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This thesis is an analysis of the representations of Deaf identity in a major English Canadian newspaper, the Toronto Star. A qualitative case-based discourse analysis was used to examine a documented interaction between the Toronto Star and eleven Deaf community leaders and allies. This research found that the most frequent use of ‘deaf’ is metaphorical and of the non-metaphorical uses, ‘Deaf’ identity is predominantly constructed from a pathological paradigm. The findings of this research provide a valuable perspective from a non-dominate cultural group, the Canadian Deaf community, on the representation of Deaf identity in mainstream print news media. It also makes linkages between the representations of Deaf identity and the experiences of these representations by Deaf people, and links the perspectives of this cultural group to the broader body of research related to minority identity negotiation in mainstream media.

This thesis is an analysis of the representations of Deaf identity in a major English Canadian newspaper, the Toronto Star. A qualitative case-based discourse analysis was used to examine a documented interaction between the Toronto Star and eleven Deaf community leaders and allies. This research found that the most frequent use of ‘deaf’ is metaphorical and of the non-metaphorical uses, ‘Deaf’ identity is predominantly constructed from a pathological paradigm. The findings of this research provide a valuable perspective from a non-dominate cultural group, the Canadian Deaf community, on the representation of Deaf identity in mainstream print news media. It also makes linkages between the representations of Deaf identity and the experiences of these representations by Deaf people, and links the perspectives of this cultural group to the broader body of research related to minority identity negotiation in mainstream media.

In this thesis, I examine the relationship between deafness, women, and performance in Mark Medoff's Children of a Lesser God. The play was a massive popular success, both in its run on Broadway and its movie adaptation. Deafness and deaf people had never been so visible in American hearing culture. More importantly, the play coincided with civil rights movements by people with disabilities, which culminated in the passage of the Americans with Disabilities Act. Disabilities, including deafness, were called into being as part of a national identity. These movements posited self-determination but ultimately relied and thrived on a communal and relational sense of identity. I argue that the play challenges individualistic modes of identification through its protagonist, Sarah, a deaf woman whose "voice" is always translated through the audience. The play overtly and politically calls for a reconceptualization of American identity along the lines of deaf or disability and female identity theories, which typically value community and interdependence over individualism. Moreover, the genre amplifies this call for community. / McAnulty College and Graduate School of Liberal Arts; / English / MA; / Thesis;

Thesis (Ph. D.)--University of Washington, 2003. / Vita. Includes bibliographical references (p. 234-243).

Deaf-Latina/Latino Critical (Deaf-LatCrit) Theory in Education is a new theoretical proposition for this qualitative study. Deaf-LatCrit recognizes and validates Deaf-Lat epistemology and challenges the topic of racism and linguicism in educational research. This study explores the multiple identities and experiences of five Deaf-Latina/o (Deaf-Lat) high school students. Deaf-Lat students reside at a residential school for the Deaf, "Rainy State School for the Deaf" (RSSD), during the week and go home for the weekend, traversing from the margin to the center of educational scholarship and discourses. The intention of this research is to explore the singular Deaf identity discourse and its inter-group diversity in the field of Deaf Studies, particularly in education. This study examines the main question: What are the intersectional identities and experiences of high school Deaf-Lat students enrolled in a residential school for the Deaf? The methods include demographic questionnaires, semi-structured interviews, participant observations, and cultural documents/artifacts. Using Deaf-LatCrit ethnographic techniques, the researcher worked with Deaf-Lat students and their families for over one year at each Deaf-Lat student's home and RSSD. This study emerges with two themes: cultural-emotional ties and microaggressions. First, it discusses how Deaf-Lat students' cultural-emotional ties in certain spaces make reference to their multiple intersecting identities. The second theme discusses how Deaf-Lat students experience multiple microaggressions and how their agentic behaviors help them cope. The findings suggest the need to look beyond Deaf identity by embracing the multiple intersectional race, class, gender and sexual orientation identities of Deaf-Lat students, particularly in schools. Understanding the experiences and overlapping identities of Deaf-Lat students can promote that residential school administrators and classroom teachers explore into their privilege(s) and learn about the history of institutional and individual racism and linguicism. These findings can push for the creation of safe spaces for Deaf-Lat students in the field of education and other multiple disciplines. / text

The role of the practitioner assessing social-emotional functioning of deaf and hard of hearing (DHH) youth is complex and requires extensive cultural, linguistic, and educational training. The range of required competencies, the insufficient number of professionals currently in practice, the dire need for service provision, and the ultimate influence of service provision on youth functioning merit deeper exploration of the challenges faced while assessing social-emotional functioning. This study employs a grounded theory approach to analyze semi-structured interview data from 13 school- and community-based professionals to explore challenges related to the assessment and conceptualization of social-emotional functioning of DHH youth. Seven key categories emerged from the data: challenges in early training and supervision, challenges in gathering sufficient background information, dual challenges in employing specialized assessment and therapy techniques, challenges in writing descriptions of youth functioning, challenges in working with interpreters, and the need for professional support. Future directions and implications for future generations of practitioners are discussed. / text

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