Sweet clover plants become more susceptible to low temperatures as they advance in age. They are most resistant when in the crook stage. Plants resulting from unhulled seed are more vigorous and resistant to low temperatures than are plants resulting from scarified seed. Plants from unhulled seed produce larger bay yields and more profits than do similar plants resulting from scarified seed. Soils containing a medium percentage of moisture afford more optimum conditions for plant growth than do soils of extremely low or high moisture content. There is an indication, but not conclusive, that the physiological activity of seedlings from scarified seed is slightly more rapid than is the ease of imhulled seedlings. Alternate freezing and thawing of impermeable sweet clover seed, or treating with concentrated sulphuric acid, does not increase, to any significant degree, the percentage of germination. It seems that the subjection of seed to a moist condition is just as effective as any attempt to increase germination by artificial means. / M.S.

The object of this investigation is to make a comprehensive study and obtain reliable information on the possibilities and limitations of an isolated electric light plant; operating cost will be determined with practical equipment to be used in connection with same, under actual farm conditions. The study was made on "Sandy Mound Farm" owned and operated by Mr. W. E. Hubbard. The farm is located two and one-half miles from Blacksburg, Virginia, near Shadow Lake. It consists of about 180 acres of crop land and 60 acres or woods. Mr. Hubbard operates a 20-cow dairy and sells cream to the southern Dairies at Christiansburg, Virginia. A complete farm management study was made of this farm as a Minor Problem. The subject of this study is the new Four Cylinder Delco Light plant, Model No. 178, generating unit,end 160 amphers an hour battery. / M.S.

M.S.

1. Hypoderma lineatum and Hypoderma bovis are prevalent in Burkes Garden and Southwestern Virginia generally. 2. Young cattle, calves and yearlings particularly, are generally more heavily infested than older cattle. 3. Adults appear in Burkes Garden the first warm days in April though they are at their worst in June and July, a normal season. 4. Larvae ordinarily make their first appearance in the subcutaneous tissues of the back about the first of December. The first ones emerge and pupate about the middle of January. 5. At the time control was started H. lineatum exceeded H. bovis in the ratio of 65 to 35 percent. The ratio now is 55 to 45 percent. 6. Salt, wet or dry, is an ineffective dressing for killing Hypoderma larvae in the subcutaneous tissues of the host. 7. Benzol, 90 or 100 percent, injected into larval cysts effects a high percentage of kill. 8. Hand extraction at intervals of 30 days repeated five times is a practical and effective means of control. 9. Hand extraction performed by the average farm worker caused an occasional case of anaphylaxis, .037 percent 10. Cooperative control measures, to be effective, should be supervised closely. 11. Extraction of Hypoderma larvae from the subcutaneous tissues of the host effects gains in weight and milk flow advantageously. 12. Control measures as practiced in Burkes Garden has reduced Hypoderma infestation by approximately 50 percent. / M.S.

Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

M.S.

手稿本. / 論文 (碩士)--香港中文大學. / 參考文献 : p.1-12 (3d group) / Bibliography : p.1-12 (3d group) / 引言　　鴉片戰爭後中國思想界之變化 / Chapter 第一章 --- 康有為之思想學說 / Chapter 第一節 --- 康氏早年學養 / Chapter 第二節 --- 康氏思想之哲學基礎 / Chapter （一） --- 自然觀 / Chapter （二） --- 博愛主義 / Chapter （三） --- 人性論 / Chapter （四） --- 歷史觀 / Chapter 第三節 --- 新學偽經考與舊權威之否定 / Chapter 第四節 --- 孔子改制說與政治改革 / Chapter 第五節 --- 大同書與社會思想 / Chapter 第二章 --- 梁啟超承受師說之時代 / Chapter 第一節 --- 梁啟超從師康門 / Chapter 第二節 --- 萬木草堂時代 / Chapter 第三章 --- 闡揚師說與開始建立其獨立地位 / Chapter 第一節 --- 時務報時代´ؤ´ؤ變科舉　開學校　興民智 / Chapter 第二節 --- 初言保教與初唱民權 / Chapter 第四章 --- 梁啟超新鋩之初見 / Chapter 第一節 --- 時務學堂時代 / Chapter 第二節 --- 清議報時代（前期）´ؤ´ؤ保皇立憲與明倡民權 / Chapter 第五章 --- 梁啟超背棄師說與思想激盪時期（清議報後期與新民業報初期） / Chapter 第一節 --- 梁氏早年之友朋及其影響 / Chapter 第二節 --- 留居日本時期新學之影響 / Chapter 第三節 --- 倡言破壞主義與民族國家思想 / Chapter 第四節 --- 反對保教與大同 / Chapter 第五節 --- 放棄革命與共和 / Chapter 第六章 --- 民國開國前梁啟超思想學說之化成 / Chapter 第一節 --- 新民說與國民教育 / Chapter 第二節 --- 國體與政體之主張 / Chapter 第七章 --- 民國開國前康梁師弟思想學說之比較´ؤ君主立憲與保國粹 / 結語

