Through an examination of Joseph Roth’s reportage and fiction published between 1923 and 1932, this thesis seeks to provide a systematic analysis of a particular aspect of the author’s literary style, namely his use of sharply focused visual representations, which are termed Heuristic Visuals. Close textual analysis, supplemented by insights from reader-response theory, psychology, psycholinguistics and sociology illuminate the function of these visual representations. The thesis also seeks to discover whether there are significant differences and correspondences in the use of visual representations between the reportage and fiction genres. Roth believed that writers should be engagiert, and that the truth could only be arrived at through close observation of reality, not subordinated to theory. The research analyses the techniques by which Roth challenges his readers and encourages them to discover the truth for themselves. Three basic variants of Heuristic Visuals are identified, and their use in different contexts, including that of dialectical presentations, is explored. There is evidence of the use of different variants of Heuristic Visuals according to the respective rhetorical demands of particular thematic issues. It has also been possible to establish synchronic correspondences between the different genres, and diachronic correspondences within genres. Although there are examples within the reportage where the entire article is based on an Heuristic Visual, the use of Heuristic Visuals cannot be seen as a key organizing principle in Roth’s work as a whole. As his mastery of the technique reaches its highest point in the early 1930s, Heuristic Visuals are often incorporated into the reconstruction of a complete sensory experience. Analysis of Roth’s heuristic use of visual representations has led to important insights, including a reinterpretation of the endings of Roth’s two most famous novels: Hiob and Radetzkymarsch.

L'objectif de cette thèse est d'améliorer les représentations des images et des vidéos dans le but d'obtenir une reconnaissance visuelle accrue, tant pour des entités spécifiques que pour des catégories plus génériques. Les contributions de cette thèse portent, pour l'essentiel, sur des méthodes de description du contenu visuel. Nous proposons des méthodes pour la recherche d'image par le contenu ou par des requêtes textuelles, ainsi que des méthodes pour la reconnaissance et la localisation d'action dans des vidéos. En recherche d'image, les contributions se fondent sur des méthodes `a base de plongements de Hamming. Tout d'abord, une méthode de comparaison asymétrique vecteur-`a-code est proposée pour améliorer la méthode originale, symétrique et utilisant une comparaison code-`a-code. Une méthode de classification fondée sur l'appariement de descripteurs locaux est ensuite proposée. Elle s'appuie sur une classification opérée dans un espace de similarités associées au plongement de Hamming. En reconnaissance d'action, les contributions portent essentiellement sur des meilleures manières d'exploiter et de représenter le mouvement. Finalement, une méthode de localisation est proposée. Elle utilise une partition de la vidéo en super-voxels, qui permet d'effectuer un échantillonnage 2D+t de suites de boîtes englobantes autour de zones spatio-temporelles d'intérêt. Elle s'appuie en particulier sur un critère de similarité associé au mouvement. Toutes les méthodes proposées sont évaluées sur des jeux de données publics. Ces expériences montrent que les méthodes proposées dans cette thèse améliorent l'état de l'art au moment de leur publication. / The subject of this thesis is about image and video representations for visual recognition. This thesis first focuses on image search, both for image and textual queries, and then considers the classification and the localization of actions in videos. In image retrieval, images similar to the query image are retrieved from a large dataset. On this front, we propose an asymmetric version of the Hamming Embedding method, where the comparison of query and database descriptors relies on a vector-to-binary code comparison. For image classification, where the task is to identify if an image contains any instance of the queried category, we propose a novel approach based on a match kernel between images, more specifically based on Hamming Embedding similarity. We also present an effective variant of the SIFT descriptor, which leads to a better classification accuracy. Action classification is improved by several methods to better employ the motion inherent to videos. This is done by dominant motion compensation, and by introducing a novel descriptor based on kinematic features of the visual flow. The last contribution is devoted to action localization, whose objective is to determine where and when the action of interest appears in the video. A selective sampling strategy produces 2D+t sequences of bounding boxes, which drastically reduces the candidate locations. The method advantageously exploits a criterion that takes in account how motion related to actions deviates from the background motion. We thoroughly evaluated all the proposed methods on real world images and videos from challenging benchmarks. Our methods outperform the previously published related state of the art and remains competitive with the subsequently proposed methods.

