The Indigenous past is largely absent from settler representations of the history of the city of Toronto, Canada. Nineteenth and twentieth century historical chroniclers often downplayed the historic presence of the Mississaugas and their Indigenous predecessors by drawing on doctrines of terra nullius, ignoring the significance of the Toronto Purchase, and changing the city’s foundational story from the establishment of York in 1793 to the incorporation of the City of Toronto in 1834. These chroniclers usually assumed that “real Indians” and urban life were inimical. Often their representations implied that local Indigenous peoples had no significant history and thus the region had little or no history before the arrival of Europeans. Alternatively, narratives of ethical settler indigenization positioned the Indigenous past as the uncivilized starting point in a monological European theory of historical development. In many civic discourses, the city stood in for the nation as a symbol of its future, and national history stood in for the region’s local history. The national replaced ‘the Indigenous’ in an ideological process that peaked between the 1880s and the 1930s. Concurrently, the loyalist Six Nations were often represented as the only Indigenous people with ties to Torontonians, while the specific historical identity of the Mississaugas was erased. The role of both the government and local settlers in crowding the Mississaugas out of their lands on the Credit River was rationalized as a natural process, while Indigenous land claims, historical interpretations, and mnemonic forms were rarely accorded legitimacy by non-Indigenous city residents. After World War II, with new influxes of both Indigenous peoples and multicultural immigrants into the city, colonial narratives of Toronto history were increasingly challenged and replaced by multiple stories or narrative fragments. Indigenous residents created their own representations of Toronto as an Indigenous place with an Indigenous history; emphasizing continuous occupation and spiritual connections between place and ancestors. Today, contention among Indigenous groups over the fairness of the Mississauga land claim, epistemic differences between western and Indigenous conceptions of history, and ongoing settler disavowal of the impact of colonialism have precluded any simple or consensual narrative of Toronto’s past.

Heather Metcalfe Doctoral Abstract, Ph.D. program, 2009 Department of History, University of Toronto “It’s All About War: Canadian Opinion and the Canadian Approach to International Relations, 1935-1939.” Canadians in the 1930s did not appear eager to focus on foreign affairs. The social and economic difficulties caused by the dislocation of the Great Depression meant that international developments often seemed remote and irrelevant. However, despite this focus on domestic issues, many Canadians were concerned with the trend of international events. As a result, the debate regarding the appropriate Canadian response remained an ongoing, if underlying, factor. In addition, the political issues raised by Canadian foreign policy, particularly through the Canadian involvement in the British Commonwealth and the League of Nations, meant the issue could not simply be ignored. During the later part of the decade, as the possibility of international conflict became ever more likely, increasing numbers of Canadians turned their attention to Canada’s international role. They also turned their attention to what this debate meant in terms of the Canadian sense of identity. These individuals were concerned as well with the response of Canadian public opinion to involvement overseas. This question, of the nature and susceptibility of Canadian public opinion to attempts to direct it, remains an intriguing one. The nature of this response remained open to question, and was the subject of significant debate among Canadian intellectuals, politicians and public figures. In response, a number of individuals and groups, including members of the Canadian press, attempted to influence Canadian public opinion. Many also pressured the Canadian government, led by William Lyon Mackenzie King’s administration, to play a more active role in shaping public opinion. Canadian intellectuals, for instance, influenced by contemporary writings on public opinion, seemed convinced of their natural role as ‘shapers’ of public opinion, particularly in a time of domestic and international crisis. These assumptions, and the ways in which Canadian public opinion both responded to, and rejected these attempts at direction, provide an interesting window into the question of public opinion, particularly in regards to international events. The debate regarding the Canadian response to the crises of the late 1930s can thus aid in gaining a greater appreciation of how public opinion shifts in response to outside challenges and the attempts to influence its course.

