Under våren 2007 var jag på ett föredrag som hölls av Björn Persson, VD i företaget Vilax AB. Föredraget handlade om måttbeställda handsnörda spiralkärnor som företaget använder vid produktion av sängar och möbler till både offentliga och privata kunder. Mitt intresse fångades och jag började fundera på hur tapetserare kan dra nytta av denna teknik. Detta resulterade i att jag praktiserade två veckor hos Vilax AB under hösten 2008. Idag använder man denna typ av spiralkärnor tillsammans med moderna material som exempelvis skum, men nog skulle man väl kunna använda dem tillsammans med traditionella material. Detta skulle kunna underlätta resårarbete i en möbel och samtidigt effektivisera tapetserarens arbete. Visst borde man kunna blanda moderna och traditionella material i en möbel. Man kan fråga sig om det är kommersiellt försvarbart att snöra ett resårhus för hand om man kan köpa en färdig måttanpassad spiralkärna. Utöver praktiken hos Vilax AB har jag arbetat praktiskt med en äldre Emmafåtölj från slutet 1800-talet. Fåtöljens gamla resårer har tagits bort och ersatts med en måttbeställd handsnörd spiralkärna från Vilax AB som sedan stoppats med traditionella material såsom linnevävar och tagel. Det är detta mitt examensarbete handlar om.

This study was designed to portray some of the personal attributes of Emma Lou Diemer, a contemporary composer, and to describe her compositional processes and products through videotaped interviews. Over a two year period and during five days of interviews and discussion, Dr. Diemer and this writer developed a rapport allowing the composer to reveal insights into her attitudes about music composition and her methods and techniques for composing. The writer then prepared and edited the videotaped interviews specifically for the following purposes:1. to provide insight into Emma Lou Diemer's philosophy of music composition2. to offer first-hand commentary on two of her own compositions3. to give composers and conductors insight, in Dr. Diemer's own words, into her compositional processes.The two videotapes central to this study provide visual records of the discussions of the composer at work, thereby allowing viewers access to her original comments, facial expressions, conversational nuances, and humor. The tapes show Dr. Diemer's energy, vitality, and sense of purpose as she continues to seek creative channels within her chosen field of composition.The videotapes are supported by a written document containing background information, related literature, and a biography of Emma Lou Diemer. Chapter four contains the narratives of the videotaped interviews and a discussion of two of Diemer's compositions, "There is a Mom Unseen" and "To Come So." The final chapter includes a summary and recommendations for further research.The writer recommends the use of videotape for recording interviews with contemporary composers; this medium was an effective tool for this study. Suggested procedures include: the recording of a composer's perspectives on interpretations of his/her compositions, recording of composing techniques, videotaping of the composer as performer or conductor, and videotaping of related performances of a composer's works by selected individuals and groups.Suggested audiences for the videotapes prepared for this study are: 1. university composition classes;2. conductors preparing to present compositions by Emma Lou Diemer in concert;3. high school groups looking at composition as a career;4. individuals who wish to study Dr. Diemer's compositional processes and style. / School of Music

Thesis (M.S.)--Boston University

Making extensive use of oral interviews with the surviving children, this thesis is an biography of Oscar and Emma Swett and their children, who lived on a homestead in Greendale, Utah, (near Flaming Gorge Reservoir) from 1909 to 1970. The family is representative of a group of families who moved to Greendale and engaged in small-scale cattle ranching. The introduction of new technology changed their lifestyles and homestead economics, while simultaneously Greendale evolved from a rural agricultural environment to become part of a National Recreation Area.

The problem of this thesis concerns itself with the questions: Why did Emma Smith oppose the men who were in the leading council of the Church and who were the closest friends of her husband? What was her attitude towards the Church her husband founded? What kind of woman was she, and what effect did she have upon her husband and the Church he organized?It will be the purpose of this thesis to point out some significant facts pertaining to these questions, garthered in the main, from primary sources such as the Journal History of the Church of Jesus Christ of Latter-day Saints, news clippings from newspapers published in Illinois, Iowa and Missouri at the time Emma Hale was living and from the Woman's Exponent of the same time. A gleaning of material has also been made from the six volume History of the Church and the Comprehensive History of the Church, Mormon source books, and the one volume, Story of the Church and from the four volumes of the History of the Reorganized Church of Jesus Christ of Latter-day Saints, source materials of the Reorganized church.The more personal details in the life of Emma Smith as recorded in this thesis are statements made by her mother-in-law, by a grand-daughter, and by her husband.

