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Made available in DSpace on 2016-04-28T14:16:47Z (GMT). No. of bitstreams: 1 Anaides Maria da Silva.pdf: 670855 bytes, checksum: 5bb839a8558c5559e9822e42a422663b (MD5) Previous issue date: 2010-06-10 / Secretaria da Educação do Estado de São Paulo / This dissertation aims to discuss how the Brazilian poet Augusto dos Anjos (1884-1914) employs the scientific terminology in his poems. This dissertation is compounded by three chapters. Chapter 1 deals with Augusto dos Anjos s context. Chapter 2 presents an analysis of ten poems written by Augusto dos Anjos mainly focusing on the biological terminology. Chapter 3 presents some final remarks on the subject. The present analysis showed that it was possible to find scientific terminology related to Chemistry, Physics, Biology in Augusto dos Anjos poetry, Besides that, it reflects the science of his time as well as his own experience of life / O objetivo desta dissertação é discutir como o poeta brasileiro Augusto dos Anjos (1884-1914) utiliza a terminologia científica em seus poemas. Esta dissertação está composta por três capítulos. O Capítulo 1 lida com o contexto de Augusto dos Anjos. O Capítulo 2 apresenta uma análise de dez poemas escritos por Augusto dos Anjos focalizando principalmente a terminologia científica voltada para a biologia. O Capítulo 3 apresenta algumas considerações finais sobre o assunto. A presente análise mostrou que é possível encontrar terminologia científica relacionada à Química, Física e Biologia nos poemas de Augusto dos Anjos. Além disso, que sua poesia reflete a ciência de seu tempo bem como sua experiência de vida

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Includes bibliographical references. The origins of the Torrens System of land registration are not clear. Examines the claim of Dr. Ulrich Hübbe who asserted that he collaborated with Torrens to bring about the adoption of the land law of his hometown Hamburg in the form of the Real Property Act 1858 (SA). An historical examination (collecting and analysing all relevant historical sources), shows that it is likely that Hübbe was the actual draftsman, while a comparative legal analysis (contrasting Hamburg's land law at the beginning of the 19th century with the first bill of the Act) demonstrates that there is a strong similarity between Hamburg's land registration system and the original Torrens System; and, that the outstanding differences between the systems can be explained by the natural adaptation processes which are implied by the adoption of laws.

This thesis examines the photographs of terminal grain elevators produced by John Vanderpant, a successful Vancouver commercial photographer who also produced images that were consciously positioned within a high art discourse. Vanderpant turned to the grain elevator as subject matter in response to the remarks of an unidentified English critic who, while praising the images in a 1925 London exhibition of Vanderpant's work, noted they lacked an identifiably Canadian character. In taking up the grain elevator, Vanderpant positioned his work within the national visual culture constructed around the work of the Group of Seven. He also tapped into symbolic meanings which resonated around the elevator's modern functional architecture, an architecture which has been held up by Le Corbusier as a specifically North American expression of the engineer's rigor and purpose. In the midst of the prosperity enjoyed by Vancouver's urban bourgeoisie during the mid-1920s, the terminal elevators operating on Burrard Inlet embodied the promise of abundance held out by an increasingly centralized and modernized resource economy. Vanderpant's earliest elevator photographs employed the stylistics of Pictorialism, a genre of photography that relied on soft focus and hazy atmospheric effect to suggest a painterly surface. In response to the tension between his formal vocabulary and the modernity of his subject matter, Vanderpant rejected Pictorialism as a mode of representation that "travelled by horsecart midst the progress of motor power on wheel and wing." Throughout the 1930s he worked within a modernist idiom that emphasized what were seen to be the intrinsic properties of photographic technology: sharp focus, clearly delineated form, and tilted perspective. His modernist elevator photographs verged on geometric abstraction, in an attempt to penetrate "superficial appearance" and reveal the underlying "strength and sublime simplicity" of the elevator's structure. Combining an interest in mysticism and a Kantian understanding of aesthetic experience, Vanderpant accessed a version of modernism that held onto an optimistic, Utopian vision in the face of the social fragmentation of the Depression. My thesis addresses the position of Vanderpant's elevator photographs, and the shift in his aesthetic vocabulary marked out by these works, in relation to the construction of a national movement in Canadian visual art and an historical context in which the state and capital were employing specific measures to unify and transform a fractured social body. I argue that, within this context, Vanderpant's project was fragile and contradictory. Despite the antimaterialism he articulated as the Depression advanced, the ideological force of Vanderpant's Utopian vision would seem to have been aligned with the forms of modern scientific discipline, such as Taylorism, that promised Utopia through success in production while naturalizing dominative social relations.

