In order to explore the changing spatial politics and the changing ideas of "right to the city", I look in particular at how different ideologies have been used in different historical periods in planning the city, as well as the practices that led to spatial change. Using Henri Lefebvre's theory of the "right to the city", I suggest three dimensions in observing the right to the city, namely, the right to settle, the right to be different from the "modem city", and the right to keep the structure of meaning with regards to daily life and local space. By examining historical materials and using field work data, I show how "the right to the city" was ignored by the central and local governments during the planning process. I point out that the state always acts as the main factor that shapes the space of the city. The urban planning process was affected by the change of spatial politics, the politics of heritage, and the production of space from the state. Despite this, residents' daily lives help to shape the structure of meaning between their lives and their local space. Thus, the local residents have been able to find their own space in the city. / Quanzhou is a medium-size ancient city in Fujian, and as with other old cities in China today, its urban space became the arena of negotiation between different local and global social forces and the state. There is also great deal of politics and ambiguity around the concepts of "cultural heritage", and "modernization". / This research studies the changing spatial politics from the traditional to the modem state, and the factors that affect the form of space in Quanzhou's different historical stages. The central questions are: how have spatial politics led to the changes of local culture; in what ways have the local residents had their own right to the city and how have they reacted to the state's spatial politics? / 罗攀. / Adviser: Joseph Prosco. / Source: Dissertation Abstracts International, Volume: 73-04, Section: A, page: . / Thesis (Ph.D.)--Chinese University of Hong Kong, 2011. / Includes bibliographical references (p. 216-225). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [201-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Luo Pan.

This extended case analysis thus demonstrates the intricate relationship between complex state capacities and cultural hegemony. It aims to deepen our understanding of the cultural history and state nature of Mao's China; theoretically, it aims to bring the state back into the cultural analysis based on a more solid foundation of state theory and provide a reference case for applying state theory to analyze cultural and other issues. / This research is an empirical analysis of the cultural hegemony pursued by Mao's China (1949-1966) in the field of mass culture. Based on the empirical research of this study, and inspired by the perspective of "Bringing the State back in" School, and the "State in Society" theory as well, this research put forth the theoretical perspective of "Complex Vision of State Capacities", which highlights the uneven-ness of state capacities in different fields and different aspects of the same field, and emphasizes that we should pay attention to both the strong state capacities, weak state capacities, the paradox of strong state capacities, the conflict between different state projects and the influence of "policy feedback" on state capacities. Based on the Extended Case Method, this research selects the Dashijie Amusement Center in Shanghai as the subject of research. It analyzes how the new regime effectively took over and transformed Dashijie, and meanwhile, demonstrates that under the influence of the complex state capacities, Dashijie gradually lost its original characteristics as an amusement center, and became more and more similar with Workers' Club. This phenomenon is called as cultural isomorphism. Negotiational hegemony to some extent alleviated this situation of cultural isomorphism, while zero-sum hegemony exacerbated it. With this development, the number of audience of Dashijie dropped a lot, which implies the predicament of cultural hegemony in the field of mass culture pursued by the totalistic state. Following the methodological perspective of the Extended Case Method, and also inspired by Bourdieu's theory of cultural field, this research further analyzes the evolution of Shanghai Bureau of Cultural Affairs. It demonstrated that, compared with the Nationalist Government, the new regime took further step in state building in the field of mass culture, advancing the bureaucratization of cultural administrative apparatuses and penetrating the state power into the cultural field at the grass-roots level. On the other hand, this research also reveals that the new regime is constrained by the weak state capacities in financial resources, human capital, sufficient bureaucratization, and the limitation of state capacities in the heterogeneity of the masses and the asynchronous-ness of structural transformation. As a result, the state capacity of the totalistic state in eradicating the production and circulation of the old mass cultural products is relatively strong and thus relatively successful, while the state capacity in constructing a new socialist mass culture, which was expected to be widely accepted by the masses, is relatively weak and thus relatively unsuccessful. In the view of "Complex Vision of State Capacities", negotiational hegemony reflected the recognition of complex state capacities, and it was thus necessary and beneficial for the state project of cultural hegemony; while the zero-sum hegemony reflected lack of recognition of or even did not accept the situation of complex state capacities, and thus exacerbated the situation of cultural isomorphism, leading to the final predicatement of cultural hegemony. / 肖文明. / Adviser: Hoi-man Chan. / Source: Dissertation Abstracts International, Volume: 73-04, Section: A, page: . / Thesis (Ph.D.)--Chinese University of Hong Kong, 2011. / Includes bibliographical references (p. 323-339). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [201-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Xiao Wenming.

