The Wine Jars Speak: A text study. Reworked and translated from a Swedish MA thesis, Vinkärlsetiketterna berättar: En textstudie from 2008 in Egyptology, Uppsala University. This paper examines the texts written on shards from wine jars found at El-Amarna, Tutankhamun’s tomb (KV 62) and Deir el-Medina. Information concerning the administration of wine and its production, found in these texts, is examined. Wine was an important element in Egyptian society and a common iconographic motif in tombs at Thebes during New Kingdom. A survey on previous research on the subject is presented. This is followed by analysis of the different reoccurring elements found in the texts. A definition of the standard formulation of the wine jar label texts is given and the minimal level of information needed for the administration of wine production and distribution is identified.  The chapter of the analysis deals with the various types of information given in the label texts, such as date, wine classification, and function. The next chapter presents the words associated with the vineyard, the names of the institutions involved in the production and use of wine, and the place names that identify where wine production took place. The following chapter deals with the titles and personal names of the officials involved in wine production. This study shows that these small texts contribute to an understanding of wine production. They also display continuity in form that bridges the turbulence of the Amarna Period. The earlier examples of these texts do not have an ideological component. It is first with the Ramesside Period, and the more intrusive inclusion of the name of the King, that some ideological intent can be identified.

This paper examines the texts written on shards from wine-jars found at El-Amarna, Tutankhamuns tomb (KV 62) and Deir el-Medina. Information concerning the administration of wine and its production, found in these texts, is examined. Wine was an important element in Egyptian society and a common iconographic motif in tombs at Thebes during New Kingdom. A survey on previous research on the subject is presented. This is followed by analysis of the different reoccurring elements found in the texts. A definition of the standard formulation of the wine jar label texts is given and the minimal level of information needed for the administration of wine production and distribution is identified.  The chapter of the analysis deals with the various types of information given in the label texts, such as date, wine classification, and function. The next chapter presents the words associated with the vineyard, the names of the institutions involved in the production and use of wine, and the place names that identify where wine production took place. The following chapter deals with the titles and personal names of the officials involved in wine production. This study shows that these small texts contribute to an understanding of wine production. They also display continuity in form that bridges the turbulence of the Amarna Period. The earlier examples of these texts do not have an ideological component. It is first with the Ramessid Period, and the more intrusive inclusion of the name of the King, that some ideological intent can be identified.

Representational artistic works were researched as visual evidence for the social, political, religious and economic lifestyles of the ancient Egyptian elite. The aims were to comprehend the status of elite women and to challenge the hypothesis that during the New Kingdom they enjoyed an increased social status in comparison to that of their predecessors. Many artistic works were analysed (tomb and palace wall scenes, statues, obelisks and personal artefacts), on the quest for evidence for the roles of elite women in events, practices and rituals at the time when the objects were created. Various international museums were visited and personal observations are correlated with expert publications. The study concludes that the status of elite women in the New Kingdom was both significantly different and exalted in comparison with the status of their counterparts during earlier dynasties. / OLD TESTAMENT & ANCIENT NE / MA (ANC NEAR EAST STUDIES)

Representational artistic works were researched as visual evidence for the social, political, religious and economic lifestyles of the ancient Egyptian elite. The aims were to comprehend the status of elite women and to challenge the hypothesis that during the New Kingdom they enjoyed an increased social status in comparison to that of their predecessors. Many artistic works were analysed (tomb and palace wall scenes, statues, obelisks and personal artefacts), on the quest for evidence for the roles of elite women in events, practices and rituals at the time when the objects were created. Various international museums were visited and personal observations are correlated with expert publications. The study concludes that the status of elite women in the New Kingdom was both significantly different and exalted in comparison with the status of their counterparts during earlier dynasties. / OLD TESTAMENT and ANCIENT NE / MA (ANC NEAR EAST STUDIES)

