No description available.

No description available.

No description available.

No description available.

No description available.

No description available.

[EN] ARCHITECTURAL AND CONSTRUCTION OF ROOFING POLYCHROME WOODEN ANALYSIS OF THE CHURCH OF SAN ANTONIO ABAD DE VALENCIA, SURVIVAL OF ARCHITECTURE AS TARDOGÓTICA VALENCIA MEDITERRANEAN FIFTEENTH CENTURY Author of the thesis: Pedro Rafael Blanco Gómez DIRECTOR OF THE THESIS: Dr. D Javier Benlloch Marco ABSTRACT The object of this thesis is the study of Gothic Mudejar roof of the church of San Antonio Abad in Valencia, located on the street 188 Sagunto Valencia. The deepening of the building and the persistence of the ceiling, studying the characteristics of the construction materials and execution techniques, determining what has been its evolution, behavior and the factors set disorderly. And the disclosure of this almost unknown heritage to its value. In the environment of the medieval walls that protected the city of Valencia scattered farmsteads and hamlets with their small churches they stood. The Hospital Brotherhood of San Antonio Abad was a religious order dedicated to the care of the sick was instituted in Mota, Dauphine near Vienne in 1095 by Gaston noble dolphins. In 1228 the order was authorized by Pope Honorius III, giving Bonifacio III Rule of St. Augustine, leading by distinguishing the "tau" or cross of San Antonio. The arrival of these religious to the kingdom of Valencia is unknown. In 1238, James I seized the city of Valencia, geographically constituting the new kingdom in 1245. In 1333 acquired by purchase some land in the path of Murviedro, in the village of Els Orriols. The Gothic hospital began construction in 1409, estimated that the works were finished in 1446, being viceroy of Valencia Maria of Castile and King of the Crown of Aragon Alfonso V the Magnanimous, their coats of arms appearing in the colors of the roof. In the hospital sought by the Jurats unification of the City of Valencia Anthony's church they fitted out as to meet Els Orriols. The original Gothic church was a single ship of diaphragm arches and polychrome wooden roof clear Mudejar invoice. Between 1765 and 1768 the masking medieval structures was made in neoclassical style, as in almost all the old churches in Valencia, including the Cathedral. It is a marvel of technical skill which consiguiesen so admirably adapted both buildings, and maintaining the same cover until 1987. / [ES] ANÁLISIS ARQUITECTÓNICO Y CONSTRUCTIVO DE LA TECHUMBRE EN MADERA POLICROMADA DE LA IGLESIA DE SAN ANTONIO ABAD DE VALENCIA, COMO PERVIVENCIA DE LA ARQUITECTURA TARDOGÓTICA MEDITERRÁNEA DE LA VALENCIA DEL SIGLO XV AUTOR DE LA TESIS: Pedro Rafael Blanco Gómez DIRECTOR DE LA TESIS: Dr. D Javier Benlloch Marco RESUMEN El objeto de esta tesis es el estudio de la techumbre gótico mudéjar de la iglesia de San Antonio Abad de Valencia, situada en la calle Sagunto 188 de la ciudad de Valencia. La profundización en el edificio y en las persistencias de la techumbre, estudiando las características de los materiales constructivos y las técnicas de ejecución, determinando cuál ha sido su evolución, comportamiento y los principales factores de alteración del conjunto. Así como la divulgación de este patrimonio casi desconocido para su puesta en valor. En el entorno de las murallas medievales que protegían la ciudad de Valencia se levantaban alquerías dispersas y caseríos con sus pequeñas iglesias. La Cofradía Hospitalaria de San Antonio Abad era una Orden religiosa, dedicada al cuidado de los enfermos, fue instituida en Mota, cerca de Vienne del Delfinado, en 1095, por Gastón, noble delfines. En 1228 fue autorizada la orden por el Papa Honorio III, dándole Bonifacio III la regla de San Agustín, llevando por distintivo el "tau" o cruz de San Antonio. Se desconoce la fecha de llegada de estos religiosos al reino de Valencia. En 1238, Jaime I se apodera de la ciudad de Valencia, constituyendo geográficamente el nuevo reino en 1245. En 1333 adquirieron, por compra unas tierras en el camino de Murviedro, en el caserío dels Orriols. El hospital gótico comenzó a construirse en 1409, estimándose que se acabaron las obras en 1446, siendo virreina de Valencia María de Castilla y rey de la Corona de Aragón Alfonso V el Magnánimo, apareciendo sus escudos de armas en la policromía de la techumbre. Ante la unificación hospitalaria que pretendían los Jurats de la Ciutat de València los antonianos lo habilitaron como iglesia para atender a els Orriols. La Iglesia gótica original era de una sola nave de arcos diafragma apuntados y techumbre de madera policromada de clara factura mudéjar. Entre los años 1765 y 1768 se realizó el enmascaramiento de las estructuras medievales en estilo neoclásico, como ocurrió en casi todas las viejas iglesias de Valencia, incluida la Catedral. Siendo un prodigio de habilidad técnica el que se consiguiesen adaptar ambas construcciones tan admirablemente, y manteniendo la misma cubierta hasta 1987. / [CA] ANÀLISI ARQUITECTÒNICA I CONSTRUCTIU DE LA SOSTRADA EN FUSTA POLICROMADA DE L'ESGLÉSIA DE SANT ANTONI ABAD DE VALÈNCIA, COM A PERVIVÈNCIA DE L'ARQUITECTURA TARDOGÒTICA MEDITERRÀNIA DE LA VALÈNCIA DEL SEGLE XV AUTOR DE LA TESI: Pedro Rafael Blanco Gómez DIRECTOR DE LA TESI: Dr. D Javier Benlloch Marco RESUM L'objecte d'esta tesi és l'estudi de la sostrada gòtic mudèjar de l'església de Sant Antoni Abad de València, situada en el carrer Sagunt 188 de la ciutat de València. L'aprofundiment en l'edifici i en les persistències de la sostrada, estudiant les característiques dels materials constructius i les tècniques d'execució, determinant quin ha sigut la seua evolució, comportament i els principals factors d'alteració del conjunt. Així com la divulgació d'este patrimoni quasi desconegut per a la seua posada en valor. En l'entorn de les muralles medievals que protegien la ciutat de València s'alçaven alqueries disperses i caserius amb les seues xicotetes esglésies. La Confraria Hospitalària de Sant Antoni Abad era una Orde religiosa, dedicada a cura dels malalts, va ser instituïda en Mota, prop de Vienne del Delfinat, en 1095, per Gastón, noble dofins. En 1228 va ser autoritzada l'orde pel Papa Honori III, donant-li Bonifaci III la regla de Sant Agustí, portant per distintiu el "tau" o creu de Sant Antoni. Es desconeix la data d'arribada d'estos religiosos al regne de València. En 1238, Jaume I s'apodera de la ciutat de València, constituint geogràficament el nou regne en 1245. En 1333 van adquirir, per compra unes terres en el camí de Murviedro, en el caseriu dels Orriols. L'hospital gòtic va començar a construir-se en 1409, estimant-se que es van acabar les obres en 1446, sent virreina de València María de Castilla i rei de la Corona d'Aragó Alfons Vl el Magnànim, apareixent els seus escuts d'armes en la policromia de la sostrada. Davant de la unificació hospitalària que pretenien els Jurats de la Ciutat de València els antonians ho van habilitar com a església per a atendre als Orriols. L'Església gòtica original era d'una sola nau d'arcs diafragma apuntats i sostrada de fusta policromada de clara factura mudèjar. Entre els anys 1765 i 1768 es va realitzar el camuflament de les estructures medievals en estil neoclàssic, com va ocórrer en quasi totes les velles esglésies de València, inclosa la Catedral. Sent un prodigi d'habilitat tècnica el que s'aconseguiren adaptar ambdós construccions tan admirablement, i mantenint la mateixa coberta fins a 1987. / Blanco Gómez, PR. (2016). Análisis arquitectónico y constructivo de la techumbre en madera policromada de la iglesia de San Antonio Abad de Valencia como pervivencia de la arquitectura tardogótica mediterránea en la Valencia del siglo XV [Tesis doctoral]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/61466

