The separate sphere ideology, dominant but never hegemonic in Victorian Britain, dictated that women’s natural vocation was to be wives and mothers. Between the years 1850 to 1901, the surplus woman problem and a nascent feminist movement challenged the separate sphere ideology. It was also reinforced by imperialist ideologies that held the British family as a sign of Britain’s superiority, and eugenics which placed great importance on heterosexual marriage and reproduction. How did novelists, especially women novelists, respond to the challenges against the separate sphere ideology? How did they depict unconventional women such as surplus women, women who behaved in transgressive ways, feminist women, lesbians, and women who were in interracial relationships? The conventional narrative stressed the importance of marriage, and unconventional characters either reformed themselves or met tragic fates. This remained consistent throughout the second half of the 19th century. At mid-century, unconventional women were the ones who rejected marriage, had an affair, etc. As women began to gain rights in education, work, and civic rights, the temptations that drew middle class women away from conventional life shifted to wanting to work or becoming feminists. Novels also depicted alien others, such as lesbians and non-white people, as menaces and threats to conventional marriage. Acceptable unconventionalities were limited: it was acceptable for women to be unconventional if they were exceptional or they broke one convention but upheld another, such as motherhood. At the end of the century, New Women novelists and other novelists that sympathetically depicted unconventional women critiqued the separate sphere ideology, but were overwhelmingly pessimistic about the possibility that women could escape convention.

This dissertation focuses on the triangulated relationship among female sexuality, patriarchy, and empire and examines literary and historical texts to understand how Britons increasingly identified as imperialists over the course of the nineteenth century. This project, the first book-length study of its kind, features analyses of canonical works like Mansfield Park, David Copperfield, and Adam Bede as well as analyses of paintings, etchings, conference proceedings, newspaper advertisements, colonial reports, political tracts, and medical records from Britain and its colonies. I challenge critical conceptions of the fallen woman as a trope of domestic fiction whose position as outcast illustrates the stigmatization of female sex during the nineteenth century, and I argue that the depiction and punishment of fallen women in multiple genres reveal an interest in protecting and maintaining an imperial system that claims moral superiority over the people it colonizes. My critical stance is both feminist and postcolonial, and my work complicates readings of fallen women in Victorian literature while also adding significantly to scholarship on gender and empire begun by Anne McClintock and Philippa Levine. I claim that during the nineteenth century, the fallen woman comes to represent that which will threaten patriarchal and imperial power, and her regulation reveals an intent to purify the British conscience and strengthen the nation’s sense of itself as a moral and exceptional leader in the world. My investigation into fallenness and empire through a wide range of texts underscores the centrality of imperialism to British society and to the lives of Britons living far removed from colonial sites like India or East Africa.

This dissertation investigates the contradictions and similarities regarding the depictions of Afrikaner ancestry in two works by Charles Davidson Bell: The landing of Van Riebeeck, 1652 (1850) and Cattle boers' outspan (s.a.). The works were discussed and compared from a conventional perspective in order to establish the artworks' formal qualities, subject matter and thematic content This reading was extended by employing postcolonial theoretical principles in order to contextualise these two artworks within their Victorian ideological frameworks, social realities and authoring strategies. The extended comparative reading revealed a number of similarities and contradictions regarding the artist's depiction of Afrikaner ancestry in these two works. Postcolonial theory further facilitated a more comprehensive and dense reading of the chosen artworks, as well as of the artist's oeuvre. / Thesis (M.A. (History of Arts))--North-West University, Potchefstroom Campus, 2010.

This dissertation investigates the contradictions and similarities regarding the depictions of Afrikaner ancestry in two works by Charles Davidson Bell: The landing of Van Riebeeck, 1652 (1850) and Cattle boers' outspan (s.a.). The works were discussed and compared from a conventional perspective in order to establish the artworks' formal qualities, subject matter and thematic content This reading was extended by employing postcolonial theoretical principles in order to contextualise these two artworks within their Victorian ideological frameworks, social realities and authoring strategies. The extended comparative reading revealed a number of similarities and contradictions regarding the artist's depiction of Afrikaner ancestry in these two works. Postcolonial theory further facilitated a more comprehensive and dense reading of the chosen artworks, as well as of the artist's oeuvre. / Thesis (M.A. (History of Arts))--North-West University, Potchefstroom Campus, 2010.