No description available.

Made available in DSpace on 2016-08-10T11:07:06Z (GMT). No. of bitstreams: 1 Allyne Alves Marques Pimenta.pdf: 632366 bytes, checksum: 87dfc304d0c6139f4be0ea48dbe76efd (MD5) Previous issue date: 2012-02-01 / This work is mainly aimed to develop a study of evolution of the feminine being, his voice, his sexuality, swaying and precepts that make up your identity, engaging in the rich history of characters Penelope and Emma Bovary, analyzing the dimensions of the heroin Penelope as initial prototype and Emma Bovary as her frontal negation passing by Lisístrata, as an element of disruption and destabilization as many female archetypes of Western literature throughout the ages. The analysis is extended to the study of the role of women in societies where the heroines are inserted studied here, in communion with the theory that art is the representation of an entire history of a people at a given time. The counterpoints are located, at first, in Emma Bovary, seeking the fulfillment of their wishes, unlike Penelope, submissive just waiting for her husband. Concomitantly, Ulysses is the negation of Charles Bovary, even with their treachery, it is still a great man and praised her husband, Charles contrary to the bland, which is not able to arouse and maintain the feeling of passion in his wife, who was looking unhappy marriage love so desired. It happens to break with the bourgeois and sexist society, which always spread that the wife should be restricted to the heart of the home. Therefore, this study goes through several literary characters, and also makes a brief analysis of the various types of love present in marital relations, confronted the figures of the submissive woman who passively accept their fate and woman fighter who seeks fulfillment in all their spheres. / Este trabalho tem como objetivo central desenvolver um estudo da evolução do ser feminino, de sua voz, de sua sexualidade, dos meneios e preceitos que compõem sua identidade, ocupando-se da rica trajetória das personagens Penélope e Emma Bovary, analisando as dimensões da heroína que tem em Penélope o seu protótipo inicial e Ema Bovary como sua negação frontal, passando por Lisístrata, como elemento de ruptura e desestabilização tal como vários arquétipos femininos da literatura ocidental ao longo dos tempos culminado no estudo de personagens contemporâneas. A análise se estenderá ao estudo do papel feminino nas sociedades em que estão inseridas as heroínas aqui estudadas, em comunhão com a teoria que a arte é a representação de toda uma história de um determinado povo em determinada época. Os contrapontos situam-se, a priori, em Emma Bovary, que busca pela realização de seus desejos, ao contrário de Penélope, submissa que apenas espera por seu esposo. Concomitante, Ulisses é a negação de Charles Bovary, mesmo com suas traições, ainda é um louvado homem e grandioso esposo, contrário ao insípido Charles, que não é capaz de despertar e manter o sentimento de paixão na esposa, que, infeliz, procura fora do casamento o amor tão sonhado. Acontece a ruptura com a sociedade machista e burguesa, que sempre disseminou que a esposa deveria ficar restrita apenas ao seio do lar. Ruptura que se verifica solidificada no atual século. Para tanto, este estudo perpassa várias personagens literárias e, ainda, realiza uma breve análise dos tipos vários de amor presentes nas relações conjugais, confrontando as figuras da mulher submissa, que aceita passivamente o seu destino, e da mulher lutadora, que busca a sua realização em todas as suas esferas.

No description available.