University of Macau / Faculty of Social Sciences and Humanities / Department of Portuguese

University of Macau / Faculty of Social Sciences and Humanities / Department of Portuguese

Made available in DSpace on 2015-05-14T12:23:17Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 710137 bytes, checksum: d99920b02ee152e0e051fc66c04d236d (MD5) Previous issue date: 2009-03-14 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This work is linked to the line of research Regional History, of the course of the mastership of Pos-Graduate in History from UFPB, whose the concentration area is History and Historical Culture Has as main objective, apprehend how the proposed sociability with the brazilian Semi-Arid has favored the (re) signification of education and the history teaching in the Municipal Elementary School Lili Queiroga. In this sense, in the second chapter developed a theoretical discussion of historical culture, school culture, representations and appropriations. Then we question the notion of sociability with the brazilian Semi-Arid from the understanding of what is brazilian Northeast, for to show the transformation the social and cultural in the educational of the Brazilian Semi-Arid context. Continuing, in the third chapter also analyzed legislation, parecer and parameters of the National Education Political, trying comprehend how they possibiliting the debate around the education contextualized. In this chapter also analyzed the didactic book contextualized "Knowing the Brazilian Semi-Arid Region 1 and 2" produced by RESAB and adopted in camp Acauã's elementary school in year 2007. Now in the fourth chapter we understand how the discussion about sociability go possibiliting the (re) construction of new knowledge, principally, referring to historical knowledge. The work's architecture is based in bibliographical source, oral history's methodology and documentary analysis of laws National Education Political. / Esta dissertação vincula-se à linha de pesquisa História Regional, do curso de mestrado do Programa de Pós-Graduação em História/UFPB, cuja área de concentração é História e Cultura Histórica. Tem, como objetivo principal, apreender como a proposta de Convivência com o Semi-Árido favoreceu a (re)significação da educação, e do ensino de história na Escola Municipal de Ensino Fundamental Lili Queiroga. Nesse sentido, no 2º capitulo desenvolvemos uma discussão teórica sobre Cultura histórica, cultura escolar, representações e apropriações. Em seguida problematizamos a noção de Convivência com o Semi-Árido a partir do entendimento do que seria o Nordeste, para mostrar as transformações das práticas sócio-culturais no contexto educacional do Semi-Árido Brasileiro. Dando prosseguimento, no 3º capítulo analisamos as legislações, pareceres e parâmetros da educação Nacional, tentando compreender como eles vêm possibilitando o debate em torno da educação contextualizada. Nesse capítulo analisamos ainda o livro didático contextualizado Conhecendo o Semi-Árido 1 e 2 produzido pela RESAB e adotado na escola do assentamento Acauã no ano de 2007. Já o 4º capitulo visa compreender como a discussão sobre Convivência vem possibilitando a (re)construção de novos conhecimentos, principalmente, os referentes ao conhecimento histórico. A arquitetura do trabalho se fundamenta em fontes bibliográficas, na metodologia da história oral e na análise documental das legislações da educação Nacional.

