The thesis is devoted to the fate of the Jews who lived in Kroměříž - the same fate that all the Jews in Protectorate Bohemia and Moravia suffered in the course the World War II. The beginning of the thesis discusses the history and development of the local Jewish residents and their culture. Most of the thesis is however dedicated to the 1930s and the beginning of the 1940s, i.e. the time of the First, and the Second Republic, as well as the Protectorate. A part of the thesis is also devoted to the Jewish sites of historical interest, most of which were sadly destroyed by the Nazi regime. Last but not least, the thesis discusses the return of the Jews, renewal of the Jewish community after 1945, its development, and also describes how to follow the legacy of the Jews from Kroměříž and recall or imagine how big the community was at that time. Keywords Jews, Kroměříž, jewish monuments, culture, Second World War, anti - Semitism, holocaust, deportation

This diploma thesis attempts to outline the image of Judas in a long-lasting tradition and follows the references of this character in canonical and non-canonical reports. It is an extension of the author's bachelor's thesis, which was dedicated to the analysis of biblical and Gnostic texts concerning the figure of Judas. For this reason, the author does not deal with a detailed analysis of these texts in this work and directly refers the reader to it (the work is available for inspection in the Repository of Final Theses of Charles University). The first chapters are devoted to reports from the Gospels and Paul's works, which the author serves primarily as a springboard for the introduction of various conceptions of the person of Judas, and which became the basis for the development of a tradition in the following centuries. In addition to canonical messages, the author encounters motives from non-canonical and apocryphal texts related to Judas, which have influenced the tradition of perception of one of Jesus' disciples to a similar extent. One of the subchapters is also devoted to the text of the Book of the Cock, which is not available in Czech, and to not very well-known topics that have not been very successful in the official church tradition. In the following chapters, the author identifies...

Dorota T. Moravská ABSTRACT: Diploma thesis "(De)securitization of the 'Jewish question' in Slovakia in the years 1945- 1948" examines how society in the post-war period approached the "Jewish question" from the perspective of the securitization theory. The thesis recognizes domestic and foreign dimension of the process and shows that in the society contradictory tendencies were present at the same time - while in the area of foreign policy people involved exerted pressure on the Slovak political elites to desecuritize the question, in the area of domestic relations the "involved public" took steps in the opposite direction. For this reason, the political elites were forced to face a (de)securitization dilemma. The thesis emphasizes the significance of social and historical context in which the process is anchored and in this light it observes the historical continuity of formation and development of the "Jewish question" in Slovakia, which is set in contrast to a radical change in the social context of the post-war period when the restitution of the Jewish property turned out to be a key factor influencing the course of events. As a result of post-war anti-Jewish moves and acts of violence against Jewish minority the "Jewish question" was politicized became a "necessity and urgency". Therefore the expected...

