O presente trabalho constitui-se de estudos paleográficos e codicológicos de documentos manuscritos dos séculos XVIII e XIX - datados entre 1707 e 1822 -, referentes à Capitania de São Paulo, inicialmente, e, após, às Capitanias de Mato Grosso, Minas Gerais e Goiás, área mais tarde identificada como da \"cultura caipira\". Esta descrição está precedida de resenha dos aspectos históricos considerados mais relevantes do período colonial brasileiro, com foco na área de referência dos documentos, seguida de edições fac-similar e semidiplomática justalinear e de perspectivas de estudos lingüísticos. / Paleographic and codicological studies are made of manuscript documents of the eighteenth and nineteenth centuries - between 1707 and 1822 -, referring to the Province of São Paulo, initially, and subsequently to the Mato Grosso, Minas Gerais and Goiás provinces, an area identified later as that of the \"caipira culture\". This description is preceded by a review of the historical aspects considered most relevant in the Brazilian colonial period, focusing of the area referred to in the documents, and followed by fac-similar and semidiplomatic justalinear editions and perspectives of linguistic studies.

A presente dissertação apresenta a edição semidiplomática de documentos eclesiásticos, manuscritos entre meados do século XVIII e fim do XIX, provenientes do Convento de Nossa Senhora da Conceição da Lapa, localizado em Salvador Bahia. Este estudo visa fornecer fonte fidedigna para futuros estudos filológicos, históricos, culturais, religiosos e linguísticos do período. O corpus é constituído de 63 (sessenta e três) fólios avulsos, totalizando um conjunto de 46 (quarenta e seis) documentos. Para complementar a edição, apresenta-se a contextualização histórica dos documentos, detalhando a vida monacal das religiosas que possuem a guarda da documentação. Também aborda-se o estudo dos aspectos codicológicos, diplomáticos e paleográficos. Elaboraram-se os verbetes de cada documento, adaptando-os segundo o estudo apresentado pelo Projeto Resgate. As fichas com a descrição codicológica dos documentos estudados organizam e apresentam os principais elementos sobre a materialidade do corpus. O estudo paleográfico apresenta um quadro contrastivo entre a escrita dos cinco punhos mais variáveis no corpus. Esse corpus é relevante para o estudo da história do período, da instituição e representativo do estado de língua da época. / This thesis presents a semidiplomatic edition of Church documents, manuscripts from the mid eighteenth and nineteenth centuries, from the Convent of Nossa Senhora da Conceição da Lapa, Salvador Bahia. This study aims to provide a reliable source for future philological studies, historical, cultural, religious and linguistic studies of the period. The corpus is constitued of 63 (sixty three) loose folios, totaling a set of 46 (forty six) documents. Complementing the issue, it presents the historical context of the documents. It also addresses the study aspects of aspects codicological, diplomatic and paleography. Were of each document was studies elabored, adapting them acording studies of the study presented by the Projeto Resgate. The codicological chips organize and present the main elements that detail the mateariality of the corpus of each item, besides the description of the origin of the paper, etc. The palaeographic study presents the picture of five wrists, which deals with the contrastive of the spelling of period in question. This corpus is relevant to the study of the history of the period, the institution and representative of state language studies of the time.

