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My NatureLeslie, James W., II January 2007 (has links)
No description available.
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Keramická plastika v pražské meziválečné architektuře / Ceramic Sculpture in Prague Interwar ArchitectureKalousková, Jana January 2018 (has links)
Ceramic Sculpture in Prague Interwar Architecture This thesis project from the field of art history is dedicated to the use of ceramic sculpture in the architecture of the first Czechoslovak Republic. It puts an emphasis on so called "national style", which is defined theoretically in the first place and then explained in the context of the artistic development in Czechoslovakia and, more generally, the international art deco current. Separate chapters describe the role of Czech art schools and the significant personality and work of Helena Johnová. The scope of the research is limited to the monuments located in Prague, but it also takes into account important commissions situated outside the city, as well. A catalogue of ceramic sculpture associated with the Prague architecture of the concerned period forms part of the study. Keywords National Style, Ceramic Sculpture, Czechoslovakia, First Czechoslovak Republic, Helena Johnová, Academy of Arts, Architecture and Design in Prague Počet znaků (včetně mezer): 128 268
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Fáze ženy (instalace plastik z kombinovaného materiálu). / Women's stages (mixed media instalation)DIVIŠOVÁ, Olga January 2009 (has links)
The work deals with the theme of women's life through the stages it passes on its way to the conclusive process of ageing and dying. It tries to study this fenomen through the structure, shape changing and sarcolysis that permeates the cycle of human life.
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It must be a bad childKuhs, Simone January 2020 (has links)
It must be a bad child I build rooms, installations, where I combine objects into scenes. This scene is an attempt to portray feelings and mental states surrounding sexual abuse. I'm building a girls' room, but it's more of a psychological place than a real room. I want to let the girl take place and show a trauma that lives in the hidden, depending on the environment not seeing, in the public space. It's about living with memories of a trauma in a traumatized body. I place two larger sculptures in the installation, a girl and a woman, who share the (mental) room. Selection of materials is an important part of my practice. In my installations there is almost always a feeling of discomfort, that things are not what they seem at first. I use the expectations that exist around different materials and what they symbolize and create uncertainty in the room by, for example, giving them new places and functions. I use film to get movement into the installation. The sculptures come to life through the film. The film contains no sound when I see the state I portray as silent.
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“C” is for Ceramics – It Also Stands for: Collecting, Community, Content, Confusion, and ClarityBrod, Undine 12 September 2011 (has links)
No description available.
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