This study examines the thirteenth century Artesian trouvère Adam de la Halle in the manuscript Paris, Bibliothèque Nationale f.fr 25566 as it pertains to the oral/literate model for explaining characteristics of musical traditions. The fortuitous collaboration of a single scribe with a single composer on a musical collection encompassing a cross-section of thirteenth-century styles and idioms make this repertoire uniquely appropriate to a comparison of musical oracy and literacy.

This project relates the theme of material consumption in novels of the long eighteenth century to the development of the novel genre. Functioning as more than just a reflection of societal concerns, novels shape perceptions of consumption, which in turn inform our understanding of the novel’s development. These perceptions are informed and complicated by a variety of issues presented in eighteenth-century novels including form, nation and national identity, sexuality, labour, commerce, credit and debt, and, in particular, gender. Chapter one looks at Henry Fielding’s Tom Jones and the use of consumption imagery and metaphors as a way of playing with form and genre adaptation; the novel’s awareness of its own status as consumable commodity relates to the metaphoric and physical consumption within the novel’s plot, establishing a relationship between the problematic generic status of Tom Jones and the theme of physical consumption. Through Tobias Smollett’s The Expedition of Humphry Clinker, chapter two examines eighteenth-century concerns regarding women’s consumption through the largely neglected figure of Tabitha Bramble and her reclamation of the corrupting influence of the foreign through her marriage to Lismahago. More than just a critique of the effects of foreign luxury on British society, I argue that Humphry Clinker makes room for the produce of empire through the union of Tabitha and Lismahago. Chapter three analyses Frances Burney’s novel Camilla in relation to its treatment of the commodifying effects of commerce, particularly shopping; drawing parallels between the experience of shopping in the eighteenth century and the marriage market, specifically as relates to the male gaze, the chapter argues that there is a connection between the novel as commodity, created by Burney in order to create profit, and the commodification of Camilla through the male gaze. Chapter four discusses the ways in which Maria Edgeworth’s Castle Rackrent, Ennui, and The Absentee utilise Adam Smith’s The Wealth of Nations as a roadmap for Irish economic and social development but argues that this is problematised through the absence of politics in Smith, which inadvertently complicates Edgeworth’s message of economic

Garden of Eden imagery is ubiquitous in contemporary print advertising in North America, especially in advertisements directed at women. Three telling characteristics emerge in characterizations of Eve in these advertising reconstructions. In the first place, Eve is consistently hypersexualized and over-eroticized. Secondly, such Garden of Eden images often conflate the Eve figure with that of the Serpent. Thirdly, the highly eroticized Eve-Serpent figures also commonly suffer further conflation with the Garden of Eden itself. Like Eve, nature becomes eroticized. In the Eve-Serpent-Eden conflation, woman becomes nature, nature becomes woman, and both perform a single narrative plot function, in tandem with the Serpent. The erotic and tempting Eve-Serpent-Eden character is both protagonist and antagonist, seducer and seduced. In this dissertation, I engage in an ecofeminist narratological analysis of the Genesis/Fall myth, as it is retold in contemporary fashion magazine advertisements. My analysis examines how reconstructions of this myth in advertisements construct the reader, the narrator, and the primary characters of the story (Eve, Adam, the Serpent, and Eden). I then further explore the ways in which these characterizations inform our perceptions of woman, nature, and environmentalism. Using a narratological methodology, and through a poststructuralist ecofeminist lens, I examine which plot and character elements have been kept, which have been discarded, and how certain erasures impact the narrative characterizations of the story. In addition to what is being told, I further analyze how and where it is told. How is the basic plot being storied in these reconstructions, and what are the effects of this version on the archetypal characterizations of Eve and the Garden of Eden? What are the cultural and literary contexts of the reconstructed narrative and the characters within it? How do these contexts inform how we read the characters within the story? Finally, I examine the cultural effects of these narrative reconstructions, exploring their influence on our gendered relationships with each other and with the natural world around us.

Adam Ferguson (1723-1816) was one of the leading figures of the Scottish Enlightenment, an influential eighteenth-century moral and political philosopher, as well as a professor of ethics at the University of Edinburgh from 1764 to 1785. There has been a wealth of scholarship on Ferguson in which central themes include his role as a political theorist, sociologist, moral philosopher, and as an Enlightenment thinker. One of the most frequent topics addressed by scholars is his relationship to ancient philosophy, particularly Stoicism. The ease with which scholars identify Ferguson as a Stoic, however, is problematic because of the significant differences between Ferguson‟s ideas and those of the „schools‟ of classical antiquity, especially Stoicism. Some scholars interpret Ferguson‟s philosophy as a derivative, unsystematic „patchwork‟ because he drew on various ancient sources, but, it is argued, did not adhere to any particular system. The aim of my thesis is to suggest an alternative interpretation of Ferguson‟s relationship to ancient philosophy, particularly to Stoicism, by placing Ferguson in the context of the intellectual history of the eighteenth century. The first section of this thesis is an examination of Ferguson‟s response to the Quarrel between the Ancients and the Moderns, modern eclecticism and the experimental method to demonstrate how Ferguson‟s approach to and engagement with ancient philosophy is informed by these intellectual contexts. The second section is a close analysis of the role that ancient schools play in his discussion of the history of philosophy as well as the didactic purpose found in his lectures and published works thereby determining the function of ancient thought in his philosophy. The third section is a re-examination of Ferguson‟s concept of Stoicism and his engagement with Stoic ethics in his moral philosophy re-interpreting his relationship to the ancient school. With a combination of a new understanding of Ferguson‟s methodology and new assessment of his engagement with ancient thought, a new interpretation of Ferguson‟s moral philosophy demonstrates his unique contribution to eighteenth-century thought.

