Os elevados custos atribuídos à nutrição na piscicultura ligam a eficiência alimentar ao sucesso da atividade e à redução do impacto ao meio ambiente. Estudos sobre a nutrição e determinação de exigências nutricionais em aminoácidos são, portanto, ferramentas importantes para a consolidação da piscicultura comercial racional e com viabilidade econômica. A determinação da exigência em lisina para o “black bass” Micropterus salmoides foi feita em ensaio de dose-resposta e os dados coletados foram analisados por meio de três modelos estatísticos: regressão polinomial, regressão segmentada e modelagem matemática específica, para estimar a utilização e exigência dos aminoácidos. Foi utilizada a relação A/E = [(aminoácido essencial ÷ total de aminoácidos essenciais + cistina + tirosina) x 1.000], para estimar as exigências nutricionais dos demais aminoácidos essenciais em relação à lisina determinada no experimento dose-resposta. As unidades experimentais foram constituídas por lotes de 25 alevinos de black bass (1,29 ± 0,03 g; 4,35 ± 0,17 cm) condicionados a aceitar ração seca, alojados em gaiolas de PVC atóxico (abertura de malha 5 mm) com capacidade de 60 L e instaladas em caixas de polipropileno com capacidade de 1.000 L, com troca parcial de água num sistema fechado de recirculação e aeração. Os tratamentos correspondiam aos níveis crescentes de lisina: 1,0; 1,5; 2,0; 2,5; 3,0 e 3,5% na dieta n=4), num delineamento inteiramente aleatorizado (DIA). O modelo estatístico da regressão segmentada foi o modelo mais apropriado para determinação da exigência dietética de lisina para os alevinos de black bass em experimento dose-resposta. A exigência dietética em lisina para peso final, ganho de peso e taxa de crescimento específico foi de 2,1% da dieta ou 4,9% da proteína dietética. A exigência dietética de 1,69% de lisina na dieta ou 3,9% de lisina na proteína condicionou o melhor índice de conversão alimentar. O uso do perfil de aminoácidos corporais do black bass foi adequado como referência para estimar as exigências nutricionais de aminoácidos. / Adequate nutrition of fish stocks interconnects fish feeding efficiency, profitability and mitigation of environmental impact of fish farming. Knowledge on amino acids requirement of farmed fish boosts rationalization and profitability of fish farming systems. This study compares estimation of amino acids requirements of largemouth bass Micropterus salmoides from data of lysine dose-response trials, analyzed through different statistical models: polynomial regression, broken-line analysis and specific mathematical modeling. Amino acids requirements were estimated through the A/E relationship [A/E = (essential amino acid ÷ total essential amino acids + cystine + tyrosine) x 1.000]. Groups of 25, feed-conditioned largemouth bass fingerlings (1.29 ± 0.03 g; 4.35 ± 0.17 cm), were stocked in 60-L cages (5 mm mesh) placed in 1,000-L plastic, indoor tanks, closed circulation system, and fed diets containing 1.0, 1.5, 2.0, 2.5, 3.0, or 3.5% lysine, in a totally randomized experimental design trial (n = 4). The broken-line analysis method yielded more reliable and precise estimations of lysine requirements – 2.1% of diet or 4.9% dietetic protein – for final weight, weight gain and specific growth rate. Best feed conversion ratio was attained with 1.69% lysine in the diet or 4.9% lysine in dietetic protein. Body amino acids profile was an adequate reference for estimation of largemouth bass amino acids requirements.

The first part of the paper states the problem of the double bass not being incorporated into the chamber music program at many universities and the resulting lack of skills that can only be developed through this discipline. The double bass is trying to catch up with the other string instruments as it has been historically ignored, misunderstood and not as developed musically and technically. The historical background and current state of research are being examined to understand why this problem occurred in the first place, noting the vast amount of chamber music repertoire that is unknown and identifying some important but underperformed works. Further the pedagogical benefits of playing chamber music are discussed in order to realize the vital importance of integrating the double bass into the curriculum at major universities. Specific examples from the four major style periods are discussed in detail to show the benefits of studying this repertoire. Finally an implementation process is suggested to help change the current state of chamber music neglect as it pertains to the double bass.