The purpose of this research is to examine several aspects of the San Antonio automated vehicle identification (AVI) system, including the reliability and accuracy of the AVI system, travel tag level of market penetration (LMP) trends, and a comparison of aggregated travel time values with probe vehicle travel time values. This thesis serves as a first step toward the modeling of AVI systems in which the effects of travel tag LMP, AVI reader density and AVI reader location are analyzed. GPS units were first tested as a suitable benchmark for validating AVI reliability and accuracy. A two-part system reliability study was then performed, consisting of overall system reliability and a controlled evaluation of selected AVI reader sites. The accuracy of AVI travel times was also assessed. A LMP analysis was then performed to serve as a reference parameter for the aggregate travel time study. Lastly, the level of aggregation analysis attempted to quantify differences between the individual test vehicle travel times and aggregated travel times of all observed, tag-equipped vehicles. Overall system reliability was found to be greater than 90%. The controlled reliability study showed that freeway AVI readers slightly outperformed arterial readers for correct tag capture, while total tag capture exceeded the system design parameter of 80%. Tag capture rates were found to be independent of test vehicle speed. The LMP of travel tags at a selected reader site was found to be approximately 0.5% from the morning through the evening peak. Lastly, 5-minute travel time aggregations provided a better estimate of individual test vehicle travel times than 2-minute or 15-minute aggregations. / Master of Science