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On April 11, 1951, President Harry S. Truman dismissed General Douglas MacArthur as Commander of United Nations forces in Korea. Since the dismissal, contemporaries of the Truman-MacArthur era and historians have tried to make sense of Truman's momentous decision to relieve one of America's greatest military heroes. While a great number of studies have devoted attention to the controversy, few if any have placed the Truman-MacArthur conflict within the context of the unprecedented militarization of American foreign policy that took place during the early cold war. This study departs from the traditional "blame-casting" that has dominated Truman-MacArthur scholarship in the past and concludes that General MacArthur was a casualty who was dismissed because he failed to grasp the global nature of the post-World War II American foreign policy agenda.Chapter One analyzes the literature dealing with the Truman-Macarthur controversy and illustrates why historical scholarship has failed to grasp the larger forces at work in American foreign policy while MacArthur was UN Commander in Korea. Chapter Two traces the tumultuous events of the controversy from the outbreak of war in Korea to MacArthur's April 11 dismissal. Finally, Chapter Three analyzes the Senate hearings that followed MacArthur's dismissal, illustrates the importance of the Joint Chiefs of Staff's testimony, and explores the broader, global issues the Truman Administration faced in transforming its foreign policy while General MacArthur failed to grasp the nature of this transformation. / Department of History

In the early days of the twentieth century when vaudeville was the most popular theatrical entertainment in America, there were a number of female singers who became its star performers. In the process of conducting preliminary research for a dissertation topic on female singers of this era, it quickly became evident that while much has been written about opera singers of that era, only limited material was available on female vaudeville singers. Furthermore, the small amount of information which was available was so randomly scattered among various sources that it was difficult to perceive a composite picture of these performers.The purpose of this investigation into the musical styles and repertoire of three great female singer-comediennes of early vaudeville--Eva Tanguay, Nora Bayes and Sophie Tucker--is to determine what the reasons were for their tremendous popularity. Because vaudeville was the prime source of entertainment before the days of mass media, the American public was quick to make stars of many of its performers. This study seeks to ascertain what it was about thesewomen's particular musical styles, repertoire and personalities which made them so interesting and caused the public to make them vaudeville stars. Though there are certainly other female singers of this period which are also of interest:, these three were chosen because they were unique.This study is presented as a series of articles with separate chapters devoted to Eva Tanguay, Nora Bayes and Sophie Tucker as individuals. These chapters include biographical material, especially from books about vaudeville performers, and also explore critical reviews and other reports on their work from such sources as "Variety," "Theatre Magazine," and various newspaper accounts. Analysis of these sources on each individual within the chapters is included as well. The final chapter contains a summary of the research and a discussion of what conclusions were reached about the musical styles and repertoire of Eva Tanguay, Nora Bayes and Sophie Tucker as a result of this investigation.In addition to discovering the reasons for these performers' popularity and appeal, it is hoped that a viable by-product of this research has been to arouse renewed public interest in these three fascinating ladies of early vaudeville.

The dismissal of General Douglas MacArthur on April 11, 1951, from all of his commands by President Truman furnished the impetus for this survey of editorial opinion and reaction. The newspaper editorial opinion represents five major daily newspapers with broad geographic coverage of the State of Indiana, plus a wide range of political reaction to the topic. The editorial opinion is also representative ofea diverse socio-economic base.Of the five newspapers, the Evansville Courier was one of two that retained a consistently rational outlook toward the American scene during the Truman-MacArthur conflict. It took the position early that the Korean War should not be expanded, that the chance of an expanding war with China was to be avoided. The Courier expressed its dissatisfaction with the Truman foreign policy record, including the loss of China. It supported executive privilege and roundly attacked MacArthur.The Fort Wayne News Sentinel was very conservative, expertly vindictive, and at times somewhat irrational in its editorial opinion. At other times, its tenor was completely opposite. After fighting had been stabilized at the 38th parallel, it advised moving no further north,thus supporting limitation of the war. The News Sentinel supported MacArthur to the hilt and generally, deplored American negotiations and her "cringing" under Russian communism.The Gary Post Tribune's record in regard to the Truman Administration was that it had failed in its Far Eastern foreign policy and that the policy was unclear. It called MacArthur's dismissal unfortunate, but added that the move was supported in the interest of preserving civilian supremacy and the western alliances. Early in the Senate hearings, it applauded the conduct of those proceedings but as they ground on, pleaded for their end. Imploring its readers to rational thinking, the Post Tribune insisted "Cold Reason Must Rule" and deplored the fact that it felt that negotiation was becoming synonymous with appeasement.The Indianapolis Star's production of editorial opinion was prolific, in comparison to the other newspapers. The Star maintained a consistent conservative Republican approach to all issues. The Truman Administration was condemned for loss of the World War II "Pacific victory," for appeasement and defeatism, and for the formulation and execution of its Far Eastern foreign policy. Russia was seen as the real enemy of America, and early in the Korean War, military limitations were supported but later those same limitations were attacked vigorously. The concept of limiting the war was said to encourage further aggression. The Star advocated the protection of executive privilege, and as the Senate hearings progressed, informed its readers that no new information could be gained from the testimony.Of the five newspapers, the Palladium Item was the most reactionary and irrational. Although, at times, emotionalism and an occasional case of irrationality overcame the News Sentinel and Star, the Palladium Item made a steady diet of those "entrees." In describing the toll of American lives in the Korean War, the paper revealed its nature in the editorial, the "Truman Meat Grinder." Allies were seen as worthless and Truman as a "puppet" of England. The paper insisted that Truman's "hatchet-men" were trying to smear the General's character, because he was a "champion" against "traitorous" elements in America.The editorial reaction of the five papers was conservative and condemned the Truman Administration foreign policy, especially in the Far East. The Evansville Courier and the Gary Post Tribune presented well thought-out opinions based on a rational approach to the frustrations of Americans in the Korean War and adherence to the concept of limited war. The Republican newspapers, the Indianapolis Star, the Fort Wayne News Sentinel, and the Richmond Palladium Item, adhered to the Republican condemnation of the Truman Administration.

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