Submitted by Roberth Novaes (roberth.novaes@live.com) on 2018-07-13T16:29:05Z No. of bitstreams: 1 TESE IVO. ABR - PDF 2017docx.pdf: 2807588 bytes, checksum: 1f31c6c591be0ef023280fd35a005d80 (MD5) / Approved for entry into archive by Setor de Periódicos (per_macedocosta@ufba.br) on 2018-07-17T18:06:38Z (GMT) No. of bitstreams: 1 TESE IVO. ABR - PDF 2017docx.pdf: 2807588 bytes, checksum: 1f31c6c591be0ef023280fd35a005d80 (MD5) / Made available in DSpace on 2018-07-17T18:06:38Z (GMT). No. of bitstreams: 1 TESE IVO. ABR - PDF 2017docx.pdf: 2807588 bytes, checksum: 1f31c6c591be0ef023280fd35a005d80 (MD5) / O objetivo principal desta tese é examinar como as literaturas de Pepetela (Angola) e de João Ubaldo Ribeiro (Brasil) utilizam-se das africanidades angolanas e das africanias brasileiras para construir em suas obras um discurso de resistência à formação da nação apenas como história única de caráter hegemônico e europocêntrico. Para tal, o trabalho de pesquisa debruçou-se sobre as obras Yaka (1984), do autor angolano Pepetela, e Viva o povo brasileiro (1984) do autor brasileiro João Ubaldo Ribeiro, que justamente preocupam-se com um dialogo entre a ficcionalização e os fatos históricos para “construir” identidades nacionais angolanas e brasileiras baseadas na multiplicidade de vozes. As obras centram-se, basicamente no período de tempo que passou para a posteridade como a época de “colonização portuguesa”, mas consideram as bases nacionais, de Brasil e Angola, provenientes de antes da chegada do português nesses territórios. Esta tese preocupa-se, antes de tudo em “desnudar” essas obras, mas valendo-se de todo o apoio de referenciais, de diversas áreas do saber que gerem contribuições para o entendimento da construção da identidade nacional vislumbrada a partir das vozes marginalizadas pelo etnocentrismo europeu em territórios ocupados. / This thesis aims to examine how Pepetela’s (Angola) and João Ubaldo Ribeiro’s (Brazil) literatures use Angolan Africanities and Brazilian africanias to build in their works a resistance discourse to the formation of nation just as unique hegemonic and Eurocentric history. Thus, this research work analyzed the books Yaka (1984), from the Angola author Pepetela and Viva o povo brasileiro (1984) from the Brazilian author João Ubaldo Ribeiro, who are concerned about a dialogue between the fictionalization and the historical facts to "build" Angolan and Brazilian national identities based on the multiplicity of voices. The books focus primarily on the period of time known as the time of "Portuguese colonization," but consider the national bases of Brazil and Angola, before the arrival of the Portuguese in these territories. This thesis is concerned, above all in “baring” these works, taking advantage of all support provided by diverse areas of knowledge that generate contributions to the understanding of the construction of national identity glimpsed from marginalized voices by European ethnocentrism in the occupied territories.

No description available.

No description available.

Le roman Nouvelle Mikinak se situe en 2080. Mahicanicic Awashish, un jeune étudiant à la maîtrise en sciences politiques, prépare un mémoire sur le processus de radicalisation durant la Guerre de Quinze-Ans qui a opposé les Blancs aux Premières Nations (2042 - 2057). Cette guerre a permis aux Autochtones de créer leur propre état indépendant : la Nouvelle Mikinak. Il concentre sa recherche sur une figure emblématique du mouvement nationaliste autochtone, Jehanne Uapashku Einish, accusée de crimes contre l'humanité et exécutée en 2057 au pénitencier politique de Sherbrooke. Au fil de son investigation, il rencontre quelques-uns de ses anciens frères d'armes. Il reçoit aussi l'aide d'un groupe d'expatriés qui vivent en Louisiane, état annexé au nouveau territoire de Kébek. Ses recherches le mènent à déterrer certains secrets : des souvenirs de guerre qu'il aurait été préférable de laisser mourir dans l'oubli. L'analyse qui suit le roman aborde le procédé hypertextuel, plus précisément la transposition de la figure mythique de Jehanne d'Arc en littérature postmoderne. Pour ce faire, je me concentre sur le personnage de Bérénice Einberg, héroïne et narratrice du roman L'Avalée des avalés, de Réjean Ducharme. Mon hypothèse est que le personnage de Bérénice est un avatar de Jehanne développé selon l'angle de la théorie du chaos et des études féministes.