Le présent document consiste en une étude de la céramique caractéristique de la ville d’Amarna (Akhet-Aton) en lien avec les productions palatiales dans les sociétés complexes. Dans une première partie, cette poterie à décor bleu est mise en contexte. La situation géographique, historique et religieuse de la ville sont mises en relief. Les thèmes habituels lors de l’étude d’une céramique sont ensuite abordés : les ateliers, les matériaux, la transformation, la cuisson, les formes et motifs. La fonction de ces vases restant un point de questionnement, diverses théories à ce sujet sont analysées. Le questionnement d’un lien entre ces vases et l’idéologie religieuse instaurée par le pharaon Akhenaton se pose ensuite et la comparaison entre les motifs et l’iconographie des palais de la ville et des tombes de l’époque permet d’y répondre positivement. Ces deux derniers points permettent de bien saisir l’importance de cette céramique dans le cadre amarnien. La seconde partie du travail concerne le concept d’objet palatial. Ce type de production est défini et plusieurs critères sont énumérés. Ces critères sont ensuite appliqués à des objets palatiaux appartenant à des sociétés complexes afin de les confirmer. Ces caractéristiques vérifiées, elles sont appliquées à la céramique à décor bleu afin de vérifier si celle-ci correspond à une industrie palatiale. Comme ce style de poterie répond à tous les critères, il est possible d’affirmer qu’il s’agit d’un objet palatial. Il est même possible de dire à ce sujet qu’il s’agit d’un objet de prestige consommé par une élite et qui sert de véhicule à l’idéologie en place. / The present work consists in a study of the ceramic typical of the city of Amarna (Akhet-Aten) viewed in relation to palatial productions in complex societies. In the first part of the work, we put this blue-painted pottery style in context and present the geographic, historical and religious situation of the city. We then consider the usual themes relating to the study of a ceramic: workshops, materials, transformation, firing, forms and motifs. Since the function of these vases remains an open question, we analyse various theories on the subject. We raise the question whether a link between these vases and the religious ideology introduced by pharaoh Akhenaten might exist; comparison of the motifs with the iconography of the city's palaces allows us to confirm this hypothesis. These last two points bring out the importance of this pottery in the Amarnian framework. The second part of this work pertains to the concept of palatial objects. This type of production is defined and various criteria are presented. We then apply these criteria to palatial objects from complex societies, in hope of confirming their adequacy. Having verified these characteristics, we apply them to blue-painted pottery in order to determine whether this latter corresponds to a palatial industry. Since this pottery style satisfies all these criteria, it is possible to assert that it is a palatial object. It is even possible to affirm that it consists in a prestige object, consummed by an elite and whose purpose is to further the established ideology.

Le présent document consiste en une étude de la céramique caractéristique de la ville d’Amarna (Akhet-Aton) en lien avec les productions palatiales dans les sociétés complexes. Dans une première partie, cette poterie à décor bleu est mise en contexte. La situation géographique, historique et religieuse de la ville sont mises en relief. Les thèmes habituels lors de l’étude d’une céramique sont ensuite abordés : les ateliers, les matériaux, la transformation, la cuisson, les formes et motifs. La fonction de ces vases restant un point de questionnement, diverses théories à ce sujet sont analysées. Le questionnement d’un lien entre ces vases et l’idéologie religieuse instaurée par le pharaon Akhenaton se pose ensuite et la comparaison entre les motifs et l’iconographie des palais de la ville et des tombes de l’époque permet d’y répondre positivement. Ces deux derniers points permettent de bien saisir l’importance de cette céramique dans le cadre amarnien. La seconde partie du travail concerne le concept d’objet palatial. Ce type de production est défini et plusieurs critères sont énumérés. Ces critères sont ensuite appliqués à des objets palatiaux appartenant à des sociétés complexes afin de les confirmer. Ces caractéristiques vérifiées, elles sont appliquées à la céramique à décor bleu afin de vérifier si celle-ci correspond à une industrie palatiale. Comme ce style de poterie répond à tous les critères, il est possible d’affirmer qu’il s’agit d’un objet palatial. Il est même possible de dire à ce sujet qu’il s’agit d’un objet de prestige consommé par une élite et qui sert de véhicule à l’idéologie en place. / The present work consists in a study of the ceramic typical of the city of Amarna (Akhet-Aten) viewed in relation to palatial productions in complex societies. In the first part of the work, we put this blue-painted pottery style in context and present the geographic, historical and religious situation of the city. We then consider the usual themes relating to the study of a ceramic: workshops, materials, transformation, firing, forms and motifs. Since the function of these vases remains an open question, we analyse various theories on the subject. We raise the question whether a link between these vases and the religious ideology introduced by pharaoh Akhenaten might exist; comparison of the motifs with the iconography of the city's palaces allows us to confirm this hypothesis. These last two points bring out the importance of this pottery in the Amarnian framework. The second part of this work pertains to the concept of palatial objects. This type of production is defined and various criteria are presented. We then apply these criteria to palatial objects from complex societies, in hope of confirming their adequacy. Having verified these characteristics, we apply them to blue-painted pottery in order to determine whether this latter corresponds to a palatial industry. Since this pottery style satisfies all these criteria, it is possible to assert that it is a palatial object. It is even possible to affirm that it consists in a prestige object, consummed by an elite and whose purpose is to further the established ideology.

Resin found within Canaanite amphorae from the Late Bronze Age shipwreck discovered off the coast of southwest Turkey at Uluburun has previously been identified as Pistacia sp. Although evidence from Egypt suggests that this resin was in high demand and typically transported in such amphorae, it has also been proposed that the amphorae contained wine, with the resin used to seal the interior surfaces and to flavour and/or preserve the wine. To attempt to resolve this question, we have analysed five samples of pistacia resin found in amphorae from the shipwreck using a range of analytical techniques which have used in the past for the analysis of wine residues: spot tests, FT-IR, and HPLC-MS-MS. As well as the archaeological samples, we have analysed modern samples of pistacia resin, leaves and fruit to determine the effectiveness of each technique and to exclude the possibility of false positive results. In addition to the analyses for wine we also detail analysis (GC-MS) of the terpenoids for the purpose of further molecular characterisation of the resin. Bulk stable isotope analysis was used in comparison with similar resins to attempt to identify the geographical origin of the resin.

