences in Brazil, our proposal is to investigate, record and understand part of one of the oldest civilizational encounters and less known to the world: the African – Eastern relations, specifically the participation and involvement of Chinese in the decolonization process and regaining independence of Angola. Search, therefore, show the effective decision-making channels, not just formal, of the Chinese contribution in the years 1960 to 1975, in order to promote and / or accelerate the decolonization and reconquest of independence the Angolan people. / FAPESP: 2014/24702-7
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De Caliban a Próspero: a sociedade brasileira e a política externa da República (1889 – 1945) / Of Calian to Prospero: the brazilian society and the foreign policy of the Republic (1889 - 1945)Cardoso, Ludimila Stival 12 March 2015 (has links)
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Previous issue date: 2015-03-12 / This thesis sought to analyze the presence and social participation of Brazilian foreign policy.
We begin our analysis with an investigation of the dichotomy of Prospero and Caliban, two
characters within William Shakespeare's play, "The Tempest" (1611), viewed by post-colonial
thinkers as representative of the relationship between the colonizer and the colonized. For this
thesis, these characters represent the distance between Brazilian foreign policy and Brazilian
society. The first, Prospero, is symbolic of those thriving and in power, while the second,
Caliban, is symbolic of those whose humanity has been removed by the prerogative of
European domination, but who nevertheless resist domination (resist decolonization). We
understand that what was needed was a "swing decolonization" in our thesis, so we discussed
the prospect of "coloniality of power," of which we believe America, through the Atlantic
trade route, to have been a constituent part of the training of the world system. Therefore, the
world system and modern capitalism would also be considered colonial. But the "coloniality
of power" is related, in particular, to a process that degrades a portion of the indigenous
population, such as blacks, and also degrades women, due to their phenotypes, i.e., it is linked
to the concept of "race" ("coloniality of being"), as well as to the knowledge of other
("coloniality of knowledge"), and to forms of spirituality and its relationship with nature
("coloniality of nature"). In other words, these strata would be lower than both ontological
and epistemological orientation. These initial analyzes led us to revisit historical periods prior
to the focus of this thesis: in particular, the time between the Proclamation of the Republic
(1889) and the Vargas Era (1930 - 1945). We therefore arrive at colonization, the first
contacts between the indigenous peoples and Europeans (Portuguese), the Iberian Union
(1580 - 1640), the Portuguese Restoration (1640), and Independence (1822). This process and
path has helped us understand how society and the Brazilian State itself is structured. The first
is based on the "myth" of territorial greatness; and the second, by pressing the marks of
inferiority, we discuss a perspective from the "coloniality of power" and an analysis, even
incidentally, of various interpreters of Brazil. We reflect also on the indigenist policy
undertaken since the colonial period until the institution of the Republic (1889) arriving in the
Vargas (1930 - 1945). We realized with these analyzes that the objective of the Brazilian State
was, mainly, to integrate the indigenous population into national communion, transforming it
into a labor force, in addition to using it as a protector of borders. At this point, indigenous
politics and foreign policy intersect, since one of the main scopes of the latter would be to
ensure the safety of the Brazilian territory and, when possible, to enlarge it. We start, then,
with an analysis of the reports of the Ministry of Foreign Affairs between 1889 and 1945.
After analysis of this documentation, we explore the importance of the integrity of the
territory for the Brazilian State, and examine also the existence of a speech in which Brazil
appears as an advocate of the principles of a civilization whose political model is epistemic of
a social and cultural conscience of the West. A speech that, in addition to addressing other
issues, presents the presence and participation of a population contingent upon other ways of
life, and other social and economic organization, i.e. indigenous and black. Still, it is an
exception, this democratic deficit and participation has changed, to some extent, in the 1980s,
when the social movements began to be interested in international affairs, by way of the fight
for the maintenance of labor rights, at risk to deregulation of the labor market and a measure
of economic liberalization. This process is, however, under construction and depends on an
intercultural dialog, which makes the Ministry of Foreign Affairs and its area of operation the
place of intersection and connection. / Esta tese procurou analisar a presença e participação social na política externa brasileira.