Doctorat en philosophie et lettres / info:eu-repo/semantics/nonPublished

Tableau d’honneur de la Faculté des études supérieures et postdoctorales, 2008-2009 / Les enfantômes et Gros mots de Réjean Ducharme se caractérisent par le refus de leur personnage narrateur respectif de s’intégrer à la société et de se conformer aux normes et usages établis. Cette propension des protagonistes ducharmiens à aller à contre-courant de l’opinion publique, à se situer en marge des institutions, systèmes et écoles de pensée, à faire table rase de tout ce qui les entoure, à l’exception de l’amour, contribue à l’édification d’une identité marquée par le vide, l’insuffisance et l’inconsistance. Afin de cerner ce «manque à être» des personnages narrateurs, nous nous sommes penchée sur leur manière de s’exprimer, sur leur énonciation, et avons trouvé que celle ci témoignait d’une impossibilité à s’affirmer en tant que sujet, à s’inscrire dans le langage et dans le monde. L’usage du pronom personnel «on» et la «mise en texte» des valeurs représentent les lieux de «désubjectivation» auxquels nous nous sommes intéressée dans le présent mémoire. Un premier chapitre propose une étude contextualisée du pronom «on» et de ses différentes valeurs (exclusive, conjonctive, générique, «transsubjective» et décalée). Les outils théoriques proposés par Émile Benveniste, Catherine Kerbrat Orecchioni et Dominique Maingueneau ont été dûment utilisés afin de mener à terme cette entreprise. Le deuxième chapitre interroge la vision du monde des personnages narrateurs et la façon dont cette vision s’énonce ou se manifeste sur le plan discursif. Notre examen du système des valeurs s’appuie sur certains éléments de la démarche élaborée par Vincent Jouve dans son ouvrage intitulé La poétique des valeurs. L’hypothèse selon laquelle les positions idéologiques et existentielles des protagonistes ducharmiens sont le plus souvent communiquées par le biais d’un discours à tendance polémique est confirmée à travers l’étude de quatre extraits représentatifs. Il apparaît en outre que, par-delà la dévastation, la destruction et la néantisation inhérentes aux œuvres analysées, les liens fondés sur la tendresse et l’amour donnent un sens à la vie des personnages. / The characteristic features of Les enfantômes and Gros mots by Réjean Ducharme are the refusal of their respective first person narrators to integrate into society and to conform to prevailing norms and customs. The propensity of Ducharme’s protagonists to swim against the current of public opinion, to position themselves at the outer limits of institutions, systems and schools of thought, to erase everything around them, with the exception of love, contributes to the construction of an identity characterized by emptiness, inadequacy and inconsistency. In order to define this “lack of being” of the first person narrators, we analyzed the way in which they express themselves, their enunciation which, as we discovered, discloses their inability both to assert themselves as subject and to be part of language and the world. The use of the personal pronoun “one” and the representation of textual values represent locii of “desubjectivization” with which the present thesis is concerned. The first chapter presents a contextualized study of the pronoun “one” and its various values (exclusive, conjunctive, generic, trans-subjective and displaced). The theoretical tools proposed by Émile Benveniste, Catherine Kerbrat Orecchioni and Dominique Maingueneau were duly utilized to achieve our object. The second chapter examines the world vision of the first person narrators and the way in which this vision is articulated or manifested at the discursive level. Our study of the value system is based on specific elements of the procedure outlined by Vincent Jouve in his work La poétique des valeurs. The hypothesis that the ideological and existential positions of Ducharme’s protagonists are usually communicated through discourse with polemical tendencies is confirmed by a study of four representative extracts. Moreover, it emerges that, over and above the devastation, destruction and nothingness inherent in the works analyzed, connections based on tenderness and love give meaning to the characters’ lives.