A la fin du Moyen Age l’historiographie normande connaît un nouvel essor par la rédaction dans la seconde moitié du XIVe siècle de la Grande Chronique de Normandie. Le texte relate l’histoire du duché de Normandie et du monde anglo-Normand entre 911 et 1204. En 911 le chef viking Rollon recevait du roi de France Charles le Simple le territoire de Neustrie contre promesse de défendre ses frontières et de se convertir au catholicisme. Les Normands feront croître leur territoire au-Delà des limites de la Manche, initiant ainsi une nouvelle dynastie royale en Angleterre. La Normandie sera rattachée en 1204 à la couronne française de Philippe Auguste. Tardivement mis en image au XVe siècle, le texte sera illustré de scènes typologiques, traditionnellement utilisées dans les chroniques médiévales. Puis, se développerons des images plus complexes et narratives. Le but étant toujours la mise en exergue de la dynastie anglo-Normande. Produits durant ou juste après la guerre de Cent Ans, les manuscrits s’inscrivent dans un contexte tout à fait singulier. L’histoire normande sera utilisée à des fins politiques pour servir les prétentions des belligérants ou pour éduquer le lectorat médiéval. Largement diffusée dans le nord de la France l’illustration des manuscrits a permis la mise en place d’une tradition iconographique relative à la dynastie anglo-Normande dans trois grands centres artistiques : la Normandie, Paris et les Flandres. Enfin, le texte sera remanié et continué afin de poursuivre l’histoire normande jusqu’aux temps présents de la production. La Grande Chronique de Normandie a survécu à l’apparition de l’imprimerie tout en perdant toutefois sa récente tradition iconographique / In the late Middle Ages, the writting of the GCN gave to the norman historiography a new growth in the second half of the 14th century. The text dealt with the history of the duchy of Normandy and the anglo-Norman world from 911 to 1204. In 911, the Viking chief Rollo received the territory of Neustrie from Charles the Simple, king of France, in exchange of the promise to defend the border and to become catholic. The Normans increased there territory over the Channel, thus they started a new dynasty in England. The Normandy has been attached to the french crown under the reign of Philippe Auguste. At a late stage, the text of the GCN has been illuminated with typologic scenes, traditionnaly used in medieval chronicals. Moreover, images became more and more complicated and narrative as well, whose purpose was still the highlighting ofthe anglo-Norman dynasty. The context of the making of the manuscripts is very specific in so far as they have been made during or shortly after the One Hundred Year War. The norman history will be used for the political interest of the belligerants as well as to educate the medieval readership. Widely spread in Nothern France, the illuminated manuscripts permitted the settlement of an iconographic tradition related to the anglo-Norman dynasty in three great artistic centres : the Nomandy, Paris and Flanders. Finally, the text has been changed and increased in order to go on the norman history till now. The GCN managed to go through the period of printing, therefore it lost its new iocnography recently gained.

À partir du fonds de la Vaticane cette thèse vise à établir une typologie du manuscrit arabe chrétien au XIIIe siècle. Les différents signes présents sur les manuscrits sont analysés et mis en perspective : la numérotation des cahiers, la numérotation des bifeuillets, la foliotation, les marques de milieu de cahier, les marques de fin de cahier et enfin la réglure. Une analyse chimique du papier et de l’encre est aussi présentée. Les informations récoltées permettent une meilleure connaissance de l’histoire des textes mais aussi d’appréhender les spécificités des pratiques chrétiennes en langue arabe. / From the funds of the Vatican library this thesis aims to establish a typology of the Christian-Arabic manuscript of the thirteenth century. The different signs found on the manuscripts are analyzed and put into perspective: the numbering of the quires, the numbering of the bifolium, the foliation, the marks of the middle of the quire, marks the end of the quire and finally the ruling. A chemical analysis of the paper and the ink is also presented. The information collected enable a better understanding of the history of the texts and also to understand the specificity of Christian practices in the Arabic language.

The thesis about Prague as the leading musical center of the Czech Kingdom is generally accepted in musicological discourse. Likewise, the key role of professional Prague writing workshops in spreading monophonic singing is not questioned. In the distribution of vocal polyphony are many uncertainties. The only known workshop that also created primarily polyphonic manuscripts is the New Town workshop of Jan Kantor Starý († 1582). The number of other surviving manuscripts indicates that there were more such workshops in Prague at the turn of the 16th and 17th centuries. The object of the master thesis is therefore to reveal another possible workshop based on detailed paleographic and codicological research of a selected group of polyphonic sources, which demonstrably contain common writing hands. Keywords musical iconography, codicology, vocal polyphony, Prague

Le Livre Roisin est l'un des rares coutumiers français du XIIIe siècle. Il contient les coutumes de la ville de Lille, mises par écrit en 1267, puis recopiées et enrichies en 1297, en 1349 et enfin de façon continue jusqu'au XVIe siècle. Une dernière copie officielle fut faite en 1618-1619. L'analyse approfondie du plus ancien manuscrit du Livre Roisin qui nous soit parvenu, celui de 1349, révèle les secrets de son élaboration. Les nombreuses chartes, actes, arrêts et bans joints au coutumier à proprement parler durant plus de deux siècles donnent une vue d'ensemble des lois qui régissaient les Lillois du Moyen Âge. Au passage, les producteurs du recueil, les clercs de ville, ont laissé des traces de leur travail, de telle sorte qu'il est possible de dresser l'inventaire de leurs responsabilités et comprendre l'importance de ces officiers tant dans la perspective des institutions municipales médiévales que dans celle de l'historien, pour qui ils font partie de la chaîne de transmission des textes. De leur côté, les récepteurs, tout aussi discrets mais présents, se manifestent dans le détail de la procédure judiciaire que contient le document. L'utilisation qu'ils en ont faite, tantôt pratique, tantôt mémorielle surgit. Il en ressort que le recueil fût à la fois un aide-mémoire et un outil de défense de l'identité urbaine et même picarde. Enfin, le Livre Roisin est un outil privilégié pour l'étude de l'histoire de la ville, puisque sa rédaction et chacune de ses copies sont ancrées dans des événements politiques aux conséquences majeures pour la ville de Lille. / The Livre Roisin is one of the rare french customary of the XIIIth century. It contains the customs of the city of Lille, written down in 1267, then copied and expanded in 1297, 1349 and from then continuously until the XVIth century. One last manuscript copy was made in 1618-1619. Thorough analysis of the oldest manuscript of the Livre Roisin to have survived, that of 1349, reveals the secrets of its development. Numerous charter, acts, bans, and judgments that have been added to the customary for more than two centuries give an overview of the laws that governed the medieval Lillois. Incidentally, the producers of the collection, the clerks of town, have left traces of their work, so it is possible to take stock of their work and understand the importance of these officers both in view of municipal institutions and the medieval historian, for whom they are part of the chain of transmission of the texts. On the other hand, the receivers, just as discreet but nonetheless present, are evident in the detail of the proceedings contained in the document. Thus, the document was both practical and memorial. It was used as a reminder and as a powerful instrument to preserve urban and picard identities. Finally, the Livre Roisin is a tool for studying the history of the city, as his writing and each of its copies are rooted in political events with major consequences for the city of Lille.