HIV/AIDS research has proven crucial in an effort to prevent and manage this epidemic. However, there is little research being done in an attempt to understand the internal worlds of those living with HIV/AIDS. The purpose of this research was to begin to explore the relationship that exists between the person living with HIV/AIDS and the virus, as an internal object, inside them. This study focused on 6 women who were on Anti-Retroviral Medication (ARVs), and who have been diagnosed for at least one year. The participants’ mental representations of the virus as an object inside them was explored, as well as how they experienced and viewed the triangular relationship that exists between themselves, the HI Virus, and the ARVs. This exploratory research utilised a qualitative framework in order to understand and explore these relationships and perceptions, with psychoanalytic theory being used a lens through which to view the data that emerged. In depth semi-structured interviews were conducted with the participants, and the corpus of data was analyzed using a thematic content analysis. In addition, the participants were asked to draw the virus inside their bodies. These were analyzed using a technique devised by Paola Luzzatto (1987) in a study exploring the internal world of drug-abusers. For the purpose of this study, a variation of the same art therapy technique was used in that the participants were asked the ‘draw the virus in their bodies’. Whilst the drawings allowed for insight into the internal worlds of the participants, the drawings were also used as a point of departure. For most of the women, HIV was drawn using a red crayon, whilst the ARVs were drawn in either yellow or green. As depicted in the drawings, post diagnosis the HIV/red seemed to cover most of the body, but later when the ARVs/green was added, more of a balance was achieved. Results show that for these women, HIV was often perceived as dangerous and criminal, whilst the ARVs were often associated with security. From the perspective of Kleinian theory, the perception of the HIV and the ARVs seemed to be dependent upon the position from where they were functioning: either a paranoid-schizoid or a depressive position.

Background - Welcome to the 2010’s and its visual information culture informing about the century-old ideal of thinness, by sending (almost) exclusively thin bodies down the runway of Paris Fashion Week (PFW). This, while at the same time the academia and mass media are repeatedly articulating the necessity of a more ethical aesthetic within the fashion industry, while the argument that “thinness sells” lack empirical support, while measures are taken around Europe to discourage media bias and encourage healthy bodies walking the, and while the body positivity movement – applauding the diversity of body types – is on the rise in the Western society. Problem - How can it be explained that PFW, as an event organized to communicate the latest trends, and as an institution of a concept that thrives on change, is being stuck in an inertia of thin models? The purpose of this qualitative study is to explore the explanations for the idealization of thin bodies in regard to female runway models, to be found in visual representations of PFW. Examining the paradox of the idealization of thin bodies has the potential to reveal the measures necessary to establish practices of ethical representation in the realm of PFW. Method - The search for explanations to the inertia of the thin ideal on the runways of PFW is based upon a qualitative research design and a method of semi-structured interviews. The sample consisted of fourteen people involved in the event of PFW. It is framed within three theoretical perspectives: the trickle-down, trickle-across and trickle-up theories – associated with authors such as Simmel (1957), King (1963) and Blumer (1969a; 1969b); a theoretical view of the relation between fashion, clothes and the body provided by Barnard (2014) and, lastly, the Organizational Ecology Theory presented by Hannan and Freeman (1977; 1989). Findings - The findings suggest that the inertia of the thin ideal on the runways of PFW is explained by the thin body not only being part of a long history and tradition of creating and showing fashion, but also being dressed in aesthetic value. At the same time, the explanations to the idealization, or inertia, of thin bodies on PFW are found to be multiple as well as paradoxical, a conclusion serving as an explanation in itself. Conclusion – It is difficult to point out the explanation to the inertia of the thin ideal – both in terms of factors and actors – not at least due to the explanations stemming from both social and cultural as well as economic aspects of fashion. As a consequence, every actor part the fashion industry need to understand the effects as well as the extent of idealization of thin bodies, and start to realize that public health is more important than profits.

No description available.