I denna uppgift kommer jag presentera resultatet av min självstudie där jag lär mig tekniken vandrande bas på elbas genom lärarledda elbaslektioner. Denna process är videoinspelad, semistrukturerad intervju har hållits och dokumentationen analyseras genom transkription. Jag kommer bearbeta begreppet kunskap och redovisa några teorier om vad kunskap är och hur man kan kategorisera detta begrepp genom antingen uppdelande av praktisk och teoretisk kunskap. Jag kommer också undersöka huruvida pragmatismens kunskapssyn är applicerbar på denna studie. Studien behandlar hur jag använt mig av mina kunskaper som klassisk gitarrist i min inlärning av elbas. Hur jag kan använda mina kunskaper funna i elbasspelet i mitt klassiska gitarrspel. Även hur de pedagogiska upptäckterna jag gör i elbasspel kan användas i min framtida roll både som elbaslärare och gitarrlärare. Detta behandlas med ett sociokulturellt perspektiv i grunden samt mästarlära. Resultatet visar att förkunskaper i klassisk gitarr är mycket användbart om man vill lära sig elbas och att flera aspekter av gitarrspelet är direkt eller indirekt överförbara till elbasen. Det kommer också visa sig att det finns flera olikheter som kan försvåra inlärandet av elbas. Jag har också hittat grundläggande kunskap i metodik för elbasspel på nybörjarstadium. / In this project, I will present the result of my self-study where I learn the technique of walking bass on electric bass through teacher-led electric bass lessons. This process is video-recorded, semi-structured interview has been held and the documentation is analyzed by transcription. I will process the concept of knowledge and report some theories on what knowledge is and how to categorize this concept through either the division of practical or theoretical knowledge. I will also examine whether the knowledge view of pragmatism is applicable to this study. The study deals with how I used my knowledge as a classical guitarist in my learning of electric bass. How I can use my knowledge found in the electric bass game in my classic guitar play. Even how the pedagogical discoveries I make in electric bass games can be used in my future role both as electric bass teacher and guitar teacher. This is dealt with a socio-cultural perspective in the basics and master-apprentice perspective. The result shows that prior knowledge of classical guitar is very useful if you want to learn electric bass and that several aspects of the guitar play are directly or indirectly transferable to the electric base. It will also show several differences between the instruments that can make learning electric bass more difficult. I have also found basic knowledge in methodology for electric bass games at the beginner stage.

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Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2017-04-25T15:24:15Z No. of bitstreams: 2 Dissertação - Diuliano Vitor Lucena - 2017.pdf: 2410127 bytes, checksum: bbbd8f84cb6ee5c5514c52c8675ef9f2 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-04-25T15:24:44Z (GMT) No. of bitstreams: 2 Dissertação - Diuliano Vitor Lucena - 2017.pdf: 2410127 bytes, checksum: bbbd8f84cb6ee5c5514c52c8675ef9f2 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2017-04-25T15:24:44Z (GMT). No. of bitstreams: 2 Dissertação - Diuliano Vitor Lucena - 2017.pdf: 2410127 bytes, checksum: bbbd8f84cb6ee5c5514c52c8675ef9f2 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2017-03-30 / Fundação de Amparo à Pesquisa do Estado de Goiás - FAPEG / This paper addresses interpretative and pedagogical aspects of double bass works within Brazilian popular music genders. The major objective is to update the Brazilian Online Catalog of Erudite Work for Double Bass (RAY, 2005), and discuss interpretative and teaching aspects from the selection of work which presents characteristics of brazilian popular music genders in this collection. The methodology is qualitative and it presents, at first, a discussion of the addressed repertoire. Next, it develops a proposal for pedagogical and interpretation possibilities applicable to the bassist training. The work is organized in three parts: process of catalog update, selection of the work which was debated and discussion about the performance the performance and suggestions for studies of the workpieces. As a result, 81 new workpieces, which were accumulated from 2006 to 2016, were listed and included in the catalog that bear 136 compositions. After this update, the catalog currently bears 222 workpieces, and 81 of these workpieces hold elements of the Brazilian Popular Music Gender. It is concluded with the proposal of a possible pedagogical path in order to study and solve technical problems as articulation (bow stroke and bowing) in repertoire with choro and baião citations, in order to exemplify and suggest how to perform works with citations of MPB genders in concert music. / Este trabalho trata de aspectos pedagógicos e interpretativos em obras para contrabaixo que se enquadram em gêneros da música popular brasileira. O objetivo principal é atualizar o Catálogo Brasileiro de Obras Eruditas para Contrabaixo On-Line (RAY, 2005) e discutir aspectos pedagógicos e interpretativos, a partir da seleção de obras que apresentam características dos gêneros da música popular brasileira neste acervo. A metodologia tem caráter qualitativo e apresenta, num primeiro momento, uma análise reflexiva sobre o repertório abordado. Em seguida, desenvolve uma proposta pedagógica e de interpretação aplicável nos estudos do contrabaixista. O trabalho está organizado em três partes: processo de atualização do catálogo, seleção das obras discutidas, discussão sobre a performance e sugestões de estudo das obras. Como resultado, foram listadas e incluídas no catálogo que continha 136 composições, mais 81 novas peças que foram acumuladas de 2006 até 2016. Com essa atualização o catálogo está atualmente com 222 peças, sendo que 81 dessas contêm elementos de Gênero da Musica popular Brasileira. Conclui-se com a proposta um possível caminho pedagógico para o estudo e resoluções de problemas técnicos como a articulação (golpe de arco e arcadas) em repertório com citação de choro e baião, a título de exemplo e sugestão de como lidar com citações de gêneros da MPB na música de concerto.

