Le présent mémoire porte sur la critique littéraire telle que pensée et pratiquée par Charles-Augustin Sainte-Beuve ainsi que son disciple infidèle Marcel Proust, et ce dans une perspective poético-historique. Il tente de montrer que la critique proustienne n’est pas radicalement opposée à la critique beuvienne, qu’elle ne se positionne pas absolument « contre » elle comme l’ont compris plusieurs lecteurs de Contre Sainte-Beuve, mais qu’elle la prolonge en la corrigeant. Plus précisément, et pour mettre en évidence cette filiation, ce mémoire compare la forme de prédilection de la critique beuvienne, le portrait littéraire, à son pendant proustien, le pastiche.

The scope of this study is limited to Federal military occupation during the five years from 1865 to 1870. Only the interior counties, where a dense Negro population required the exercise of political and social responsibilities, will be considered in detail. A line from Wise through Bosque, Travis, Wilson, Karnes, and Goliad Counties to the coastal town of Corpus Christi would roughly separate interior from frontier posts.

A partir de um processo desenvolvido em relação ao estudo, à contemplação e aos trabalhos de pintura, desenho e modelagem com as imagens de Madonas, esta dissertação busca estudar a atuação do trabalho com estas imagens na alma do homem contemporâneo, seu valor terapêutico e sua relação com a saúde. O estudo é qualitativo e interdisciplinar com interfaces na filosofia, religião, arte, história da arte e psicanálise. As imagens das Madonas parecem recolocar e questionar o mistério do nascimento, o mistério da vida humana, o mistério da relação com o outro e o mistério do divino no homem. Esse trabalho de pesquisa foi realizado por meio do vértice fenomenológico, como proposto por Pavel Florensky. A pesquisadora investigou as imagens por meio dessa perspectiva e realizou sobre cada uma delas versões de sentidos. Em seguida, o trabalho prossegue por meio da investigação do uso das imagens em situação clínica / Based on a process of investigation, contemplation and studies of images of Madonnas namely by painting, drawing and sculpture the aim of this paper is to find out the effects of these works on the soul of the contemporary human being, its therapeutic value and its health improving relationship. This study is of qualitative and interdisciplinary nature with interphases in philosophy, religion, art, history of art and psychoanalysis. The images of the Madonnas put a new aspect to the questioning of the mystery of birth, human life, of communication with each other and the mystery of the divine within man. This research work was carried out by using the phenomenological process as proposed by Pavel Florensky. A research worker investigated the images using this means and worked out possibilities of interpretation on each of them. Further the work is followed up by investigation of the use of images in therapy

No description available.

Orientadora: Oksana Boruszenko / Dissertação (mestrado) - Universidade Federal do Parana. Setor de Ciencias Humanas, Letras e Artes

Tese (doutorado)—Universidade de Brasília, Instituto de Artes, Departamento de Artes Visuais, Programa de Pós-Graduação em Artes, 2013. / Submitted by Alaíde Gonçalves dos Santos (alaide@unb.br) on 2014-01-30T09:42:26Z No. of bitstreams: 1 2013_VeraMarisaPugliesedeCastro.pdf: 29066073 bytes, checksum: 8eff92aa278479b1c2eff9941aa2de56 (MD5) / Approved for entry into archive by Guimaraes Jacqueline(jacqueline.guimaraes@bce.unb.br) on 2014-01-31T13:18:35Z (GMT) No. of bitstreams: 1 2013_VeraMarisaPugliesedeCastro.pdf: 29066073 bytes, checksum: 8eff92aa278479b1c2eff9941aa2de56 (MD5) / Made available in DSpace on 2014-01-31T13:18:35Z (GMT). No. of bitstreams: 1 2013_VeraMarisaPugliesedeCastro.pdf: 29066073 bytes, checksum: 8eff92aa278479b1c2eff9941aa2de56 (MD5) / A presente investigação se debruça sobre a associação entre os Sudários de Bené Fonteles, que formam a série Sudários / Auto-Retratos, o painel cerâmico Le Chemin de la Croix, de Henri Matisse e a exposição The Stations of the Cross. Lema Sabachtani, realizada em 1966, por Barnett Newman, assim como sobre a natureza desta associação e como ela pode ser abordada pela História da Arte, teórica e metodologicamente. Esta pesquisa trata, portanto, da espessura do olhar entre aquele que vê a obra de arte e a própria obra porque trata dos espaço-tempi em que sua percepção se abre a uma rede de relações. Diante de uma obra nos desfiguramos e reconfiguramos enquanto sua imagem se modifica. Mas quando a obra concerne a uma transformação exemplar, esses conteúdos de desdobram e se redobram em inúmeras questões, como é o caso do tema da transformação mais recorrente em nossa cultura cristã e ocidental, no grande drama expresso pela Paixão. O interesse por essas obras, portanto, foi imposta pela expressa categoria de identificação autoimpingida do artista com o tema, com o pathos do processo de criação e com a temporalidade complexa que a constelação dessas obras acaba por sedimentar. Assim, a investigação levou à reflexão sobre o impacto do jogo entre o pathos e o anacronismo sobre o discurso na História da Arte como montagem de tempos heterogêneos, baseada em pressupostos oferecidos por Aby Warburg, Walter Benjamin e Georges Didi-Huberman. _______________________________________________________________________________________ ABSTRACT / The subject of this PhD research project is the association of Henri Matisse's Chemin de la Croix, Barnett Newman's Stations of the Cross. Lema Sabachtani Exhibition and Bené Fonteles' Sudários, as well as what the order of this association and how it can be brought up by Art History, theoretically and methodologically. Therefore, this research is about of the thickness of the outlook between the one who sees the artwork and the artwork itself, because it talks about the space-times in that perception that opens itself into a web of relations. In front of an artwork we desfigure and reconfigure ourselves as the image modifies. But when the artwork approaches to a model transformation, these contents unfold and refold themselves in numerous questions. That is the case of the more recurrent transformations in our Western Christian culture, in the great drama expressed by the Passion. The interest by these artworks, therefore, was imposed by the artist’s self-inflicted identification category with the subject, with the pathos of the creation process and with the complexity of the temporality that the constellation of these works deposits. Thus, the inquiry induced to the speculation about the impact of the relation between the pathos and the anachronism about the discourse in the Art History as montage of heterogeneous times, based in presuppositions offered by Aby Warburg, Walter Benjamin and Georges Didi-Huberman.