Começamos nossas análises tendo como mote investigativo a dicotomia Próspero/Caliban,
duas personagens da peça A tempestade (1611) de Willian Shakespeare, vistas por pensadores
pós-coloniais como a representação das relações entre colonizador e colonizado. Para esta
tese, essas personagens poderiam significar distância entre a política externa e a sociedade
brasileira. A primeira ligada ao Próspero e a segunda ao Caliban, aquele ser do qual é retirado
a prerrogativa de humanidade pelo domínio europeu, mas que resiste à dominação (resistência
decolonial). Compreendemos que era necessário um “giro decolonial” em nossa tese, por isso
discutimos a perspectiva da colonialidade do poder, a partir da qual entendemos que a
América era parte constitutiva da formação do sistema-mundo, por meio da rota comercial do
Atlântico. Assim, o sistema-mundo moderno e capitalista seria também colonial. Mas a
colonialidade do poder está relacionada, sobretudo, a um processo de inferiorização de
contingentes populacionais indígenas, negros/afrodescendentes e femininos em razão de seus
fenótipos, ou seja, está ligada à noção de “raça” (colonialidade do ser), assim como aos
saberes outros (colonialidade do saber) e às formas de espiritualidade outras e suas relações
com a natureza (colonialidade da natureza). Em outras palavras, esses estratos seriam
inferiores tanto ontológica quanto epistemologicamente. Essas primeiras análises nos levaram
a revisitar períodos históricos anteriores ao momento em foco na tese: o lapso de tempo entre
a Proclamação da República (1889) e a Era Vargas (1930 – 1945). Voltamos, pois, à
colonização, os primeiros contatos entre indígenas e europeus (portugueses), a União Ibérica
(1580 – 1640), a Restauração Portuguesa (1640) e a Independência (1822). Um caminho que
nos ajudou a compreender como a sociedade e o Estado brasileiro se estruturaram. O primeiro
baseado no “mito fundador” da grandeza territorial. E a segunda carregando as marcas da
inferioridade, perspectiva que discutimos a partir da colonialidade do poder e de uma análise,
ainda que en passant, de diversos intérpretes do Brasil. Detemo-nos também sobre a política
indigenista empreendida desde o período colonial até a instituição da República (1889)
chegando à Vargas (1930 – 1945). Percebemos com essas análises que o objetivo do Estado
brasileiro era, principalmente, integrar o indígena à comunhão nacional transformando-o em
mão de obra, além de utilizá-lo como protetor de fronteiras. Nesse ponto política indigenista e
política externa se aproximam, já que um dos principais escopos desta última seria assegurar a
integridade do território brasileiro e, quando possível ampliá-lo. Começamos, então, a análise
dos relatórios do Ministério das Relações Exteriores entre 1889 e 1945. Após a análise dessa
documentação, ratificamos a importância da integridade do território para o Estado brasileiro
e percebemos também a existência de um discurso no qual o Brasil aparece como defensor
dos princípios da civilização, cujo modelo político, epistêmico, social e cultural é o Ocidente.
Um discurso que, além de outras questões, inviabiliza a presença e participação de
contingentes populacionais com outras formas de existência e de organização social e
econômica, ou seja, indígenas e negros/afrodescendentes. Ainda que, cabe uma ressalva, esse
déficit democrático e de participação tenha se alterado, em alguma medida, nos anos 1980,
quando os movimentos sociais começaram a se interessar pelos assuntos internacionais, em
razão da luta pela manutenção dos direitos trabalhistas, em risco pelas medidas de
liberalização econômica e desregulamentação do mundo do trabalho. Esse processo está,
contudo, em construção e depende de um diálogo intercultural, que torne o Ministério de
Relações Exteriores e sua área de atuação o lugar do interepistêmico.
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