Made available in DSpace on 2016-08-29T14:09:32Z (GMT). No. of bitstreams: 1 tese_5168_.pdf: 2770321 bytes, checksum: 88e9fab0e30d28130cd409f497dfa97e (MD5) Previous issue date: 2012-06-13 / O consumo tem sido considerado um elemento central para o entendimento da sociedade contemporânea. Frente a esse fato muitos estudos têm sido feitos sobre o tema em diversas perspectivas. Esse trabalho se propõe a apresentar algumas das abordagens acerca do consumo. Dentre elas, aquelas que compreendem o consumo com algo ligado ao processo produtivo, que a partir da revolução industrial, teria dado início a sociedade de consumo. Nesse sentido, encontram-se os autores de base frankfourtianas. Outra perspectiva vê o consumo como uma atividade social, como apontam os estudos antropológicos sobre o consumo. Entretanto, é em Michel de Certeau que esse trabalho irá buscar suas bases teóricas, na medida em que pretende encarar o consumo não como uma atividade ligada ao consumismo exagerado de bens, ou ao desgaste, mas sim como algo ligado a produção criativa. Na perspectiva certeauniana, o consumo seria um uso criativo que os sujeitos praticantes fazem daquilo que lhes é ofertado, a partir de estratégias e táticas praticadas nos/dos/com os cotidianos. Sendo assim, os consumidores não são de forma alguma alienados ou manipulados pelos meios de produção, mas sim sujeitos criativos capazes de subverter o que é estabelecido pelas estratégias que determinam os próprios. Nesse projeto pretende-se compreender O que se constitui como próprio do sujeito praticante consumidor na/da Praia do Canto para os comerciantes locais e clientes? A partir dessa determinação pretende-se dentre outras coisas compreender e identificar as formas criativas que são praticadas no dia-dia do bairro Praia do Canto em Vitória-ES, como forma de escape ao que é instituído. / In the contemporaneous context, the act of consuming has been a subject of great interest by researchers from different areas. It has been approached from diversified perspectives, based on production process or social argument. This research, originated from Certeau‟s (2008, 2009, 1995, 1982, 2011) studies, is an attempt to understand the act of consuming as a creative “use”, taking into consideration the power of ordinary practices proper of people who perform everyday events. The practices artistic nature would confer to the act of consuming an inventive and political dimension. This way, this research concentrates on consumptions/uses that are performed at a beauty parlour in a high medium social class neighborhood in Vitória – ES. The objective is to negotiate wider senses, related to the notion of esthetics consumption, than those stereotyped ideas which associate beauty consumption to superfluous and frivolous actions. The inform data production indicates a diverse range of possible “uses” of the beauty parlour, which strengthens different ways of existence, based on taking care of oneself, including body and health issues; on the ethical relationships guided by esthetics dimension and possibilities of assuming “minor” esthetics with vanishing lines, allowing to produce different meanings associated to consumption. Keywords: 1. Certeau, Michel de, 1925-1986. 2. Consumer society. 3. Beauty care. 4. Aesthetic. 5. Beauty parlors.

