Global ETD Search

61	Her Name is Blood: Situating Gertrude Blood Within the Flaneuse, and Walking Virtually Gallion, Alexis Ryan Marie 18 May 2021 (has links) No description available. British and Irish Literature European Studies Gender History Journalism Flaneur flaneuse flanerie walking uncommercial traveller traveling marxist-feminist marxist-feminist critique Gertrude Elizabeth Blood Gertrude Blood Lady Colin Campbell journalism capitalism patriarchy hegemony patriarchal-capitalism
62	An analysis of production procedures in the stage play Harriet Ulrici, Harold Harvey 01 January 1949 (has links) (PDF) It is the purpose of this thesis to present the research, planning, and actual production procedures of the play entitled Harriet, as written by Florence Ryerson and Colin Clements. This is the production which was originally done by Gilbert Miller at Henry Miller's Theatre in 1943 with Miss Helen Hayes in the title role. Florence Harriet Ryerson Colin Clements Harriet Gilbert Miller Henry Miller Helen Hayes Arts and Humanities Communication Other Theatre and Performance Studies Playwriting Social and Behavioral Sciences Speech and Rhetorical Studies Theatre and Performance Studies Theatre History
63	Traversing the 24-Hour News Cycle: A Busy Day in the Rhetorical Life of a Political Speech Oddo, John 11 April 2011 (has links) No description available. Communication Journalism Linguistics Mass Communications Mass Media Military Studies Political Science Rhetoric Sociolinguistics Colin Powell critical discourse analysis intertextuality Iraq War journalism media multimodality news precontextualization recontextualization rhetoric systemic-functional linguistics
64	Selective intervention rethinking America's strategic employment of force / Bernth, Brian D. January 2008 (has links) Thesis (Master of Military Studies)-Marine Corps Command and Staff College, 2008. / Title from title page of PDF document (viewed on: Feb 8, 2010). Includes bibliographical references.
65	Operation Allied Force and the Weinberger-Powell Doctrine an analysis / Galfano, Christopher J. January 2008 (has links) Thesis (Master of Military Studies)-Marine Corps Command and Staff College, 2008. / Title from title page of PDF document (viewed on: Feb 2, 2010). Includes bibliographical references.
66	Actor Alone: Solo Performance in New Zealand Parker, George January 2008 (has links) This thesis explores solo performance in New Zealand. That solo performance has been widely used in New Zealand's relatively brief theatre history is usually ascribed to the economy, manoeuvrability and adaptability of the form - common reasons for the popularity of solo performance elsewhere as well. But this thesis considers solo performance as a kind of theatre that has been suited to New Zealand in a distinctive way. In particular, I argue that solo performance has emerged on the margins of mainstream theatre in New Zealand as a means of actively engaging with a sense of isolation that typifies the post-colonial New Zealand experience. The ability of the solo performance to move between remote rural settlements and urban centres has connected these New Zealand communities in a way that is unusual for theatre in New Zealand. Furthermore, a solo performer speaking directly to an audience about the experience of living in New Zealand allows for an intimate interaction with a traditionally stoic and laconic masculine society. In this thesis, I make a case for three solo performances where it is possible to see, in the representation of a search for what it means to be a New Zealander, a theatrical contribution to nation-building: The End of the Golden Weather (1959), Coaltown Blues (1984) and Michael James Manaia (1991). However, in a subsequent chapter, I look at solo performances in New Zealand that might better be understood within global movements such as feminism and multiculturalism. I argue that this shift has depleted the power that the form once held to comment upon New Zealand identity and to assist in the search for national identity. I conclude the thesis by considering how ongoing theatre practice may be informed by the experience of solo performance in New Zealand. solo performance theatre New Zealand theatre Bruce Mason Mervyn Thompson Jim Moriarty John Broughton The End of the Golden Weather Coaltown Blues Michael James Manaia The Case of Katherine Mansfield Cathy Downes A Long Undressing Michael Parmenter The Ballad of Jimmy Costello Tim Balme Krishnan's Dairy Jacob Rajan Ka Shue Lynda Chanwai-Earle Hatch or the Plight of the Penguins Geoff Chapple Stuart Devenie Colin McColl man alone performance solo community hall marae Free Theatre Ella Herbert Achternbusch actor alone
67	The Episcopal congregation of Charlotte Chapel, Edinburgh, 1794-1818 Harris, Eleanor M. January 2013 (has links) This thesis reassesses the nature and importance of the Scottish Episcopal Church in Edinburgh and more widely. Based on a microstudy of one chapel community over a twenty-four year period, it addresses a series of questions of religion, identity, gender, culture and civic society in late Enlightenment Edinburgh, Scotland, and Britain, combining ecclesiastical, social and economic history. The study examines the congregation of Charlotte Episcopal Chapel, Rose Street, Edinburgh, from its foundation by English clergyman Daniel Sandford in 1794 to its move to the new Gothic chapel of St John's in 1818. Initially an independent chapel, Daniel Sandford's congregation joined the Scottish Episcopal Church in 1805 and the following year he was made Bishop of Edinburgh, although he contined