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Cette thèse étudiera la franc-maçonnerie de traditions européennes qui se transforma au cœur des périodes colonisatrices française et britannique de 1778 à 1915. Les loges du Grand Orient de France qui s’implantèrent, sous la colonisation française de l’Isle de France, à la fin du XVIIIe siècle furent des pionnières de la maçonnerie dans un pays qui vécut, simultanément, une nouvelle période de colonisation britannique, à partir de 1810, et des changements drastiques aux niveaux démographique, socio-économique, ethnique et politique. Le fait maçonnique ne put que changer intrinsèquement dans le contexte insulaire multiculturel alors que la colonie, n’ayant pas de peuples autochtones, devint le terreau d’une multitude de traditions européennes, africaines et asiatiques. La maçonnerie locale acquit, grâce aux échanges entre les loges françaises et les nouvelles obédiences qui s’implantèrent (la Grande Loge Unie d’Angleterre, la Grande Loge d’Ecosse, la Grande Loge d’Irlande et le Suprême Conseil de France), une identité insulaire et mauricienne. Cette thèse montrera comment l’institution maçonnique mit en exergue la possibilité de construire une cohésion et un espace de partage à certains moments-clés de l’histoire du pays. Cependant, les loges françaises et britanniques eurent à faire face aux grands défis socio-politiques, économiques et religieux du XIXe siècle et du début du XXe siècle. En effet, les maçons furent aussi en proie aux divisions et conflits liés au multiculturalisme et à la pluriethnicité de la société coloniale. Cette thèse démontrera, en l’occurrence, comment la franc-maçonnerie de plusieurs obédiences développa des fonctionnements et des traditions influencés par le contexte et put maintenir un œcuménisme malgré les difficultés. Pourtant, la fin du XXe siècle entraîna les loges dans des divergences religieuses, idéologiques et institutionnelles et certains éléments, qui firent du laboratoire maçonnique mauricien un exemple des valeurs universelles et de la fraternité internationale, devinrent les sources mêmes de divisions. / This thesis will study freemasonry coming from European cultures which was transformed in the midst of French and British colonising periods from 1778 to 1915. The Grand Orient de France lodges, which settled under the French colonising regime of Isle de France at the end of the 18th century, introduced freemasonry in a country which underwent, simultaneously, a new British colonising era, as from 1810, and deep changes on the demographic, socio-economic, ethnic and political levels. Freemasonry could not but profoundly change in this insular multicultural context as the colony, which did not have any indigenous population, became the melting pot of various European, African and Asian traditions. Local freemasonry acquired, owing to the relations of the French lodges with the different lodges which were created (of the United Grand Lodge of England, the Grand Lodge of Scotland, the Grand Lodge of Ireland and the Suprême Conseil de France), an insular and Mauritian identity. This thesis will show how the Craft enabled cohesion and provided a place for sharing at some milestones in the history of the country. However, the French and British lodges had to face the grand socio-political, economic and religious challenges of the 19th century. In fact, the freemasons had also to experience the divisions and conflicts induced by the multicultural and multi-ethnic colonial society. Therefore, this thesis will to show how freemasonry from different grand lodges developed practices and traditions influenced by the context and were able to uphold ecumenism in spite of the obstacles. However, the lodges got caught into religious, ideological and institutional conflicts at the end of the 19th century and some components, which made of the Mauritian masonic laboratory an example of universal values and international fraternalism, eroded.

