The purpose of this thesis is to illustrate and compare, through a representative historical sampling of music, the concepts of tonality evolved by Paul Hindemith in his Craft of Musical Composition, Vol. I; and Heinrich Schenker in his Tonwille, MusijNkeael ische Theorien Fantasien, Das jeisterwerk in der Musik, and Per Freie Satz.5 When feasible, these two concepts will be compared with the conventional concept.

This study investigates the influence of the Austrian music theorist Heinrich Schenker on American music theory since 1940, including a survey of writings related to Schenker and theory textbooks displaying his influence. The Schenker influence on American music theory includes many journal articles on Schenker and his principal students. His methods are employed often in analytical discussions of various issues. In addition to numerous dissertations and theses written about Schenker, a number of textbooks are now based wholly or in part on his approach to musical understanding. The current trend towards accepting Schenker's theories is likely to continue as more people are exposed to his teachings.

El presente trabajo estudiará el pensamiento político de Felipe Pardo y Aliaga a través del análisis de dos proyectos de constitución. Felipe Pardo ha trascendido más como dramaturgo y satírico que por su labor política. Se le considera junto a Manuel Asencio Segura como el padre del costumbrismo peruano. Esta corriente literaria marcó los primeros años de la vida republicana en el Perú y América Latina. Pardo simpatizó con la posición conservadora. Participó de los gobiernos de Salaverry, Gamarra, Vivanco y Castilla hasta que su salud se lo permitió. Se opuso al proyecto confederado de Santa Cruz. Sus poemas más famosos son aquellos que le dedicó al general paceño. Esta investigación pretende aportar a una mejor comprensión de Felipe Pardo y Aliaga como político. Se analizará dos proyectos de constitución política que Pardo redactó cuando se encontraba retirado de la política. El primer documento, fechado en 1854, es un proyecto que fue presentado a la convención nacional de 1855. En 1859 se publicó una segunda edición con comentarios de un joven José Antonio de Lavalle. El segundo, de 1859, fue publicado en el tercer número de “El espejo de mi tierra” y es una sátira de la sociedad peruana. Exploraremos las ideas de Felipe Pardo sobre la sociedad, el Estado, la ciudadanía y los poderes del Estado. Partimos de la hipótesis que Pardo tiene una visión jerárquica y exclusiva de la sociedad. Fue testigo de la rebelión de los hermanos Angulo, de la España liberal de Riego, el caudillismo y el periodo de anarquía militar en el Perú, mientras que veía como prosperaba el Chile de Diego Portales. Interpretar sus proyectos de constitución con un conocimiento profundo de su vida llevará a una mejor comprensión de sus ideas y de los argumentos que la sustentan. / Tesis