Made available in DSpace on 2016-08-29T14:09:32Z (GMT). No. of bitstreams: 1 tese_5168_.pdf: 2770321 bytes, checksum: 88e9fab0e30d28130cd409f497dfa97e (MD5) Previous issue date: 2012-06-13 / Na contemporaneidade, o tema consumo tem despertado interesse de estudiosos de várias áreas. Assim, vem sendo abordado a partir de diversas perspectivas, sejam elas à luz do processo de produção ou marcadas pelo social. Este trabalho, a partir dos estudos de Certeau (2008; 2009; 1995; 1982; 2011), busca compreender o consumo como “uso” criativo, ao apostar na potência que têm as práticas ordinárias dos sujeitos praticantes do cotidiano. O caráter artístico das práticas daria ao consumo uma dimensão inventiva, inapreensível e política. Dessa forma, a pesquisa se concentra nos consumos/ usos que são feitos de um salão de beleza em um bairro de classe média alta na cidade de Vitória – ES. A ideia é negociar sentidos mais amplos para a noção de consumo estético do que aqueles estereotipados que relacionam o consumo de beleza ao supérfluo e fútil. A produção dos dados sinaliza para uma diversa gama de “usos” possíveis do salão de beleza. Esses usos potencializam diferentes modos de existência, baseados no cuidado de si a partir do cuidado com o corpo e com a saúde; nas relações éticas pautadas pela dimensão estética, e nas possibilidades de assumir estéticas “menores” com linhas de escape, e dessa forma, produzirem diferentes sentido para a noção de consumo. / In the contemporaneous context, the act of consuming has been a subject of great interest by researchers from different areas. It has been approached from diversified perspectives, based on production process or social argument. This research, originated from Certeau‟s (2008, 2009, 1995, 1982, 2011) studies, is an attempt to understand the act of consuming as a creative “use”, taking into consideration the power of ordinary practices proper of people who perform everyday events. The practices artistic nature would confer to the act of consuming an inventive and political dimension. This way, this research concentrates on consumptions/uses that are performed at a beauty parlour in a high medium social class neighborhood in Vitória – ES. The objective is to negotiate wider senses, related to the notion of esthetics consumption, than those stereotyped ideas which associate beauty consumption to superfluous and frivolous actions. The inform data production indicates a diverse range of possible “uses” of the beauty parlour, which strengthens different ways of existence, based on taking care of oneself, including body and health issues; on the ethical relationships guided by esthetics dimension and possibilities of assuming “minor” esthetics with vanishing lines, allowing to produce different meanings associated to consumption.

Orientador : Sirio Possenti / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudo da Linguagem / Made available in DSpace on 2018-07-27T16:17:49Z (GMT). No. of bitstreams: 1 Marques_MariaCelesteSaidSilva_D.pdf: 10314647 bytes, checksum: 460fd68bb33f2e311ea59f4224b4faa3 (MD5) Previous issue date: 2001 / Resumo: Esta tese é uma investigação sobre o trabalho inventivo do sujeito. A autora analisa panfletos políticos produzidos pelas duas principais frentes político-ideológicas, que disputaram as eleições no Brasil em 1998, centrando o enfoque no processo discursivo para verificar o trabalho realizado pelo sujeito panfleteiro. Sem voltar a velha hipótese do sujeito produtor e considerando o princípio dialógico bakhtiniano e a concepção de inventividade como desenvolvida por Michel de Certeau, a pesquisa busca mostrar que o panfleto é um gênero e um lugar onde o sujeito "trabalha". Esta tese destaca as táticas discursivas do sujeito que são demonstradas a partir da grande diversidade e particularidades na construção do panfleto. Contrariamente à Escola de Análise do Discurso francesa (AD) que diz que o sujeito é assujeitado pela formação ideológica que impõe o que pensar, pela formação discursiva que determina o que deve dizer, as manipulações e subversões apresentadas são resultados do trabalho de um sujeito constitutivo e inventivo como previstos por Bakhtin e por De Certeau. Em suma, a tese mostra que o sujeito é constituído por outros discursos, ou seja, pela ideologia, pelo inconsciente, pela história, mas que não é assujeitado por eles. Com efeito, entre o sujeito origem e o sujeito assujeitado pela maquinaria discursiva, há um sujeito tático que trabalha com materiais lingüísticos / Doutorado / Doutor em Linguística