Orientador: Antonio Celso Ferreira / Banca: André Luiz Joanilho / Banca: Edgar Ávila Gandra / Banca: Eliane Cristina Deckmann Fleck / Banca: André da Silva Bueno / Resumo: O trabalho pretende apresentar uma abordagem no campo da história cultural ao privilegiar uma análise sobre o problema da construção do ufanismo e do ressentimento na formação da identidade luso-brasileira. Entendendo que o ufanismo e o ressentimento são comportamentos humanos subjetivos, complexos e contraditórios, identifiquei inicialmente a sua manifestação no Brasil colonial nos embates entre "paulistas" e "forasteiros" na região das Minas Gerais (Guerra dos emboabas, 1708-1709). Posteriormente, entre 1768 e 1774, durante o governo de Dom Luis Antônio de Souza Botelho Mourão (Morgado de Mateus), na capitania de São Paulo analisei como a construção da história paulista não só retomava as pendências (culturais, sociais, políticas e jurídicas) da Guerra dos Emboabas, mas também se estruturava em ressentimentos pessoal, coletivo e político. Sob um novo enfoque, foi analisada a documentação de André João Antonil, o códice Matoso, os pressupostos dos historiadores Frei Gaspar da Madre de Deus, Pedro Taques de Almeida Paes Leme, Francisco Tossi Columbina, Cláudio Manuel da Costa, Theotônio José Juzarte e, finalmente, a documentação de Afonso Botelho de Sampaio e Souza que consta de relatórios militares, correspondências e poesias. Identificou-se nestas fontes que o ufanismo e o ressentimento eram sensibilidades em oposição e correspondência, e estavam ligadas a uma identidade paulista fundamentada na contradição e na negação da realidade colonial. Seguindo este percurso, foram analisadas as ações e reações às manipulações sociais, ...(Resumo completo, clicar acesso eletrônico abaixo) / Abstract: This work intends an approach in the history cultural field in order to give advantages to an analysis about the problem of ufanism construction and the resentment in the formation of Portuguese-Brazilian identity. In order to understand that ufanism and the resentments are subjective, complex and contradictories human behaviors, It was first identified their manifestation in the Brazil colony in the from contends between "natives of São Paulo" and "outsiders" (called emboabas) in the region of Minas Gerais (Emboadas War 1707-1709). After that, among 1768 and 1774, in the government of Dom Luis Antônio de Souza Botelho Mourão (Morgado de Mateus), in the capitany of São Paulo, It was analyzed how the construction of Paulistan history , not only retook the (culture, social, politics and juridical) pendencies of Emboadas War, but also it structured themselves as personal, collective an politic resentment. These sensibilities appeared in Brazil from contends between "paulistans" or "natives of São Paulo" and "outsiders" (called emboabas) in the region of Minas Gerais (1707-1709). Later in the XVIII century, the ufanismo retook those pending contends being definitively structured by Paulistans in Historians into the conflicting process and social negotiation. By a new point of view it was focused on the documentation of André João Antonil, the Códice Matoso, the historian's presuppositions Frei Gaspar da Madre de Deus, Pedro Taques de Almeida Paes Leme, Francisco Tossi Columbina, Cláudio Manuel da Costa, Theotônio José Juzarte, and finally the documentation of Afonso Botelho de Sampaio e Souza ...(Complete abstract, click electronic access below) / Doutor