Made available in DSpace on 2016-04-25T20:21:46Z (GMT). No. of bitstreams: 1 CSO - Celso N Uemori.pdf: 1179107 bytes, checksum: b9317af0d0c0f96a884761c7c6aee7e1 (MD5) Previous issue date: 2006-11-09 / Conselho Nacional de Desenvolvimento Científico e Tecnológico / Manoel Bomfim (1868-1932) was for a long time a relegated author, as several interpreters have affirmed. Bomfim went out of the ostracism thanks to initiatives of intellectual entailed to the Estado Novo, (1937-1945), who saw in his thoughts inspiration for the search of the brasilidade roots and for the exhortation of nationalism. Later, intellectuals of left saw the originality and the courage of a First Republic thinker who opposed radically to the followers of the scientific racism, who analyzed the country's history revealing the Iberian colonialism role in the formation of the conservative mentality of the dominant class and, also, the economic and political foundations of the delay of the country, getting away, this way, of the vogue of the racial and climatic determinism. Nowadays, his work is object of the interest of academic researchers and press professionals. Bomfim's ideas are still important because his battle for the education and his effort to comprehend the reasons of Brazil's failure as a nation. This thesis analyses the following subjects: 1) How Bomfim retook ideas and elaborated concepts, in Europe, with conservative purposes, and re-worked them to criticize the dominant and, as well, to think the voluntary servitude of the dominated; 2) The importance of Darwin's ideas for the development of main concepts of Bomfim's thought, like the solidarity, the criticism to the racism and to occidental ethnocentrism and his anti belligerence position; 3) The ambiguity of Bomfim's speech on the nationality formation, stressing that the nation just as it is described in the book A América Latina (1905) is not the same nation that appears on the book O Brasil na América (1929); 4) the dichotomist relationship between State parasite and its "hostess", the nation.. As a conclusion, I highlight the originality of a thought that built itself inside the complex tangle between the author's personal options and the influence of the political and cultural context of his time / Manoel Bomfim (1868-1932) foi, por diversas vezes, um autor relegado, como afirmaram vários intérpretes. Saiu do ostracismo graças a iniciativas de intelectuais vinculados ao Estado Novo, que viram em seu pensamento inspiração para a busca das raízes da brasilidade e para a exortação do nacionalismo. Mais tarde, intelectuais de esquerda enxergaram a originalidade e a coragem de um pensador da Primeira República que se contrapôs radicalmente aos adeptos do racismo científico, que analisou a história do país revelando o papel do colonialismo ibérico na formação da mentalidade conservadora da classe dominante e revelou os fundamentos econômicos e políticos do atraso do país, afastando-se, assim, da voga do determinismo racial e climático. Hoje, sua obra volta a ser objeto de interesse de pesquisadores acadêmicos e de profissionais da imprensa. As idéias de Bomfim ainda interessam porque sua batalha pela educação e o seu esforço para compreender as raízes do fracasso do país como nação permanecem atuais. Este trabalho gira em torno desses eixos temáticos: 1) como Bomfim se apropriou de idéias e conceitos elaborados, na Europa, com finalidades conservadoras, e os retrabalhou para criticar os dominantes e, também, para pensar a servidão voluntária dos dominados; 2) a importância das idéias de Darwin para a elaboração de noções centrais do pensamento de Bomfim, como a solidariedade, a crítica ao racismo e ao etnocentrismo ocidental e sua posição antibelicista; 3) as ambigüidades do discurso de Bomfim sobre a formação da nacionalidade, frisando que a nação tal qual é descrita no livro A América Latina (1905) não é a mesma que aparece no livro O Brasil na América (1929); 4) a relação dicotômica entre o Estado parasita e sua hospedeira , a nação. À guisa de conclusão, destaco a originalidade de um pensamento que foi se construindo no interior do complexo entrelaçamento entre as opções pessoais do autor e a influência do contexto político e cultural de sua época