This thesis is a multi-disciplinary survey of the Central Jordan Valley during the Late Bronze Age (1500-1200 BC) illustrated with an abundant use of maps and tables. The purpose is to determine how the Jordan Valley functioned as an economic unit during the Late Bronze Age. This thesis surveys the geographical, historical and archaeological records related to the Jordan Valley during the Late Bronze Age. A chapter is devoted to each field, geography (physical and human), history (Egyptian and Hebrew Bible) and archaeology. The data from each discipline is used to individually answer two questions: 1) was the Jordan Valley a single geographic/economic unit in the Late Bronze Age? 2) to what extent was the Jordan Valley integrated/interacting with the east-west highlands and the larger region in the Late Bronze Age? The primary objectives are to 1) explore and model a historical geographic hermeneutic for understanding the human experience of the Ancient Near East; and 2) lay a foundation for understanding the role of the Jordan Valley in affecting the Biblical periods of the Israelite monarchy to the Roman period.The answers from each chapter are then synthesized into a single geographic historical archaeological picture of the Central Jordan Valley during the Late Bronze Age. The Central Jordan Valley was divided into two sections: a fertile, populated, well connected north-central section and an isolated, sparsely populated southern section with limited agricultural zones. Trade with and between the eastern and western highlands is well represented by artifactual parallels in and through the Jordan Valley, the north-central section on a regional and international scale and the southern section on a more local scale. The thesis concludes that there are more artifactual points of connection between the Jordan Valley and the eastern highlands than with the western highlands. An ‘early conquest’ model of the Hebrew Bible is plausible within the historical records of the Egyptian 18th and 19th Dynasties and the geographical and archaeological records of the Jordan Valley during the Late Bronze Age. / Old Testament & Ancient Near Eastern Studies

This thesis is a multi-disciplinary survey of the Central Jordan Valley during the Late Bronze Age (1500-1200 BC) illustrated with an abundant use of maps and tables. The purpose is to determine how the Jordan Valley functioned as an economic unit during the Late Bronze Age. This thesis surveys the geographical, historical and archaeological records related to the Jordan Valley during the Late Bronze Age. A chapter is devoted to each field, geography (physical and human), history (Egyptian and Hebrew Bible) and archaeology. The data from each discipline is used to individually answer two questions: 1) was the Jordan Valley a single geographic/economic unit in the Late Bronze Age? 2) to what extent was the Jordan Valley integrated/interacting with the east-west highlands and the larger region in the Late Bronze Age? The primary objectives are to 1) explore and model a historical geographic hermeneutic for understanding the human experience of the Ancient Near East; and 2) lay a foundation for understanding the role of the Jordan Valley in affecting the Biblical periods of the Israelite monarchy to the Roman period.The answers from each chapter are then synthesized into a single geographic historical archaeological picture of the Central Jordan Valley during the Late Bronze Age. The Central Jordan Valley was divided into two sections: a fertile, populated, well connected north-central section and an isolated, sparsely populated southern section with limited agricultural zones. Trade with and between the eastern and western highlands is well represented by artifactual parallels in and through the Jordan Valley, the north-central section on a regional and international scale and the southern section on a more local scale. The thesis concludes that there are more artifactual points of connection between the Jordan Valley and the eastern highlands than with the western highlands. An ‘early conquest’ model of the Hebrew Bible is plausible within the historical records of the Egyptian 18th and 19th Dynasties and the geographical and archaeological records of the Jordan Valley during the Late Bronze Age. / Biblical and Ancient Studies

The search for a ‘historical Moses’ is one which has been debated for several centuries. In spite of copious archaeological finds in Egypt and other parts of the ancient Near East, no material remains have been found to substantiate the Exodus story. Mythological stories from the ancient Near East bear striking similarities to the Moses narrative found in the Hebrew Bible. The inconsistencies found in the Hebrew Bible further hamper the attempt to find a historical Moses, instead Moses is found only in tradition. Taking these issues into consideration, other possibilities need to be investigated. This dissertation places Moses growing up in the court of Akhenaten an 18th Dynasty Egyptian Pharaoh in the middle of the 14th century BCE. The study investigates the possibility of Moses as a son of Akhenaten with Nefertiti as a stepmother, his own biological mother, a Mitannian princess, having died giving birth to Moses. Several similarities between Akhenaten and Moses are discussed throughout the study. The study moves into the 21st century with the groundbreaking discovery of DNA, which provides new conclusions which before were only debated. / Biblical & Ancient Studies / M.A. (Biblical Archaeology)