This study argues that including aspects of user experience relevant to the user's knowledge of a product's context-of-use in the early stages of product design can enhance the design of product usability. To explore these issues, research was undertaken to respond to three research questions: (i) What aspects of user experience influence people's understanding of product usability? (ii) What is the nature of the differences between users' and designers' understandings of product usability? (iii) How can context-of-use and human experience enhance the design of product usability? Findings from the study have shown that experience, context-of-use and knowledge about a product's usability are interrelated. Conceptual principles and design principles were established based on findings to explain (i) the relationships between aspects of experience and areas of product usability and (ii) differences between designers' and users' concepts of product usability. These principles responded to the first two research questions. Causal relationships found between experience and product usability suggested the need to implement them in an accessible manner for a product design process. A design tool -- named the Experience and Context Enquiry Design Tool (ECEDT) -- was devised to exemplify the implementation of findings. A trial run verified that the type of information that ECEDT brings to designers could assist them to address usability and experience issues during the early stages of the design process. This result responded to the third research question of the study. This study's conceptual principles and design principles contribute new knowledge to design theory and practice. This knowledge contributes to design theory in providing greater detail about the differences between designers and users than that addressed by existing theory; it contributes to design practice as it informs designers about the aspects of human experience that prompt users' understanding of a product's use. In doing so, it can potentially assist in the design of products that embed new technological applications, and support the design of product usability.

This thesis explores how research is implicated in the constitution of post-war environments, and gives an account of being and becoming a researcher in post-war Bosnia. My main contention is that when peace and conflict researchers conduct research in post-war contexts, their presence, practices, and the consequential production of knowledge and representations, have political effects. I argue that the implications of this have not been fully explained, acknowledged, or problematised within Conflict Resolution, which tends to rely on research approaches and assumptions taken from ‘normal’ science. This thesis suggests how reflexivity and alternatives methodologies, including visual research might be used to represent the emotional, sensory, and often intangible elements of post-war realities. It enacts an engagement in the politics of research and uses reflexive writing and visual methods to draw attention to the importance of the relational aspects of research in postwar environments. Visual journeys are also used to argue that visual methods can provide a way of revisiting the epistemological and ontological assumptions about lived experiences and realities in post-war settings. The thesis is based upon one year of ethnographic fieldwork undertaken in Bosnia, and is also informed by eighteen months of volunteer work with a Bosnian Community Centre in Dewsbury, West Yorkshire.

Submitted by TATIANE DOS SANTOS DE FREITAS LOPES null (thaty_lopez@hotmail.com) on 2017-09-26T11:27:52Z No. of bitstreams: 1 Dissertação - Tatiane Lopes.pdf: 3190468 bytes, checksum: 328cfdb2f66173743a997091b892cd2b (MD5) / Approved for entry into archive by Monique Sasaki (sayumi_sasaki@hotmail.com) on 2017-09-28T12:25:17Z (GMT) No. of bitstreams: 1 lopes_tsf_me_mar.pdf: 3190468 bytes, checksum: 328cfdb2f66173743a997091b892cd2b (MD5) / Made available in DSpace on 2017-09-28T12:25:17Z (GMT). No. of bitstreams: 1 lopes_tsf_me_mar.pdf: 3190468 bytes, checksum: 328cfdb2f66173743a997091b892cd2b (MD5) Previous issue date: 2017-08-31 / Um sistema de recuperação de informação é um elemento mediador entre um acervo documental e os usuários que buscam por documentos relevantes. Nesse contexto, as interfaces desempenham uma função importante: em um primeiro momento, auxiliando o usuário na tarefa de expressar a sua necessidade de informação por meio de uma expressão de busca e, em um segundo momento, fornecendo recursos para ajudá-lo a selecionar documentos relevantes dentre os resultados obtidos. A recuperação de informação é um processo linguístico cuja eficiência depende de coincidências terminológicas entre a expressão de busca do usuário e a representação dos documentos. Este trabalho propõe um modelo de interface na qual a estrutura terminológica de uma ontologia é utilizada para auxiliar o usuário na seleção de documentos relevantes dentre aqueles resultantes de sua busca. Caracteriza-se como uma pesquisa de natureza aplicada, e exploratória e bibliográfica quanto aos procedimentos. Conclui-se que a apresentação visual de uma ontologia permite o desenvolvimento de interfaces dinâmicas e interativas, proporcionando ao usuário uma navegação estimulante e prazerosa por entre os documentos resultantes de sua busca, tendo por base os termos de uma determinada área de conhecimento. / An information retrieval system is a mediating element between a document collection and the users who looking for relevant documents. In this context, interfaces play an important role: firstly, assisting the user to expressing their information need by means of a search expression, and secondly by providing resources to help selecting relevant documents from the obtained results. The information retrieval is a linguistic process whose efficiency depends on terminological coincidences between the user’s query and the representation of documents. This work proposes an interface model in which the terminological structure of an ontology is used to assist the user in the selection of relevant documents among those resulting from their search. It is characterized as an applied, exploratory and bibliographic research. It is concluded that the visual presentation of ontology allows the development of dynamic and interactive interfaces, providing the user with stimulating and pleasant navigation among the documents resulting from their search, based on the terms of a certain knowledge area.