Au cours des premiers siècles de l’Islam, le rôle du manuscrit est essentiel dans la transmission du texte coranique. Cependant, comment utiliser les manuscrits dans une perspective historique, alors qu’ils sont aujourd’hui réduits à l’état de fragments, dispersés dans les collections mondiales ? En soumettant les fragments à une étude pluridisciplinaire unissant l’approche formelle et l’analyse textuelle, nous parvenons à reconstituer les liens entre les manuscrits et à en évaluer la portée historique. Ces liens révèlent qu’au 2e/8e siècle, il existe plusieurs traditions manuscrites en cours de normalisation et de codification. En définitive, l’étude des manuscrits met à jour les détails d’un épisode effacé de l’histoire du Coran : celui de sa standardisation progressive, tant dans sa forme que dans son texte. / During the first centuries of Islam, the Qur’anic manuscript plays an essential role in the textual transmission of the Qur’an. However, how can we use these manuscripts, now preserved as fragments scattered all over the world, in the light of history? Through a multidisciplinary way, combining formal and textual analyses, we are able to reconstruct the links between the manuscripts and to evaluate their historical implication. These links reveal that the 2nd/8th century is a decisive stage for the Qur’anic normalization, where several Qur’anic traditions are concurrent. Thus, the study of the Qur’anic manuscript elucidates some details of a significant moment for the history of the Qur’an: the process of its codification and canonization, in its form and its text.

