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1	The Preverb <i>Eis-</i> and Koine Greek Aktionsart Shain, Rachel M. 26 June 2009 (has links) No description available. Linguistics Koine Greek Greek preverb aktionsart lexical aspect erchomai eis Aorist imperfective grammatical aspect aspect linguistics semantics lexical semantics telicity New Testament verbal prefix
2	Užití aoristu, imperfekta a perfekta v česky psané próze poloviny 14. století / Use of aorist, imperfect and perfect in Czech prose in the middle of the 14th century Zdeňková, Jana January 2011 (has links) This thesis deals with the use of the aorist and imperfect tenses and the periphrastic preterite in four Old Czech prosaic translated texts dated back to the beginning of the 2nd half of the 14th century. Analyzed texts are the part of the first edition of the Old Czech translation of the Bible (part of the Dresden Bible completed with the text of Proroci rožmberští (Prophets of Rožmberk), the Legend of St. Wenceslaus from The Old Czech Passional, The Apocalypse of Paul and two chapters of the text O svatém Jeronýmovi knihy troje. We deal with the percentual occurence of the verb forms under investigation and with the aspectual characteristics of the verbs of which the investigated forms are constructed. Also their relationship to the Latin pretext is examined. The acquired results are presented in tables and graphs. This thesis also includes an electronic database of the investigated verbal forms.
3	Lingvoliterární analýza staročeské skladby Tristram a Izalda / Linguistic and Literary Analysis of Old Bohemian Composition Tristram and Izalda MUŠINSKÁ, Daniela January 2018 (has links) This diploma thesis deals with an analysis of Old Czech poem Tristram and Izalda. The source of the analysed text is the Strahov manuscript dated to 1449, in edition by Zdeňka Tichá. The thesis includes a brief description of the history and origin of the analysed piece in both European and especially Czech literary context. The main focus of this text is the linguistic analysis of selected language phenomena. That comprises of phonological and morphological evolution of most grammar categories of nouns, adjectives and verbs in Czech language. With nouns and adjectives, the thesis focuses on the declination paradigm, specifically on the system of grammatical cases and the animacy of the masculine gender. With verbs, the attention is given to the analysis of the tenses, with emphasis on the simple past tenses. First and foremost, the thesis focuses on the analysis of the aorist and imperfect tense with emphasis on verbal aspect affiliation, from which these tenses are often created. A part of the work is dedicated to the preterite, the compound past tense. Where individual verbal forms are analysed, the main focus is given to the nt- and s- participles, their suffix system and also the connection to the category of verbal aspect. Many distinct examples from the analysed text are provided throughout the thesis, as well as detailed statistic data on the occurrence frequency of selected phenomena
4	La danse des temps dans l'épopée, d'Homère au Roland / Dancing with Tenses in Epic, from Homer to the Song of Roland Lakshmanan-Minet, Nicolas 21 November 2017 (has links) Les épopées d’Homère et de Virgile, la Chanson de Roland sont marquées par une alternance qui peut paraître capricieuse. En fait, on la saisit beaucoup mieux dès lors qu’on prend en compte la présence des corps : ceux du jongleur, de l’aède, du récitant ; le corps du public. Postures, gestuelle, mouvements, regard, souffle, musique s’articulent à cette alternance pour en faire une véritable danse. Cette thèse étudie d’abord comment dansent chacun des temps principaux du récit dans ces épopées, en accordant la priorité à Homère et au Roland ; puis elle étudie comment cette danse des temps prend corps dans chacune des petites pièces dont nous décelons que sont composées les épopées anciennes comme le Roland : les laisses. / The Homeric and Virgilian epics, as well as the Chanson de Roland are full of tenseswitching, the use of which might seem capricious to the modern reader. It is in fact much better understood when bodies’ presence is taken into account — these bodies being the bard’s one as well as the audience’s. Postures, gestures, moves, eyes, breath, music are joint partners to tenseswitching, so that tenses really dance in epics. This study is firstly about how each one of the main narrative tenses dances in Homer and the Roland, and also in the Æneid. Then it studies the way tenses dance in each of the small pieces we find in the classical epics as well as in the Roland : the laisses. Temps verbaux Jongleur Aède Danse Performance Gestuelle Voix Chant Épopée Chanson de geste Présent de narration Narrateur Augment Imparfait Aoriste Parfait Passé simple Futur Grec ancien Latin Ancien français Homère Virgile Tenses Jongleur Bards Dance Performance Gestures Voice Singing Epics Chanson de geste Historic present Narrator Augment Imperfect Aorist Perfect Simple past Future Archaic greek Latin Old french Homer Vergil 470 870 480 880

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