No description available.

No description available.

No description available.

No description available.

No description available.

This thesis seeks to demonstrate that, in failing to take the sacramentality of the Word seriously, the preaching of the Church has suffered negative consequences. In short, preaching has often become, at best, a form of instruction or, at worst, an incantation of sorts, rather than an integral part of deepening our relationship with Christ by functioning sacramentally to bring about divine participation with Jesus' corporeal humanity in his living Word. Moreover, this trouble has had a profoundly negative effect on my own Lutheran Church – Missouri Synod due, in part, to our Reformation heritage as Christians who believe, teach, and confess the sole authority and divine inspiration of Holy Scripture. Yet, what has been lost over the past 500 years since the Reformation began is the reality of Christ's ongoing corporeal presence in and for the Church, particularly as he is present in the viva vox of preaching. In order to recover that reality, I propose that one should consider the annunciation to Mary where, with a sermon of sorts, the corporeal Christ took up residence in the flesh of his hearer. In addition to granting Mary a son, however, this tangible presence of Jesus also delivered to her precisely what was contained within his own flesh: the fullness of the Godhead (Col 2:9). When understood as a biblical paradigm for the Church, it becomes clear that what happened to Mary can, indeed, happen to Christians of the present day. To that end, I propose that preaching today, when understood sacramentally, can deliver the fullness of the person of Christ, who continues to come in corporeality, with humanity and divinity, in the viva vox of preaching.

The theoretical and practical part is dealing with the detail of a czech wall painting with the motif of the Virgin Mary from the peak era of the Middle Ages. The theoretical part introduces the marian theme. It describes its iconography, meaning in art and closely specifies the division of images according to devotional themes. The next part is focused on the description and analysis of the motif of the Virgin Mary the Protector, which is depicted on wall painting in a cloister of the Church of Presentation of the Blessed Virgin Mary in České Budějovice. In the practical part is fundamental creation of the relief as a haptic aid for the visually impaired. Created reliefs are polychrome reconstruction of the wall paintings of the above-mentioned motif. The work is supplemented by other materials, implementation procedure, sketches and photo documentation.

The thesis called Virgin Mary Klasová - the compensatory haptic aid is divided into two parts. The theoretical part is devoted to the history of Gothic painting in the Czech territory. The work focuses on the history of the city České Budějovice and maps the development of the monastery Church of the Presentation of the Blessed Virgin Mary. She discusses the Gothic painting of Virgin Mary Klasová, taking into account its iconographic and historical significance. The theoretical part further describes the characteristics of visual impairments and gives information about its problems. The practical part aims to transform the image of the Virgin Mary on a compensatory tactile aid in the form of a relief.

Este trabalho analisa o aspecto lírico-religioso de três canções marianas, recolhidas do Cancioneiro Popular do imigrante italiano na Região de Colonização Italiana e se propõe revelar, sob o aspecto das metáforas e das metonímias, a representação de Maria. Para tanto, este estudo dialoga com temas imprescindíveis para a obtenção de resultados, como História, Cultura, Identidade, Regionalidade, Mariologia, Metáforas, Metonímias (a Teoria de Metáforas Conceituais) e música. Assim sendo, a dissertação está estruturada sobre quatro capítulos que norteiam a análise e a interpretação. A saber: o Primeiro Capítulo entrelaça a História e a Cultura, procurando fazer uma revisão de aspectos relevantes da história da imigração italiana na RCI na Região Nordeste do Estado, focando a importância da religião e ou da fé desde os primórdios desse processo. A partir disso, há a análise sobre Região, Identidade e Religiosidade. O Segundo Capítulo destaca o Cancioneiro Popular e assim, o aspecto da Tradição Oral Popular. Aprofunda o aspecto da cultura popular expressada com o canto e traz em evidência a caracterização do Canto Mariano (origens, ritualismo e devoção do imigrante italiano). Demonstra, ainda, aspectos da devoção mariana, tão presente e viva junto ao imigrante, pois Maria é descrita como sendo a mãe que está sempre presente e junto aos seus filhos (povo). O Terceiro Capítulo, por sua vez, concentra a análise dos aspectos da Teoria da Metáfora Conceitual, da Simbologia e, também, da interpretação e pesquisa sobre as Virtudes, objetivando a análise da figura da mulher idealizada , ou ainda, da representação da mãe - Maria (Madonna). Por fim, no Quarto Capítulo, tem-se a Metodologia e a Análise das canções marianas, ou seja, a análise do corpus das canções: Beléssa di Maria; Maria Consolatrice; O Bèla mia Speransa, que motivam este estudo. Esta parte segue o método da análise semântica com base em George Lakoff (e colaboradores) que permeiam o estudo das metáforas conceituais. Há, também, a posição etnográfica, onde é destacada a pesquisa de campo realizada para conhecer opiniões e perspectivas do povo, indo além da análise do pesquisador. Após isso, é feita a síntese com os resultados obtidos pela pesquisa/estudo. / Submitted by Marcelo Teixeira (mvteixeira@ucs.br) on 2014-05-28T17:29:23Z No. of bitstreams: 1 Dissertacao Lauro Edson da Cas.pdf: 660533 bytes, checksum: 67162060ee2c9127d36245efbaca0ad2 (MD5) / Made available in DSpace on 2014-05-28T17:29:23Z (GMT). No. of bitstreams: 1 Dissertacao Lauro Edson da Cas.pdf: 660533 bytes, checksum: 67162060ee2c9127d36245efbaca0ad2 (MD5) / This study analyzes the religious lyrical aspect of three Marian songs, collected from the book Cancioneiro Popular do Imigrante Italiano na Região de Colonização Italiana, and also intends to clarify, using metaphors and metonymies, the representation of Mary. To do that, this study takes into consideration imprescindible issues such as History, Culture, Identity, Religiosity, and Mariology, Metaphors, Metonymies (Conceptual Metaphor Theory) and music. This dissertation is structured upon four chapters as follows: the first chapter links History and Culture, trying to revise some relevant points of the history of the Italian immigration on the RCI in the Northeast Region of our state, focusing on the importance of religion and/or faith since the beginning of that process. Therefore, there is the analysis about the Region, Identity and Religiosity. The second chapter highlights the Cancioneiro Popular and then, the Popular Oral Tradition. Also, it deepens the aspect of popular culture expressed by the songs and brings into evidence the characterization of the Marian Songs (origins, ritualism and devotion of the Italian immigrant). Moreover, it shows some aspects of the Marian devotion, so present and alive within the immigrant, because Mary is described as the mother who is always with her children (the people). The third chapter, in turn, focus on the analysis of aspects of the Conceptual Metaphor Theory , of the Symbolism, and also of the interpretation and research regarding the Virtues, aiming at analyzing the idealized woman´s portrait , or still, the representation of the mother Mary (Madonna). At last, presented in the fourth chapter are the Methodology and the Analysis of the Marian Songs, that is, the analysis of the corpus of songs: Beléssa di Mary, Mary Consolatrice and O Bela mia Speransa that motivate the study. This part follows the method of semantic analysis, based on George Lakoff (and collaborators) that permeates the study of the conceptual metaphors. There is the ethnographic position as well, where is emphasized the field work carried out to know opinions and perspectives of the people, going beyond the researcher´s analysis. After that, the synthesis is done with the obtained results by the research/study.

