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The aim of this PhD thesis is to develop a framework for adaptive intelligent tutoring systems (ITS) in the domain of Modern Standard Arabic language. This framework will comprise of a new approach to using a fuzzy inference mechanism and generic rules in guiding the learning process. In addition, the framework will demonstrate another contribution in which the system can be adapted to be used in the teaching of different languages. A prototype system will be developed to demonstrate these features. This system is targeted at adult English-speaking casual learners with no pre-knowledge of the Arabic language. It will consist of two parts: an ITS for learners to use and a teachers‘ tool for configuring and customising the teaching rules and artificial intelligence components among other configuration operations. The system also provides a diverse teaching-strategies‘ environment based on multiple instructional strategies. This approach is based on general rules that provide means to a reconfigurable prediction. The ITS determines the learner‘s learning characteristics using multiple fuzzy inferences. It has a reconfigurable design that can be altered by the teacher at runtime via a teacher-interface. A framework for an independent domain (i.e. pluggable-domain) for foreign language tutoring systems is introduced in this research. This approach allows the system to adapt to the teaching of a different language with little changes required. Such a feature has the advantages of reducing the time and cost required for building intelligent language tutoring systems. To evaluate the proposed system, two experiments are conducted with two versions of the software: the ITS and a cut down version with no artificial intelligence components. The learners used the ITS had shown an increase in scores between the post-test and the pre-test with learning gain of 35% compared to 25% of the learners from the cut down version.

Al-ghazal al-‘udhri emerged as a remarkable literary genre in Arabic literature during the Umayyad period (7th-8th centuries CE). The leaders of this genre are famous poet-lovers who were known for their dramatic love stories and unique poetry, such as Majnun Layla, Qays Lubna and Jamil Buthaynah. There is a common presumption of the absence of the concept of the body in al-ghazal al-‘udhri; most scholars to date have only reproduced commonly- held ideas about the purity of ‘udhri love without doubting its supposed chastity. This thesis, however, argues that the body has a privileged position in al-ghazal al-‘udhri. It shows that the body’s presence is represented, realistically or allegorically, in various ways, both in anecdotes ascribed to ‘udhri poets as well as in their poetry. Although some critics have discussed the theme of the ‘depiction of the beloved’s body’, it is the contribution of this study to illuminate the ‘ethereal nature of beauty’ in this depiction. Moreover, this thesis provides a discussion about the symbolic body in ‘udhri poetry. It provides a departure from the prevailing views on the ‘udhri phenomenon in studies of classical Arabic literature. It opens the door to new discussions on the relationship between love poetry and Arab society in the classical age. It is also a contribution to literary studies of representations of the body.

The thesis deals with the legal status of the qiȳan as slaves in Islam; describes their nationalities, education and training as singers, instrumentalists and versifiers. It considers their place in the cultural life of the host society. A substantial part of their poetry with particular attention to some of the leading figures is reproduced in translation. A review of that poetry is included, showing the bulk of it to consist of clever epigrams exchanged in public or semi-public maj̄alis, bearing the hallmark of virtuosity and social jousting or party games. Another theme is that the introduction of the qiȳan into the Abbasid cultural life led to the development of elegiac-erotic poetry. A parallel review of the musical scene, with special reference to some leading exponents, shows the influence of the qiȳan in the development of new “popular”, unconventional styles of singing. The institution of the qiȳan in all its artistic manifestations is viewed as essentially a business catering for men in pursuit of pleasure: caliphs, aristocrats and, most commonly, the class of cultured well-to-do chancery scribes. The bulk of the poetry which the established men poets composed in praise of the qiȳan is seen as publicity material, and substantially produced to commission. The effect of the qiȳan on the free-born women of their age, as well as historically, is considered; and some comparison is drawn between them as poets and singers. By way of further comparison the geisha and the hetaira of Ancient Greece are alluded to. A chapter is devoted to the decline and fall of the qiȳan institution in the East and its partial transfer to Arab Spain.

Magister Artium - MA / This research investigates, within the framework of classical Sunni Islamic scholarship,what we might expect an Islamic opinion about evolution to be,bringing together an accurate and detailed understanding of evolutionary biology as the field stands today with a systematic consideration of the traditional Islamic sciences.The scope of the study encompasses the scholarly traditions recognized, at least by their respective adherents, to be part of Muslim orthodoxy – referred to in Islamic discourse as Ahl al-Sunnah wa al-Jamāʿah or more colloquially as “Sunni”. It covers the works of the scholars of the Ashʿarī, Māturīdī, and Salafī theological schools as well as the sources which they all draw upon – the Qur’ān, the Sunnah, and the opinions of the Salaf.The reason for this choice is that these traditions represent for most Muslims the “mainstream” of Islamic thinking, and therefore have a greater relevance for determining what a general Islamic perspective on evolution could be.The study first identifies and defines the methodological approaches of classical Sunni scholarship that have relevance to the question of an Islamic position on biological evolution. It also identifies and defines the issues within the field of Evolutionary Biology that need to be brought under scrutiny. The methods of classical Islamic Theology are then applied to the claims of Evolutionary Biology, drawing on traditional Islamic sources. The result of the study is an extrapolation of what an orthodox Islamic position towards biological evolution could be. Is Islam neutral towards the idea of biological evolution? Does it support it or categorically reject it? Can it accept certain aspects of Evolutionary Biology while rejecting others?Finally, the extrapolated “classical” Islamic position on evolution is compared with the writings of some contemporary Muslim scholars whose views run contrary to that extrapolation. Possible reasons for the discrepancy are explored.Such an interdisciplinary work should provide a valuable frame of reference for a more accurate analysis of the creation-evolution debate unfolding in the Muslim world today.