This dissertation examines everyday life in selected works by Dorothy Richardson, Virginia Woolf, and Katherine Mansfield. It builds on recent scholarship by Bryony Randall (2007) and Liesl Olson (2009), who have argued that modernism marks a turn to the mundane or the ordinary, a view that runs contrary to the long-established understanding of modernism as characterized by its stylistic difficulty, high culture aesthetics, and extraordinary moments. This study makes a departure from these seminal critical works, taking on a feminist perspective to look specifically at how modernist authors use style to enable inquiry into women’s everyday lives during the modernist period. This work draws on everyday life studies, particularly the theories of Henri Lefebvre, Michel de Certeau, and Rita Felski, to analyze what attention to the everyday can tell us about the feminist aims and arguments of the literary texts. The literary works studied here include: Dorothy Richardson’s Pilgrimage (predominantly the fourth volume, The Tunnel), Virginia Woolf’s To The Lighthouse and The Waves, and Katherine Mansfield’s “Bliss” and “Marriage à la Mode.” This dissertation argues that these works reveal the ideological production of everyday life and how patriarchal power relations persist through mundane practices, while at the same time identifying or troubling sites of resistance to that ideology. This sustained attention to the everyday reveals that the transition from Victorian to modern gender roles was not all that straightforward, challenging potentially simplistic discourses of feminist progress. Literary technique and style are central to this study, which claims that Richardson, Woolf, and Mansfield use modernist stylistic techniques to articulate women’s particular experiences of everyday life and to critique the ideological production of everyday life itself. Through careful analysis of their various uses of modernist technique, this dissertation also challenges the vague or uncritical uses of the term ‘stream of consciousness’ that have long dominated modernist studies. This dissertation makes several original contributions to modernist scholarship. Its sets these three authors alongside one another under the rubric of everyday life to see what reading them together reveals about feminist modernism. The conclusions herein challenge the notion of an essentializing ‘feminine’ modernism that has largely characterized discussion of these authors’ common goals. This dissertation also contributes a new reading of bourgeois everydayness in Mansfield’s stories, and is the first to discuss cycling as a mode of resistance to domesticity in The Tunnel. It argues for the ‘mobile space’ of cycling as a supplement to the common symbol of feminist modernism, the ‘room of one’s own.’ The reading herein of Woolf’s contradictory approach to the everyday challenges the accepted view among Woolf scholars that her theory of ‘moments of being’ has transformative power in everyday life. This dissertation also makes a feminist intervention into everyday studies, which has been criticized for its failure to take account of women’s lives. / Graduate / 0593 / tarastar@gmail.com

This dissertation examines everyday life in selected works by Dorothy Richardson, Virginia Woolf, and Katherine Mansfield. It builds on recent scholarship by Bryony Randall (2007) and Liesl Olson (2009), who have argued that modernism marks a turn to the mundane or the ordinary, a view that runs contrary to the long-established understanding of modernism as characterized by its stylistic difficulty, high culture aesthetics, and extraordinary moments. This study makes a departure from these seminal critical works, taking on a feminist perspective to look specifically at how modernist authors use style to enable inquiry into women’s everyday lives during the modernist period. This work draws on everyday life studies, particularly the theories of Henri Lefebvre, Michel de Certeau, and Rita Felski, to analyze what attention to the everyday can tell us about the feminist aims and arguments of the literary texts. The literary works studied here include: Dorothy Richardson’s Pilgrimage (predominantly the fourth volume, The Tunnel), Virginia Woolf’s To The Lighthouse and The Waves, and Katherine Mansfield’s “Bliss” and “Marriage à la Mode.” This dissertation argues that these works reveal the ideological production of everyday life and how patriarchal power relations persist through mundane practices, while at the same time identifying or troubling sites of resistance to that ideology. This sustained attention to the everyday reveals that the transition from Victorian to modern gender roles was not all that straightforward, challenging potentially simplistic discourses of feminist progress. Literary technique and style are central to this study, which claims that Richardson, Woolf, and Mansfield use modernist stylistic techniques to articulate women’s particular experiences of everyday life and to critique the ideological production of everyday life itself. Through careful analysis of their various uses of modernist technique, this dissertation also challenges the vague or uncritical uses of the term ‘stream of consciousness’ that have long dominated modernist studies. This dissertation makes several original contributions to modernist scholarship. Its sets these three authors alongside one another under the rubric of everyday life to see what reading them together reveals about feminist modernism. The conclusions herein challenge the notion of an essentializing ‘feminine’ modernism that has largely characterized discussion of these authors’ common goals. This dissertation also contributes a new reading of bourgeois everydayness in Mansfield’s stories, and is the first to discuss cycling as a mode of resistance to domesticity in The Tunnel. It argues for the ‘mobile space’ of cycling as a supplement to the common symbol of feminist modernism, the ‘room of one’s own.’ The reading herein of Woolf’s contradictory approach to the everyday challenges the accepted view among Woolf scholars that her theory of ‘moments of being’ has transformative power in everyday life. This dissertation also makes a feminist intervention into everyday studies, which has been criticized for its failure to take account of women’s lives. / Graduate / 2015-04-16 / 0593 / tarastar@gmail.com