International Telemetering Conference Proceedings / October 17-20, 1994 / Town & Country Hotel and Conference Center, San Diego, California / The Central Multiplexer is a versatile data multiplexer designed to address emerging test requirements for recording data from many sources on digital rotary head recorders at high data rates. A modular design allows easy reconfiguration for airborne or laboratory use; simultaneous data input from 63 sources of data in any combination of PCM commutators, ARINC 429 buses, ARINC 629 buses, MIL- STD-1553 buses, and general-purpose high-speed serial data packets; simultaneous, independent programmable outputs to high-speed digital data recorders, quick-look displays, and engineering monitor and analysis systems; and setup and control from a remote panel, a dumb terminal, a laptop personal computer, a standalone test system, or a large control computer.

David Hume argues that reflections upon public utility explain the psychological foundations of justice and the moral feelings attendant on it. Adam Smith objects that Hume’s theory of justice is psychologically implausible. A just punishment attracts the approval of every citizen on Hume’s alleged view. Not every citizen can consider the abstract public interest every time, Smith observes, so Hume can’t have explained all of justice. I argue, in response, that Smith’s objection has not accounted for all of the causal processes that Hume draws upon in support of reflections upon public utility. Conventions establish the very possibility of public interest, and socializing processes lend the public interest its moral salience. Human nature includes a species-general passion for acquiring property for the sake of family. The motivational centrality and universal scope of this passion, coupled with the dramatic psychological power of sympathy, generates the first moral feelings. Social conditioning develops those feelings into attitudes about reward and punishment. Hume’s theory of justice, with his conjectures about sociocultural processes, is both psychologically plausible and more complex than commentators tend to appreciate.

This study represents an interpretation of Adam Smith's attitude toward a commercial society based upon natural liberty. In developing the thesis that the two works, The Theory of Moral Sentiments and Wealth of Nations, are logically consistent, it is necessary to establish the reason of reasons why Adam Smith embraced a commercial society based upon the "obvious and simple system of natural liberty." It will be established that he embraced such as system because it allowed the maximum accumulation of capital, which is the manifestation of being truly virtuous as developed in his Moral Sentiments. To go one step further, it will be seen that, so far as Smith is concerned, it is the rising bourgeoisie, the manufacturers and artificers, which is truly virtuous, i.e., accumulates capital.

How did British nineteenth-century literature articulate its relationship to the past? In Past and Present (1843), Thomas Carlyle introduces the Middle Ages through a description of what he believed the collar of a serf would have looked like, dwelling on the shine of the brass as it would have stood out against the green of the forest, as if it were a painting to be evaluated aesthetically for its color palette rather than part of a controversial defense of medieval feudalism. In Adam Bede (1859), George Eliot compares the eighteenth-century setting of her novel to a realist painting, pointing out the visual details that would appear unfamiliar to her contemporary readers, such a "mob-cap" or an old-fashioned spinning-wheel. These moments may appear like intermittent, typically Victorian examples of intrusive editorializing that risk repelling readers from engaging with the world of the past. But my dissertation shows that Carlyle and Eliot are part of a large and important body of Victorian historical texts that seek to engage their reader closer with their evocation of the past through the visual imagination. Romantic historiography had introduced the idea of seeing the past "in the mind's eye", and Victorian writers frequently asked their readers to explicitly treat the past as if it were itself an image. My dissertation argues that a tradition emerged during the nineteenth century which sought to develop that language of vision for a particular purpose: to observe the striking distance, and differences, between the past and the present. And the effect is not one of detachment but its opposite: historical distance is the connecting device that ties the reader to the text, across Victorian historical works. My dissertation moves through the Victorian period broadly conceived, from 1820 to the 1890s, and across genres of novels, poetry and non-fiction prose. This breadth of scope is a consequence of my argument. Many critics treat, for instance, Thomas Macaulay's constant shifts between past and present as a feature of his idiosyncratic style, or Elizabeth Gaskell's minute descriptions of Napoleon-era uniforms as distinctive of the genre of realism. But I show that Victorian literature that deals with the past needs to be understood across styles and genres, in the broader cultural context of their era's fascination with historical distance. Throughout the nineteenth century, the emphasis on the gap between past and present serves to engage, rather than repel, the reader's imaginative investment in the world of the past. The distance between the past and the present works to immerse the Victorian reader more fully in the imagined past, thereby cultivating a more actively critical engagement with history.