Tesis optar al grado de Magíster en Literatura mención Literatura Hispanoamericana y Chilena / El objetivo de la presente investigación es dar cuenta de la manera en que la tensión que introduce el proceso modernizador de nuestra sociedad –en pleno desarrollo durante el siglo pasado- gatilla un cambio en la configuración identitaria de los sujetos sociales representados, el que se hace patente en los discursos de los personajes que conforman las obras analizadas, con lo que se erigen dichas obras como el espacio de cuestionamiento o pregunta por la identidad de tales sujetos. Para desarrollar nuestro planteamiento tensionamos, en primer lugar, el discurso narrativo y en ello seguimos a Bajtín3 y su postura respecto de la manera en que los discursos individuales se articulan como portadores de contenidos ideológicos que finalmente, tras el despliegue de sus diversos niveles de significación, remiten a la configuración social en un lugar y momento dados. En este mismo sentido, Carrasco4 y De la Fuente5 aportan precisiones metodológicas concretas que permiten establecer el análisis de la configuración identitaria del sujeto representado en el discurso narrativo.

En introduction générale, est dressé un état de la Recherche sur trois thématiques : l’histoire et l’épistémologie de l’archéologie, le genre biographique, les archives et les correspondances scientifiques. Il est suivi d’une présentation du sujet de thèse et de ses problématiques. La première partie est une biographie consacrée à Henry Corot (1864-1941), figure emblématique de l’archéologie pré- et protohistorique en région Bourgogne. Sa vie et son œuvre sont appréhendées, principalement, au travers l’exploitation de son fonds d’archives – lequel comprend des centaines de dossiers de travail et une correspondance de 2500 lettres -. La deuxième partie est consacrée aux correspondants de H. Corot. Un répertoire biographique, comptant 490 entrées, rassemble les notices biographiques et les publications de ces archéologues. Suivent : le recrutement géographique et le recrutement sociologique de ces savants, le thème de la sociabilité à l’époque de H. Corot à travers l’analyse de sa correspondance, enfin, l’analyse des publications de ces archéologues, soit un corpus de 1300 références. Cette thèse permet à travers la biographie singulière de H. Corot d’envisager une perspective plus large, celle de biographies collectives, qui à leur tour rendent possible l’élargissement du propos à l’histoire et à l’épistémologie de la recherche protohistorique sous la Troisième République venant ainsi combler une importante lacune dans la production universitaire intéressant l’histoire de l’archéologie. / The general introduction sets up a state of research on three themes : history and epistemology of archaeology, biographical genre, archives and scientists correspondences. Next, there is a presentation of thesis subject and its problematic. The first part is about Henry Corot’s biography (1864-1941). He was an emblematic figure in prehistoric and protohistoric archeology in Bourgogne area. His life and his work are apprehended thanks to the study of his archives containing hundreds of working folders and a correspondence of 2500 letters. The second part focus on H. Corot’s correspondents. A biographic directory includes biographical information and all publications of 490 French and foreign archaeologists. To follow, this thesis centers on: the geographical and sociological recruitment of these archaeologists, the topic of sociability at the time of H. Corot through the analysis of his correspondence, and the examination of the publications of these archaeologists (corpus of 1300 references). To conclude, this thesis allows, through the H. Corot’s singular biography, to consider a broader view, the collective biographies, which in turn make it possible the enlargement at history and epistemology of research in prehistory from the Third Republic and fill an important gap in the academic production about archaeology history.