The History of the Book in Canada / Histoire du livre et de l’imprimé au Canada and other national book history projects have been a catalyst for research into the local production of print and have highlighted the need for more study of the print trades in smaller centres. In Ontario during the nineteenth century independent weekly newspapers were printed in most villages, while larger towns boasted more than one print shop and often one or more booksellers and stationers. Bookbinders were active members of the book trades selling books and stationery, ruling paper, binding local pamphlets, periodicals, and books, and manufacturing blankbooks for a variety of purposes. Since much local printing was ephemeral in nature, the only evidence of its existence is found in the record books kept by printers and binders. Partial business records and other surviving artifacts of the Guelph Bookbindery, which operated from 1855 to 1978, are both a rich source of evidence of the day-to-day operations of the bookbindery and a key to the intersection of print trades in Guelph, Ontario, and the surrounding counties. This study uses local imprints, blankbooks, authors’ papers, newspapers, directories, maps, assessment records, photographs, museum artifacts, and oral history accounts to reconstruct a history of the bookbindery and its place in the print culture of nineteenth-century Guelph. It documents the transformation of a business selling books, stationery, and wallpaper into a commercial bindery, which along with local printers produced large numbers of pamphlets, ubiquitous then but increasingly rare today. It is a view into the microcosm of a dynamic community where print was a vital medium for communication reflecting the cultural, commercial, and entrepreneurial discourse in nineteenth-century Canadian society that reached far beyond its borders.

The Indigenous past is largely absent from settler representations of the history of the city of Toronto, Canada. Nineteenth and twentieth century historical chroniclers often downplayed the historic presence of the Mississaugas and their Indigenous predecessors by drawing on doctrines of terra nullius, ignoring the significance of the Toronto Purchase, and changing the city’s foundational story from the establishment of York in 1793 to the incorporation of the City of Toronto in 1834. These chroniclers usually assumed that “real Indians” and urban life were inimical. Often their representations implied that local Indigenous peoples had no significant history and thus the region had little or no history before the arrival of Europeans. Alternatively, narratives of ethical settler indigenization positioned the Indigenous past as the uncivilized starting point in a monological European theory of historical development. In many civic discourses, the city stood in for the nation as a symbol of its future, and national history stood in for the region’s local history. The national replaced ‘the Indigenous’ in an ideological process that peaked between the 1880s and the 1930s. Concurrently, the loyalist Six Nations were often represented as the only Indigenous people with ties to Torontonians, while the specific historical identity of the Mississaugas was erased. The role of both the government and local settlers in crowding the Mississaugas out of their lands on the Credit River was rationalized as a natural process, while Indigenous land claims, historical interpretations, and mnemonic forms were rarely accorded legitimacy by non-Indigenous city residents. After World War II, with new influxes of both Indigenous peoples and multicultural immigrants into the city, colonial narratives of Toronto history were increasingly challenged and replaced by multiple stories or narrative fragments. Indigenous residents created their own representations of Toronto as an Indigenous place with an Indigenous history; emphasizing continuous occupation and spiritual connections between place and ancestors. Today, contention among Indigenous groups over the fairness of the Mississauga land claim, epistemic differences between western and Indigenous conceptions of history, and ongoing settler disavowal of the impact of colonialism have precluded any simple or consensual narrative of Toronto’s past.

Contributing to the literature on the Muslim experience post-9/11, the purpose of this study was to engage with a group that is often talked about, but not with: Muslim youth. Using an integrative anti-racist and anti-colonial approach with an emphasis on a spiritual way of knowing, this study gives voice to young Muslim activists in Toronto who have made the choice to “do something”. The study aims to understand what motivates these young activists, particularly in the context of post-9/11 Islamophobia, with the goal being to challenge stereotypical perceptions of Muslims, while contributing to the body of knowledge that aims to disrupt dominant notions of what “Canadian” identity is. The following analysis helps answer this question, which includes the role of spirituality, the attachment to Canadian identity and the desire to educate. Key challenges and what these youth prescribe for Canada’s future are also discussed.

This thesis examines the impact of Social Credit in North America during the Great Depression as a social philosophy and approach to government. By placing Social Credit in the context of interwar social movements for monetary reform, the events in Alberta from 1932 to 1938 are examined from the historical geographic iteration of what I call the Keynesian frontier of monetary macro-economic thought. This thesis shifts attention on this episode of Canadian history towards the lens of monetary neutrality. I argue that the Keynesian frontier was the intellectual environment for a worldwide English- speaking progressive underground which sought to find in macro-economic theory a vision of utopian society where money had no effect on material choices and interpersonal relations. During the 1930s, movements such as Social Credit transformed this underground into a collective effort to integrate the institutional channels of circulation with the mechanics of the modern monetary and fiscal state.