La thèse se propose, dans une première partie, d’analyser et d'actualiser la tradition manuscrite de la Comedia delle Ninfe Fiorentine, œuvre de jeunesse de Giovanni Boccaccio, composée immédiatement après le retour à Florence de la cour angevine de Naples.L'édition actuelle de Comedia delle Ninfe, est due à Antonio Enzo Quaglio et remonte à 1963. Elle fournit, comme il était d'usage à l'époque, une description brève et peu précise des témoins interrogés. Les manuscrits sont donc classés selon un critère socioculturel (copie a prezzo et copie per passione), datant des codex au quart de siècle. Quand cela est possible, un profil biographique des copistes est fourni. Le travail est complété par les fiches de chacun des témoins individuels acceptés dans le corpus.La deuxième partie de la thèse est un travail de commentaire d’historie littéraire divisé par thèmes. La composition de la Comedia delle Ninfe est liée à l'expérience biographique de son auteur et au développement de son expérience littéraire.L’histoire du dédicataire de l’œuvre, Niccolò di Bartolo del Buono, nous permet de fournir des repères chronologiques pour chacune des deux rédactions de la Comedia.La proposition de mettre en relation Caccia di Diana, Comedia et Amorosa Visione nous donne l’occasion de comparer trois œuvres de Boccaccio, en considérant l’utilisation du capitolo ternario comme premier dénominateur commun.Le chapitre sur le prosimètre donne un aperçu des sources possibles auxquelles Boccaccio peut, ou ne peut pas, faire référence pour cette forme particulière (prose et vers).Enfin, l'analyse de la production bucolique de Boccace et de son évolution amène à considérer le Comedia comme une première œuvre de ce genre avec l’utilisation du vulgaire. / The aim of this thesis is to analyze and updating the manuscript tradition of the Comedia delle Ninfe Fiorentine, written by a young Giovanni Boccaccio in Florence, as he came back there from Naples. The current edition by Antonio Enzo Quaglio (1963) only provides, as was customary at the time, a brief and inaccurate description of the witnesses surveyed. For that reason, in this work manuscripts have been dated a divided into a prezzo and per passion copies. Where possible, a biographical profile of the copyists have been included. Moreover, each copy has its own detection form.The second part of the thesis consists of a historic-literary commentary: the Comedia delle Ninfe is has been interpreted on the basis of the biography of the author and of his literary production. The two draftings of the Comedia have been also dated according to the biography of Niccolò di Bartolo del Buono, to whom this opera was dedicated. Besides, the Comedia has been compared to the Caccia di Diana and the Amorosa Visione, on the basis of the use of the capitolo ternario. A chapter on the prosimetrum provides some hypoteses on the literary sources Boccaccio may have, or may not, referred to. At last, by analysing the bucolic literary works by Boccaccio, the Comedia can be considered the first example in this genre, regarding the use of the vernacular. / La tesi si propone, nella prima parte, di analizzare, aggiornandola, la tradizione manoscritta della Comedia delle Ninfe Fiorentine, opera della giovinezza di Giovanni Boccaccio, composta subito dopo il ritorno del Certaldese a Firenze dalla corte angioina di Napoli. L’edizione esistente della Comedia delle Ninfe, datata 1963 per la cura di Antonio Enzo Quaglio, fornisce, come d’uso all’epoca, una descrizione sommaria e poco accurata dei testimoni censiti. Si classificano quindi i manoscritti secondo un criterio socioculturale (copia a prezzo e copia per passione), datando i codici al quarto di secolo. Si fornisce, ove possibile, un profilo biografico dei copisti. Il lavoro è completato dalle schede di rilevamento dei singoli testimoni accolti nel corpus, redatte secondo un criterio stabilito a priori.La seconda parte della tesi è un lavoro di commento letterario suddiviso per tematiche. La composizione della Comedia delle Ninfe viene messa in relazione con l’esperienza biografica del suo autore e con il dipanarsi della sua esperienza letteraria. La vicenda del dedicatario dell’opera, Niccolò di Bartolo del Buono, permette di collocare con riferimenti cronologici l’identificazione delle due redazioni della Comedia.Occasione di confrontare tre opere del Boccaccio è la proposta di mettere in relazione Caccia di Diana , Comedia e Amorosa Visione considerando come primo denominatore comune l’utilizzo del capitolo ternario.Il capitolo sul prosimetro fornisce una rassegna sulle possibili fonti alle quali Boccaccio può, o non può, aver fatto riferimento nella composizione dell’opera con questa particolare forma.Infine l’analisi della produzione bucolica del Boccaccio, e della sua evoluzione, propone di considerare la Comedia come un’opera prima in questo genere per l’utilizzo del volgare.

O objetivo da presente dissertação é a transcrição semidiplomática e análise filológica de um processo inquisitorial aberto pela Justiça Eclesiástica paulista, no ano de 1754, em Jundiaí, no qual as rés, Thereza Leyte e Escholastica Pinta da Silva (mãe e filha) são acusadas de matar o primeiro marido de Escholastica utilizando-se de feitiços, de matarem outros homens e de terem pacto com o demônio. A pesquisa procura também contribuir para elucidar o modo pelo qual o Tribunal do Santo Ofício agiu na Europa e na América portuguesa, buscando esclarecer sua atuação no Brasil colonial. Além disso, é apresentado um estudo codicológico e paleográfico da documentação, abordando aspectos relacionados ao papel utilizado, às tintas, às abreviaturas e a outros aspectos relacionados à escrita da língua portuguesa no século XVIII. Ao final do trabalho, é apresentada a transcrição semidiplomática da documentação, juntamente com os fac-símiles dos manuscritos originais. / The present thesis aims to offer the semidiplomatic transcription and philological analysis of an inquisitorial lawsuit started by the Ecclesiastical Court from São Paulo, in 1754, in Jundiaí, in which the defendants, Thereza Leyte and Escholastica Pinta da Sylva (mother and daughter), are accused of killing Escholasticas first husband by means of witchcraft. They are also accused of killing other men and of having a pact with the devil. The research also seeks to contribute to elucidate the means through which the Holy Office acted in Europe and in Portuguese America, with the objective of enlightening its actuation in colonial Brazil. Furthermore, a codicological and paleographic study of the documentation is presented, approaching aspects related to the paper used, the inks, the abbreviation system and other aspects related to the Portuguese language writing in the 18th century. At the end of the paper, the semidiplomatic transcription is presented along with the facsimiles of the original manuscripts.

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