Orientador: Pedro Paulo Abreu Funari / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-12T06:36:02Z (GMT). No. of bitstreams: 1 AlarconJimenez_Andres_M.pdf: 1239842 bytes, checksum: c68438c196664a2c7c8eb603a5ed91a2 (MD5) Previous issue date: 2008 / Resumo: Essa dissertação aborda, estuda e debate diversos tópicos centrais sobre os usos do passado por meio da analise da construção da noção de sujeito contido nos livros didáticos de história da Colômbia de Jesús María Henao e Gerardo Arrubla, escritos por eles durante a comemoração do primeiro Centenário da independência da nação. Com esse intuito, essa pesquisa enfoca-se na forma na que eles reconstruíram a vida e figura de Policarpa Salavarrieta, heroína notável das suas narrativas por tratar-se duma das poucas figuras femininas que possuem um papel protagonístico nelas, bem como numa reconstrução do universo material onde os autores desenvolveram-se como seres humanos, nesse caso, a cidade de Bogotá, capital da Colômbia, nas últimas décadas do século XIX e na primeira do XX. A analise experimental concreta desenvolve-se ao redor da discussão e aplicação da teoria histórico-genética da cultura sobre as narrativas dos autores, bem como sobre diversas fontes secundárias escritas ou elementos da cultura material, que permitem dilucidar a forma do universo material contemporâneo deles. Portanto, trata-se dum enfoque epistemológico que procura estabelecer elos entre os processos ontogenéticos - aqueles que explicam o desenvolvimento do ser humano desde a infância desde um ponto de vista biológico e epistemológico -, e psicogenéticos - aqueles que explicam a ordem material do mundo a partir do qual cada sujeito constrói a sua própria subjetividade. Nesse sentido: a nossa idéia central é que cada um de nós constrói a sua própria idéia de história e de passado desde a infância e esses textos são um dos primeiros contatos que temos com uma área especializada em produzir e estudar discursos e conjuntos de cultura material para reconstruir o passado com o intuito de atingir as mentes dos sujeitos. / Abstract: This dissertation studies and debates central topics about the uses of the pasto Through experimental analysis, we try to reconstruct the idea of subject as presented in the Colombian history text-books written by Jesús María Henao and Gerardo Arrubla in the first decade of the XX century, in Bogotá, the country's capital, as part of the celebration the first 100 years of Colombian independence. To accomplish our goals, we focused our analysis in the figure of Policarpa Salavarrieta, the most prominent female character of their historical narrative aimed at children's education and, also, in their own material world. Our main task is to test the utility of the historic-genetic theory of culture as a way to study the process of internalization of history and memories through a lookingglass that allow us to conceive the interaction of each subject with its concrete environment and historical settings. In that context, our main goal is to explore the idea that each one of us develops its notion of "history" or "past", among, many other categories and skills, since childhood. / Mestrado / Historia Cultural / Mestre em História

Orientador: Orna Messer Levin / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-21T18:05:56Z (GMT). No. of bitstreams: 1 Rondinelli_BrunaGrasieladaSilva_M.pdf: 4061341 bytes, checksum: 7fa4a5a2e47935b288f76ae146b6cee3 (MD5) Previous issue date: 2012 / Resumo: Este estudo reconstitui as condições em que foram representadas as peças de Martins Pena (1815-1848) no Teatro de São Pedro de Alcântara, entre os anos de 1838 e 1855, a partir de informações recolhidas nos anúncios de espetáculos, crônicas teatrais e cartas de espectadores publicadas pela imprensa fluminense oitocentista. A contextualização dos espetáculos - levantamento de dados acerca da mise en scène, do repertório, dos programas e artistas atuantes - iluminou assuntos e propôs respostas possíveis a questionamentos sobre a produção dramática de Martins Pena, tais como as motivações para a composição de suas comédias e as condições em que estas foram recebidas pela crítica e público. Martins Pena escreveu um total de 22 peças cômicas; destas, 18 estrearam entre outubro de 1838 e dezembro de 1846 no São Pedro de Alcântara, em sua grande maioria nos programas de espetáculos beneficentes em favor de atores, dentre os quais Estela Sezefreda (1810-1874), esposa de João Caetano (1808-1863), e os portugueses Manoel Soares (?-1859) e Ludovina Soares (1802-1868). O Judas em Sábado de Aleluia, Os Irmãos das Almas e O Noviço foram as suas comédias mais encenadas durante as décadas de 1840 e 1850. Essas peças, tecidas por recursos farsescos, dialogam com a estética do melodrama francês, adaptam discussões trazidas pelos periódicos do Rio de Janeiro e satirizam as ordens religiosas, a polícia, as leis civis e criminais do Império. A reconstrução do contexto de criação das obras de Martins Pena nos permite concluir que o comediógrafo foi influente na constituição dos benefícios teatrais oferecidos pelos artistas do São Pedro de Alcântara, espectador dos programas desse teatro, leitor e censor de seu repertório, e um autor que, além da busca de divertimento, tinha uma mensagem social para transmitir à platéia / Abstract: This study reconstitute the conditions in which Martins Pena (1815-1848) plays were represented at the São Pedro de Alcântara Theater, during the years 1838 to 1855, using information gathered from spectacles' announcements, theatrical chronicles and letters from spectators published in the fluminense press of the eighteenth century. The contextualization of the exhibitions - data acquisition about the mise en scène, the repertory, the programs and the acting artists - illuminated issues and proposed possible answers to questions about the Martins Pena's dramatic production, such as the motivations to compose his comedies and how was the public and critic reception. Martins Pena wrote 22 comic plays; 18 of these were first time staged between October of 1838 and December of 1846 at the São Pedro de Alcântara Theater, mostly during the programs of the spectacles in benefit of actors, as Estela Sezefreda (1810-1874), wife of João Caetano (1808-1863) and the portuguese Manoel Soares (?-1859) and Ludovina Soares (1802- 1868). O Judas em Sábado de Aleluia, Os Irmãos das Almas and O Noviço were his most staged comedies during the decades of 1840 and 1850. These plays, woven with farcical means, dialogue with the french melodramas' esthetic, adapt discussions present in the Rio de Janeiro daily journals and satirize the religious orders, the police, the civil and criminal laws of the Empire. The reconstruction of the Martins Pena's creation context allowed us to conclude that the comediograph had influence on the organization of theatrical programs in benefit of actors at São Pedro de Alcântara Theater, were spectator of these programs, reader and censor of their repertory, and an author who searched not only to give entertainment to the audience, but also to transmit a social message / Mestrado / Historia e Historiografia Literaria / Mestra em Teoria e História Literária

