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Mikhail Bakhtin e Iuri Lotman: dos pensadores de la posmodernidadAndrade Ecchio, Claudia January 2006 (has links)
Dentro del contexto de los estudios literarios actuales, las figuras más reconocidas de la eslavística rusa son Mikhail Mijáilovich Bakhtin (1895–1975) e Iuri Mijáilovich Lotman (1922–1993). Por una parte, ambos han sido gestores de críticas profundas a los llamados “grandes metarrelatos modernos”, entre ellos el formalismo ruso, el marxismo, la lingüística tradicional, etc.; y, por otra, han elaborado nuevas concepciones teóricas que han sido capaces de transformar, de manera radical y definitiva, la forma de ver y estudiar tanto la literatura como el arte. En este estudio, por tanto, se redescubre a un brillante pensador como Bakhtin y se conoce a un relevante semiótico como Lotman, teórico prácticamente desconocido en los círculos académicos chilenos. La idea fundamental de esta tesis es dar cuenta del desarrollo histórico y del cambio epistemológico producido en la época posmoderna, desde el punto de vista de las contribuciones realizadas tanto por Bakhtin como por Lotman a los estudios literarios. De esta manera, se muestra, a través de un estudio descriptivo–comparativo, que dicha importancia radica en que ambos pensadores permiten la constitución de una línea de pensamiento que devela, en primer término, las transformaciones producidas en la época posmoderna y, en segundo término, los cambios acontecidos en la teoría literaria durante el siglo XX.
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La batahola arrabalera de Carlos Sepúlveda Leyton: análisis del proyecto estético-político de la novela Hijuna...Vega Ortega, José January 2016 (has links)
Informe de Seminario para optar al grado de Licenciado en Lengua y Literatura Hispánica mención Literatura
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The Solo Tenor Trombone Works of Gordon Jacob: A Lecture Recital, Together with Three Recitals of Selected Works by L. Bassett, W. Hartley, B. Blacher, E. Bloch, D. White, F. David, G. Wagenseil, J. Casterede, L. Larson, and OthersTucker, Wallace E. (Wallace Edward) 05 1900 (has links)
The three recitals consisted of performances of original eighteenth, nineteenth and twentieth century solo works for trombone with the exception of Lyric Suite for Euphonium and Piano by Donald White, Divertimento for Trumpet, Trombone and Piano by Boris Blacher, and Dialogue and Dance for Trombone and Tuba by Newel Kay Brown. The premiere performance of Straight As An Arrow for B-flat-F Trombone and Prepared Tape by Ronn Cox and Dean Crocker was also included. After presenting a brief biography and discussing Gordon Jacob's (1895-1984) stylistic influences, the lecture continues with a Tonal, Motivic and Formal analysis of his three works for solo tenor trombone: Concerto for Trombone and Orchestra, Concertino for Trombone and Wind Orchestra, and the Trombone Sonata. Tonality, modality, polymodality and free association of pitches are elements that are present at one time or another in these compositions. Jacob's inclination for using the folk song style is evident in his writing, especially in the slow movements. Introductions, transition areas, and secondary themes, with tonally ambiguous harmonies and instrumental concepts of melodies, create a tension that is released by the return to tonality in the areas that follow. Treatment of rhythmic and melodic motives helps produce the special quality found in Gordon Jacob's compositions. Over half the themes in the works being investigated are built around motivic development. Neoclassicism results from the use of forms rooted in earlier centuries, but the choice of key centers gives these forms a new life. Jacob's composition of absolute music, as well as his use of the older compositional techniques of parallel harmonies and slow introductions, reflect neoclassical practices. The performance of Jacob's pieces is facilitated by his use of musical materials idiomatic to the instrument.
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A Comparison of the Hindemith and Schenker Concepts of TonalityKnod, Grace E., (Grace Edith) 01 1900 (has links)
The purpose of this thesis is to illustrate and compare, through a representative historical sampling of music, the concepts of tonality evolved by Paul Hindemith in his Craft of Musical Composition, Vol. I; and Heinrich Schenker in his Tonwille, MusijNkeael ische Theorien Fantasien, Das jeisterwerk in der Musik, and Per Freie Satz.5 When feasible, these two concepts will be compared with the conventional concept.