Philosophiae Doctor - PhD / The study of sound symbolism, phonetics and semantics has been of major concern for linguists since the Greeks and the Romans in the fifth century before AD. The idea of sound symbolism - the existence of correspondence between the sound of letters (or linguists, such as Ibn Jinni (942-1002 AD), and modern Arabic linguists, including al- Badráwi (1999), and Na'aim Alwia (1984), have attempted to elucidate this phenomenon, providing detailed description and some examples from Arabic and the Holy Qur'an. Modern Western linguists such as Magnus (1999) have discussed the correspondence between the sounds of letters and the sense in Western languages. Jespersen (1962) and Badráwi (1999) have recommended that this phenomenon needs further detailed study and have indicated the need of more examples to be used as reference theory. Using Ibn Jinni's model, this study is an attempt to build on the theory of the correspondence between sound and meaning using the Holy Qur'an as an example. While Jinni's focus was on the correspondence of sound and meaning at the word level, this study will focus on the individual sound segments within the word, and the effect of the word within the Surat. The argument is that it is the individual distinctive features of each phoneme in a word that give the word its distinctive sound quality, and also has have an impact on the meaning of the word. Any correspondence between sound and meaning in a word should therefore be assigned to a particular significant distinctive feature. Given that the focus on the presumed direct relationship between sound and meaning, recourse will be made to the principal of onomatopoeia. Therefore, the objective of this study is to investigate the relationship between the distinctive features of the sounds that form Arabic words and the meaning of such words as used in the Holy Qur'an. In particular, the study will analyze the distinctive features, such as a sound being a consonant or a vowel, voicing, manner and place of articulation, airstream mechanism, among others (singly or combined) of the sounds in Arabic words, and relate this to the meaning of the words. This phenomenon will be investigated using descriptive methods and the Holy Qur' an as the object of study.

Ce travail se propose d’apporter une contribution à la reconstruction et à l’étude de la pensée arabe classiques développée dans le champ de l’adab. Remarquons que nous disons bien la pensée arabe classique développée dans le champ de l’adab, car nous pensons que si nous voulons connaître la manière dont la pensée arabe classique avait tenté de construire une vision éthique et esthétique, c’est dans l’espace de questionnement propre à l’adab qu’il faut la chercher. C’est dire que ce n’est ni dans la philosophie dite islamique, ni dans le système moral mis en place par l’Islam qu’il serait possible de trouver la vision éthique arabe ancienne telle qu’elle avait tenté de s’élaborer et de s’exprimer. En effet, si la pensée arabe classique avait et a encore quelque chose d’original à apporter à la pensée et à la culture universelles, ce ne serait ni à travers le système moral élaboré par la religion islamique, ni au moyen des réflexions menées par les philosophes, mais grâce aux idées développées dans le champ de l’adab. C’est en effet dans et à travers la pensée de l’adab que la culture arabe classique se présente comme étant véritablement elle-même, c’est-à-dire telle qu’elle nous parle à travers les éléments qui lui appartiennent proprement et intrinsèquement. Car si, comme il est souvent dit, la poésie constitue le Diwān des Arabes, c’est-à-dire l’archive de leurs traditions et de leurs sentiments, l’adab, lui, constitue à la fois leur sagesse, leur éthique et leur esthétique. / This work aims to contribute to the reconstruction and the study of classical Arab thought developed in the field of adab. Note that we say good classical Arabic thought developed in the field of adab, because we believe that if we want to know how the classical Arabic thought had tried to build an ethical and aesthetic vision is in space specific to the adab questions must be sought. This means that it is not in the so-called Islamic philosophy, or in the set up by Islamic moral system it would be possible to find old Arabic ethical vision as had tried to develop and express themselves. Indeed, While classical Arabic thought had and still has something original to bring to the mind and universal cultural thing would not be developed through the Islamic religion moral system, or through discussions by philosophers, but thanks to the ideas developed in the field of adab. Indeed, it is in and through the thought of the classical Arabic adab culture as truly present itself, that is to say, as it speaks to us through the elements that belong to it properly and intrinsically. For if, as is often said, poetry is the Diwān of the Arabs, that is to say, the archive of their traditions and their feelings, adab, he is both their wisdom, ethics and aesthetics.

