This dissertation seeks to contribute to recent scholarship by demonstrating that an African-American utopian tradition persists in the twentieth and twenty-first centuries, particularly in the works of African-American women writers. If liberation remains a fundamental theme in African-American literature – a definitive stance espoused by W. E. B. Du Bois and a host of other prominent African-American scholars, but also upheld by this dissertation – then such a consistently recurring goal has only been marginally completed, at best, in the United States. Despite proclamations of a universally attainable American Dream, African Americans remain disenfranchised by prison, education, and court systems as well as other integral institutions found within the United States.With this dilemma in mind and given the potentially subversive power of literature, this dissertation argues that the African-American utopian tradition in particular functions as a useful critical lens through which one can examine the often-elusive goal of revolutionary change. This lens raises the pertinent questions that one must answer in order to strive towards one’s utopia, and also exposes the systemic and thus conventional parameters latent in the too-familiar antithetical dystopias about which so many African-American narratives admonish their audiences to confront or, if they are lucky enough, avoid altogether. By focusing on a thematic continuum represented by the utopian small towns found in Zora Neale Hurston’s Their Eyes Were Watching God (1937), Gloria Naylor’s Mama Day (1988), Octavia Butler’s Parable of the Sower (1993) and Parable of the Talents (1998), and Toni Morrison’s Paradise (1997), this dissertation encapsulates a utopian tradition that inscribes race, gender, and sexuality, onto the African-American literary tradition. / English

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The purpose of this autoethnographic study was to critically examine my personal experiences with culture and race to better understand myself, my perceptions of culture and race, and how my perceptions of educators' interactions with culturally and racially diverse students may have been impacted as a result. Autoethnography is the study of self in which researchers draw on their own experiences to understand a culture or phenomenon. The following research questions guided the study: 1) what does an examination of my lived experiences as an African American female educator reveal about me? and 2) what are the potential implications for my role as an administrator? Data sources consisted of journal entries, notes, and narratives based on my lived experiences. The data were analyzed by initial coding to uncover recurring themes in the narratives of: 1) negative perceptions of those offended by issues of race; 2) the need to promote cultural awareness; and 3) personal silence around issues of race. The themes were then examined through the lens of critical race theory with specific attention to the tenets of permanence of race, interest convergence, intersectionality, and storytelling. The insights provided here in response to the first research question were then considered in light of the framework of culturally responsive pedagogy and leadership, thus responding to the second question. The implications discussed provide insights for me personally as a teacher leader, for educators in general, and for future researchers.

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