Afrikaans Deneys Reitz, die derde van president F.W. Reitz se vyf oorlewende seuns, is op 2 April 1882 te midde van die politieke en ekonomiese ontwaking van die Vrystaat in Bloemfontein gebore. Hy het op die ouderdom van 17 by die Boeremagte aangesluit en doen hier die ondervindinge op wat hy later in sy eerste boek, Commando: A Boer journal of the Boer war, weergee. Met die sluit van vrede weier hy om die eed van getrouheid teenoor Brittanje af te lê en wend hom na Madagaskar waar hy onder meer as ‘n transportryer werk. Hy keer in 1903, op aandrang van Isie Smuts, na Suid-Afrika terug, kwalifiseer as ‘n prokureur en open ‘n prokureurspraktyk in die Noordoos-Vrystaatse dorp Heilbron. Gedurende die 1914-rebellie skaar hy homself aan die Botha-Smuts regering se kant en voer hy die Heilbronkommando aan teen die rebelle. Tydens die Eerste Wêreldoorlog sluit hy hom aanvanklik by Botha en Smuts in Duits-Suidwes-Afrika aan en daarna by die Britse leër in Brittanje. Hy spandeer die meeste van die Eerste Wêreldoorlog in die loopgrawe aan die Wesfront in Frankryk en vorder tot die rang van kolonel in bevel van ‘n bataljon van die First Royal Scots Fusiliers. Met sy terugkeer na Suid-Afrika in 1920 wend hy hom tot die politiek en as lid van die Suid-Afrikaanse Party verteenwoordig hy eers Bloemfontein-Suid (1920) en later Port Elizabeth. Vanaf 1929 verteenwoordig hy Barberton. Hy dien aanvanklik in die parlement as Minister van Lande, waar hy onder meer betrokke raak by wetgewing i.v.m. die totstandkoming van die Krugerwildtuin. Hy dien ook as Minister van Lande in die koalisie kabinet van J.B.M. Hertzog (1933) en daarna as Minister van Landbou en Bosbou (1935), Minister van Mynwese (1938), Minister van Naturellesake (1939) en as adjunkpremier in Smuts se Oorlogskabinet (1939-1943). Vir die periode van 1924 tot 1933 dien hy as deel van die amptelike opposisie, terwyl hy hoofsaaklik as ‘n prokureur in Johannesburg werk. In dié periode het hy ook uitgebreide private- en sakereise na onder meer Noord- en Suid-Rhodesië, die Belgiese Kongo en die Kaokoveld in Suidwes-Afrika onderneem. Sy bekendheid het hy grootliks verwerf uit die publikasie van sy herinneringe van die Anglo Boereoorlog, gepubliseer as Commando in 1929. Dit is erken as ‘n boek van uitstaande gehalte en word beskou as ‘n klassieke werk oor die Anglo-Boereoorlog. Die res van sy lewe, vanaf 1902 tot 1940, het hy in die boeke Trekking on en No outspan beskryf. Deneys Reitz was getroud met Leila Agnes Buissine Reitz (13/12/1887 – 29/12/1959). Sy was Suid-Afrika se eerste vroulike parlementslid en het Parktown verteenwoordig. Leila was veral by maatskaplike werk betrokke en het spesifiek op kinders en kindermisdadigers gefokus. Deneys en Leila het twee seuns gehad - Jan en Michael. Weens swak gesondheid word Reitz in 1943 as Hoë Kommissaris in Londen aangestel, waar hy in 1944 sterf. English Deneys Reitz, the third of president F.W. Reitz’s five living sons, was born in Bloemfontein on 2 April 1882 during the political and economical awakening of the Orange Free State. As a boy of seventeen he joined the Boer forces in the Anglo-Boer War, gaining the experience he set down in his first book, Commando: A Boer journal of the Boer war. After the peace he was an irreconcilable and lived as a transport rider in Madagascar, returning to South Africa in 1903 after prompting by Isie Smuts. He qualified as an attorney and practiced in the town of Heilbron in the north-east Free State. During the 1914 rebellion he commanded the Heilbron Commando against the rebels in support of the Botha-Smuts government. During World War I he first joined Botha and Smuts in German South West Africa and then in German East Africa, where after he enlisted with the British Army. He spent most of the First World War in the trenches in France, where he rose to command a battalion of the First Royal Scots Fusiliers. Upon his return to South Africa he entered Parliament in 1920 as a member of the South African Party, representing first Bloemfontein South (1920) and later Port Elizabeth. He represented Barberton from 1929. He initially held the portfolios of Lands (1923-24), becoming involved in developing legislation for the establishment of the Kruger National Park. He also served as Minister of Lands in the coalition government of J.B.M. Hertzog (1933), Minister of Agriculture and Forestry (1935), Minister of Mines (1938), Minister of Native Affairs (1939) and as deputy premier in Smuts’ War Cabinet (1939-1943). Reitz was a member of the formal opposition from 1924 to 1933, while also working as an attorney in Johannesburg. In this period he travelled extensively in both his private and official capacities to North and South Rhodesia, the Belgian Congo and the Kaokoveld in South West Africa. His real claim to fame, however, arises from his memoirs of the Anglo-Boer War, which he published under the title of Commando in 1929. This was immediately recognised as a work of outstanding quality and has become a South African classic on the Anglo Boer War. Later he wrote Trekking on and No outspan, continuing the story of his career. Deneys Reitz was married to Leila Agnes Buissine Reitz (13/12/1887 – 29/12/1959), the first South African women elected to parliament. She was member for Parktown. Leila, who was involved in welfare work, focused on children and delinquents. Deneys and Leila had two sons of their own - Jan en Michael. Due to ill health Reitz was appointed Union High Commissioner in London in 1943, where he later passed away. / Thesis (DPhil)--University of Pretoria, 2009. / Historical and Heritage Studies / unrestricted