Made available in DSpace on 2016-08-03T16:15:53Z (GMT). No. of bitstreams: 1 Maria Heloisa Saraiva.pdf: 642088 bytes, checksum: ad4c72af9f9b2497360cbe0658ffd4a1 (MD5) Previous issue date: 2007-02-13 / This qualitative study was produced by both bibliographical research, that concerns the evaluation of students in classroom, for instance, authors such as Luckesi (2005), Hoffmann (2003), Paro (2003), Hadji (1994) and Figari (1996), and field study. The main purpose of this research was to investigate the practice of evaluation policy in a public school of São Paulo, which has adopted a Continuous Progression Policy. This essay takes into consideration that the practice basis of evaluation keeps a distance to the official speech concerning education. In order to understand better this issues, I took part on some educational activities in a public school of a periferical area of São Paulo. During one year, as a participant observer, I got some testemonies and carefuly registered them. The data analysis was also based on the Michel de Certeau theorical construct to whom the 'imposed products' e.g codes, laws, cultural policies established by rigor in order to confer a place, a paper to the "ordinary man", to counterwork the practices, that are built by the user during the appropriation process of these products. By their "acting arts", the users can reinvent the daily life. Using the "artful tacticians", the cultural consumer re-appropriates the spaces, changes their codes, making use of them "by their own way". In this research, that is focused on the protagonists relationship in the schooling process evaluation, the postulates of Michel de Certeau can be confirmed, once this author doesn't confer to the political cultural consumer a passive place. As distinguished by this author, the cultural user by its process of instituting, can move inside the "other space" (instituted) and, tacitly, producing an unforeseeable practice, he can rewrite "another history". In my point of view, the main contribution of this study was to demonstrate the importance of understanding the effectiveness of an educational policy concerning its tension produced mainly by the users tactician movements; most of them as a consequence of imposing and meaningless policies. It is assumed that the realization of public policies in education depends to a large extent upon the participation of the main protagonist - the teachers, including giving them real conditions to execute it; otherwise, by using their instituting potencial, it would be possible to write an "other history". / Este estudo qualitativo foi elaborado por meio de pesquisa bibliográfica de estudiosos do tema da avaliação do rendimento de alunos, como Luckesi (2005), Hoffmann (2003), Paro (2003), Hadji (1994) e Figari (1996), e de pesquisa de campo, com o objetivo de investigar como está ocorrendo a avaliação do ensino fundamental da rede pública paulista, na vigência do regime de progressão continuada. Considerando que os fundamentos da prática avaliativa distam quase sempre dos apregoados pela política educacional instituída e com o propósito de verificar se isto está ocorrendo com a política de progressão continuada, participei, durante um ano letivo, das atividades educacionais de uma escola pública da periferia da Grande São Paulo, observando, colhendo depoimentos e anotando cuidadosamente tudo o que vivenciei nesse período. Para empreender uma leitura dos dados coletados, busquei também o apoio no construto teórico de Michel de Certeau, para quem aos "produtos impostos" códigos, leis, políticas culturais, etc. rigorosamente organizados de forma a atribuir um lugar, um papel ao homem ordinário, contrapõem-se práticas construídas no processo de apropriação desses produtos. Por meio de suas "artes de fazer", os usuários reinventam o cotidiano. Utilizando-se de "táticas astuciosas", o usuário da cultura reapropria-se dos espaços, altera-lhes os códigos e deles faz uso "a seu jeito". Nesta pesquisa, que enfoca as relações dos protagonistas de processos avaliativos escolares, confirmam-se os postulados de Certeau, que não conferem ao consumidor da política um lugar passivo. Como já foi caracterizado por este instigante pensador, o usuário da política (o instituinte), enquanto portador de astúcias, move-se no campo espacial do outro (o instituído) e, taticamente, fazendo uso de práticas não previstas, escreve uma "outra história". O principal objetivo deste trabalho foi contribuir com reflexões que mostrem a importância de se analisar as tensões geradas por políticas educacionais impostas, desprovidas de sentido para aqueles que não participam de sua elaboração, o que tem provocado movimentos táticos de seus usuários, neste caso, os docentes, os quais, sem as condições objetivas necessárias para promover a política instituída, enunciada no discurso, utilizam-se do seu potencial instituinte de transformação, escrevendo uma "outra história".