The diploma thesis, based primarily on the method of oral history, deals with selected chapters from the life of Petr Rýgr, a dissident and a person belonging to the circle of parallel culture. It is conceived as an episodic biography, while in the course of the research it follows the topic of the desire for a free life in a represive regime. The time limit corresponds to the period, called as "normalization" in socialist Czechoslovakia. The work captures the life of a dissident on a regional scale, on the border of the districts of Trutnov and Náchod. Rýgr's life is viewed in the text from several perspectives, primarily the self-concept of the protagonist, the view of his friends, and then the view of the author of the work based on the interpretation of interviews and the study of written sources. The individual chapters deal with Rýgr's adolescence, the possible degree of formation by opinion authorities, Václav Havel or Jaroslav Foglar, as well as life in a parallel, unofficial world, the issue of work duty or the October 1989 event when Petr Rýgr sent an advertisement to Rudé právo congratulating Václav Havel alias Ferdinand Vaňek on his birthday. The work subscribes to a personalistic approach, while in accordance with it, the researched personality of Petr Rýgr is perceived as a phenomenon...

The dissertation analyses the reliefs and paintings on thirty-one different tombs in Western Anatolia erected between 600 and 450 BC, in order to illuminate the ways in which non-Greek elites were identified on their memorials. The tombs from three areas are treated: Phrygia, Hellespontine Phrygia and Lydia, where the primary language groups were Phrygian, Mysian and Lydian. There is little literary evidence for these regions, and what there is tends to focus on political developments. Descriptions of people and society are few, and tend to represent them from an outside perspective, grouping them according to cultural characteristics which differentiate them from Greeks. It is clear, however, that the regions were important, prosperous places, controlled by illustrious grandees and land marked with a relatively high proportion of monumental tombs. Of these monumental tombs, there is a relatively high number decorated with striking and articulate images. There is much to be gained from examining the images on these tombs, as ‘indigenous’ sources for how elite Western Anatolians described themselves. Previous approaches to the tombs and their images have tended to look at them individually or in smaller groups, and to concentrate on the transmission and reception of Persian and Greek culture in the Achaemenid provinces. This dissertation contributes a broader comparative study of the decorated tombs, focussing on the kinds of statuses the images represent and the cultural forms these took. By comparing the various methods of self-representation, it clarifies patterns of identities in Western Anatolia and their relationship to historical circumstances. The dissertation is divided into five chapters. An introduction outlines the scope and sample, the historical background, previous studies of the monuments, the definition of ‘identity’ and the methods of analysis adopted here. Three case study chapters present the regions and the decorated monuments within them. A concluding chapter synthesises three aspects: social identities (roles and spheres of life represented); geographic and chronological patterns; and cultural affiliations and orientations. The dissertation concludes that a tension between Persian identities and local traditions is evident in some of the tomb images, which relates to the political upheavals in Western Anatolia and the Aegean at the time of the Persian Wars.