A total of 192 largemouth bass were caught at Lake Ray Roberts, Texas (1995) to investigate five controversial bass angling techniques relative to hooking mortality. The bait types were Texas-rigged scented and non-scented plastic worms, Carolina-rigged scented and non-scented plastic worms, and live golden shiners. Overall hooking mortality was 21.87% and mortality was dependent upon bait type. Highest mortality resulted from the Texas-rigged scented lures, while the lowest mortality was generated by live golden shiners. A creel survey indicated that few anglers were having success with the investigated baits. Factors that had a confirmed effect on hooking mortality were hooking location and water temperature. Hooking mortality was not excessive compared to other similar studies.

以往高級精品只有貴族階級才有權利配帶。時至今日，中產階級消費者如一般上班族亦開始購買精品，使得人們對於精品的消費投入逐年增加。法國的精品產業靠著出口高級時裝、首飾、化妝品等精品，每年為法國政府帶來豐沛的外匯收入。除此之外，精品產業與其他同為景氣循環產業相比，復甦力道實為有過之而無不及；因此，精品產業之高獲利成長力與強勁復甦力道成為許多其他產業所探究及效法的對象。 現存精品相關文獻鮮少文獻探討精品創新相關議題，而在探討精品消費行為的研究中，除了探討精品消費動機與知覺價值外，並未進一步探討精品新產品隨著時間的擴散，消費者購買精品之動機與消費者特性是否產生變化。因此，本研究擬採用過往多半用於高科技產業之創新擴散理論，並以精品產業龍頭A精品公司為例，試圖探討精品新產品之擴散模式為何；另外，本研究除了探討客觀時間之擴散模式，亦針對精品具有較強烈之社會影響特性，亦加入同儕情境，更深入了解主觀時間的擴散模式。最後，本研究也會針對早期精品消費者與晚期精品消費者所注重的精品知覺價值是否有所不同的現象進行研究。 由量化問卷調查與質化深度訪談之綜合分析，本研究發現：(1)精品新產品擴散模式屬於Bass模型，所有潛在的精品消費者皆可分為受到廣告影響的創新者或口碑影響模仿者兩類；(2)精品新產品擴散模式由客觀因素與主觀因素共同建構而成，除了將採用者依客觀時間分為早期與晚期，本研究另外提出客觀早期的模仿者(即主觀落後者)與客觀晚期的創新者(即主觀創新者)；(3)精品知覺價值類型與客觀購買時間的先後並無顯著差異；(4)「撞包」顧慮是由於挑剔心態與跟隨心態並存的現象，對消費者的購買決策並無實際影響力。 / Before long, only blue blood has the right to possess luxury goods. Nowadays, middle class also starts to buy luxury goods, which increases the yearly consumption of luxury goods. By exporting high class garments, accessories, make-ups and so on, luxury good industry in France yields immeasurable foreign exchange income to French goverment. Besides, the strength of recovery in luxury goods industry is much stronger than other business-cycle industries. Therefore, with high-profit and strong recovery, luxury goods industry become the benchmark of other industries. Among the existing literatures of luxury goods, few literatures discuss issues related to the innovation of luxury goods. And in the researches of luxury-goods consumer behaviors, in addition to exploring the consumer motivations and perceived values, the changes or not of consumer characteristics and motivations with time-spreading lacks further probes. Thus, based on the theory of diffusion of innovations that mostly applied to high-technology industry, this study tries to explore the new product diffusion model of luxury goods in the case of a leading luxury brand A. Moreover, owing to stronger social influencs that luxury goods characteristic of, this study not only discussing the real time periods, but also deeply look into peer sithations in order to understand the diffusion model in subjective time periods. At last, this study will explore the differences of perceived values between early adoptors and late adoptors. Under comprehensively analysis from qnantative Questionnaire surveys and in-depth interviews, findings are as followed. (1)The new product diffusion model of luxury goods is highly close to Bass model. All potential luxury-goods customers can be divided to advertisement-influenced innovators and word-of-mouth-influenced imitators. (2)New product diffusion model of luxury goods is constructed by objective factor and subjective factors. In addition to classifying adoptors into early and late according the real time period, this study proposes other classifications: objectively early imitators (subjective followers) and objectlvely late innovators (subjective innovators). (3)Perceived value of luxury goods would not significantly sway with the objective doption time. (4)The fear of having the same bag with others results from the coexisting of Snob effect and Bandwagon effect, which has no actual influences on consumption decisions.