Este trabalho analisa o aspecto lírico-religioso de três canções marianas, recolhidas do Cancioneiro Popular do imigrante italiano na Região de Colonização Italiana e se propõe revelar, sob o aspecto das metáforas e das metonímias, a representação de Maria. Para tanto, este estudo dialoga com temas imprescindíveis para a obtenção de resultados, como História, Cultura, Identidade, Regionalidade, Mariologia, Metáforas, Metonímias (a Teoria de Metáforas Conceituais) e música. Assim sendo, a dissertação está estruturada sobre quatro capítulos que norteiam a análise e a interpretação. A saber: o Primeiro Capítulo entrelaça a História e a Cultura, procurando fazer uma revisão de aspectos relevantes da história da imigração italiana na RCI na Região Nordeste do Estado, focando a importância da religião e ou da fé desde os primórdios desse processo. A partir disso, há a análise sobre Região, Identidade e Religiosidade. O Segundo Capítulo destaca o Cancioneiro Popular e assim, o aspecto da Tradição Oral Popular. Aprofunda o aspecto da cultura popular expressada com o canto e traz em evidência a caracterização do Canto Mariano (origens, ritualismo e devoção do imigrante italiano). Demonstra, ainda, aspectos da devoção mariana, tão presente e viva junto ao imigrante, pois Maria é descrita como sendo a mãe que está sempre presente e junto aos seus filhos (povo). O Terceiro Capítulo, por sua vez, concentra a análise dos aspectos da Teoria da Metáfora Conceitual, da Simbologia e, também, da interpretação e pesquisa sobre as Virtudes, objetivando a análise da figura da mulher idealizada , ou ainda, da representação da mãe - Maria (Madonna). Por fim, no Quarto Capítulo, tem-se a Metodologia e a Análise das canções marianas, ou seja, a análise do corpus das canções: Beléssa di Maria; Maria Consolatrice; O Bèla mia Speransa, que motivam este estudo. Esta parte segue o método da análise semântica com base em George Lakoff (e colaboradores) que permeiam o estudo das metáforas conceituais. Há, também, a posição etnográfica, onde é destacada a pesquisa de campo realizada para conhecer opiniões e perspectivas do povo, indo além da análise do pesquisador. Após isso, é feita a síntese com os resultados obtidos pela pesquisa/estudo. / This study analyzes the religious lyrical aspect of three Marian songs, collected from the book Cancioneiro Popular do Imigrante Italiano na Região de Colonização Italiana, and also intends to clarify, using metaphors and metonymies, the representation of Mary. To do that, this study takes into consideration imprescindible issues such as History, Culture, Identity, Religiosity, and Mariology, Metaphors, Metonymies (Conceptual Metaphor Theory) and music. This dissertation is structured upon four chapters as follows: the first chapter links History and Culture, trying to revise some relevant points of the history of the Italian immigration on the RCI in the Northeast Region of our state, focusing on the importance of religion and/or faith since the beginning of that process. Therefore, there is the analysis about the Region, Identity and Religiosity. The second chapter highlights the Cancioneiro Popular and then, the Popular Oral Tradition. Also, it deepens the aspect of popular culture expressed by the songs and brings into evidence the characterization of the Marian Songs (origins, ritualism and devotion of the Italian immigrant). Moreover, it shows some aspects of the Marian devotion, so present and alive within the immigrant, because Mary is described as the mother who is always with her children (the people). The third chapter, in turn, focus on the analysis of aspects of the Conceptual Metaphor Theory , of the Symbolism, and also of the interpretation and research regarding the Virtues, aiming at analyzing the idealized woman´s portrait , or still, the representation of the mother Mary (Madonna). At last, presented in the fourth chapter are the Methodology and the Analysis of the Marian Songs, that is, the analysis of the corpus of songs: Beléssa di Mary, Mary Consolatrice and O Bela mia Speransa that motivate the study. This part follows the method of semantic analysis, based on George Lakoff (and collaborators) that permeates the study of the conceptual metaphors. There is the ethnographic position as well, where is emphasized the field work carried out to know opinions and perspectives of the people, going beyond the researcher´s analysis. After that, the synthesis is done with the obtained results by the research/study.