Le thème de cette thèse est le droit des femmes à la fin du dix-huitième siècle dans les romans de l’auteure britannique Jane Austen. L’abus psychologique (et parfois physique) entre femmes est omniprésent au moment où le sujet de l’égalité entre hommes et femmes est à son apogée. Depuis la publication du volume Jane Austen and the War of Ideas de Marilyn Butler, on ne limite plus nos interprétations aux significations littéraires des romans, au contraire, elles se multiplient dans les champs culturels, sociaux, économiques... Ceci permet de mieux comprendre l’époque reflétée dans ses oeuvres. Les interactions humaines se compliquent: les mères essayent à tout prix de « vendre » leurs filles à l’homme le plus riche. Pour ce faire, ces mères résistent aux normes patriarcales. De plus, les femmes veuves sont problématiques car leur statut social ne peut pas être défini. Austen peint et critique les veuves autonomes qui essayent vigoureusement d’exercer leurs pouvoirs à travers leur sexualité et en manipulant leur vocabulaire dans le but de monter dans l’échelon social. En fait, les femmes de tous âges et toutes classes essayent de manipuler les autres pour leurs gains personnels. L’obtention de pouvoir fait en sorte que ces femmes compétitives ne créent pas une société inclusive: elles se marginalisent encore plus. Ce combat interne permet d’autant plus aux hommes d’injurier les femmes. Finalement, avec la montée du cinéma de nos jours, les oeuvres d’Austen sont traduites pour atteindre un grand nombre de spectateurs. Parmi la panoplie de films, l’abus est traduit et interprété à différents degrés. / The focus of this study is women’s rights in Jane Austen’s novels. Despite the increasing awareness of individuality and human rights, psychological (and often physical) abuse exists. After Marilyn Butler’s seminal study Jane Austen and the War of Ideas, Austen is better understood within the contexts of her time. Human relationships are much more complicated as mothers try to “sell-off” their daughters to the highest bidder. These women attempt to secure their own financial future regardless of their children’s wishes or patriarchal norms. Moreover, widows who once exercised power through their husbands see this power relinquished, as society tries to identify their social status. Austen criticizes independent widows who try to obtain power by using their sexuality and manipulative language. The need for control spreads to all females no matter their social standing. This develops a competitive nature amongst them that limits the growth of society. This lack of unity allows men to abuse women themselves. Finally, with the advent of film studies, it is important to look at Austen novels translated into this media. Directors interpret abuse in various degrees, but most acknowledge its presence.