This creative project was a musical composition constructed upon the "in series" principle of interval connection which entailed the systematic linkage of all melodic and harmonic materials through rigorously maintaining the configuration of intervals inherent in the original statement. The piece, a septet entitled A Solo Symphony, is an extended four movement composition. The score, and a recording made at the University Composers Exchange Fourteenth Annual Festival held at Ball State University in 1965, is located in the appendix which supplements a paper describing the compositional process. / School of Music

Several population characteristics were calculated for smallmouth bass Micropterus dolomieui and rock bass Ambloplites rupestris populations on the west fork of the White River in Randolph, Delaware, and Madison counties, Indiana and were compared to other populations. When compared to streams of similar size in Indiana that were sampled with the same methods, relative abundance (CPUE) of smallmouth bass was average (18.9-35.0 fish/hour) while rock bass were two to ten times more abundant (44.3-53.0 fish/hour). Age analysis and back calculation of length at age were only performed for smallmouth bass. These results indicated strong year classes were cyclical and smallmouth bass growth was above average for Indiana streams, but average for streams of the Midwest. Proportional stock density values were average for smallmouth bass (28-39%) and slightly below average for rock bass (17-33%). Strong weight-length models were also found for both species and relative weight values were optimal. / Department of Biology

Submitted by Franciele Moreira (francielemoreyra@gmail.com) on 2018-07-12T13:15:02Z No. of bitstreams: 2 Dissertação - Claudio Marcelo Bezerra Maia - 2018.pdf: 2159122 bytes, checksum: e7130d3df8ba47e0f8ee645cf5ee94bd (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-07-13T10:30:08Z (GMT) No. of bitstreams: 2 Dissertação - Claudio Marcelo Bezerra Maia - 2018.pdf: 2159122 bytes, checksum: e7130d3df8ba47e0f8ee645cf5ee94bd (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2018-07-13T10:30:08Z (GMT). No. of bitstreams: 2 Dissertação - Claudio Marcelo Bezerra Maia - 2018.pdf: 2159122 bytes, checksum: e7130d3df8ba47e0f8ee645cf5ee94bd (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2018-03-28 / The present has as object the arrangements of brazilian popular music in the modal context, particularly the bass line. The general objective is to discuss the construction of the double bass line in the development of arrangements for brazilian popular music in the modal context in order to offer greater freedom of creation/performance to the bassist. To this end, is organized into three main parts: 1) Literature review: discussion of references in printed and audiovisual material on double bass and MPB, especially those involving performance and modalism, available in portuguese language; 2) Selection and discussion of the material reviewed: two songs from the repertoire of MPB, which present the modalism and will serve as object to the arrangements; 3) Preparation of double bass lines in the modal context to be taken into account in arrangements. / O presente trabalho tem como objeto de estudo arranjos de música popular brasileira no contexto modal, em particular da linha do contrabaixo. O objetivo geral é discutir a construção da linha do contrabaixo na elaboração de arranjos para música popular brasileira no contexto modal, de forma a oferecer maior liberdade de criação/atuação ao contrabaixista. Para tanto, o corpo do trabalho está estruturado em três partes principais: 1) Revisão da literatura, consistente na discussão do referencial teórico por meio de levantamento bibliográfico em material impresso e audiovisual sobre contrabaixo e MPB, em especial aqueles que envolvem performance e modalismo, disponíveis em língua portuguesa; 2) Seleção e discussão do material revisado: duas canções do repertório da MPB que apresentem o modalismo e servirão de objeto para a elaboração dos arranjos/rearmonização de trechos; e 3) Elaboração/das linhas de contrabaixo no contexto modal a serem consideradas nos arranjos.