Le récepteur MerTK est impliqué dans la phagocytose des segments externes des photorécepteurs (SEP) par l'épithélium pigmentaire rétinien (EPR), fonction cruciale pour la survie des photorécepteurs et la vision. Dans la rétine, ces deux tissus sont en contact permanent et la phagocytose ne survient qu'une fois par jour, cette fonction nécessite donc d'être contrôlée précisément. Le pic de phagocytose est lié à l'activation intracellulaire de MerTK via l'intégrine αvβ5. Ce projet a eu pour but d'étudier les mécanismes extracellulaires régulant la fonction de MerTK au cours de cette phagocytose.Nous avons montré que MerTK est clivé à la surface des cellules d'EPR in vivo avant et après le pic de phagocytose. Ceci permettrait d'éviter une phagocytose trop prononcée des SEP.Nous avons démontré le rôle opposé des ligands de MerTK, spécifique à l'EPR. Gas6 semble inhibiteur, il stimule le clivage de MerTK et inhibe la phagocytose in vitro, et son expression in vivo est faible au moment du pic de phagocytose. Au contraire, Protéine S, dont l'expression augmente in vivo au moment du pic, inhibe le clivage de MerTK et stimule la phagocytose in vitro, et pourrait ainsi potentialiser cette fonction.Parmi les protéases étudiées, l'inhibition d'ADAM17 in vitro engendre une diminution du clivage de MerTK corrélée à une augmentation de sa biodisponibilité à la surface cellulaire et de son activité. Cependant, cet effet n'étant pas total, l'implication d'une autre protéase n'est pas exclue.Ainsi, mes travaux de Doctorat permettent de mieux comprendre la régulation complexe de l'activité de MerTK dans la phagocytose rétinienne, essentielle pour le rythme circadien de cette fonction. / The MerTK receptor is involved in the daily phagocytosis of photoreceptor outer segments (POS) by the retinal pigment epithelium (RPE), an indispensable process for photoreceptors survival and vision. In the retina, the contact between POS and RPE is permanent, and POS phagocytosis occurs once a day, requiring a precise control of this function. The phagocytic peak is initiated by activation of MerTK via the αvβ5 integrin receptor. This project aimed at studying extracellular mechanisms that control MerTK function during POS phagocytosis. We have shown that MerTK can be cleaved from the RPE cell surface in vivo before and just after the phagocytic peak. This process might avoid an excess of POS phagocytosis. We have also shown the opposite role of MerTK ligands, specific to RPE cells. Gas6 appears to act as an inhibitor as it stimulates MerTK cleavage and inhibits POS phagocytosis in vitro. Moreover, in vivo, Gas6 expression is weak at peak phagocytosis time. In contrast, Protein S, which in vivo expression increases at the time of the phagocytic peak, inhibits MerTK cleavage and stimulates POS phagocytosis in vitro, and thus might potentiate phagocytosis. Among the protease candidates we studied, in vitro inhibition of ADAM17 results in decreased MerTK cleavage associated with the increase of full-length receptors available at cell surface and of MerTK activation. However, as cleavage still occurs in these conditions, we cannot exclude the implication of another protease. Taken together, my PhD data allows us to better understand the complex regulation of MerTK activity during retinal phagocytosis, which is essential for the circadian rhythm of this function.

Stellvertretung represents a consistent and central hermeneutic for Bonhoeffer. This thesis demonstrates that, in contrast to other translations, a more precise interpretation of Bonhoeffer's use of Stellvertretung would be 'vicarious suffering'. For Bonhoeffer Stellvertretung as 'vicarious suffering' illuminates not only the action of God in Christ for the sins of the world, but also Christian discipleship as participation in Christ's suffering for others; to be as Christ: Schuldübernahme. In this understanding of Stellvertretung as vicarious suffering Bonhoeffer demonstrates independence from his Protestant (Lutheran) heritage and reflects an interpretation that bears comparison with broader ecumenical understanding. This study of Bonhoeffer's writings draws attention to Bonhoeffer's critical affection towards Catholicism and highlights the theological importance of vicarious suffering during a period of renewal in Catholic theology, popular piety and fictional literature. Although Bonhoeffer references fictional literature in his writings, and indicates its importance in ethical and theological discussion, there has been little attempt to analyse or consider its contribution to Bonhoeffer's theology. This thesis fills this lacuna in its consideration of the reception by Bonhoeffer of the writings of Georges Bernanos, Reinhold Schneider and Fyodor Dostoevsky. Each of these writers features vicarious suffering, or its conceptual equivalent, as an important motif. According to Bonhoeffer Christian discipleship is the action of vicarious suffering (Stellvertretung) and of Verantwortung (responsibility) in love for others and of taking upon oneself the Schuld that burdens the world.