This dissertation explores how colonial administrators on each side of the Atlantic used the British Survey of North America to serve their governments’ as well as their personal objectives. Specifically, it connects the execution and oversight of the General Survey in the northern and southern theatres, along with the intelligence it provided, with the actions of key decision-makers and influencers, including the Presidents of the Board of Trade (latterly, the Secretaries of the American Department) and key provincial governors. Having abandoned their posture of ‘Salutary Neglect’ towards colonial affairs in favour of one that proactively and more centrally sought ways to develop and exploit their North American assets following the Severn Years’ War, the British needed better geographic information to guide their decision making. Thus, the General Survey of British North America, under the umbrella of the Board of Trade, was conceived. Officially sponsored from 1764-1775, the programme aimed to survey and analyse the attributes and economic potential of Britain’s newly acquired regions in North America, leading to an accurate general map of their North American empire when joined to other regional mapping programmes. The onset of the American Revolution brought an inevitable end to the General Survey before a connected map could be completed. Under the excellent leadership of Samuel Holland, the surveyor general of the Northern District, however, the British administration received surveys and reports that were of great relevance to high-level administration. In the Southern District, Holland’s counterpart, the mercurial William Gerard De Brahm, while producing reports of high quality, was less able to juggle the often conflicting priorities of provincial and London-based stakeholders. Consequently, results were less successful. De Brahm was recalled in 1771, leaving others to complete the work.

This dissertation examines literary representations of the intersection between British imperialism and British and British-modeled public schools. I categorize British writers who have addressed this nexus in their literary works into two groups, idealists and realists, based on their views of British public schools, imperialism, and the effectiveness of the former in sustaining the latter. I present two examples of idealists, Henry Newbolt and the contributors to The Boy's Own Paper, followed by two examples of realists, Rudyard Kipling and E. M. Forster, who have often been viewed as opposites. I then provide an example of a South-Asian diasporic realist, Selvaduari, who builds upon the critiques of British realists by revealing the contemporary offspring of the marriage between British public schools and imperialism. By analyzing works by idealist and realist authors, I demonstrate the importance of public schools and school literature in promoting and sustaining as well as critiquing and condemning imperialism. / text

This dissertation examines militarisation in Scotland and North America from the Jacobite Uprising of 1745-46 to the outbreak of the American Revolutionary War in 1775. Employing a biographical, case study approach, it investigates the cultural paradigms guiding the actions and understandings of British Army officers as they waged war, pacified hostile peoples, and attempted to assimilate 'other' population groups within the British Empire. In doing so, it demonstrates the impact of the Jacobite Uprising on British imperialism in North America and the role of militarisation in affecting the imperial attitudes of military officers during a transformative period of imperial expansion, areas underexplored in the current historiography. It argues that militarisation caused several paradigm shifts that fundamentally altered how officers viewed imperial populations and implemented empire in geographical fringes. Changes in attitude led to the development of a markedly different understanding of imperial loyalty and identity. Civilising savages became less important as officers moved away from the assimilation of 'other' populations towards their accommodation within the empire. Concurrently, the status of colonial settlers as Britons was contested due to their perceived disloyalty during and after the French and Indian War. 'Othering' colonial settlers, officers questioned the sustainability of an 'empire of negotiation' and began advocating for imperial reform, including closer regulation of the thirteen colonies. And, as the colonies appeared to edge closer to rebellion, those officers drew upon prior experiences in Scotland and North America to urge the military pacification of a hostile population group to ensure imperial security. Militarisation, therefore, provides important insights into how cultural imperialism was implemented in Scotland and how it was transferred and adapted to North America. Further, it demonstrates the longer-term interactions and understandings that influenced transformations in eighteenth-century imperial policy.