Afrikaans speaking believers have been experiencing a degree of disillusionment due to changes in the South African political landscape. This has caused spiritual instability that again caused people to want to escape to beter opportunities elsewhere, reduced church attendance and social isolation. This disillusionment is due to the fact that Afrikaans speaking believers hold to a cultural, social and self empowering type of hope that looks to the advantages of positive circumstances. A great void exists in research dealing with the hope and spirituality of Afrikaans speaking believers who experience such a disillusionment, and that resulted in this study. An empirical study revealed that the Afrikaans community struggles to deal completely with the new South African community. They feel the pressure of limited or no work opportunities due to affirmative action, uncertainty regarding their role in the new South Africa and the breaking down of Afrikaans as a historically respected language and culture. Materialism, a false trust in political and world leaders, negative media reporting, as well as people immigrating for beter opportunities, were singled out as contributors to the breaking down of hope, a hope that takes on the form of cultural entitlement and social self empowerment. A literary study showed that true Christian hope must be distinguished from wishful thinking, the outcome of social, political or economical self empowerment or emotional optimism, but rather that it is grounded in the faith knowledge of Jesus Christ as Redeemer. The church as the family of God provides hope in a space where the past and the future comes together in an active walk of faith that follows the life of Jesus Christ in serving and caring for others. Preaching must be the carrier of hope and the reminder that the promises of God will be realized up and until the coming of Jesus Christ in glory. Perspectives from Scripture confirmed that hope is not just a human thought of wishful thinking, an emotional state of mind or optimism. True Christian hope is an inner faith conviction and trust in the promises of God for salvation, provision and grace, even in the midst of poor or bad circumstances, caused by sin. This Christian hope is initiated and developed through a knowledge of the Word of God, that finds fulfillment in Jesus Christ. True Christian hope is an inner spiritual conviction through faith in Jesus Christ, a practical lifestyle of love in accordance with God’s will and a living expectation for the coming of Jesus Christ. Practical-theoretical guidelines and study work were developed where Afrikaans speaking believers, experiencing a degree of disillusionment due to a changing South Africa, can be pastorally guided to a true Christian hope. / MA (Pastoral Studies), North-West University, Potchefstroom Campus, 2014

Afrikaans speaking believers have been experiencing a degree of disillusionment due to changes in the South African political landscape. This has caused spiritual instability that again caused people to want to escape to beter opportunities elsewhere, reduced church attendance and social isolation. This disillusionment is due to the fact that Afrikaans speaking believers hold to a cultural, social and self empowering type of hope that looks to the advantages of positive circumstances. A great void exists in research dealing with the hope and spirituality of Afrikaans speaking believers who experience such a disillusionment, and that resulted in this study. An empirical study revealed that the Afrikaans community struggles to deal completely with the new South African community. They feel the pressure of limited or no work opportunities due to affirmative action, uncertainty regarding their role in the new South Africa and the breaking down of Afrikaans as a historically respected language and culture. Materialism, a false trust in political and world leaders, negative media reporting, as well as people immigrating for beter opportunities, were singled out as contributors to the breaking down of hope, a hope that takes on the form of cultural entitlement and social self empowerment. A literary study showed that true Christian hope must be distinguished from wishful thinking, the outcome of social, political or economical self empowerment or emotional optimism, but rather that it is grounded in the faith knowledge of Jesus Christ as Redeemer. The church as the family of God provides hope in a space where the past and the future comes together in an active walk of faith that follows the life of Jesus Christ in serving and caring for others. Preaching must be the carrier of hope and the reminder that the promises of God will be realized up and until the coming of Jesus Christ in glory. Perspectives from Scripture confirmed that hope is not just a human thought of wishful thinking, an emotional state of mind or optimism. True Christian hope is an inner faith conviction and trust in the promises of God for salvation, provision and grace, even in the midst of poor or bad circumstances, caused by sin. This Christian hope is initiated and developed through a knowledge of the Word of God, that finds fulfillment in Jesus Christ. True Christian hope is an inner spiritual conviction through faith in Jesus Christ, a practical lifestyle of love in accordance with God’s will and a living expectation for the coming of Jesus Christ. Practical-theoretical guidelines and study work were developed where Afrikaans speaking believers, experiencing a degree of disillusionment due to a changing South Africa, can be pastorally guided to a true Christian hope. / MA (Pastoral Studies), North-West University, Potchefstroom Campus, 2014

Previous research indicates a high rate of long distance relationships, especially among young adults. Yet, research in this area is lacking, particularly regarding the role of video chatting. Through the lens of the media richness theory and the hyperpersonal model, this qualitative study explores how video chatting impacts idealization and disillusionment in young adults’ long distance dating relationships. Data was collected through semi-structured interviews with both partners of six heterosexual couples. Data was analyzed using the constant comparative approach and following the basic framework of open, axial, and selective coding used in grounded theory research. Results indicate that video chatting helps partners feel close to one another, though partners must still manage the differences between feeling close and actually being close. Couples use idealization and uncertainty management to reduce disillusionment, and couples who anticipate changes manage those changes more successfully. These findings suggest that video chatting mimics in-person communication more accurately than any other technology, though it cannot replace true geographic proximity. Nonetheless, video chatting appears to help minimize disillusionment by promoting healthy idealization for couples who use it throughout their long distance dating relationship.