A partir de um processo desenvolvido em relação ao estudo, à contemplação e aos trabalhos de pintura, desenho e modelagem com as imagens de Madonas, esta dissertação busca estudar a atuação do trabalho com estas imagens na alma do homem contemporâneo, seu valor terapêutico e sua relação com a saúde. O estudo é qualitativo e interdisciplinar com interfaces na filosofia, religião, arte, história da arte e psicanálise. As imagens das Madonas parecem recolocar e questionar o mistério do nascimento, o mistério da vida humana, o mistério da relação com o outro e o mistério do divino no homem. Esse trabalho de pesquisa foi realizado por meio do vértice fenomenológico, como proposto por Pavel Florensky. A pesquisadora investigou as imagens por meio dessa perspectiva e realizou sobre cada uma delas versões de sentidos. Em seguida, o trabalho prossegue por meio da investigação do uso das imagens em situação clínica / Based on a process of investigation, contemplation and studies of images of Madonnas namely by painting, drawing and sculpture the aim of this paper is to find out the effects of these works on the soul of the contemporary human being, its therapeutic value and its health improving relationship. This study is of qualitative and interdisciplinary nature with interphases in philosophy, religion, art, history of art and psychoanalysis. The images of the Madonnas put a new aspect to the questioning of the mystery of birth, human life, of communication with each other and the mystery of the divine within man. This research work was carried out by using the phenomenological process as proposed by Pavel Florensky. A research worker investigated the images using this means and worked out possibilities of interpretation on each of them. Further the work is followed up by investigation of the use of images in therapy

Orientador: Robert Schwarz / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-07-19T18:54:51Z (GMT). No. of bitstreams: 1 Berriel_CarlosEduardoOrnelas_D.pdf: 6970174 bytes, checksum: a9cffe80eb87733d82e53024aace37e6 (MD5) Previous issue date: 1994 / Resumo: Esta tese busca interpretar a obra de Paulo Prado e situá-la dentro de suas circunstâncias históricas e literárias - sociedade do café, Semana de Arte Moderna. Paulo Prado foi, pelo depoimento dos modernistas, o grande organizador da Semana de 22. Mas foi também aquele que convertia as idéias estéticas deste movimento em discussões sobre a realidade nacional: juntava, assim, estética e cultura à política. Através de sua obra - Paulística e Retrato do Brasil - o Modernismo constituiu um importante vínculo com o pensamento da Geração de 70 da literatura portuguesa, principalmente com Eça de Queirós, Oliveira Martins e Antero de Quental. Sua obra também expressou um desejo de autonomia nacional, de emancipação cultural que significou, também, a aspiração à uma hegemonia da oligarquia do café sobre o destino da sociedade brasileira. É possível ver também nesta obra tópicos que serão reelaborados pelo ensaísmo de 30. / Abstract: Not informed. / Doutorado / Historia e Historiografia Literaria / Doutor em Teoria e História Literária