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Philosophie und Frühantisemitismus bilden den Themenbereich der Arbeit. Der Frühantisemitismus reicht von 1780 bis 1850. Speziell verweigert er die Bürgerrechte für Juden. In diesem Sinn wenden Deutsche Liberale sich während der Entstehungsphase der bürgerlichen Gesellschaften im frühen 19. Jahrhundert gegen die jüdische Emanzipation: F. L. Jahn, E. M. Arndt, K. Follen, C. F. Rühs und J. F. Fries. Im Gegensatz zu ihnen votiert Hegel mit seinen Grundlinien der Philosophie des Rechts entschieden für sie. Er schließt damit an die Erklärung der Menschenrechte in den USA und Frankreich an und führt deren Normativität fort. Es ist das Ergebnis konsequenten Denkens und Hegel überwindet einige seiner früheren antijüdischen Ansichten. Er betont die klare Verbindung zwischen Menschenrechten und Judenemanzipation, geht aber auch darüber hinaus: Sein Konzept fordert eine Integration, die zudem wirtschaftliche und kulturelle Teilhabe verlangt. Hegel opponiert unter historischen Bedingungen gegen die liberalen Frühantisemiten, was ebenso zu berücksichtigen ist, wie die systematischen Argumente der Rechtslehre. Nichtsdestotrotz gelingt ihm kein konsistentes Konzept. Der Grund dafür liegt jedoch in der Realität, die dargestellt werden soll, und nicht bei ihm. Hinsichtlich der internationalen Beziehungen zwischen den modernen Staaten gibt es keine universellen Institutionen mit Macht. Hegel opfert letztlich sein Vorhaben, die universelle Ethik weiterzuentwickeln, weil er dies reflektiert und sich ihm beugt. Unter Berücksichtigung dieses Kontextes müssen seine Konzepte zum Volksgeist betrachtet werden. Die Partikularität des Volksgeistkonzepts gefährdet seinen Entwurf zur Emanzipation, der universal fundiert ist; doch der Grund der Probleme liegt in den internationalen Beziehungen. / In this thesis early anti-semitism is discussed in the context of G.W.F. Hegel’s philosophy. Early anti-semitism spanning from 1780-1850 is particularly concerned with declining Jews any equal civic status. Against the backdrop of civil societies arising in the early 19th century, a group of German authors, including F.L. Jahn, E.M. Arndt, K. Follen, C.F. Rühs, and J.F. Fries, in spite of their liberalism opposed Jewish emancipation in this specific sense. In contrast, Hegel in his Philosophy of Right clearly argues in favour of Jewish emancipation, following modern normative ideals as established by Human Rights Declarations in the U.S. and in France. Overcoming some of his earlier anti-Jewish views Hegel arrives at this result by way of consistent thinking. He not only stresses the obvious relationship between Human Rights and Jewish emancipation, but also further develops this idea: His concept calls for equal integration that involves economic and cultural participation as well. Hegel opposed liberal anti-semites under specific historical conditions that have to be taken into account alongside his philosophical arguments put forward in the Philosophy of Right. If he finally didn‘t achieve to develop an overall consistent concept it‘s not to be attributed to a lack of efforts on his part but rather to the reality his theory reflects. International relations between modern states don‘t involve universal institutions with actual power. Hegel, reflecting on and giving in to that reality, finally dismisses his earlier attempts to advance universal ethics. His concept of a nation‘s particular volksgeist and especially the Germanic spirit have to be assessed with this context in mind. Hegel‘s idea of emancipation which rests on universal claims is at odds with his preference for the particular that‘s being expressed in his concept of a volksgeist. The source for this problem however has to be sought in the international relations themselves.