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A Study of the Fugal Writing of Paul HindemithCody, Robert O. (Robert Oswald), 1928- 08 1900 (has links)
Paul Hindemith's compositions are, for the most part, contrapuntal; and since the construction of such a traditionally contrapuntal medium as the fugue was brought to such a high degree of musical expression in the fugal writing of J. S. Bach, it is the purpose of this thesis to compare Hindemith's fugal style with the standard set by J. S. Bach.
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A Critical Analysis of the Works of Leo SowerbyParks, O. G. 08 1900 (has links)
Leo Sowerby is an American composer who has, in the writer's opinion, made a fine contribution to the field of modern music. This fact will be substantiated in the following study, the purpose of which will be to examine and to analyze to some extent the works of this eminent Chicago composer, teacher, organist, and choir-master. This study will-be of particular interest to students of the organ, for it concerns itself chiefly with the organ works of Sowerby, and to students of composition and modern harmonic trends, for the study high lights the composer's characteristic procedures in these two directions.
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A Study of Dissonance and Harmonic Tradition in the Fugues of the Ludus Tonalis by Paul HindemithHarvey, Otis Poe 08 1900 (has links)
This study considers only one aspect of music of the twentieth century--that of dissonance. Through an analysis of harmonic tension in the twelve fugues of the "Ludus Tonalis" by Paul Hindemith, a two-fold significance is notable. First, consideration of the broad tendencies of modernism is necessary. second, with Hindemith as a chosen representative of certain aspects of the twentieth century style, the study attempts to show more specifically certain characteristics of the composer himself in the use and treatment of dissonance, one of the more technical features of style in modern music.
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Narrativas tecidas no letramento familiar heranças de idosos produtores de textos /Goulart, Gilmara Mendes, 1980-, Heinig, Otilia Lizete de Oliveira Martins, 1962-, Universidade Regional de Blumenau. Programa de Pós-Graduação em Educação. January 2014 (has links) (PDF)
Orientador: Otilia Lizete de Oliveira Martins Heinig. / Dissertação (Mestrado em Educação) - Programa de Pós-Graduação em Educação, Centro de Ciências da Educação, Universidade Regional de Blumenau, Blumenau.
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!Qué tal raza! : análisis lexicográfico de negro, indio y cholo en Juan de AronaAnaya Ramírez, Verónica Fabiola 29 March 2012 (has links)
El Diccionario de Peruanismos publicado en 1884 por Pedro Paz Soldán y Unanue,
cuyo seudónimo es Juan de Arona, es una obra clásica para la literatura, en especial para
la lexicografía peruana pues es el primer documento de este tipo que reúne vocablos
típicos del Perú y de América, consignando sus significados, así como aquellos
derivados del quechua o los que fueron inventados por los criollos, entre otros.
Este documento surge en medio de un movimiento cultural e intelectual muy grande
como producto no solo del largo interés de su autor por temas filológicos y
lexicográficos, sino de la toma de conciencia de su pertenencia a una tradición
lexicográfica “que se inicia en Hispanoamérica en la segunda mitad del siglo XIX y que
dará pie al desarrollo posterior de la lexicografía” (Huisa, 2003:88). Esto porque
además del suyo, en Latinoamérica están los diccionarios publicados por Rufino José
Cuervo, Apuntaciones críticas sobre el lenguaje bogotano –1876 - (Acosta, 2004:4), y
Zorobabel Rodríguez, Diccionario de chilenismos -1875- (Haensch, 1994:47), que
generaron un intenso debate en torno a los conceptos de “provincialismo”,
“americanismos” y los demás –ismos, como chilenismo, peruanismo, cubanismo,
etcétera.
Este debate se enmarca dentro de un periodo posterior a las guerras de independencia,
en el que primaba la preocupación por el estado del idioma español, en especial, el
español americano, en cuanto al mantenimiento de su pureza o simplemente por su
capacidad de responder a necesidades comunicativas específicas de sus usuarios. / Tesis
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Indian fighter and Indian friend : General George Crook 1853- 1890Owen, Dean M January 2011 (has links)
Digitized by Kansas Correctional Industries
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