to combine this role with that of rector to the chapel until his death in 1830. Methodologically, the thesis combines a detailed reassessment of Daniel Sandford's thought and ministry (Chapter Two) with a prosopographical study of 431 individuals connected with the congregation as officials or in the in the chapel registers (Chapter Three). Biography of the leader and prosopography of the community are brought to illuminate and enrich one another to understand the wealth and business networks of the congregation (Chapter Four) and their attitudes to politics, piety and gender (Chapter Five). The thesis argues that Daniel Sandford's Evangelical Episcopalianism was both original in Scotland, and one of the most successful in appealing to educated and influential members of Edinburgh society. The congregation, drawn largely from the newly-built West End of Edinburgh, were bourgeois and British in their composition. The core membership of privileged Scots, rooted in land and law, led, but were also challenged by and forced to adapt to a broad social spread who brought new wealth and influence into the West End through India and the consumer boom. The discussion opens up many avenues for further research including the connections between Scottish Episcopalianism and romanticism, the importance of India and social mobility within the consumer economy in the development of Edinburgh, and Scottish female intellectual culture and its engagement with religion and enlightenment. Understanding the role of enlightened, evangelical Episcopalianism, which is the contribution of this study, will form an important context for these enquiries. 283
68	The Association of Libarians in colleges of advanced education and the committee of Australian university librarians: The evolution of two higher education library groups, 1958-1997 Oakshott, Stephen Craig, School of Information, Library & Archives Studies, UNSW January 1998 (has links) This thesis examines the history of Commonwealth Government higher education policy in Australia between 1958 and 1997 and its impact on the development of two groups of academic librarians: the Association of Librarians in Colleges in Advanced Education (ALCAE) and the Committee of Australian University Librarians (CAUL). Although university librarians had met occasionally since the late 1920s, it was only in 1965 that a more formal organisation, known as CAUL, was established to facilitate the exchange of ideas and information. ALCAE was set up in 1969 and played an important role helping develop a special concept of library service peculiar to the newly formed College of Advanced Education (CAE) sector. As well as examining the impact of Commonwealth Government higher education policy on ALCAE and CAUL, the thesis also explores the influence of other factors on these two groups, including the range of personalities that comprised them, and their relationship with their parent institutions and with other professional groups and organisations. The study focuses on how higher education policy and these other external and internal factors shaped the functions, aspirations, and internal dynamics of these two groups and how this resulted in each group evolving differently. The author argues that, because of the greater attention given to the special educational role of libraries in the CAE curriculum, the group of college librarians had the opportunity to participate in, and have some influence on, Commonwealth Government statutory bodies responsible for the coordination of policy and the distribution of funding for the CAE sector. The link between ALCAE and formal policy-making processes resulted in a more dynamic group than CAUL, with the university librarians being discouraged by their Vice-Chancellors from having contact with university funding bodies because of the desire of the universities to maintain a greater level of control over their affairs and resist interference from government. The circumstances of each group underwent a reversal over time as ALCAE's effectiveness began to diminish as a result of changes to the CAE sector and as member interest was transferred to other groups and organisations. Conversely, CAUL gradually became a more active group during the 1980s and early 1990s as a result of changes to higher education, the efforts of some university librarians, and changes in membership. This study is based principally on primary source material, with the story of ALCAE and CAUL being told through the use of a combination of original documentation (including minutes of meetings and correspondence) and interviews with members of each group and other key figures. CAUL ALCAE Higher Education Australia Libraries University Universities Colleges of Advanced Education CAE History Cooperation Interest Groups Lobbying Lobby Groups Federal Government Commonwealth Government Funding Australian Vice-Chancellors' Committee AVCC AACOBS Library Association of Australia LAA ALIA CAVAL CLANN ACDP Australian Bibliographical Network ABN ALIC ACAE Australian Universities Commission AUC CACAE ACAE CTEC Tertiary Education Commission TEC DEET NSWAEC UNISON Victor CRITTENDEN Paul McNALLY Andrew OSBORN Dorothy PEAKE Jack WARD Dietrich BORCHARDT Harrison BRYAN Ted FLOWERS Allan HORTON Neil RADFORD Denis RICHARDSON Colin STEELE Eric WAINWRIGHT Frank HAMBLY Geoff ALLEN Christopher AWCOCK Judith EDWARDS John CUMMINGS Katherine CUMMINGS Axel LODEWYCKS Derek FIELDING Leonard JOLLEY Brian SOUTHWELL John SHIPP James O'BRIEN Jessie HARLEY Bill HITCHINS Lois JENNINGS John YOCKLUNN

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