En la creación literaria latinoamericana del siglo XX, la narrativa de los autores judíos ha proseguido un trayecto aparte, casi silencioso, en relación con la escritura canónica del continente. No obstante, hacia los años setenta, surge una producción literaria judía femenina que hoy ha alcanzado un renombre internacional. Esta tesis estudia la peculiaridad literaria del humor judío femenino argentino contemporáneo en torno a la definición de la identidad y rol de género, para comprender cómo se resignifica la hibridez cultural en el texto literario. El humor como catarsis de conflictos problematiza la relación entre lo propio y lo ajeno mediante una puesta en tela de juicio de la realidad para manifestarse como una preocupación, una responsabilidad y un compromiso crítico. A través del análisis de las obras de Alicia Steimberg, Silvia Plager y Ana María Shúa, la investigación reconfigura la vida judía diaspórica y el sentido de ser mujer respecto a la importancia del ámbito culinario en cuanto al influjo de la modernidad argentina en la tradición judía. En este estudio, se analizarán las novelas Músicos y relojeros, Como papas para varenikes y Risas y emociones de la cocina judía donde las diferentes reflexiones de Steimberg, Plager y Shúa en relación con la historia judía elaboran discursos con singulares diferencias en la intención humorística. En la primera parte de la tesis, se hará mención de diversas perspectivas teóricas que destacan las implicaciones psicológicas, sociales y psicoanalíticas respecto al humor en general, el humor de la minoría, el humor femenino y el humor judío. En los tres capítulos subsiguientes, se procederá a una lectura de los textos antes mencionados para interpretar las preocupaciones de nuestro tema frente a los dictámenes que la religión y sociedad desean imponer. Finalmente, la conclusión aborda la evolución de una visión entre humor negro, humor como crítica social y humor como lúdico juego en paralelo con una búsqueda de la identidad híbrida actualizada mediante una crítica de lo tradicional. / Dans la création littéraire latino-américaine du xx siècle, les récits des auteurs juifs ont poursuivi une trajectoire isolée, presque silencieuse, par rapport à l’écriture canonique du continent. Cependant, aux environs des années soixante-dix surgit une production littéraire juive féminine que de nos jours a atteint une renommée internationale. Cette thèse étudie la spécificité littéraire de l’humour juif féminin contemporain autour de la définition de l’identité et le rôle de genre afin de comprendre comment se résignifie l’hybridité culturelle dans le texte littéraire. L’humour comme catharsis de conflits problématise la relation entre le soi et l’autrui à travers un jugement de la réalité afin de se manifester comme une préoccupation, une responsabilité et un compromis critique. L’analyse des œuvres d’Alicia Steimberg, Silvia Plager et Ana María Shúa reconfigure la vie juive diasporique et le sens de l’univers féminin à travers l’importance du domaine culinaire ainsi que l’influence de la modernité argentine dans la tradition juive. Cette étude analyse les romans Músicos y relojeros, Como papas para varenikes et l’œuvre Risas y emociones de la cocina judía où les réflexions de Steimberg, Plager et Shúa élaborent des discours en relation avec l’histoire juive avec différentes intentions humoristiques. Dans la première partie de cette thèse, on étudie diverses perspectives théoriques qui soulignent les implications psychologiques, sociales et psychanalytiques de l’humour en général, l’humour de la minorité, l’humour féminin et l’humour juif. Dans les trois chapitres suivants, on procède à une lecture des textes mentionnés ci-haut afin d’interpréter les préoccupations de nôtre sujet de recherche par rapport aux règles que la religion et la société désirent imposer. Finalement, la conclusion aborde l’évolution d’une vision entre l’humour noir, l’humour comme critique sociale et l’humour comme jeu ludique en parallèle d’une recherche de l’identité hybride actuelle à travers une critique du traditionnel. / In the Latin American literary creation of the twentieth century, the fictions of Jewish authors have pursued a secluded trajectory, almost silent, compared to the continent canonical writing. However, around the seventies came a female Jewish literary production that has achieved international fame. This thesis examines the literary specificity of contemporary female Jewish humour around the definition of identity and the role of gender in order to understand the cultural hybridity representation in the literary text. Humour as catharsis of conflicts analyzes the relationship between the self and others, through a judgment of reality to manifest as a concern, responsibility and a critical compromise. The analysis of the fictions of Alicia Stemberg, Silvia Plager and Ana María Shúa reconfigure the Jewish Diasporas and the meaning of the feminine universe through the importance of the culinary field as well as the influence of Argentine modernity in Jewish tradition. This study analyzes the novels Músicos y relojeros, Como para varenikes and the short histories Risas emociones the cocina judía where Steimberg, Plager and Shúa describe the Jewish history with different humorous intentions. In the first part of this thesis, various theoretical perspectives that emphasize the psychological, social and psychoanalytic implications of humour in general, minority humour, female humour and Jewish humour are studied. In the following three chapters, we proceed to a reading of the texts mentioned above in order to interpret the concerns of our research from the rules that religion and society impose. Finally, the conclusion discusses the evolution of a vision between black humour, humour as a social critique and humour as a playful game as a search of the hybrid identity through a critique of traditions.

The goal of this paper is to analyse the evolution of the perception of the German gymnastic movement founder Friedrich Ludwig Jahn (1778-1852) and of his ideology in the German Gymnastic Club. Since the eighties of the 19th century, the Jahn's ideas had been specifically interpreted in the gymnastic clubs in Lower Austria. This interpretation, under the direct influence of growing racial anti-Semitism, consisted of an extreme national and racial intolerance. The clubs, since 1889 associated in German Gymnastic Club, gradually made their way to the radically national movement that gained the epithet of "völkisch". Various methods have been applied to determine how the club adopted, interpreted and in its own way also changed the Jahn's teaching in the field of the language, physical exercise, national and anti-Semitic ideology and, last but not least, in terms of festivities and symbology. The result of the study has shown that the "völkisch" interpretation of Jahn's controversial ideas enabled the Club to lay the foundations for the new ideology which was to become dominant in the gymnastic movement of the German speaking countries in the thirties of the 20th century.