Studies on the career paths of municipal police officers have revealed an emergence of four distinct phases which officers pass through during their professional careers, phases where the perception of their profession changes. These phases are more constant at the patrol officer level where most officers begin and finish their career. Among these four phases is the disillusion phase (between 6 and 13 years), where the expectations at work are not met. The perception of the police administration, the public and the criminal justice system, all become negative and the hope for promotions diminish. These studies were mainly conducted in a period where there were very few or no women in policing. Through a feminist perspective and a social constructionist theoretical framework, this thesis makes the hypothesis that because women have different expectations at work, a varying work/life balance and a contrasting aspiration to attain positions of power, women will live this second phase differently. To explore this hypothesis, data was collected from ten semi-structured interviews with female patrol officers having worked between 6 and 13 years in municipal police departments. A discourse analysis effectively shows significant differences for the reasons underlying our hypotheses. Even if they have some frustrations about certain aspects of their work, we did not see any disillusionment from any women in this phase.

À travers l’analyse de la vie des protagonistes, le malaise et le dysfonctionnement socio-politique, économique et culturel des post-indépendances, cette étude met en exergue les différentes formes de violences dans les romans suivants : The Beautyful Ones Are Not Yet Born, Fragments d’Ayi Kwei Armah, Kill Me Quick, Going Down River Road, The Cockroach Dance et The Big Chiefs de Meja Mwangi et Dangerous Love de Ben Okri. La thématique de la désillusion s’incruste comme un leitmotiv dans tous ces romans. L’omniprésence de la désillusion permet de montrer le caractère violent de la perte des illusions. L’émergence des régimes dictatoriaux après l’indépendance dans plusieurs pays africains où la corruption, le clientélisme et l’affairisme sont érigés en mode de gouvernement entraînent une dissonance profonde et un malaise sans précédent. Si ces violences puisent, d’une part, leur origine dans la déstructuration de la vie sociopolitique, économique et culturelle causée par la colonisation, elles sont dues, d’autre part, aux dysfonctionnements de la société post-indépendante. Ces violences, ces dissonances et la tyrannie du pouvoir atteignent leur sommet dans un pays imaginaire, vraisemmblablement le Rwanda, où la cruauté des massacres et l'absurdité de l'idéologie de l'Hutu Power appelant au génocide des Tutsi dépassent l'entendement humain / Through the analysis of the daily life of the protagonists, the socio-political, economic and cultural post-independence dissonance and malaise, this study spotlights the different forms of violence as portrayed in Ayi Kwei Armah’s The Beautyful Ones Are Not Yet Born, Fragments, Meja Mwangi’s Kill Me Quick, Going Down River Road, The Cockroach Dance, The Big Chiefs and Ben Okris’ Dangerous Love. The theme of post-independence disillusionment is pervasive in all these novels. The omnipresence of this disenchantment enables to point out the violence which is inherent in the loss of illusion. The dictatorial regimes which emerge in many African states, after independence, lead to a great and deep dissonance and unprecedented malaise: corruption, embezzlement and nepotism become the norms of ruling. If this violence finds its roots, on the one hand, in the violent socio-political, economic and cultural disorganisation of traditional African society by colonisation, it is also, on the other hand, due to post-independence disjuncture and bitterness. Tyranny of power, dissonance and violence have plunged an imaginary country, probably Rwanda , into an extreme violence where the cruelty of the massacres and the absurdity of Hutu Power's ideology exhorting Hutu people to exterminate the Tutsi are beyond all understanding

Studies on the career paths of municipal police officers have revealed an emergence of four distinct phases which officers pass through during their professional careers, phases where the perception of their profession changes. These phases are more constant at the patrol officer level where most officers begin and finish their career. Among these four phases is the disillusion phase (between 6 and 13 years), where the expectations at work are not met. The perception of the police administration, the public and the criminal justice system, all become negative and the hope for promotions diminish. These studies were mainly conducted in a period where there were very few or no women in policing. Through a feminist perspective and a social constructionist theoretical framework, this thesis makes the hypothesis that because women have different expectations at work, a varying work/life balance and a contrasting aspiration to attain positions of power, women will live this second phase differently. To explore this hypothesis, data was collected from ten semi-structured interviews with female patrol officers having worked between 6 and 13 years in municipal police departments. A discourse analysis effectively shows significant differences for the reasons underlying our hypotheses. Even if they have some frustrations about certain aspects of their work, we did not see any disillusionment from any women in this phase.

No description available.