Made available in DSpace on 2016-04-26T14:56:12Z (GMT). No. of bitstreams: 1 CSO - Celso N Uemori.pdf: 1179107 bytes, checksum: b9317af0d0c0f96a884761c7c6aee7e1 (MD5) Previous issue date: 2006-11-09 / Conselho Nacional de Desenvolvimento Científico e Tecnológico / Manoel Bomfim (1868-1932) was for a long time a relegated author, as several interpreters have affirmed. Bomfim went out of the ostracism thanks to initiatives of intellectual entailed to the Estado Novo, (1937-1945), who saw in his thoughts inspiration for the search of the brasilidade roots and for the exhortation of nationalism. Later, intellectuals of left saw the originality and the courage of a First Republic thinker who opposed radically to the followers of the scientific racism, who analyzed the country's history revealing the Iberian colonialism role in the formation of the conservative mentality of the dominant class and, also, the economic and political foundations of the delay of the country, getting away, this way, of the vogue of the racial and climatic determinism. Nowadays, his work is object of the interest of academic researchers and press professionals. Bomfim's ideas are still important because his battle for the education and his effort to comprehend the reasons of Brazil's failure as a nation. This thesis analyses the following subjects: 1) How Bomfim retook ideas and elaborated concepts, in Europe, with conservative purposes, and re-worked them to criticize the dominant and, as well, to think the voluntary servitude of the dominated; 2) The importance of Darwin's ideas for the development of main concepts of Bomfim's thought, like the solidarity, the criticism to the racism and to occidental ethnocentrism and his anti belligerence position; 3) The ambiguity of Bomfim's speech on the nationality formation, stressing that the nation just as it is described in the book A América Latina (1905) is not the same nation that appears on the book O Brasil na América (1929); 4) the dichotomist relationship between State parasite and its "hostess", the nation.. As a conclusion, I highlight the originality of a thought that built itself inside the complex tangle between the author's personal options and the influence of the political and cultural context of his time / Manoel Bomfim (1868-1932) foi, por diversas vezes, um autor relegado, como afirmaram vários intérpretes. Saiu do ostracismo graças a iniciativas de intelectuais vinculados ao Estado Novo, que viram em seu pensamento inspiração para a busca das raízes da brasilidade e para a exortação do nacionalismo. Mais tarde, intelectuais de esquerda enxergaram a originalidade e a coragem de um pensador da Primeira República que se contrapôs radicalmente aos adeptos do racismo científico, que analisou a história do país revelando o papel do colonialismo ibérico na formação da mentalidade conservadora da classe dominante e revelou os fundamentos econômicos e políticos do atraso do país, afastando-se, assim, da voga do determinismo racial e climático. Hoje, sua obra volta a ser objeto de interesse de pesquisadores acadêmicos e de profissionais da imprensa. As idéias de Bomfim ainda interessam porque sua batalha pela educação e o seu esforço para compreender as raízes do fracasso do país como nação permanecem atuais. Este trabalho gira em torno desses eixos temáticos: 1) como Bomfim se apropriou de idéias e conceitos elaborados, na Europa, com finalidades conservadoras, e os retrabalhou para criticar os dominantes e, também, para pensar a servidão voluntária dos dominados; 2) a importância das idéias de Darwin para a elaboração de noções centrais do pensamento de Bomfim, como a solidariedade, a crítica ao racismo e ao etnocentrismo ocidental e sua posição antibelicista; 3) as ambigüidades do discurso de Bomfim sobre a formação da nacionalidade, frisando que a nação tal qual é descrita no livro A América Latina (1905) não é a mesma que aparece no livro O Brasil na América (1929); 4) a relação dicotômica entre o Estado parasita e sua hospedeira , a nação. À guisa de conclusão, destaco a originalidade de um pensamento que foi se construindo no interior do complexo entrelaçamento entre as opções pessoais do autor e a influência do contexto político e cultural de sua época

Este trabalho tem por objetivo analisar a construção da identidade nacional a partir da obra de Graça Aranha no período de 1921 a 1931. No ano de 1921, Aranha se estabeleceu no Brasil depois de realizar alguns trabalhos na Europa, participando dos debates no âmbito artístico e literário nacional. Nesse período publicou livros, conferências, ensaios e artigos defendendo sua visão do que constituiria a identidade nacional. Para delimitar essas características, o autor propõe inserir o Brasil na modernidade. Aranha elaborou uma definição para o significado de moderno, estudado nesta pesquisa em relação às ideias divulgadas a partir de 1870 e a delimitação entre o antigo e o moderno. A nacionalidade era buscada para definir a singularidade do Brasil e, a partir dessa, poder inserir-se em uma ordem universal. Assim, na década de 1920, formou-se um debate sobre o que significava ser moderno. Alguns pensadores propunham diferentes noções de modernidade, ocorrendo uma disputa também em torno desse termo. As fontes principais desta pesquisa são os textos escritos por Aranha, mais especificamente o conjunto de ensaios A Estética da Vida (1921), um estudo das correspondências entre Machado de Assis e Joaquim Nabuco (1923), o conjunto de conferências e ensaios Espírito Moderno (1924) e a autobiografia Meu próprio romance (1931). Entendendo que a identidade nacional não é uma essência, mas um discurso através do qual se representa essa nação, discurso que inclui, exclui e estabelece práticas sociais, será utilizado o conceito de representação1 como abordado por Chartier (1990) e Bourdieu (1989). As disputas que surgem em torno dessas delimitações serão trabalhadas a partir do viés das lutas de representações. / This work aims to analyze the construction of national identity in the work of Graça Aranha between the period of 1921 to 1931. In the year 1921 Aranha is established in Brazil after performing some work in Europe, participating in debates in the national, artistic and literary sphere. In this period he published books, lectures, essays and articles defending his vision of what constitutes the national identity. To define these characteristics he proposes to insert Brazil in modernity. Aranha elaborated a definition for the meaning of modern, studied in this research in relation to the ideas spread from 1870 and the delimitation between the old and the modern. The nationality was sought to define the uniqueness of Brazil and, from this singularity, it could be inserted into a universal order. Thus, it formed a debate about what it meant to be modern. Some thinkers proposed different notions of modernity, occurring a dispute also around this term. The main texts analyzed will be the entirety of essays A estética da vida (1921), a study of correspondences between Machado de Assis e Joaquim Nabuco (1923), the set of essays and lectures Espírito moderno (1924), and the autobiography Meu próprio romance (1931). Understanding that national identity is not an essence, but a discourse through which represents this nation, a discourse that includes, excludes and establishes social practices, we will use the concept of representation as defined by Chartier (1990) and Bourdieu (1989). Disputes that arise around these boundaries will be studied from the concept of struggle of representations.