Este trabalho está inscrito no campo da História da Educação e trata de investigar a transição da forma escolar conhecida por classes multisseriadas, para as escolas-núcleo, num processo conhecido por nucleação de escolas. A investigação buscou conhecer o uso e os consumos que eram feitos do espaço por alunos e professores, no período de transição de escolas. A análise, do campo de investigação que a pesquisa pretendia observar, buscou o apoio necessário nas teorias de Michel de Certeau (1985 e 1990), mais precisamente nas teorias sobre “Usos e consumos” e “Estratégias e táticas de apropriação”, a fim de estabelecer uma relação entre a maneira como alunos e professores, e não apenas estes, mas a comunidade envolvida com a escola, consomem os espaços e tempos nas “escolas-casa” 1 e nas “escolas grandes”. Um dos objetivos era observar e analisar a forma como essa transição poderia ter impactado em seus processos de identidade e pertencimento ou resistências (antidisciplina certeauniana). O método empregado na realização deste estudo foi o de História Oral, juntamente com Análise Documental, através do qual foram realizadas entrevistas com professores, alunos e ex-alunos, funcionários da Smed,2 que tiveram participação no processo de nucleação. A análise textual discursiva do material das entrevistas, dos documentos, das leis e dos registros produzidos, através de observação no campo de investigação, foram organizados, analisados e interpretados sob a luz das teorias de Michel de Certeau. O papel social desempenhado pelas escolas, indo além da função educativa foi uma importante constatação decorrente desta investigação. Este fato pode ser observado nas escolas estudadas em dois períodos, na década de 40, quando o processo pela anexação das localidades ao município de Caxias do Sul se desenrolava, quanto na década de 90, já com a implantação do processo de nucleação, quando algumas comunidades lutaram para manter suas escolas, enquanto outras comunidades às perderam e, praticamente, pereceram junto com elas. / Submitted by Ana Guimarães Pereira (agpereir@ucs.br) on 2016-10-20T18:20:28Z No. of bitstreams: 1 Dissertacao Marcos Vinicius Benedete Netto.pdf: 12562962 bytes, checksum: 614027814f5f718557e1211f49491eda (MD5) / Made available in DSpace on 2016-10-20T18:20:28Z (GMT). No. of bitstreams: 1 Dissertacao Marcos Vinicius Benedete Netto.pdf: 12562962 bytes, checksum: 614027814f5f718557e1211f49491eda (MD5) Previous issue date: 2016-10-20 / This work is registered in the field of the History Education and this research is about the transition between schools known as multigrade schools to rural group schools, in a process known as “nucleação de escolas”. The research sought to know about the use and consumptions which were made of space by students and teachers in the period of transition between schools. The analysis of the investigation field that research intended to observe, sought the necessary support in Michel de Certeau's theories (1985 and 1990), more precisely in the theories of "Uses and Consumption" and "Strategies and Tactics" of appropriation, in order to establish a relationship between the way students and teachers, not only these, but the community surrounding the school consumes the spaces and time in "house schools" and the "big schools"3. One goal was to observe and analyze how this transition could have impacted on their processes of identity and belonging or resistances (Certeau’s anti-discipline). The method used in this study was the Oral History method, along with Document Review, through which interviews were conducted with teachers, students and ex- students and employees of SMED4 with participation in the nucleation process. The discursive textual analysis of the material from interviews, documents, laws and records produced by observation in the field of research, were organized, analyzed and interpreted in the light of the Certeau’s theories. One of the discoveries of this investigation was the social role played by schools, which goes beyond the educational function. This fact can be observed both at the time of isolated schools, In the 1940s when the processes by annexing of Fazenda de Souza, Santa Lucia of Piaí and Vila Oliva districts, was unrolling and the schools had a fundamental role in this process, as the nucleation process of the 1990s, when some communities kept these schools while other communities who have lost the schools pratically perished with her.