[pt] Os livros didáticos modernos constituem-se num objeto de estudo valioso para o lingüista por serem elaborados a partir de múltiplas modalidades semióticas e porque, em geral, são gêneros disciplina-específicos. Entretanto, no que tange à disciplina de Biologia, ainda há poucos estudos que exploram a interação entre as modalidades verbal e visual nos livros de Ensino Médio e, até o momento, nenhum trabalho de natureza contrastiva foi realizado no Brasil sobre esse aspecto. Na presente análise, investigam-se os tipos de representação visual e o modo de estabelecimento da relação entre figuras e o texto verbal associado em dois livros didáticos de Biologia do Ensino Médio, um brasileiro e outro norteamericano. Este estudo baseia-se principalmente nos pressupostos teóricos de Kress e van Leeuwen (1996, 2001) e inspira-se nos trabalhos de Myers (1997) e Nascimento (2002). Implícita nesses pressupostos está a abordagem sistêmicofuncional de Halliday e Hasan (1976) e de Halliday (1994). Os resultados desta pesquisa revelam que, dentre outros mecanismos, a coesão lexical exerce importante papel na interação entre o componente verbal das figuras, o texto principal e as legendas em ambos os livros analisados. Dentre as diferenças encontradas nos dois livros, destacam-se as representações visuais distintas referentes a um mesmo tópico, o modo de referenciação às figuras no texto, a função das legendas e a proporção de utilização de termos técnicos na coesão intermodal. Esses resultados mostram que existem variações no gênero livro didático de Biologia quanto ao modo de utilização dos mecanismos de interação entre figuras e texto verbal, que podem estar relacionadas com os propósitos dos autores. Isso pode ter importantes implicações para o ensino da Biologia e de Inglês para fins específicos, pois auxilia na conscientização de educadores e alunos sobre a necessidade de se levar em consideração os meios de interação entre as linguagens visual e verbal na interpretação e produção dos textos multimodais próprios de cada comunidade discursiva. / [en] Modern textbooks are valuable as a research object in applied linguistics because they usually present their content through multiple semiotic modalities and because in general they are discipline-specific genres. However, concerning the discipline of Biology, there are still few studies that exploit the interaction between verbal and visual languages in highschool textbooks and, up to the moment, no contrastive works on this topic have been published in Brazil. For this reason, the goal of the present study is to investigate the types of visual representations and the strategies that establish the interaction between pictures and verbal text used in two highschool-level Biology textbooks, a Brazilian and a North-American one. This study is based mainly on Kress and van Leeuwen s (1996, 2001) theory of multimodality and is inspired in Myers (1997) and Nascimento s (2002) previous works. This theoretical basis presupposes Halliday and Hasan s (1976) and Halliday s (1997) systemic- functional approach to text. The results of this investigation reveal that, among other mechanisms, lexical cohesion has an important role in the interaction between the verbal element in images and the verbal language of the corresponding texts and captions in both books. Among the differences found between these two books, there are the different visual representations concerning the same topic, the way pictures are referred to in the text, the role of the captions and the proportion of technical terms used in intermodal cohesion. These results show that there are intrageneric variations in the use of such resources that are probably due to the authors purposes. The findings may have important implications for the teaching of Biology and of English for specific purposes. They may enhance the awareness of educators and students about the need of taking the interaction between visual and verbal languages into consideration for the appropriate interpretation of texts and for the production of multimodal texts specific to each discursive community.