L’archipel du Cap Vert constitue de 10 iles volcaniques appartient a la zone sahelienne qui s’etend de l’atlantique jusqu’a la mer rouge. Depuis, plusieurs decennies le Cap Vert est affecte par la desertification causee en grande partie par la recession climatique et l’erosion des sols. Ces facteurs, associes a la forte pression anthropique sur les ressources, a l’orographie accidentee et a des pluies tropicales parfois diluviennes, provoquent de serieuses pertes du patrimoine foncier. Cependant, depuis son Independance en 1975, le Gouvernement a mene un vaste programme d’arborisation, de restauration des terres et d’amenagement des cours d’eau. Pourtant, tres peu de recherches ont ete menees pour evaluer les actions de protection et de conservation des sols et des eaux. Par consequent, il n’existe quasiment pas de donnees sur la problematique de la degradation des terres ni de bilans. Dans le cadre de ce travail, nous avons etudie les differents facteurs qui controlent l’erosion hydrique des sols. Nous avons plus particulierement cherche a differencier les effets des activites humaines, notamment agricoles, de ceux des facteurs climatiques comme les precipitations et la generation des ecoulements. Nous avons egalement etabli les premiers bilans d’exportations de matieres en suspension et en solution dans le contexte de l’archipel du Cap Vert. L’etude a ete menee a l’echelle de trois bassins versants de l’ile de Santiago Cap-Vert. Ces trois bassins versant (Longueira, Grande et Godim) sont localises dans la partie centrale de l’ile de Santiago et representatifs des divers modes d’occupation du sol et des differents climats de l’ile. Il existe un gradient climatique entre les trois bassins versants. En effet, Longueira qui presente une superficie de 4,18 km2, une pente moyenne de 47 %, se localise dans une zone humide couverte a 69 % par une foret et une surface agricole de 17 %. Grande avec une superficie de 1,87 km2, se localise en zone sub humide pour une pente moyenne de 50 %, il est essentiellement agricole. Godim, avec une superficie de 2,0 km2, se localise en zone semi aride, il est particulierement agricole et sa pente moyenne est de 32 %. Pour ces trois bassins versants, les ecoulements de crue a l’exutoire ont ete mesures et echantillonnes de 2004 a 2009. Le bassin versant de Longueira a fait l’objet d’un suivi plus pousse, notamment en termes de frequence d’echantillonnage et de suivi des ecoulements hors crue. Sur chaque echantillon nous avons procede a la determination de la concentration des matieres en suspension ainsi qu’a l’analyse des elements majeurs. Les resultats obtenus montrent que l’erosion mecanique dans les 3 bassins versants est caracterisee par une forte variabilite spatiale et temporelle. Sur la periode 2005-2009, le bilan moyen annuel pour les bassins versants de Longueira, Grande et Godim est de : 4266, 157 et 10,1 t.km2.an-1 respectivement. La saison humide 2006 a ete la plus erosive pour l’ensemble des trois bassins versants et particulierement dans Longueira avec 2 crues exceptionnelles qui ont genere une concentration moyenne de matieres en suspension superieure a 100 g/l. En revanche, les saisons 2005 et 2008 ont ete dans l’ensemble peu erosives car les concentrations moyennes ne depasserent pas 20 g/l. Par ailleurs, il n’y a pas eu de lames d’eau ecoulees pour les saisons 2005 et 2007 pour le bassin de Godim. Sur le bassin de Longueira, l’etude des phenomenes d’hysteresis permet de caracteriser chaque crue et de montrer que l’evolution temporelle des exportations de matieres en suspension au cours de la saison est fortement influencee par les activites agricoles. En effet, la premiere crue provoque l’exportation massive des sediments disponibles et localises dans le lit du cours d’eau. En consequence, la seconde est moins exportatrice de sediments. etc / The archipelago of Cape Verde comprises 10 volcanic islands and belongs to the Sahelian zone stretching from the Atlantic to the Red Sea. Since several decades, Cape Verde is affected by desertification caused largely by climatic recession and soil erosion. These factors, coupled with high population pressure on resources, rugged topography and torrential tropical rains, cause serious losses of lands. However, since its independence in 1975, the Government conducted an extensive program of afforestation, soil and water conservation. Nevertheless very little research has been conducted to evaluate the actions of protection and conservation of soil and water. Therefore, there is no data on the problem of land degradation or budget. As part of this work, we studied the various factors that control soil erosion by water. Specifically, we sought to differentiate the effects of human activities including agriculture, those climatic factors such as rainfall and runoff generation. We also established the first mass budget of suspended and dissolved load in the context of the archipelago of Cape Verde. The study was conducted across three watersheds of the Santiago Island, Cape Verde. These three watersheds (Longueira, Grande and Godim) are located in the central part of the island and are representative of various types of land use and of the different climates of the island. There is a climatic gradient between the three watersheds. Indeed, Longueira which covers an area of 4.18 km2, an average slope of 47 % is localized in a humid zone and covered to 69 % by forest and the agricultural area is 17 %. Grande with an area of 1.87 km2, is localized in sub humid zone for an average slope of 50 %, it is mainly agricultural. Godim, with an area of 2.0 km2, is localized in semi arid, it is particularly agriculture and its average slope is 32 %. For these three watersheds, flood flows at the outlet were measured and sampled from 2004 to 2009. Watershed Longueira has been further monitoring, particularly in terms of sampling and monitoring of flood flows out. On each sample we determined the concentration of suspended sediment and we analyzed dissolved major elements. The results show that mechanical erosion in the three watersheds is characterized by high spatial and temporal variability. Over the period 2005-2009, the average annual budget for Longueira, Grande and Godim watersheds is: 4266, 157 and 10.1 t.km2.an-1 respectively. The wet season 2006 was the most erosive for all three watersheds, particularly in Longueira with 2 exceptional floods that have generated an average concentration of suspended sediment exceeding 100 g/l. In contrast, the seasons 2005 and 2008 have been generally low erosive because mean concentrations did not exceed 20 g/l. Moreover, there was no runoff for the seasons 2005 and 2007 for the watershed of Godim. In Longueira watershed, the study of hysteresis phenomena can characterize each flood and show that the temporal evolution of suspended sediment yield during the season is strongly influenced by agricultural activities. Indeed, the first flood caused the massive export of sediment available and located in the bed of the watercourse. Accordingly, the second exported less sediment. One month after the first rains, weeding activities decreased the density of vegetation cover and deconstruct the superficial soil, which again caused a very strong export of sediments during the third run off. The results of the chemical erosion in the watershed of Longueira indicate that the budget of chemical erosion rate is 45 t.km-2.an-1 with a strong temporal variability. Indeed, the wettest seasons of 2006 and 2007 are the most export of dissolved load, whereas 2005 had a low export. The use of model mixtures EMMA (End-Members Mixing Analysis) shows that the interflow and deep, feeding the streams in dissolved elements are the main factors of chemical erosion. etc