The study makes an analysis of Charles Mungoshi's Shona works from a Modernist perspective. In this study, Modernist literature is shown as full of change and adventure that has seen characters failing to catch up with the speed at which their social lives are going. The change is continuos and has resulted in many characters continuously failing to cope, which in turn has resulted in continuous frustrations, here described as despair. The study also shows how the despair is being nurtured in the circumstances of crumbling social institutions which, in the past, had acted as the haven for devastated individuals. The crumbling social institutions are shown to be triggering the despair and the characters are given no room to recuperate. The study makes an analysis of what brings this despair and how in the end, particular individual characters fight to ward off the despair. / African Languages / M.A. (African Languages)

The study makes an analysis of Charles Mungoshi's Shona works from a Modernist perspective. In this study, Modernist literature is shown as full of change and adventure that has seen characters failing to catch up with the speed at which their social lives are going. The change is continuos and has resulted in many characters continuously failing to cope, which in turn has resulted in continuous frustrations, here described as despair. The study also shows how the despair is being nurtured in the circumstances of crumbling social institutions which, in the past, had acted as the haven for devastated individuals. The crumbling social institutions are shown to be triggering the despair and the characters are given no room to recuperate. The study makes an analysis of what brings this despair and how in the end, particular individual characters fight to ward off the despair. / African Languages / M.A. (African Languages)

[pt] Neste trabalho, eu me proponho a contribuir para o movimento de pluralização dos arquivos da disciplina de Relações Internacionais recuperando as formas de luta da cineasta e socióloga libanesa, Heiny Srour. Inspirada por diferentes correntes teóricas de RI, principalmente feministas e pós-coloniais, que entendem os arquivos da disciplina como falhos, incompletos e parciais e que buscam resgatar o pensamento e prática internacional de sujeitos marginalizados, essa dissertação se propõe a investigar as formas de luta nas quais se engajou uma mulher em um contexto de luta anticolonial. Proponho que a obra de Srour nos permite pensar formas de luta anticoloniais nas quais feministas aparecem como protagonistas não só dos filmes de sua autoria, mas também de uma compreensão sobre a luta política contra formas de colonização presentes no século XX nas regiões do Levante (Líbano, Síria e Palestina) e de Dofar (área no Golfo situada entre Omã e Iêmen). Meu objeto de pesquisa é constituído por dois filmes da cineasta: A Hora da Libertação Chegou (1974) e Leila and the Wolves (1984). O trabalho parte não de uma pergunta de pesquisa, mas sim de um conjunto de perguntas: Como a produção audiovisual de Heiny Srour constitui uma forma de luta? Se luta contra o quê? Meu objetivo é auxiliar a pluralizar não só os arquivos visuais, como também arquivos sobre pensamento e prática internacional desenvolvido por feministas na segunda metade do século XX. A metodologia de pesquisa é a análise dos dois filmes já citados, centrada no processo de produção e, principalmente, no conteúdo. No que tange à produção, atento para as redes forjadas entre pessoas e grupos anticoloniais para a produção dos filmes. Quanto ao conteúdo, mobilizo os sentimentos de esperança e desilusão situados nos dois filmes para discutir o presente. Argumento que as imagens, cenários, histórias e sentimentos que emergem do cinema de Srour constituem formas de luta contra a opressão patriarcal e colonial e se conectam a outros sujeitos e grupos também dispostos a construir novas formas de viver. / [en] In this paper, I propose to contribute to the movement of pluralization of the archives of the discipline of International Relations by recovering the forms of struggle of the Lebanese filmmaker and sociologist, Heiny Srour. Inspired by different theoretical currents of IR, mainly feminist and postcolonial, which understand the archives of the discipline as flawed, incomplete, and partial and which seek to rescue the international thought and practice of marginalized subjects, this dissertation proposes to investigate the forms of struggle in which a woman engaged in a context of anti-colonial struggle. I propose that Srour s work allows us to think about forms of anti-colonial struggle in which feminists appear as protagonists not only in her films, but also in an understanding of the political struggle against forms of colonization present in the twentieth century in the regions of the Levant (Lebanon, Syria and Palestine) and Dhofar (an area in the Gulf between Oman and Yemen). My research object is constituted by two films by the filmmaker: The Hour of Liberation Has Arrived (1974) and Leila and the Wolves (1984). The work starts not from a research question, but from a set of questions: How does Heiny Srour s audiovisual production constitute a form of struggle? If it fights against what? My aim is to help pluralize not only visual archives, but also archives on international thought and practice developed by feminists in the second half of the twentieth century. The research methodology is analytical. The research methodology is the analysis of the two films already mentioned, focusing on the production process and, mainly, on the content. Regarding production, I focus on the networks forged between anti-colonial people and groups to produce the films. As for the content, I mobilize the feelings of hope and disillusionment situated in the two films to discuss the present. I argue that the images, scenarios, stories, and feelings that emerge from Srour s cinema constitute forms of struggle against patriarchal and colonial oppression and connect to other subjects and groups also willing to build new ways of living.