This thesis examines the impact of Social Credit in North America during the Great Depression as a social philosophy and approach to government. By placing Social Credit in the context of interwar social movements for monetary reform, the events in Alberta from 1932 to 1938 are examined from the historical geographic iteration of what I call the Keynesian frontier of monetary macro-economic thought. This thesis shifts attention on this episode of Canadian history towards the lens of monetary neutrality. I argue that the Keynesian frontier was the intellectual environment for a worldwide English- speaking progressive underground which sought to find in macro-economic theory a vision of utopian society where money had no effect on material choices and interpersonal relations. During the 1930s, movements such as Social Credit transformed this underground into a collective effort to integrate the institutional channels of circulation with the mechanics of the modern monetary and fiscal state.

This thesis examines the impact of Social Credit in North America during the Great Depression as a social philosophy and approach to government. By placing Social Credit in the context of interwar social movements for monetary reform, the events in Alberta from 1932 to 1938 are examined from the historical geographic iteration of what I call the Keynesian frontier of monetary macro-economic thought. This thesis shifts attention on this episode of Canadian history towards the lens of monetary neutrality. I argue that the Keynesian frontier was the intellectual environment for a worldwide English- speaking progressive underground which sought to find in macro-economic theory a vision of utopian society where money had no effect on material choices and interpersonal relations. During the 1930s, movements such as Social Credit transformed this underground into a collective effort to integrate the institutional channels of circulation with the mechanics of the modern monetary and fiscal state.

This thesis examines the impact of Social Credit in North America during the Great Depression as a social philosophy and approach to government. By placing Social Credit in the context of interwar social movements for monetary reform, the events in Alberta from 1932 to 1938 are examined from the historical geographic iteration of what I call the Keynesian frontier of monetary macro-economic thought. This thesis shifts attention on this episode of Canadian history towards the lens of monetary neutrality. I argue that the Keynesian frontier was the intellectual environment for a worldwide English- speaking progressive underground which sought to find in macro-economic theory a vision of utopian society where money had no effect on material choices and interpersonal relations. During the 1930s, movements such as Social Credit transformed this underground into a collective effort to integrate the institutional channels of circulation with the mechanics of the modern monetary and fiscal state.

Ce mémoire remonte aux premières années du phénomène publicitaire de masse et se penche sur les publicités des gouttes pour les yeux Murine et de l’antiseptique Listerine publiées dans les magazines au Québec entre 1925 et 1950. Les annonces de ces produits liés au corps et à ses soins insistent sur deux arguments de vente, soit la beauté et la santé. Comment ces idées sont-elles mises de l’avant par les créateurs des réclames motivés par l’objectif de vendre, telle est la question centrale ayant guidé nos recherches. Notre analyse porte plus particulièrement sur les stratégies publicitaires entourant les idées de la santé et de la beauté et montre qu’elles sont nombreuses et variées pour chaque produit. Notre étude vise aussi à faire ressortir l’évolution des arguments de vente selon le contexte des années 1920, 1930 et 1940, ainsi qu’à travers les normes et les valeurs alors en vigueur. Nous soutenons par ailleurs l’hypothèse qu’en misant tantôt sur la beauté, tantôt sur la santé, ou sur ces deux idées à la fois, il devenait possible pour les publicitaires de modifier l’image ou même la fonction de ces produits sans en changer les composantes, ajustant ainsi leur message aux événements socio-économiques et culturels. / This thesis is interested in the Murine eye drops and Listerine antiseptic advertising campaigns published in Québec magazines between 1925 and 1950, a period that corresponds to the beginning of mass publicity. The advertisements for these body products insist on two selling points: beauty and health. How were these ideas presented by the ad creators motivated by increasing their sales, here is the main question that guides our research. Our analysis is more particularly about the selling strategies concerning the ideas of beauty and health and shows that they are many and varied for each product. Our study also aims at emphasizing the evolution of selling strategies through the context, the norms and the values current between 1925 and 1950. We support the assumption that advertisers could change the image and even the function of these products without modifying their components, by insisting more or less on one particular selling point, adjusting their message to socio-economic and cultural events.