This dissertation attempts to demonstrate how Nathaniel Hawthorne's lifelong friendship with Franklin Pierce influenced the author's literary imagination, often prompting him to transform Pierce from his historical personage into a romanticized figure of notably Jacksonian qualities. It is also an assessment of how Hawthorne's friendship with Pierce profoundly influenced a wide range of his work, from his first novel, Fanshawe (1828), to the Life of Franklin Pierce (1852) and such later works as the unfinished Septimius romances and the dedicatory materials in Our Old Home (1863). This dissertation shows how Pierce became for Hawthorne a literary device—an icon of Jacksonian virtue, a token of the Democratic party, and an emblem of steadfastness, military heroism, and integrity, all three of which were often at odds with Pierce's historical character. Chapter 1 provides an overview of the Hawthorne-Pierce friendship. The chapter also assesses biographical reconstructions of Pierce's character and life. Chapter 2 addresses Hawthorne's years at Bowdoin College, his introduction to Pierce, and his early socialization. Chapter 3 demonstrates how Hawthorne transformed his Bowdoin experience into formulaic Gothic narrative in his first novel, Fanshawe. Chapter 4 discusses the influence of the Hawthorne-Pierce friendship on the Life of Franklin Pierce, Hawthorne's campaign biography of his friend. The friendship, the chapter concludes, was not only a context, or backdrop to the work, but it was also a factor that affected the text significantly. Chapter 5 treats the influence of Hawthorne's camaraderie with Pierce on the author's later works, the Septimius romances and the dedicatory materials in Our Old Home. Chapter 6 illustrates how Hawthorne's continuing friendship with the controversial Pierce distanced him from many of the prominent and influential thinkers and writers of the day, including Ralph Waldo Emerson and Elizabeth Palmer Peabody. Chapter 7 offers a final summation of the influence of Pierce on Hawthorne's art and Hawthorne's often tenuous role as political artist. Finally, the chapter shows how an understanding of Hawthorne's relationship with Pierce enhances our perceptions of Hawthorne as writer.

This study will focus on the development of Andrew Jackson's attitude toward the American Indian and the effect of these attitudes on the shaping of official United states policy toward the Indians. Jackson was born and raised on the frontier. There his prejudices were acquired and his personality was formed. Chapter I deals with Jackson's early life as a young frontiersman, politician and Indian-fighter. His championing of the rights of the westerner, his attitudes toward the Indian and his love for the martial spirit led him into the Tennessee militia and the United States Army during the Indian wars. The military period of Jackson's life also is covered in Chapter I. Chapter II discusses the problems arising from the contact between the American colonist and the Indian as the white frontier pressed against and into Indian land. Jackson agreed with the general political justification for expansion: that the frontier must be advanced to provide security for settlements and farms. The average frontiersman would add that expansion also brought land into the hands of those who were meant to use it. Though acquisition of additional land was usually a result rather than a cause of war, few would deny that getting it by conquest was more desirable than buying it. With the cry for removal reaching a crescendo, the advocates found their champion in Andrew Jackson. He would implement the final solution to the Indian problem. Chapter III deals with the Indian removal policy and with Jackson's administration of removals, the dominant Indian feature of his presidency. The policy is described in detail, and the various attempts to justify it are considered. An important part of the removal story involves the relationship between the federal government and the states, the subject of Chapter IV. Jackson believed in the basic rights of states and had no desire to increase the power of the national government at their expense. In the controversy over Indian lands, he felt that the states had jurisdiction. This attitude the stage for this refusal to come to the aid of the Indians, in spite of treaty obligations to them. Chapter IV also covers the reaction to the removal policy by the public and by the Indians. Jackson's tendency to contradict himself is much in evidence in his Indian attitudes and policies. Chapter V attempts to show that he was a pragmatist. He was willing to do whatever was necessary to accomplish his ends, even if it meant completely reversing a principle that he had previously taken great pains to defend. In Chapter VI, conclusions are drawn on the effects of Jackson's Indian attitudes on the people of his own day and on generations that followed. Finally, an attempt is made to explain why Jackson felt and acted as he did in his relationships with the Indians. This section also deals with the charge that he was a racist and that he held the Indian in contempt as an inferior human being. Since the study is concerned primarily with Jackson's attitudes, the principal sources consulted were his letters and speeches. Published collections of Jackson's works proved especially valuable. Particularly helpful were Correspondence of Andrew Jackson, volumes I, II, and III, edited by John S. Bassett and J. F. Jameson and A Compilation of the Messages and Papers of the Presidents, volumes II and III, edited by James D. Richardson. To record the response to Jackson's Indian policies, contemporary newspapers were consulted, especially the New York Evening Post. Secondary sources were examined for detail and description rather than for analysis.