Esta pesquisa teórica investiga o desenvolvimento da noção de couraça nos primeiros quinze anos da obra de Wilhelm Reich, de 1920 até 1935. Como objetivo central, buscamos responder a seguinte questão norteadora: qual(ais) o(s) sentido(s) de couraça no pensamento de Wilhelm Reich? Visamos, sobretudo, contribuir para o esclarecimento e a discussão dessa importante noção do pensamento reichiano. Em termos de método, a fim de acompanhar o percurso do pensamento do autor, abordamos a obra de acordo com sequência cronológica de publicação. Com essa orientação histórica, elencamos e analisamos textos que, a nosso ver, fornecem subsídios para a compreensão da noção em tela. Além disso, ficamos atentos a prováveis sinônimos e sentidos utilizados, mesmo que o termo propriamente dito não estivesse explicitamente citado. Como preparação do terreno, realizamos uma pesquisa etimológica sobre o termo couraça. Em seguida, elencamos dois autores - o filósofo francês Henri Bergson e o fundador da psicanálise Sigmund Freud - investigados devido à importância dos mesmos na construção do pensamento reichiano como um todo e, possivelmente também, em relação à noção de couraça. Em termos de resultados, os escritos de Reich analisados indicaram que as significações de couraça como defesa, proteção e resistência estão sempre presentes. Dentre os artigos acessados, localizamos a primeira aparição do vocábulo em 1922, como couraça narcísica. Constatamos que, para Reich, a couraça mantém contato com as realidades interna e externa, articula as noções de economia pulsional, ego e caráter, além de estar relacionada à operação do recalque. A princípio, é concebida na esfera psíquica, mas, gradativamente, passa a ser considerada, também, no âmbito somático, principalmente como hipertonia muscular crônica. Ainda, tecemos algumas relações com a visão de Bergson sobre o assunto e com a conceituação freudiana acerca do escudo protetor. Por fim, na esfera do tema saúde-doença, registramos algumas ponderações a respeito da relação entre a noção de couraça e o processo do desenvolvimento humano / This research examines the development of the notion of armor in the first fifteen years of Wilhelm Reich´s work, from 1920 until 1935. As the main goal, we aimed to answer the question: What is (are) the meaning(s) of the term armor in Wilhelm Reich´s thought? We had in view, above all, contribute to clear up and discuss this important notion in Reichian thought. In terms of method, in order to keep track of the author´s thinking route, we followed the chronological sequence of his publications. Based on this historical orientation, we focused and detailed the texts that, in our view, supplies subsidies for the comprehension about the notion of armor. Moreover, we drew our attention to the probable synonyms and meanings, even if the term was not cited. To begin, we researched the etymology of the term. Then, we listed two authors the French philosopher Henri Bergson and the founder of psychoanalysis Sigmund Freud investigated because of their importance on the construction of early Reich´s thought and, possibly, concerning the notion of armor. In terms of results, the analyzed Reich´s texts indicated that the significances of defense, protection and resistance are always present. Among the accessed articles, we localized the very first appearance of the word in 1922, as narcissistic armor. We verified that, to Reich, the armor keeps in contact with the inner e outer realities, articulates the notions of drive economy, ego and character, and has relations with the repression operation. In the beginning, it is conceived in the psychological sphere, but, gradually, it is considered in a somatic scope as well, especially as a chronic muscular hypertony. Yet, we wove some relations with Bergson´s view about the theme and with the freudians conception concerning the protective shield. Finally, under the health-disease angle, we pointed out some aspects and relations between the notion of armor and the human development process

by Kung Siu Bing. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1999. / Includes bibliographical references (leaves 114-121). / Abstract and appendix in English and Chinese. / by Kung Siu Bing. / Abstract --- p.iii / Acknowledgement --- p.v / Abbreviations used for the four literary works --- p.vi / Chapter Chapter 1 --- Introduction --- p.1 / Chapter Chapter 2 --- Femininity and Masculinity --- p.14 / Chapter Chapter 3 --- Androgyny --- p.51 / Chapter Chapter 4 --- Sex，Gender and Sexual Identity --- p.80 / Chapter Chapter 5 --- Multiple Selves --- p.102 / Chapter Chapter 6 --- Conclusion --- p.112 / Works Cited --- p.114 / Appendix I Chinese version of quotations of Shuang Shen --- p.122 / Appendix II Table of major characters of Shuang Shen and The Illusionist --- p.126