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The author takes the 20th anniversary of the NATO intervention as a starting point to reflect on the commemorations of 24 March 1999, distinguishing three phases of memory politics: First, the Making of 24 March (1999–2000) by Slobodan Milošević, which initiated a hegemonic narrative of Serbian martyrdom; second, the Long Period of Ambiguity (2001–2014) shaped by the former democratic governments, who pursued a policy of reconciliation without questioning the one-sided memory in relation to the war in Kosovo; and third, the Return of 24 March with Aleksandar Vučić’s rise to power, which describes the 78 days of air raids as a collective trauma of Serbian society, from which, however, strength and defiance can be derived. The author shows that memory politics in Serbia today continue to focus almost exclusively on Serbian sacrifices made due to the bombing, while the war in Kosovo remains silenced.

This paper considers the symbiotic relationship between iconic visual representations of the Holocaust – specifically film and Holocaust sites – and processes of Holocaust memorialization. In conjunction, specific sites and objects related to the Holocaust have become icons. I suggest that specific Holocaust sites as well as Holocaust films can be perceived as elements of one and/or multiple translocal assemblage/s. My focus in this analysis is on the role of knowledge production and witness creation in Holocaust memorialization. It is not my intention to diminish the role of Holocaust memorialization; rather, I seek to look beyond representational aspects, and consider the processual relationships involved in the commemoration of the Holocaust in institutions, such as memorial sites and museums, as well as through elements of popular culture, such as films. Furthermore, I analyze the tangible and intangible layers of memories and meaning present in Holocaust films and sites through the lens of palimpsests. These conceptual frameworks allow me to consider how visual representations of the Holocaust, such as film, and site inform each other? How are specific representations of Holocaust sites and objects shaping and informing the commemoration of the Holocaust in the 21st century? / Graduate / 0326 / 0335 / 0751 / myriamt@uvic.ca

The thesis based on contemporary press identifies how the newspaper wrote about Karel Havlíček Borovský during the anniversaries of his birth and his death and whether it wrote about him at all. Thereby, traces the development of the myth of Karel Havlíček and the role which the press has played in this process. The paper focuses on Karel Havlíček's attributes which were used in the articles to describe his personality. It also shows different types of festivities commemorating the anniversaries. In the analysis selected Czech written press from the period from 1866 until 2011 was used. Before the research is introduced, chapters presenting some of academic and scholarly books as well as non-fictional ones describing Havlíček or selected aspects of his work (e.g. linguistic); editions of the letters of his and some editions of his work are mentioned. Following chapters deal with the issue of myth and cult of Karel Havlíček and with the issue of festivities/celebration seen from the perspective of several historians.

Civil rights commemorative boulevards are an increasingly important method of framing African American community revitalization and persistent historical inequities. Often underlying planning efforts to revitalize segregated African American neighborhoods, these boulevards are one important change mechanism for realizing equitable development and challenging structural racism. This thesis demonstrates the central importance of these commemorative boulevards in framing redevelopment and maintaining community resolve during the long struggle for revitalization

This dissertation investigates how different stakeholders have competed over the interpretation and commemoration of the Aum Affair. The Aum Affair was a series of crimes committed by new religious movement Aum Shinrikyō between 1988 and 1995, which culminated in the gassing of the Tokyo subway system using sarin in March 1995. The Tokyo attack was the largest act of terrorism in post-war Japan. I combine qualitative methods of media analysis, interviews, and participant observation to analyse how different stakeholders have narrated and commemorated the Aum Affair. I propose ‘collective trauma’ as a revised theory of ‘cultural trauma’ to describe an event which is represented as harmful and indelible to collective memory and identity. In contrast to ‘cultural trauma’, which stresses the importance of symbolic representations of traumatic events, ‘collective trauma’ considers other ‘material’ processes – such as establishing facts, collective action, state responses, and litigation – which also contribute to trauma construction. My overarching argument is that various stakeholders – including state authorities, mass media, public intellectuals, victims, and former Aum believers – have constructed the Aum Affair as a collective trauma in multiple and conflicting ways. Many media representations situated Aum as an evil ‘cult’ which ‘brainwashed’ believers and intended to take over Japan through terror. State authorities also responded by treating Aum as a dangerous terrorist group. In some instances, these binary representations of Japan locked in a struggle against an evil force led to municipal governments violating the civil rights of Aum believers. Some individuals such as public intellectuals and former believers have challenged this divisive view by treating Aum as a ‘religion’, not a ‘cult’, and locating the root causes of Aum’s growth in Japanese society. Additionally, victims and former members have pursued divergent goals such as retributive justice, financial reparations, and social reconciliation through their public actions. A key conclusion of this dissertation is that whilst confronting horrific acts of violence may require social construction of collective trauma using cultural codes of good and evil, the entrenchment of these symbolic categories can result in lasting social tension and division.

This Dissertation is the benefit to studying of the questions of the oral history of forcibly ejected inhabitants of Neveklov and its neighbourhoods during the 2nd World War. About this region, there exists authentic testimony and this territory is fixed in the collective memory. The oral history is a highly valued literary source. Its value is in the authenticity, which is characterized by selectivity and represents another point of view. The essay brings the unique opportunity to get acquainted with witnesses of the wartime. At present this testimony is unknown or is being forgotten in the offical documents. The essay follows the researches of Jaromír Jech from the middle of the last century. If we compare the results of both researches, we get the view of the importance of forcible displacement of Czech inhabitants in a demarcated region. Result of this work is the analysis of the results obtained with the help of the modern approaches that are based on the method of the oral history, which is a part of the qualitative research, with an emphasis on general objectives and context. The essay brings new testimonies of events that have not been presented and published yet. It also simultaneously maps over the current state, i.e. the reflection of the forcible war persecution on the present times and...

This undergraduate thesis is an examination of the works of Odorannus (c. 985-c. 1046), a monk of the abbey of Saint Pierre-le-Vif in Sens, France. A prominent monk in his community, Odorannus was involved in constructing and celebrating his monastery's prosperity and identity. At times, however, he was at variance with his brethren, even experiencing a brief period in exile. This essay explores aspects of Odorannus' compilation, a collection which the monk himself gathered together in his old age, in terms of the dynamic relationship between self and community in a Benedictine monastery of the central Middle Ages.