When Schenkerian theory began to influence scholarly circles in the United States, the primary - although not the only - work to which scholars had access was Schenker's last monograph, Der freie Satz. Reading textual passages and examining the many musical graphs in the companion volume of examples influenced their concept of the fundamental structure as Schenker understood it, as well as the relationship of the other levels (Schichten) to the larger structure. The problem is that most of the second generation of Schenkerian scholars were reading the 1956 second German edition, not the 1935 first German edition. The second edition had been altered for textual and musical content by Schenker's student, Oswald Jonas - so there is already a disconnect between the original version and the text scholars were reading at that time (the 1950s, 60s, and 70s). Furthermore, many younger North Americans were insufficiently fluent in German to be able to read the work in the original language. In order to make Schenker's treatise accessible to English-speaking scholars, Ernst Oster set about translating the work into English, a task completed in 1979 just after his death. The text was based on the second German edition (ed. Jonas, Vienna, 1956), but the first edition (Vienna, 1935) was consulted also. Examples that were changed from the 1935 edition in the 1956 edition were not restored. The first problem for those interested in gaining a more accurate understanding of Schenker's theories is that the first German edition is still unavailable in complete translation. The second and more serious issue involves the genesis of the first German edition. All these problems concerning the publication of the various editions have led to an incomplete understanding of the work. Complicating matters is the relatively unexplored state of the late manuscript of Der freie Satz in the Vienna collection. This study investigates the differences between the late manuscript material preserved in Vienna and the 1935 German printed edition of Schenker's Der freie Satz. The author seeks to provide new insight into the ordering of the text, and reveals, translates, and elucidates some omitted text and analyses.

After rising to a position of political and economic importance among the Latin American republics of the nineteenth century, Chile lost that leadership in the early 1900’s, much to the consternation of her leading statesmen and intellectuals. The economic dislocation following World War I exacerbated the already serious social conditions, while at the same the traditionally passive lower classes started to demand a voice in the management of their own affairs. The existing governmental system had proved itself powerless to solve the pressing problems facing the country at every turn. Chile desperately needed new leadership; the time was perfect for the emergence of a modern-style caudillo. As early as 1918, Arturo Alessandri was prominently mentioned as a likely candidate for the Presidency. He had established his charismatic qualities and his political prowess in his 1915 campaign for the Senate seat for Tarapacá, and in the short span of four years he became the “popular” choice for the highest office. Alessandri won nomination as the candidate of the Liberal Alliance coalition in 1920, and he was elected President by such a slim margin that the contest had to be decided by a Tribunal of Honor. His triumph made him Chile’s first middle-class chief executive—a victory for the middle sectors that voted for him and the lower classes that threatened revolution if he were denied the office. The magnitude of his win must be qualified, however, for the oligarchy was aware that without control of Congress Alessandri would be unable to effect even moderate reforms. He had promised to right all the things were so wrong in Chile but such promises were not to be fulfilled.

