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Das 2009 freigeschaltete Portal „Wissenschaftskultur“ der SLUB Dresden bietet nun mehr als 450 Artikel der Schriftenreihen der Sächsischen Akademie der Wissenschaften im Volltext digital an, die von 1850 bis 1945 erschienen sind. Auch andere deutsche Akademien haben zwischenzeitlich ihre älteren Schriftenreihen online gestellt. In den Akademie-Abhandlungen veröffentlichten die seinerzeit wichtigsten Gelehrten ihres Fachs, deren Schriften auch heute noch nicht nur rein wissenschaftshistorisch interessant sind.

The objective of this dissertation thesis is the life of Czech historian Josef Susta in 1939-1945 . The thesis is concerned with the reasons for the election of the new president of the Czech Academy of Sciences and Arts in 1939. The text analyses the activities of Josef Susta as the head of the scientific institution in the period of the Protectorate of Bohemia and Moravia, as well as the activities of the Academy itself. The thesis finds evidential support of assessment of his activities during the Nazi Occupation. The thesis deals with risky status of elites on the social as well as cultural level in 1939-1945. Interpreting Susta's scientific activities, the thesis provides a complex picture of his personality. In conclusion, the work deals with Susta's suicide as well as whether he considered all risks of the prominent position.

The master thesis "Zikmund Reach and his photographic collection" focuses on Zikmund Reach's photographs of old Prague. Firstly theis describes the life and familly of the publisher and follows by gradual work of an publisher. The subsequent chapter focuses on photography as a commodity and presents briefly life and work poof a French photographer Eugène Atget. The next part of the thesis devotes on the main photographic topics of the work od Zikmund Reach including an extensive collection of "Prague types" which is a sociological reflecion of society in the second half of 19th century compared with a similar collection of "Viennies types". The main topic is based on the photographic albums of "Disappeared Prague" which aren't known yet. In conclusion the thesis focuses on archives in which the collection of Zikmund Reach is stored in and their mutual thematic coherence.

This thesis deals with the personality of prominent lawyer and a political scientist Zdenek Mlynar during his tenure at the Institute of State and Law of the Czechoslovak Academy of Sciences. Mlynar was one of the leading figures and ideologues of the Prague Spring; in the first half of 1968 he was a member of the Central Committee of the Communist Party and later he became its secretary. He was also one of the authors of the 'Action Programme' of the Communist Party, precisely of its political part. Nevertheless his ideological development was not straightforward; he started as a devoted ideologue and dogmatist in the 1950s to become a reformer in the second half of the 1960s. And during that whole time period Mlynar had been employed as a scientist at the Academy of Sciences in the field of the legal theory. For the purpose of this thesis was Mlynar's more than twelve-year long tenure at the Academy of Sciences is divided into three periods: a research assistantship between 1957 and 1959, his tenure as a head of the Department of Theory of State and Law between 1960 and 1966 and then the time of his work on the political reform in 1968, with a special attention being paid to the interdisciplinary team "Development of the political system in the socialistic society" which was initiated and...

The master thesis "Zikmund Reach and his photographic collection" focuses on Zikmund Reach's photographs of old Prague. Firsty theis describes the history of Czech photography, which if followed by the topic of Prague's redevelopment and its influence on photography. The main topic is based on the photographic albums of "Disappeared Prague" and a extensive collection of "Prague types", which is a period, sociological reflecion of society in the second half of 19th century. Finally the thesis focuses on archives in which is the collection of Zikmund Reach stored in and their mutual thematic coherence. In conclusion the thesis focuses on the Institute of Art History Academy of Sciences of the Czech Republic and its collection of photographs which come from the collection of Zikmund Reach.

En prenant comme point d’horizon l’entrée du concept de travail mécanique dans la physique théorique par les ingénieurs-savants du début de 19e siècle (Coriolis et Navier notamment), cette thèse montre la filiation de ce concept vis-à-vis de démarches apparaissant à l’aube du 18e siècle à l’Académie Royale des Sciences de Paris, notamment dans les oeuvres d’Amontons et de Parent. La thèse montre alors comment et pourquoi le concept commence à se développer au premier 18e siècle dans cet environnement, comment il est ensuite repris, enrichi, modifié par Pitot, Bélidor, Desaguliers, D. Bernoulli, et comment au contraire ce concept semble ignoré de savants plus théoriciens tel que D’Alembert. Le rôle de la rupture de la vision statique de la machine semble déterminant. Apparaît alors la forte dépendance de ce concept aux problématiques qu’il permet de résoudre, axées sur la quantification et l’optimisation de l’effet des hommes, des animaux et des machines en situation laborieuse, et leurs comparaisons mutuelles dont l’une des finalités est la recherche du profit économique. L’histoire du concept se donne à voir comme une interface permanente entre mécanique théorique, mécanique pratique, et aspects productifs. On suggère alors que la légitimité du concept tient dans sa pertinence à rendre compte du travail des agents producteurs. Enfin, la thèse s’attache à recréer l’épaisseur du réel derrière les concepts et les problématiques, en montrant ce qu’ils doivent aux stratégies gouvernementales et aux pratiques d’ingénieurs. / Taking the early 19th century concept of mechanical work in theoretical physics (popular among such engineers as Coriolis and Navier) as the point of reference, this essay draws a connection between this concept and similar reasoning occurring at the Royal Academy of Sciences in Paris at the turn of the 18th century, especially evident in the works of Amontons and Parent. The essay then demonstrates how and why this concept begins to develop in this academic environment, and how it is then adopted, enhanced and modified by Pitot Bélidor, Désaguliers, and D. Bernoulli while seemingly ignored by theorists such as D’Alembert. The role of the breakdown of the conceptualisation of machines as static agents seems decisive. What follows is a strong dependence on the concept of mechanical work for its ability to problem solve and in pursuit of economic gain, particularly as pertains to quantification, optimization and the comparative labour productivity of men, animals and machines. The concept’s history suggests a permanent interplay between theoretical mechanics, practical mechanics and productivity, thus indicating that the legitimacy of the concept lies in its ability to represent the work of producing agents. Finally, the essay attempts to recreate in practical terms the reality behind the concepts and problems, showing what they owe to government strategies and what to the practices of engineers.