This study was conducted to examine the problem of attrition from a public middle school foreign language enrichment program by students who were admitted on the basis of superior grades, test scores, and recommendations from their teachers, counselors, and parents. The study took place in inner-city San Antonio and involves Latino sixth and seventh graders from mostly low-income families. Literature pertaining to school choice options, education of Latino students, and student attrition was reviewed. Research questions pertained to the differences in characteristics of students staying in the program and leaving it and in the reasons students gave for their decisions to stay or leave. In addition, the efficacy of an existing student attrition model, modified for this study, was tested for organizing data. Data sources included surveys of students and teachers, interviews with administrators and counselors, and school records. Logit regression analysis revealed two factors linked to student persistence in the program to be significant to the .01 level: student involvement in the initial decision to apply to the program, and the presence of a student's best friend at the school the student attended. A third variable approached significance (at the . 10 level): the student's score on the math subtest of a criterion-referenced test given statewide. Recommendations to the district program administrators include incorporating the math subtest score on the statewide instrument into the screening process and providing more and better information to parents and students who are eligible and wish to apply for acceptance into the program.

Esta pesquisa versa sobre a música e a trajetória artística do Quinteto Armorial, tendo como ponto de partida a escuta dos quatro elepês do grupo - Do Romance ao Galope Nordestino (1974), Aralume (1976), Quinteto Armorial (1978) e Sete Flechas (1980), produzidos pela Discos Marcus Pereira (1974-1981). Criado pelo escritor e professor Ariano Suassuna, no âmbito do Movimento Armorial e da Universidade Federal de Pernambuco, o grupo de música instrumental nasceu com a proposta de criar uma música erudita brasileira a partir das raízes da cultura popular, elegendo os timbres de uma heráldica do \"povo\" como material norteador de seu processo composicional, traduzida pela sensibilidade e a direção de Antonio Madureira com os jovens músicos do conjunto. Desenvolvida a partir do binômio História e Música e organizada em três partes que se articulam por meio de três eixos básicos - timbre, heráldica e música -, a pesquisa apresenta a trajetória e o processo de criação do Quinteto Armorial como parte da concepção filosófica de Ariano Suassuna, refletindo sua correspondência com as múltiplas tendências estéticas norteadoras da criação musical no século XX, através de sua proposta de vínculo cultural transcendendo os cânones que definiam a música como \"erudita\" ou \"popular\". / This research is about the music and trajectory of Quinteto Armorial, and its starting point was hearing the group\'s four LPs - Do Romance ao Galope Nordestino (1974), Aralume (1976), Quinteto Armorial (1978) and Sete Flechas (1980), produced by Discos Marcus Pereira (1974-1981). The instrumental music group was created by the professor and writer Ariano Suassuna within the Armorial Movement and inside the Federal University of Pernambuco. It was born with the intention of creating a Brazilian classical music from popular culture roots, choosing the timbres of a heraldic of the people as the guiding material of its compositional process, translated by the direction and sensitivity of Antonio Madureira with the young musicians in the group. This research was developed from the combination of History and Music and organized into three parts, articulated by three basic axes - timbre, heraldic and music. It exhibits the trajectory and creation process of Quinteto Armorial as a part of the philosophical conception of Ariano Suassuna, reflecting its correspondence with the multiple guiding aesthetic trends of musical creation in the twentieth century through its proposition of a cultural bond transcending the canons which used to define music as \"classical\" or \"popular\".