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Anglo-skotské zápolení od vyhlášení stoleté války po bitvu u Neville Crossu: perspektiva anglických úředních pramenů / The Anglo-Scottish Struggle from the Outset of the Hundred Years' War to the Battle of Neville Cross: The Perspective of English Official DocumentsNovota, Pavel January 2018 (has links)
Why the term 'Anglo-Scottish Struggle' between 1337 and 1346? Why 'The Perspective of English Official Documents'? What influence did the so-called 'Hundred Year's War' have on the Anglo-Scottish relations in the first years of the war? What impact did the 'Scottish issue' have on the policy of the English king during the Anglo-French conflict? How did the perspective of English official documents differ from that of English chronicles or Scottish/French primary sources? What role did the rhetoric of these source play? How was it portrayed? The following thesis will try to analyse some of the aforementioned issues and will strive to prove that the Scottish kingdom had a profound impact on the English policy in multiple respects from the outset of the Hundred Years' War until the battle of Neville's Cross almost ten years later.
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US Security Policy towards the Iranian Nuclear Program / Americká bezpečnostní politika vůči Iránskému jadernému programuKejdušová, Michaela January 2012 (has links)
The Iran's nuclear program makes really deep wrinkles to the United States as one of the main supporters of peace and stability in the world. Despite the fact that Iran has not showed any tests of its nuclear weapons, the USA still tends to destroy Iranian nuclear facilities to protect its national interests. The aim of the thesis is not only to analyze US foreign policy towards Iran but also to deal with the issue of the US non-intervention of Iranian territory to halt the Iranian nuclear program.
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Gilgamesh sien die diepte : van skande tot eerDe Villiers, Gezina Gertruida 21 July 2006 (has links)
Please read the abstract in the section 04back of this document / Dissertation (MA (Semitic Languages))--University of Pretoria, 2006. / Ancient Languages / unrestricted
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Laughing at American Democracy: Citizenship and the Rhetoric of Stand-Up SatireMeier, Matthew R. 31 July 2014 (has links)
No description available.
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My RoomAbells, Diana 20 May 2015 (has links)
No description available.
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Samhällelig sekulär maximalism : En analys av nyateistisk ideologi / Societal secular maximalism : An analysis of new atheist ideologyKarlsson, Albin January 2021 (has links)
The purpose of this essay is to analyze the ideology of the cultural phenomenon, that is as political as it is controversial, the new atheism. By studying the ideas and values of four prominent new atheists, commonly referred to as the ‘four horsemen of the new atheism’, Richard Dawkins, Sam Harris, Christopher Hitchens, and Daniel Dennett, this study aims to, in some ways challenge, and in others, nuance, the categorization of the movement. Its adherents have often been labeled as, for example: ‘secular fundamentalists’, ‘evangelical’ and ‘radical secularists’. None of these designations are inherently wrong. But I think there is a more fitting term available: ‘societal secular maximalist’. This term is a modified version of ‘religious maximalism’, coined by the historian of religion at the University of Chicago, Bruce Lincoln. I argue that the new atheist ideology is not fundamentalistic because it admits fallibility if another theory where to disprove it within its own scientific discourse. Considering this fact, it does not hold is central ideological feature, most commonly a Darwinist theory of evolution, as absolute. Due to this, and some other factors, I argue that the societal secular maximalist categorization is more fitting because the scientific and humanistic views of the ‘four horsemen’ lay claim to all aspects of human existence, private and public, emotional, and factual along with the morals, ethics and aesthetics of our societies.
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Perspective vol. 37 no. 2 (Jun 2003)Cuthill, Chris, VanderBerg, Natasja, Fernhout, Harry 30 June 2003 (has links)
No description available.
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Perspective vol. 37 no. 2 (Jun 2003) / Perspective (Institute for Christian Studies)Cuthill, Chris, Vandenberg, Natasha, Fernhout, Harry 26 March 2013 (has links)
No description available.
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Aplikace marketingu v činnosti politických stran a osobností / Political marketing tools and their use in election campaigns in the elections to the Chamber of Deputies in Czech Republic in year 2013Novák, Martin January 2013 (has links)
This thesis focuses on the use of political marketing during elections to the Chamber of Deputies in Czech Republic in 2013. Aim of the thesis is both to analyze political campaigns and their impact on voters, but also what kind of influence they had on the final outcome of the election. The work is divided into a theoretical part, which describes the evolution of political marketing both in the world and in the Czech Republic. Furthermore, the analytical part, which is currently focused on the analysis of political campaigns before the elections. And lastly, the thesis contains practical part, which focuses on research of current situation and the political perception of voters and their current electoral preference.
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Bruce Nauman : the true artist is an absurd fountainTrapani, Alex 02 1900 (has links)
Link to dataset: https://doi.org/10.25399/UnisaData.14152106.v1 / The work of Bruce Nauman can be understood as an enquiry into the absurd. His work is a critique of art, the artist and society, and is in part viewed as a mediation of stereotypical ‘truth’. The absurd is defined and analysed to elucidate the nature of art and human behaviour by means of literary comparison, in particular of Camus, Sartre and Wittgenstein. This research focusses on Nauman’s subversive performance- based work and analyses how he simulates a particular work of Duchamp. I propose that Nauman espouses human activity into the functionality of objects, such as fountains. My artworks expand on Nauman’s interrogation of the concept of a ‘true artist’ by embodying an absurd fountain as a Sisyphean construct. In contextualising my work in relation to incessant duty, insecurity and double negatives, I offer a regenerative vigour against idolisation of success through contemplation of the artist’s doubt and the absurd. / Art History, Visual Arts and Musicology / M.A. (Visual Arts)
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