The discussion about Husserl's intersubjectivity theory is well established, the discussion about the same from Heidegger is not as extensive. Above all, there is little discussion about Heidegger as a critic of Husserl's intersubjectivity theory. Thus, the present paper describes Husserl's and Heidegger’s intersubjectivity theories in order to be able to account for Heidegger's criticism of Husserl's theory. The paper shows that Husserl bases his theory on empathy, while Heidegger bases it on the care of the equipment world, the They, everyday existence and the public. Heidegger criticizes Husserl for assuming the subject with an inner authentic core on which social and cultural life is incorporated. According to Heidegger, the most primary condition for humans is that we live in a shared world with other people.

Made available in DSpace on 2016-03-15T19:40:38Z (GMT). No. of bitstreams: 1 Marcos Malta Campos.pdf: 466983 bytes, checksum: e34e360a58b6aa4ed21bde8fb800caac (MD5) Previous issue date: 2009-02-19 / Fundo Mackenzie de Pesquisa / This research aimed a daseinsanalytical understanding of the teenager Christopher s being-in-the-world (protagonist of the novel The Curious Incident of the Dog in the Night-Time), explaining the relationships of the character with others who are presented in his world. Christopher s manifestations can also be diagnosed as Asperger s Syndrome, according to DSM-IV-TR. The phenomenological method described by Giorgi was used to emerge the Christopher s being-with others phenomena, following a daseinsanalytical understanding based on the contributions of Martin Heidegger in his Zollikon Seminars. These seminars exposed Daseinsanalysis as an instrument able to understand healthy and sick existence, from appropriated concepts to human being. The research found out that Christopher get on with others predominantly in strangeness, seeing people many times as potently nocuous and seeking lonesomeness. The phenomena being-with others was demonstrated in Christopher s life, which suggests that this study confirms some of Heidegger s postulations. / Esta pesquisa teve por objetivo realizar uma compreensão daseinsanalítica do ser-no-mundo do adolescente Christopher, protagonista do romance O Estranho Caso do Cachorro Morto, explicitando as relações do personagem com as pessoas de seu mundo. O adolescente descrito no livro pode ser diagnosticado com Transtorno de Asperger, de acordo com critérios do DSM-IV-TR. Utilizou-se do método fenomenológico, conforme descrito por Giorgi, para realizar a emersão do fenômeno ser-com os outros do referido personagem, seguindo-se compreensão daseinsanalítica embasada nas contribuições do filósofo Martin Heidegger nos Seminários de Zollikon. Estes seminários visaram expor a Daseinsanalyse como instrumento capaz de compreender o existir sadio e o existir doente em geral a partir de concepções próprias à existência humana. Os principais resultados da análise apontam que Christopher relaciona-se com os outros predominantemente no modo da estranheza, enxergando as pessoas muitas vezes como potencialmente nocivas e buscando o isolamento. O fenômeno existencial ser-com foi concretamente demonstrado na vida do personagem, o que leva a pensar que em alguns momentos da análise o estudo ganhou um certo caráter de confirmação de postulações heideggerianas.

This study investigates certain existential themes found in the work of Austrian director Michael Haneke. As such the focus is on the existential philosophy of Martin Heidegger, specifcally Heidegger’s notion of Being as always being-towards-death. There are six flms under discussion – the three flms comprising his Vergletscherung-trilogie (Der Siebente Kontinent, Benny’s Video and 71 Fragmente einer Chronologie des Zufalls), and his later flms Funny Games, La Pianiste, and Caché. Michael Haneke has been lauded as “Austria’s most esteemed and most controversial active flmmaker” (Frey 2003:1), a director whose work transgresses the boundaries of mainstream flm in terms of both its form and content. In fact, the director argues, he is responsible for “rap[ing] the spectator to independence”. Haneke’s work features a solid measure of existential themes, examining the alienation and isolation of the individual, the despair brought on by the monotony of modern society, and the seeming meaninglessness of man’s existence. This study aims to show that much of Haneke’s existential thought can be drawn back to Heidegger’s concept of Being, and the various ways in which Being is constituted. Focusing particularly on the notion of Being as being-towards-death, two other constitutive elements are also included – Being as always being-in-the-world and Being as always being-with-others. Being-in-the-world is examined on two fronts, looking at Haneke’s treatment of the public space, and of the domestic setting of the home. Beingwith- others is likewise elucidated in terms of the perspective Haneke offers on society as Heidegger’s Das Man, and the more intimate relationships within the family unit. By coupling these elements with Heidegger’s notions of thrownness, anxiety and the nothing, this study thus investigates how Haneke’s rendition of being-in-the-world and being-withothers inevitably, and fundamentally, means being-towards-death. / Dissertation (MA)--University of Pretoria, 2012. / Visual Arts / unrestricted

Made available in DSpace on 2016-04-27T17:27:17Z (GMT). No. of bitstreams: 1 FIL - Silvia Cristina S Strake.pdf: 674639 bytes, checksum: 502bc5379adce8d3e5650852bd62eb34 (MD5) Previous issue date: 2006-11-10 / This study intends to present historicity [or historicality] as discussed in the work Being and Time by Martin Heidegger. We understand that this author presents an original discussion about the meaning of history in opposition to the conceptions developed by the Historicism. In order to do so we described the considerations presented in Heidegger s thoughts in 1927, which reinforce his overcoming the epistemological approach and proposing the ontological understanding of history. According to him, the comprehension of what history means should not be defined by the attempts to establish it as a science, but an ontological comprehension of history is revealed by describing the fundamental human condition as Dasein. Based upon daily human existence Heidegger inquiries the significance of history, namely the mode-of-being of history - called historicity [historicality]. We tried to accomplish the exposition of the mode-of-being of history by means of the fundamental elements description as inserted in the Analytics of Dasein, because these elements (being-with-others, temporality, understanding, care, being-towards-death, state-of-mind, etc), along with the description of the phenomenologic-hermeneutical methodology, bring into light the original ontological perspective by Heidegger s thoughts to discuss the problem of history / O presente estudo pretende explicitar a historicidade discutida na obra Ser e Tempo de Martin Heidegger. Entendemos que o autor apresenta uma discussão original do sentido da história, contrapondo-se às concepções desenvolvidas pela Escola Histórica [Historicismo]. Para tanto, descrevemos as considerações presentes no pensamento de Heidegger de 1927 que corroboram para a superação da abordagem epistemológica propondo, assim, uma compreensão ontológica da história. A compreensão do que seja a história, segundo o autor, não se caracteriza pela tentativa de estabelecê-la como ciência, mas a compreensão ontológica da história se revela na explicitação da condição fundamental do homem como Dasein. É a partir da existência humana cotidiana que Heidegger problematiza o sentido da história, ou seja, o modo de ser da história denominado de historicidade. Para realizar a exposição do modo de ser da história, utilizamos a descrição dos elementos fundamentais contidos na Analítica do Dasein, pois estes elementos (ser-com-os-outros, temporalidade, compreensão, cuidado, ser-para-a-morte, disposição, etc), juntamente com a descrição do método fenomenológico-hermenêutico, evidenciam a perspectiva ontológica original do pensamento de Heidegger para discutir o problema da história