Este trabalho está inscrito no campo da História da Educação e trata de investigar a transição da forma escolar conhecida por classes multisseriadas, para as escolas-núcleo, num processo conhecido por nucleação de escolas. A investigação buscou conhecer o uso e os consumos que eram feitos do espaço por alunos e professores, no período de transição de escolas. A análise, do campo de investigação que a pesquisa pretendia observar, buscou o apoio necessário nas teorias de Michel de Certeau (1985 e 1990), mais precisamente nas teorias sobre “Usos e consumos” e “Estratégias e táticas de apropriação”, a fim de estabelecer uma relação entre a maneira como alunos e professores, e não apenas estes, mas a comunidade envolvida com a escola, consomem os espaços e tempos nas “escolas-casa” 1 e nas “escolas grandes”. Um dos objetivos era observar e analisar a forma como essa transição poderia ter impactado em seus processos de identidade e pertencimento ou resistências (antidisciplina certeauniana). O método empregado na realização deste estudo foi o de História Oral, juntamente com Análise Documental, através do qual foram realizadas entrevistas com professores, alunos e ex-alunos, funcionários da Smed,2 que tiveram participação no processo de nucleação. A análise textual discursiva do material das entrevistas, dos documentos, das leis e dos registros produzidos, através de observação no campo de investigação, foram organizados, analisados e interpretados sob a luz das teorias de Michel de Certeau. O papel social desempenhado pelas escolas, indo além da função educativa foi uma importante constatação decorrente desta investigação. Este fato pode ser observado nas escolas estudadas em dois períodos, na década de 40, quando o processo pela anexação das localidades ao município de Caxias do Sul se desenrolava, quanto na década de 90, já com a implantação do processo de nucleação, quando algumas comunidades lutaram para manter suas escolas, enquanto outras comunidades às perderam e, praticamente, pereceram junto com elas. / This work is registered in the field of the History Education and this research is about the transition between schools known as multigrade schools to rural group schools, in a process known as “nucleação de escolas”. The research sought to know about the use and consumptions which were made of space by students and teachers in the period of transition between schools. The analysis of the investigation field that research intended to observe, sought the necessary support in Michel de Certeau's theories (1985 and 1990), more precisely in the theories of "Uses and Consumption" and "Strategies and Tactics" of appropriation, in order to establish a relationship between the way students and teachers, not only these, but the community surrounding the school consumes the spaces and time in "house schools" and the "big schools"3. One goal was to observe and analyze how this transition could have impacted on their processes of identity and belonging or resistances (Certeau’s anti-discipline). The method used in this study was the Oral History method, along with Document Review, through which interviews were conducted with teachers, students and ex- students and employees of SMED4 with participation in the nucleation process. The discursive textual analysis of the material from interviews, documents, laws and records produced by observation in the field of research, were organized, analyzed and interpreted in the light of the Certeau’s theories. One of the discoveries of this investigation was the social role played by schools, which goes beyond the educational function. This fact can be observed both at the time of isolated schools, In the 1940s when the processes by annexing of Fazenda de Souza, Santa Lucia of Piaí and Vila Oliva districts, was unrolling and the schools had a fundamental role in this process, as the nucleation process of the 1990s, when some communities kept these schools while other communities who have lost the schools pratically perished with her.

Bibliography: leaves 466-497.

Bibliography: leaves 466-497. / x, 497 leaves : ill. (chiefly col.) ; 30 cm. / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / Thesis (Ph.D.)--University of Adelaide, Dept. of English, 2001