Este trabajo analiza la construcción de la identidad performativa de Julio Ramón Ribeyro en el “Diario Antuerpense” a partir de dos modelos: el del “hombre letrado” y el del “poeta maldito”. Dicho diario forma parte de la colección titulada La tentación del fracaso Detrás de la idea de una identidad performativa está la noción -que ya es casi sentido común- de que no se puede hablar más de la identidad desde términos esenciales. La forma en que una persona se desenvuelve dependerá siempre de una gran cantidad de factores, y este desenvolvimiento puede considerarse como una actuación. que abarca su vida entre 1950 y 1978. El “Diario Antuerpense” es aquel que escribe en 1957, durante su estadía en el barrio de Mortsel en la provincia de Antwerp, Bélgica. Según Robert J. Landy, hasta los 30’s el concepto de rol era un término asociado sólo al teatro, pero a partir de esta época se convirtió en una metáfora que se aplicaba al análisis psicológico y social hasta que ahora la noción del mundo como un teatro ha adquirido “respetabilidad científica” (Persona and performance… 19). / Tesis

Esta dissertação tem como principal objetivo a introdução à obra do designer Ruben de Freitas Martins (1929 - 1968), apreendendo a sua trajetória e algumas das principais características criativas de seu trabalho. Ele iniciou sua carreira como artista plástico, derivando-a para o design até atingir a posição de empresário do setor, engajado na divulgação da profissão no Brasil. Nessa condição, durante a década de 60 dirigiu a Forminform, considerado o primeiro escritório de design do país. Na primeira parte da dissertação, com o intuito de analisar de forma eficaz e comparativa o seu trabalho, buscamos investigar e reconstruir a trajetória de Ruben Martins, sua formação profissional e o círculo social com o qual conviveu. Para tanto, foi realizado um levantamento de dados sobre a história e o contexto do designer, incluindo a coleta de matérias jornalísticas, artigos e entrevistas realizadas com personalidades que possuem informações sobre o próprio, como João Carlos Cauduro e Karl Heinz Bergmiller, além da constante pesquisa junto ao Acervo Pessoal de Ruben Martins, recolhido pela família. Na segunda parte, encontra-se a análise detalhada de um de seus principais trabalhos, a marca criada para a Rede de Hotéis Tropical (1967), \"leitura\" esta construída a partir do rebatimento das informações levantadas na primeira parte do trabalho. / This dissertation has as main objective the introduction to the work of designer Ruben de Freitas Martins (1929 - 1968), seizing his career and some key features of his creative work. He began his career as an artist, deriving her to the design to reach the position of manager of the sector, engaged in spreading the profession in Brazil. In this condition, during the 60´s, directed the office Forminform, considered the first design office in the country. In the first part of the dissertation, in order to effectively analyze and compare their work, we investigate and reconstruct the trajectory of Ruben Martins, vocational training and social circle with whom he lived. To that end, we conducted a survey about the history and context of the designer, including collection of news stories, articles and interviews with personalities who have information about him, as João Carlos Cauduro and Karl Heinz Bergmiller, farther the constant search with the Personal Collection of Ruben Martins, picked up by family. The second part is the detailed analysis of one of his major works, the brand created for the Network of Tropical Hotels (1967), the \"reading\" is built from information gathered in the first part of the dissertation.

L'objectif de ce mémoire est de développer une réflexion sur les relations texte-image en jeu dans l'oeuvre de Paul-Marie Lapointe. À partir du recueil Le Vierge incendié, il s'agit de démontrer l'évolution du traitement de l'espace de la page, actualisant une étude sémantique, thématique et visuelle. Notre travail a donc pour but l'élaboration d'une étude actuelle de cette oeuvre de 1948, notamment de ses dimensions figurale et visuelle. Il convoque certaines théories littéraires (écriture fragmentaire, figure littéraire, lecture tabulaire), ainsi que des théories en arts visuels. il touche ainsi aux questions de la poésie visuelle et des livres d'artistes, mais aussi, il permet une étude génétique des poèmes. Les questions d'espace-page et de poème-tableau sont aussi convoquées. Nous posons l'hypothèse selon laquelle le poème permet, grâce à l'étude de ses qualités picturales et esthétiques, d'en élaborer une étude visuelle. Il s'agit de prolonger les analyses sémantique et thématique par ce lien indéniable qu'elles entretiennent avec le domaine visuel du texte poétique. En reliant les études déjà existantes (Haeck, Fisette et van Schendel), ainsi qu'en articulant une analyse exhaustive de la composition du recueil (Major, Melançon), tout en ralliant l'étude nouvelle des dimensions tant figurale (Lyotard, Gervais) que génétique (Martel, Maunet), Le Vierge incendié de PauI-Marie Lapointe justifie la méthode utilisée pour aborder et confirmer cette hypothèse. En effet, c'est à partir de la rencontre et du dialogue des concepts littéraires précédents (écriture fragmentaire: Blanchot, Michaud, ... ), ainsi que de ceux de lecture tabulaire (Krüger, Vandendorpe) et des travaux concernant le poème-tableau (Maunet, Cornu), que s'élaborent les principaux postulats de notre mémoire. Ils permettent une lecture toute autre du travail de Lapointe, une lecture picturale et esthétique, motivée tant par l'interrelation entre la variété formelle du recueil et sa composition thématique, par la figure littéraire qui façonne le texte et par le poème-tableau. Cette étude est novatrice en ce qu'elle offre des voies analytiques encore inexplorées. L'originalité du travail de recherche réside dans l'étude de nouveaux aspects théoriques et poétiques chez Lapointe (la figure littéraire, la dimension picturale et l'analyse génétique). Plutôt que de s'attarder uniquement au discours de révolte (souvent pointé chez Lapointe), les dimensions figurale, génétique et picturale rendent compte de la valeur et de la portée de ce recueil. ______________________________________________________________________________ MOTS-CLÉS DE L’AUTEUR : Le Vierge incendié, Figure, Génétique, Picturalité, Poésie québécoise, Poésie visuelle, Relation texte-image.