Informe de Seminario para optar al grado de Licenciada en Ciencias Hist?ricas / Facultad de Filosof?a y Humanidades / Desde una perspectiva hist?rica, buscamos determinar las caracter?sticas particulares de la concepci?n de la muerte y de su ritualizaci?n, en el Jap?n moderno y contempor?neo. Entendidas como construcciones socioculturales, consideramos que su punto de proyecci?n es la comunidad, especialmente el grupo familiar (ie) cohesionado a trav?s de los lazos de reciprocidad y perpetuado en lo sagrado por medio de la veneraci?n a los ancestros. A pesar de sus transformaciones y manipulaciones, la familia japonesa a?n se entiende como una comunidad eterna, pues sus miembros se mantienen unidos a?n despu?s de su deceso, en una soluci?n de continuidad entre los vivos y los muertos. Postulamos, pues, que muerte no es entendida ni representada como un corte; sino como una transici?n entre vidas comunitarias, adem?s de una posibilidad de crecimiento para el alma y un acceso a lo sagrado igualitario para todos.

Considérant la plurivocité de la pièce Cyrano de Bergerac d'Edmond Rostand, cette recherche vise à découvrir comment les discours conflictuels qu'elle implique peuvent être soutenus sur scène à la fois par la voie du texte et par la voie du corps. Ce que dit le texte devrait pouvoir être complété par le langage du corps et vice-versa, de façon à révéler les conflits intérieurs des personnages de Rostand. Ce mémoire s'attarde d'abord à l'étude de l'œuvre d'Edmond Rostand, Cyrano de Bergerac. L'auteur est influencé par les divers courants de son époque: le drame romantique, la pièce historique, la «pièce bien faite». Il s'inspire également du classicisme, de même que de Cyrano, le personnage historique, poète et mousquetaire du XVIe siècle. Ainsi, ces matériaux hétéroclites utilisés par Rostand dans son processus de création font l'objet d'une réappropriation: il y a recyclage, selon l'appellation proposée par Guy Scarpetta. Nous nous penchons également dans cette recherche sur l'interdisciplinarité scénique, les diverses possibilités de dialectiques entre texte et mouvement, plus particulièrement le genre de la danse-théâtre, élaboré dans sa forme contemporaine par la chorégraphe Pina Bausch. Ce choix se base sur le contrepoint ainsi développé entre la densité du texte de Rostand, s'adressant à l'intellect, et l'abstraction d'un vocabulaire gestuel dansé, tout aussi élaboré, qui parle davantage aux sens. Ce sont certains procédés tirés du processus des artistes de la danse-théâtre - le dialogue corps-texte, la mise en scène de l'intériorité et la répétition - que nous avons utilisés dans la création accompagnant ce mémoire, Les Larmes et le sang. Ce travail de création a, en partie, porté sur l'étude des thèmes qui sont exploités dans la mise en scène: la théâtralité, le double, l'identité rêvée. Quelques procédés du recyclage ont, en outre, servi de base à l'élaboration de cette mise en scène. C'est d'ailleurs aussi le cas pour le texte de la création, un collage élaboré à partir du texte original d'Edmond Rostand. Dans le processus d'exploration, nous avons tenté de cerner les moyens de faire cohabiter sur scène le discours textuel et le discours du corps. En élaborant un vocabulaire gestuel indépendant de sa source littéraire, en différenciant chacun des discours, en mettant en évidence la trame narrative et en étudiant le rôle du souffle dans le travail des comédiens, nous avons cherché l'équilibre des moyens d'expression. ______________________________________________________________________________ MOTS-CLÉS DE L’AUTEUR : Danse-théâtre, expression corporelle, Cyrano de Bergerac, théâtre du XIXe siècle, dialectique texte-corps.