[pt] Uma imagem monocromática pode ser interpretada como uma superfície topológica e desta forma objetos de interesse podem aparecer como picos (sharp mountains), domos (smooth hills) ou vales (V- or U-shaped). Um domo geralmente contém vários pontos de máximo locais em seu topo. Logo, fica bem caracterizado por um cluster de máximos locais. Segmentar individualmente objetos em imagens onde estes aparecem parcialmente sobrepostos ou fortemente agrupados é um problema que métodos clássicos de segmentação podem não solucionar adequadamente. Outro problema é contar objetos idênticos em imagens perviamente segmentada. Esta tarefa, quando executada manualmente, devido ao cansaço visual exige um grande esforço humano. É tediosa, demorada, além de gerar resultados subjetivos. O presente trabalho propõe um novo método para segmentação e contagem de clusters de máximos locais em uma imagem digital através uma abordagem baseada em grafos. Utilizando a informação de luminância, a imagem é representada por um grafo de adjacências e um algoritmo de mineração é utilizado para segmentar os clusters. Por fim, de acordo com características da imagem, um algoritmo de clusterização pode ser incorporado ao processo para melhorar o resultado final. A contagem dos objetos é um resultado direto do algoritmo de mineração e de clusterização, quando este último é aplicado. O método proposto é tolerante a variações no tamanho e forma dos objetos e é facilmente parametrizado para lidar com diferentes grupos de imagens provenientes de objetos distintos. Testes executados em uma base de dados com 262 imagens, composta de imagens de objetos reais (grupo 1) e de células tronco embrionárias em imagens de microscopia fluorescente (grupo 2), atestam a eficiência e qualidade do método desenvolvido no que diz respeito a segmentação e a contagem. Os resultados gerados para as imagens do grupo 1 foram validados pela autora e os do grupo 2 pelos biólogos do Instituto de Ciências Biomédicas da Universidade Federal do Rio de Janeiro. Para estas imagens foram obtidas uma F-measuare média de 85,33% e 90,88%, respectivamente. Por fim, um estudo comparativo com o algoritmo clássico de watershed foi realizado. Este alcançou uma F-measuare média de 74.02% e 78,28% para os grupos 1 e 2, respectivamente, contra 85,33% e 91,60% obtido pelo método proposto. / [en] A grayscale image can be viewed as a topological surface and this way, objects of interests may appear as peaks (sharp mountains), domes (smooth hills) or valleys (V- or U-shaped). Generally, the dome top presents more than one local maximum. Thus, it can be characterized by a local maximum cluster. Segmenting objects individually in images where they appear partially or totally fused is a problem which frequently may not be solved by a watershed segmentation or a basic morphological processing of images. Other issue is counting similar objects in images segmented beforehand. Counting them manually is a tedious and time-consuming task, and its subjective nature can lead to a wide variation in the results. This work presents a new method for segmenting and counting of local maximum clusters in digital images through a graph-based approach. Using the luminance information, the image is represented by a region adjacency graph and a graph-mining algorithm is applied to segment the clusters. Finally, according to image characteristics, a graph-clustering algorithm can be added to the process to improve the final result. The object counting step is a direct result from the mining algorithm and the clustering algorithm, when the latter is applied. The proposed method is tolerant to variations in object size and shape and can easily be parameterized to handle different image groups resulting from distinct objects. Tests made on a database with 262 images, composed of photographs of objects (group 1) and embryonic stem cells under fluorescence microscopy images (group 2), attest the effectiveness and quality of the proposed method as for segmentation and counting purpose. The images form group 1 processed by our method were checked by the author and those ones from group 2 by the specialists from the Institute of Biomedical Sciences at UFRJ. For these images we obtained an average F-measure of 85.33% and 90.88%, respectively. Finally, a comparative study with the widely used watershed algorithm was done. The watershed achieved an average F-measure of 74.02% e 78.28% for groups 1 and 2, respectively, against 85.33% e 91.60% obtained by our method.