Cette recherche s’inscrit dans une double démarche : restitution d’une cohérence globale à l’œuvre d’Ibn Qutayba et essai de définition de la littérature d’adab. Elle s’articule autour de la fonction auteur dans les 'Uyºn al-AÏbær, et dans ce type de textes, ainsi que de la fonction rhétorique de cet ouvrage qui l’apparente à un recueil d’exempla de l’Occident médiéval. La parenté des 'Uyºn al-AÏbær avec le genre de l’encyclopédie y est également abordée. Enrichie d’un éclairage comparatiste apporté par la littérature médiévale occidentale, la confrontation critique de ce texte avec les interprétations qui en ont été données est fondée sur l’analyse rhétorique et stylistique du prologue des 'Uyºn al-AÏbær, ainsi que sur la lecture transversale des introductions des trois ouvrages fondamentaux d’adab d’Ibn Qutayba, que sont l’Adab al-Kætib, les 'Uyºn al-AÏbær et les Ma'ærif. La traduction annotée des deux dernières citées accompagne cette recherche. / The objectives of this thesis were twofold : the first was to restore to the work of Ibn Qutayba its overall coherence ; with this primary objective in view, it was necessary to elucidate its literary context : adab literature.The analysis is conducted firstly in terms of the author-function both in the 'Uyûn al-Akhbâr and in texts similar to it, and secondly in terms of the rhetorical function wich allies it with the Medieval exempla collections of the Western tradition. Drawing on rhetorical and stylistic analysis of the Prologue of the 'Uyûn al-Akhbâr, as well as on a transversal reading of the introductions to the three primary adab works : the Adab al-Kâtib, the 'Uyûn al-Akhbâr and the Ma'ârif of Ibn Qutayba, it was possible to confront the original with critical interpretations of the work. Annotated translations of the introductions to two of these three sister works (the 'Uyûn al-Akhbâr and the Ma'ârif) accompany this study.

Cette étude se propose de répondre à la problématique liée à la généricité d’un corpus de maqāmāt de type munāẓarāt paysagères composées au Yémen à l’époque postclassique. L’appellation maqāma devient, en effet, de plus en plus englobante au point de s’étendre à la munāẓara, ce qui nous permet de parler d’une évolution générique par régime de transformation. L’analyse de ces œuvres permet aussi de montrer comment ces textes revendiquent une appartenance et un rattachement à la notion d’adab, point essentiel pour la compréhension générique de ces œuvres. Cette étude se propose d’analyser également les représentations paysagères qui sont au cœur de ces munāẓarāt. Elle aborde les éléments constitutifs du paysage en tenant compte de l’organisation de ces représentations sur l’axe vertical et l’axe horizontal, mais aussi en fonction de différents sens sollicités : la vue, l’odorat et l’ouïe. Tous ces éléments nous poussent à considérer les représentations paysagères présentes dans les descriptions du Paradis coranique ainsi que dans des descriptions similaires présentes dans la poésie arabe classique. L’étude de ces corpus montre, en dernier lieu, que le but des auteurs n’est pas celui de créer des représentations bucoliques sur la description de la nature mais que derrière la simple description paysagère, ces textes sont la plupart du temps porteurs d’un message situé à un second niveau de lecture (politique, religieux, etc.). / This work aims at studying the question of the literary genre of a corpus of maqāmāt of the kind “landscape munāẓarāt” written in Yemen in the Post-Classical era. The name maqāma has become always more comprehensive until it extended to the munāẓara. Hence, we can speak of a generic evolution due to processing. The analysis of such texts allows us to show why they claim to belong to the notion of adab, which is an essential point for understanding the genre of these works. This study deals also with the landscape representations that are at the heart of these munāẓarāt. It approaches the constituent elements of the landscape according to the organisation of the representation - on the vertical or on the horizontal axis – and also through the different senses appealed to the perception: sight, smell and hearing. All these elements lead us to consider landscape representations in the Koranic description of Paradise and in other similar descriptions in Classical Arabic poems. Finally, the study of this corpus shows that the aim of the authors is not a bucolic representation of nature. Instead, behind the simple landscape description, most of texts convey a message related to politics, religion, etc. located in a second level of reading.

The dissertation firstly looks at how the Arabic essay and short story developed in Egypt since the beginning of the nineteenth century. Then a discussion follows on the life and contribution of the Egyptian author, Mustafā Lutfī al-Manfalūtī, as representative of this literary evolution. The general influences on Egyptian literature are discussed, and the general development of Arabic prose from 1850 onwards is then detailed, including the efforts to save Arabic literature from stagnation and degeneration. Following this, the focus is on the origins of the essay and short story. This leads to dealing with the growth and advancement of the essay and short story, together with the revival of the Arabic heritage and how the Arabic novel came into being. Then Mustafā Lutfī al-Manfalūtīs biography, environmental circumstances and personalities that influenced his writings are focused on. Afterwards, the core discussion is Al-Manfalūtīs seven literary works, and his ideas and opinions as reflected in his writings. In conclusion, the relevance of his writings and an appraisal of his literary contributions are detailed. / Religious Studies & Arabic / M.A. (Arabic)