Ethnographie, Kulturgeschichte oder Folkloristik? Die staatssozialistische Version der Volkskunde als wissenschaftliche Disziplin war nicht einfach zu definieren. Zwischen einer systemübergreifend kompatiblen Grundlagenforschung und einer spezifisch staatssozialistischen Anwendungsorientierung oszillierte die Arbeit der beiden wichtigsten Institute der ostdeutschen und tschechischen Volkskunde der 1970er und 1980er Jahre: des Wissenschaftsbereichs Kulturgeschichte/Volkskunde des Zentralinstituts für Geschichte an der Akademie der Wissenschaften der DDR und des Instituts für Ethnographie und Folkloristik an der Tschechoslowakischen Akademie der Wissenschaften. Unterschiede und Gemeinsamkeiten des wissenschaftlichen Wandels und der Arbeitsalltage der tschechischen und deutschen staatssozialistischen Akademie-Volkskunde ergaben sich aus den jeweiligen Traditionen und den zeitgenössischen Bezügen des Faches sowie aus den politischen Veränderungen seit Beginn der 1970er Jahre auf nationaler und internationaler Ebene. Es ergab sich für die Mitarbeiter beider Institute ein Perpetuum Mobile des Ressourcenwandels: Im wissenschaftlichen Bereich konnten Ressourcen über Forschungsaktivitäten zu politiknahen Themen erweitert werden, während mittels der verfügbaren Ressourcen in den Bereichen Politik und Öffentlichkeit aktiv dafür gesorgt werden konnte, dass gerade diese Themen ständig aktualisiert wurden. Nicht nur Erfolg und Scheitern der formell befugten Akteure, die Basis "im Plan" zu halten, lassen sich an konkreten Konflikten im Arbeitsalltag ablesen, sondern auch die jeweils aktivierten Ressourcen der Beteiligten. Daher bietet sich ein alltagsgeschichtlicher Zugang an. Mit Hilfe des transnationalen Vergleichs lassen sich system- wie national bedingte Charakteristika der wissenschaftlichen Arbeit im Staatssozialismus zwischen 1972 und 1990 herausarbeiten. / Cultural Engineers. Social anthropology at the Academies of Sciences in the GDR and in Czechoslovakia 1972-1990 Mapping two state socialist versions of social anthropology is one of the tasks of this thesis. Providing insight into academia as an example for a state socialist work place the thesis furthermore adresses interdisciplinary discussions about the distribution of power under the conditions of late state socialism. The thesis concentrates on the Academy of Sciences for its prominent role in state socialist research, both in the GDR and in Czechoslovakia. Here, the German Wissenschaftsbereich Kulturgeschichte/Volkskunde with departments in Berlin, Rostock and Dresden, and the Czech Ustav etnografii a folkloristiku with departments in Prague and Brno, are of interest. Comparing the routines and conflicts that evolved after 1972 in these research institutes the thesis analyzes the working conditions of state socialist social anthropology in a non-university setting. Not only was the research of present or past folk cultures part of the work schedule. Another side of the coin was the implementation of cultural and social policies of the Communist Party. The study proves the strength of transnational comparison as a valid method for historiography and the strength of the model of resources as introduced by Mitchell Ash.

ThDr. Marketa Langer Praha, 2018 THE THEOLOGICAL LEGACY OF CZECH MODERNISM IN THE LIFE AND WORK OF FRANTIŠEK BÍLEK ABSTRACT This thesis looks at the life and work of the artist Frantisek B lek in relation to the theological legacy of Czech Catholic modernism at the end of the nineteenth and early twentieth century over three chapters. Its objective is to answer three questions: Was the artist the mystic he was perceived to be at the time? Can he be termed a modernist? What were his reasons for joining the Czechoslovak Church when it was founded in 1920? The study uses the method of hypotheses which are stated in advance in the questions posed, and then subsequently tested. Another method used is an analysis and comparison of the approach and attitudes of Czech society to the artist during his life. The introductory chapter describes the study's key indicators with a brief description of the issues, and also the form and structure used. Part A looks at the environment during the emergence of modern Europe; in particular the conditions giving rise to the struggle for modernism, the circumstances of the First Vatican Council, the Czech Catholic reform movement and the European modernism movement in relation to the central subject of this thesis, artist Frantisek B lek. Each of the three chapters looks at one...

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